Photography Landscape Paintings

3-D hand made artwork using Perler beads and mixed media in a found painting in a vintage frame the artist lives and works out of Sweden and is represented by Krause Gallery in NYC

Evening On the River, The Landing Restaurant oil/canvas 14 x 16 unframed, 20 x 22 framed Evening on the River is an impressionistic realism landscape oil painting that showcases a be...

An original seascape painting that brings the essence of island beauty to life. Featuring a richly textured, tree-covered rock formation surrounded by stunning blue-green waters, thi...

Artist/ School: R. Gore (British, 20th century), signed and dated 1978 Title: The Windswept Beach Medium: oil painting on canvas, framed Size: painting: 18 x 24 inches, frame: 23...

The Shepherd by Ben George Powell, British contemporary artist acrylic on canvas unframed canvas: 19 x 19 inches provenance: private collection of this artists work, UK The painting ...

Margaret Layton (20th century). Greenwich Village shops (pair). Oil on board, each measures 6 x 13 inches; 10 x 17 inches framed. Each is signed lower left. No damage or conservation...

Title: French Watercolour Portrait of a Woman with Intense Gaze by Fanch Lel (French b. 1930) Signed: Yes Size: 8.25 inches (height) x 6.75 inches (width) Watercolor and Gouache pain...

ARTIST: Norman Battershill RBA ROI PS (1922-2010) British TITLE: "Paris & The Eiffel Tower At Night" SIGNED: lower right MEDIUM: oil on board SIZE: 50cm x 40cm inc frame CONDITION...

Gaston Robert Peitrequin (1915-1990) was a Swiss artist, primarily known for his landscape and Alpine scene paintings. Born in Switzerland, he drew inspiration from the surrounding m...

20th C French Impressionist landscape a Villa in the South of France or Rivera. Lucien Potronat was a French painter best known for his depictions of ...

Ahzad Bogosian After the Rain at the Lake acrylic on canvas 12h x 12w in 30.48h x 30.48w cm Framed Dimensions 13.25h x 13.25w in 33.66h x 33.66w cm AZB160 Ahzad Bogosian SOLO EXHI...

William Hart (1823-1894), a Scottish-born American painter and member of the Hudson River School, famous for his oil paintings of atmospheric landscapes and cattle. His works are inc...

The Thatched Cottages by Eva Walbourn (active 1880-1930) Eva was the wife of the late 19th/ early 20th century English artist, Ernest Walbourn. oil on board, framed framed: 14.5 x ...

20th Century Oil painting of an Impressionist River Landscape of Cahors, France Moroney was born on the 14th of February 1949 in South London. Of Anglo Irish parentage, his father was typical of his generation and worried about Ken’s artistic temperament which he viewed as effeminate. As a result, Ken took up boxing and won a gold medal for South London in his teens. His art continued to flourish with his trademark striking use of color. His main medium oils and he favors romantic subjects of Edwardian times. Ken has traveled extensively and spent 2 years working for major galleries in New York. The Royal Academy nominated him in 1976 as being one of the few promising young artists to emerge this century: "Ken Moroney has considerable talent, any painting purchased now can only be seen as a sound long term investment." Ken Moroney's work now hangs in many important collections and has had paintings exhibited at The Royal Academy (London), and the Kline Galleries (Canada). The painting came from a private collection and previously came from Duncan Miller...

Carl Lawless (1894-1963) Circa 1915-1920 Signed lower left Oil on Canvas 17x17 inches image size 21x21 inches with frame Good Condition A beautiful American Impressionist Painting b...

Coastal Seascape by Georges Bordonave (French contemporary) signed oil painting on canvas, framed dated framed: 13 x 15 inches condition: very good provenance: from a large privat...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame.

Eugène VERBOECKHOVEN Warneton, 1798 – Schaerbeek, 1881 Oil on wood panel 42 x 33.5 cm (58 x 50 cm with the frame) Signed, dated and located lower right “EJ Verboeckhoven / 1826 / à G...

The Horse Race French artist, circa 1960's signed oil on canvas, framed framed: 23 x 28.5 inches canvas: 20 x 26 inches provenance: private collection, Paris condition: very good and...

Day and Night II is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink, colour pigments, gold and silver leaf on Japanese cardboard...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

OIL PAINTING LARGE SALVATORE COLACICCO (NAVY ADMIRALTY 20th CENTURY Very good condition for age , (see pictures) FINE RARE MARTINE PAINTING ORIG...

Contemporary realistic Colorado landscape nature painting by Houston based artist Jerry Greenberg. The work features sunlight streaming onto a rock path lined with aspen trees. Signed in the front lower right corner as well as titled on the reverse. Currently hung in a gold frame. Dimensions Without Frame: H 24 in. x W 24 in. Artist Biography: I have a deep appreciation for nature. In my work I seek to convey the landscape as I experience it emotionally as well as visually. I travel frequently throughout the United States and Europe in search of new landscapes. Some of my favorite subjects include rivers and creeks in the Texas hill country; aspen trees in the Rocky Mountains; ponds in New England; and lush rolling hills in the English countryside. My influences include French and Russian Impressionists and early California landscape...

5198 Japanese India ink Bamboo painting Image size 12x15"

Pink Tulips - Small and intimate, this original artwork on watercolour paper captures a glimpse of pink tulips dancing in an open field. Layering of acrylic and oil pastel with intui...

Georg Garbe (19th Century) "Alpine River Landscape" This captivating 19th-century oil painting on canvas by Georg Garbe presents a breathtaking Alpine landscape, featuring a rushing ...

This evocative pastel painting by Victor Jernbergh, dated 1917, captures the serene and enchanting scene of a river at dusk. The central composition is dominated by a lone pine tree ...

Early 20th-Century Antique English Autumn/fall river landscape. Sidney Pike was a prolific landscape and genre artist exhibiting between 1880-1907, London based originally he seems ...

"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Ivan Summers: 1889-1964. Well listed and important American impressionist. He has had auction results as high as $6,670. He studied at the St. Louis Scho...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

19th century French scene of Lovers walking in a Garden, in 17th century costume original frame Wonderful 19th century classical Genre scene, painted with great skill and delicasicy . The artist has captured the meetiung of the two lovers...

Title: Around winter Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Italian impressionist artist, circa 1950’s signed oil painting on canvas, framed in original frame framed: 22 x 26 inches canvas: 16 x 20 inches provenance: private collection, Belgi...

Austin Howlett's "Light After Dark" is an original, handmade oil painting that depicts a larger than life woman reclining in a landscape of mountains. ...

Gregory Sumida (American, b.1948) 'Pick-Up Crossing' Oil paint on masonite board. Hand signed lower right 1976 Depicting a rural landscape and buildings, in a linen-lined pickled w...

Italian artist Daniela Astone lives and works in Florence. She enjoys working with live models and paints her works from observation, the classical appr...

Artist/ School: English School, circa 1970's, indistinctly signed lower corner. Title: Playing by the Woodland Stream. Medium: oil painting on canvas, framed. Size: canvas: 20 x ...

Title: British Impressionist Watercolor of Riders on Country Path at Sunset by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15...

Children Playing On The Beach by Les Parsons (British b. 1945) * see below signed oil on canvas, framed in swept gilt frame. framed: 27 x 23 inches canvas: 20 x 16 inches provenance: private collection, England condition: This painting is in excellent condition, with vivid colors and sharp details that show no signs of fading. The canvas is pristine, free from any damage or restoration work. The ornate frame is also in very good condition, with only minor wear consistent with age, adding to its character and authenticity. This piece is ready to be displayed and enjoyed, offering a touch of nostalgia and natural beauty to any space. Les Parson has been a popular British Artist with a loyal following for nearly forty years. Despite having a personal interest in art, Parson never received any formal training. Born in Lancashire in 1945, he worked in London as a Computer Engineer until 1974. He then moved to Cornwall working as an installer of Radar, Sonar and Ship to Shore radio on small fishing boats. In a chance meeting with local gallery owners in 1978, Parson was encouraged to expand his artistic skills and transform his hobby into a career. He therefore put aside his pencil sketching and watercolour paintings in lieu of the more permanent medium of oil on canvas and become a flourishing full-time artist. As a professional artist, Les Parson has become renowned for his nostalgic paintings of rural landscapes featuring children at play. His work is internationally recognised, with many of his paintings published as prints. The paintings of Les Parson remain highly-sought after by both domestic and international collectors. Description: This delightful oil painting by Les Parsons...

Floral Garland with Sacred Imagery Period: Likely 17th–18th century Medium: Oil on canvas Style: Flemish or Dutch Baroque Frame: Antique wooden frame This exquisite oil painting is a...

We are delighted to offer a unique and evocative piece by the Swedish artist Ingeborg Westfelt-Eggertz. This small oil sketch captures a moment in time, portraying a young man seated...

This luminous New Hampshire White Mountain oil painting of Mount Chocorua at twilight was painted by contemporary American artist William R. Davis (195...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

" Mimosas " original impressionist oil painting Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, sm...

Acrylic on Canvas. Signed "Oscar" although nothing is known about the artist. Measures 31.5 x 43.5 x 1.25 inches with frame. The piece is in Good Condition, the frame has cosmetic im...

This piece is a playful depiction of a beach house scene of the ocean, sand, and view of a house with its garden with joyful colors and precious deta...

Adolfo Belimbau (1845-1938) Italian Impressionist painting of a mother and a child in a Garden playing. Beautiful quality and colors quality! Adolfo Belimbau is a famous Italian Jewish painter...

Immerse yourself in the timeless allure of "Eternal Venice," an Antique Landscape Oil Painting delicately presented on an Oval Convex Wood Frame measuring 27.5" x 39". This masterful...

Artist/ School: by J. Lewis, British late 19th century, signed lower left corner Title: Windsor Castle at Sunset, viewed from the River Thames Medium: oil on canvas, framed Framed...

Peter has an absolute love of oil painting and especially admires the masters of Dutch Painting of the 17th Century, which is reflected in his own work. Since 1995, after seeing the work of Estonian artist Olav Maran, Peter decided to review his paintings and started researching ‘Still Life’ painters such as Willem Kalf and De Heem. After experimenting with priming his own panels and canvases with different colours, then painting with thick and thin paint and glazing on top, in the way of the old masters, he has developed a style with detail and atmosphere that is essential in his portrayal of fine wine, fruit and cheeses etc. In a quirky and sometimes conceptual world, Peter makes no apologies for producing traditional subjects where the craftsmanship is evident in every brushstroke. His paintings bring much joy and pleasure to those who understand he has an obvious and underlying love of handling paint and observing his subject using techniques that take many years to acquire. Recently he has changed the view point for some of his paintings, to give them a bold contemporary look. Peter Kotka...

Original Monumental oil painting by Italian artist Cavalier Michele Federico (1884–1966) of a Capri coastline. This stunningly executed Italian coastline painting...

A timeless snapshot of a Suffolk landscape looking towards Stoke by Nayland, an area where John Constable would have painted a couple of centuries before. Presented in a most attract...

Acquired by the gallery directly from the artist UNFRAMED:16" x 20" FRAMED:27" x 31" x 2.5" Artist Statement "Completed in the studio from plein air notes made in Tehachapi, CA. A...

The Village Lane British artist, early 20th century oil on board, framed framed: 7 x 8.5 inches board: 6 x 7.5 inches provenance: private collection, England condition: very good an...

Artist/ School: P. MacArthur., Scottish School, 19th century, signed lower corner Title: Dusk over the Loch, Scottish Landscape Medium: signed oil painting on canvas, framed frame...

"Self-Portrait" (2015) by Michael DeVore is an original handmade oil portrait painting of the artist that measures at 12 x 10 inches framed and is ready...

Melvyn Goode is an English Impressionist landscape painter. His work is highly collected throughout the world and he has had many single artist exhibitions of his work in various g...

OLD FINE Original Antique 19th Century British OLD MASTER OIL PAINTING Good Condition Canvas. With one repair overtime , Professional Cleaned & Re-vanished , Ready to hang. " Origi...

Provenance Acquired by the gallery directly from the artist Artist Statement "Night Gas and Evening Route are both from a road trip I took by myself last year. Driving from Seattle ...