Photography Landscape Paintings

This contemporary realist seascape painting by Daniel Pollera is made with oil paint on Raphael oil-primed linen and mounted on board. It is framed in a wa...

Signed and dated oil on canvas riverscape by French impressionist painter Charles-Victor Guilloux. The work depicts a moonlit view of the River Seine near Yvelines in the western par...

The Cypress Tree Italian School, mid 20th century indistinctly signed oil on canvas, framed framed: 25 x 19 inches canvas: 20 x 14 inches provenance: private collection, France condi...

Fighting Dogs French Provincial School, 18th century, unsigned oil on canvas, framed in period antique wooden frame (walnut?) Framed: 26 x 51 inches Canv...

Camellia IX is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink and pigments on Japanese cardboard, dimensions of the framed artw...

A charming Parisian scene oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking the streets by the Porto st. Martin in Paris with an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower right and titled lower left and it comes housed in a wonderful wood carved antique frame with original name plate affixed bottom center and hanging wire on verso ready to be displayed. Art measures 20 x 24 inches Frame measures 28 x 32.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

Flowers painted beautifully in watercolor by Susan Palmer would look nice in so many homes! This painting is an original and signed by the artist with the...

The Pass of Glencoe by Edwin Longstaffe (British, late 19th century) signed with monogram to the lower corner titled to label verso Oil painting on canvas, framed Framed: 24 x 18 inc...

" Mimosas " original impressionist oil painting Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, sm...

Pink Tulips - Small and intimate, this original artwork on watercolour paper captures a glimpse of pink tulips dancing in an open field. Layering of acrylic and oil pastel with intui...

Wonderful Bluebonnet subject oil on canvas by Texas artist William A. Slaughter (1923-2003). The work is in excellent condition and signed lower left. Image 16"h x 19 ½” w. Frame 2...

This painting depicts an impressionistic Plein Air scene of a couple under an umbrella by the Eiffel Tower in the rain. The thick brush strokes and fun marks creates an atmosphere re...

Landscape - Giovanni Faliero Italia 2005 - Oil on canvas cm. 80x60. Gold leaf gilded wooden frame cm. 100x80 Giovanni Faliero's oil painting is a tribute to the landscaping paintings...

This artwork titled "Sailing in San Francisco" c.2000 is an oil painting on canvas by noted French artist Duaiv, born 1952. It is signed at the lower right corner by the artist, also signed and titled on the back of the canvas. The canvas size is 8 x 10 inches, framed size is 16.65 x 18.5 inches. Custom framed in a wooden silver frame, with black fabric liner. It is in excellent condition. About the artist: Duaiv is a contemporary French artist and cellist born near the city of Bordeaux...

Acquiring a mid-20th-century Fauvist painting by Wilhelm Henning is an opportunity to own a piece of art that captures the vibrant spirit and expressive color palette of the Fauvist ...

Coastal Cliffs: by Georges Bordonave (French contemporary) signed oil painting on canvas, framed framed: 25 x 29 inches canvas: 18 x 22 inches condition: very good provenance: from a...

Margaret Layton (20th century). Greenwich Village shops (pair). Oil on board, each measures 6 x 13 inches; 10 x 17 inches framed. Each is signed lower left. No damage or conservation...

This beautiful minimalist round figurative painting by Ana is from her latest body of works. It is acrylic on canvas, 60 cm in diameter and comes signed dated along with a certificat...

William Hart (1823-1894), a Scottish-born American painter and member of the Hudson River School, famous for his oil paintings of atmospheric landscapes and cattle. His works are inc...

19th century French scene of Lovers walking in a Garden, in 17th century costume original frame Wonderful 19th century classical Genre scene, painted with great skill and delicasicy . The artist has captured the meetiung of the two lovers...

The Village Duck Pond by W. Cartwright (British exhibited between 1875-1899) signed and dated 1860's oil on canvas, framed framed: 18 x 14.5 inches canvas: 15.5 x 12 inches provenanc...

OIL PAINTING OLD MASTER ARTHUR MEADOWS (1843 - 1907) FINE 19th CENTURY BRITISH Original Antique Large late 19th/early 20th Century British OLD MASTER OIL PAINTING Romantic Sea Scene...

Françoise Juvin - Landscape with characters Reference number FJ71 Framed with a natural oak frame. 39,5 x 50 cm frame included (16 x 26 cm without frame) This work is painted with oil on a paper. It is presented with a 5 cm beveled mat and under a glass. It is signed in the bottom right. Françoise Juvin (1927-2010) is a French artist born in Nancy. She entered the Ecole des Beaux-Arts in Lyon in 1941 where she met several artists such as Jacques Truphémus...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame.

Tranquil Landscape by Rex Vicat Cole (British 1870-1940) * see notes below signed & dated 1899 oil on canvas, framed framed: 16 x 20 inches canvas: 10 x 14 inches provenance: private collection, UK condition: very good and sound condition; please note the frame is antique and as such has minor losses to the plaster and gilt, we include it free of charge but cannot warranty its condition. Reginald (Rex) Vicat Cole was the son of the artist George Vicat Cole. He began to exhibit in London in the 1890s and was elected a member of the Royal Society of British Artists in 1900. He taught at King’s College London with Byam Shaw and together they opened their own establishment, the Byam Shaw and Vicat Cole School of Art in Camden Street, Kensington in 1910. At the outbreak of the First World War Vicat Cole and Byam Shaw enlisted in the Artists Rifles...

ARTIST: Norman Battershill RBA ROI PS (1922-2010) British TITLE: "Paris & The Eiffel Tower At Night" SIGNED: lower right MEDIUM: oil on board SIZE: 50cm x 40cm inc frame CONDITION...

Ray M. Schell was an artist from the quaint town of Port Lambton, Ontario along the St.Clair River between Canada and the United States. After retirement as a chemist, Ray was a pr...

‘A Breeze after a Bathe’ by Walter Duncan ARWS (1847-1932). The painting – which depicts three young Victorian ladies and their dogs on Bournemouth beach after a swim – is signed b...

Modern naturalistic pastoral landscape painting by Texas artist Robert W. Boyle. The work features a cow laying down in a pasture under a canopy of Texas oaks. Signed and dated in th...

This enchanting early 19th-century portrait of a young girl in a pastoral landscape, attributed to the esteemed English portraitist Margaret Carpenter, is a rare and captivating exam...

FINE 20th Century Piece By Louis Dodd SEASCAPE British old master oil Style painting in a Gold Gilt Frame Description “condition is very good for age , o...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

DANNY GALIEOTE Bird 'n Barrel Oil on Canvas 16 x 20 inches 18.5 x 22.5 inches, Framed Danny Galieote has a propensity for capturing the quintessentials of Americana in works that b...

Mark Harrison’s “Out Of The Blue” (2024) is a luminous original oil on canvas capturing the powerful serenity of an ocean at night. Bathed in moonlight, this nocturne seascape presen...

English Impressionist scene of two women in a canoe on a river with a landscape during an English Summer time. Charles Bertie Hall painted scenes all over England, Europe, and America in a traditional Impressionist manner. He exhibited in London and many of his paintings are held in private collections. He was influenced by the work of Edward Seago, Edward Wesson...

ROLLING GREENS Size: 60 x 66 cm (including frame) Oil on board A mid-century modernist landscape painting that features a serene rural scene characterised by geometric simplicity an...

William Beattie-Brown, RSA, (1831-1909) painted landscapes with great mastery of the elements, known for his rendering of rapids in waters and detailed...

A late Victorian period painting by British artist, David W. Haddon, active (1884-1914). The canvas measures 20 x 14 inches and is signed low...

Sailing on Choppy Seas by Jean Laurent (French 1898-1988) signed oil on board, framed framed: 22.5 x 27 inches board: 18 x 21 inches provenance: private collection, UK condition: ove...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

This painting, titled A Creek on the Maas, is by George Stanfield Walters (1838–1924), a British artist known for his maritime and coastal scenes. Walters’ work often captured the se...

Artist: Ian Hornak (1944-2002) Title: Song of Zephyrus, Variation II Year: 1979 Medium: Acrylic on Canvas Size: 71 x 45 inches Inscription: Signed, dated, and titled by the artist. P...

LARGE FINE 20th Century Piece Maritime Battle Scene British oil painting in a Gold Gilt Frame FINE RARE MARTINE PAINTING ORIGINAL 20th Century OLD MASTER STYLE OIL PAINTING GOLD GILT FRAME By Similar $10,000 Premier Collection NEW COLLECTION Of RARE PIECES OF OLD HISTORY Good condition for age , (see pictures) Description Born in 1940 Anthony Brandrett...

Girl in Red, Impressionist Portrait, Oil Painting, Signed By British artist, M.Russell, mid 20th Century Signed by the artist on the lower right hand corner Oil painting on canvas, ...

VENICE - Italian landscape oil on canvas oval painting cm.40x70 by Giancarlo Gorini, Italy 2002. Giancarlo Gorini's canvas is an extra...

Victorian Landscape and Marine Oil Painting showing a Sailing Boat in a Rocky Cove. A small Oil Painting by the Italian/Swiss Painter and Architect Alfred Chiodera. A superb depicti...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...

A beautiful snapshot of sailing boats under a vast sky with billowing cloud. Presented in a most attractive hand made frame. Dominic Parczuk (born 1982) White sail Signed with initi...

Thomas Van Camp (19th – 20th Century) – Tranquil Riverside Scene Artist: Thomas Van Camp Period: Late 19th – Early 20th Century Medium: Oil on Canvas Dimensions: Framed: 43 x 51 cm ...

This artwork, entitled "Beach in Provence," is an original oil painting on canvas by French impressionist artist Claude Gardy (b. 1949). It is hand signed in the lower right corner by the artist. The canvas size is 8.75 in. x 10.65 in. and is framed in a custom wooden gold frame. The piece depicts a tranquil beach scene with provincial houses in the background. In excellent condition. Claude Gardy was born in the city of Lille in north of France in 1949. He is a self taught artist that gained recognition for his colorful small impressionist paintings...

Victorian Unsigned Watercolour a Naive Ship Portrait of a Chiliean Packet in traditional Maple Frame. Although this is unsigned, it is one of a very collectable genre of ship's pain...

In German, there is a word called "Sommefrische" , meaning summer freshness, which describes this painting perfectly. Looking at this Swiss mountain and lake is like a perfect, restf...

19th Century English Landscape, with a cottage, pond and trees. This exquisite English Victorian 19th-century landscape by Charles Morris, circa 1890, beautifully captures the idyll...

Camellia VIII is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with pigments, India ink and gold leaf on Japanese cardboard, dimensions are 1...

Impressionist winter pastoral scene of a quaint snow covered home by New Hope, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and has packed muc...

Beach Day II oil/canvas 11 x 14 image unframed, 17.5 x 20.25 framed Beach Day II is an oil painting on canvas by award winning contemporary artist Michael Budden that showcases a be...

Beautiful winter landscape by American artist, J. Philip Richards (1906-1991). Maine Morning, 1974. Casein on paper, 16 x 26 inches; 26 x 36 inches framed. Signed lower right. Signed, titled and dated on verso. Excellent condition. Born in Moosic, PA, and graduated from the College of Fine Arts of Syracuse University in New York, J Philip Richards worked and studied with such artists of international reputation as William Von Schlagell, James Fitzgerald, David Porter, and John Taylor.He was professor emeritus of Fine Arts at Wilkes College in Wilkes-Barre, PA. Member of the American Watercolor Society, NYC, NY; York Artists Association, York, ME; Ogunquit Art Association, Ogunquit, ME; Wyoming Valley Art League, Wilkes-Barre, PA; National Society of Casein Painters, NYC, NY; Director Ancestor's Art Workshops, Searsport, ME; Gallery Director, "Gallery 164," Kennebunk, ME; Professional Artists League of America, NYC, NY; Art Guild of Kennebunks, Kennebunk, ME; Maine Artists...

Alexander Averin (Born 1952) Russian Three Young Girls and a Small Dog, Paddling with Toy Yachts in the Surf Oil on Canvas.24 x 36 in. Frame: 30 x 43 in. Signed, and Inscribe...