Louis Van Der Pol Art

➡️ River town landscape⬅️ ⏩It is signed J Borin⏪ ⭐Medium:⭐ Oil on wood / isorel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐31x43cm / 12.2x16.9 inch with fr...

signed and dated oil on panel unframed 21 × 27 cm (8.3 × 10.6 in) framed 31.5 × 37 cm (12.4 × 14.6 in) Exhibited: Lunds Universitets Konstmuseum, Pehr Eklund Exhibition, 2–21 Februa...

oil and wax on canvas over wood panel signature on verso Hiro Yokose paints images of nature composed in subtle, sensuous palettes. Playing with the viewer’s perceptions, his work c...

View from the Train, 2019 24" X 40" x 1", oil on canvas This contemporary oil painting depicting a metropolitan view is the work of realist painter Patty Neal. The painting offers an intimate view of the city, as seen from a window, as it peeks from behind two metal structures. The dark browns and bright golds beautifully compliment the dusty blue, gray sky. Neal works highlight everyday city scenes, utilitarian infrastructure, and industrial or electrical apparatus. Artist statement: A life is an accumulation of experiences: visual, emotional and mental. By compartmentalizing these snippets of life we create boundaries. The focus of my work for many years has been the exploration of these various life aspects and how they are bound together or bound from each other. My process is often literally composed of boundaries. I make a painting by putting together multiple panels, or I segment a single panel into separate visual spaces. The works are made up of pieces or elements of city and landscape. While exploring the concepts of boundaries I play with visual “reality.” Sometimes I combine images that are upside down with those that are not and juxtapose images from different contexts. Literal boundaries, such as walls fences, expanses of water and highway median strips are also used. My intent is to invite viewers to look beyond these boundaries to see the possibilities of a connected whole. About the artist: Solo Exhibitions 2011 "Interior/Exterior", Carrie Haddad Gallery, Hudson, New York 2008 ”Landscape Revisited”, 1870 Gallery, Belmont 2005 Nomad Rug Gallery, San Francisco 2004 "Landscapes"@Klein's, San Francisco 2004 "Landscape Renewed," Space 743, San Francisco 2003 Exploding Head...

This intimate landscape from 1888 belongs to Anton Genberg’s early mature period and reveals the qualities that would later establish him as one of Sweden’s foremost painters of atmo...

➡️ Landscape countryside forest⬅️ ⏩It is signed H Aucier⏪ ⭐Medium:⭐ Oil on wood panel / isorel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐33x41cm /13x16.1 i...

➡️ Mountain scene Landscape⬅️ ⏩It is signed J Rohr⏪ ⭐Medium:⭐ Oil on woodpanel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐61x77.5cm / 24x 30.5inch with fram...

Gustave Vidal. French ( b.1895 - d.1966 ). Pêcheurs Sur Les Rochers. Bord De Mer En Côte d'Azur. Oil On Panel. Signed Lower Right. Image size 12.4 inches x 15.6 inches ( 31.5cm x 39.5cm ). Frame size 22.2 inches x 26 inches ( 56.5cm x 66cm ). Available for sale, this original oil painting is by the French artist Gustave Vidal and dates from around 1935. The painting is presented and supplied in its original frame. The original cotton slip has been replaced with a sympathetic contemporary slip that is in keeping with the fresh coastal aesthetic of the painting (which is shown in these photographs). This antique painting is in a good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Gustave Vidal was a 20th century French artist, and one of the best Provencal landscapers of his generation. He worked in the Provencal and Basque regions as well as Corsica and the centre of France. He was born in Avignon in 1895, in the Provence region of France, and died in the same town in 1966. Vidal trained at the École des Beaux-Arts in Avignon. It is often reported that he studied under Pierre Grivolas, (1823-1906) who was a prominent teacher there who had encouraged plein air painting to capture light and colour directly from nature. However, Grivolas died when Vidal was only 9 or 10, so it is very unlikely that there was a direct teacher/student relationship between them in a formal apprenticeship or atelier setting. Pierre Grivolas had been a director of the École des Beaux-Arts in Avignon until his death in 1906, and found what became known as the Nouvelle école d’Avignon, promoting outdoor practice and modern landscape painting. Grivolas influenced a generation of Provençal painters directly, and his teachings persisted after his death. Vidal therefore studied in the establishment that continued his ethos and would have been influenced by Grivolas’ directorship. Vidal won numerous awards at the Beaux-Arts in Avignon and became a sociétaire (member) of the Salon des Artistes Français in Paris, an important exhibition venue for French artists of the period. He actually wrote the articles of association for this establishment. As well as exhibiting in Avignon and Paris Vidal also exhibited in Berlin and Brussels. Vidal was primarily a landscape and marine painter. His work is associated with Provencal scenes — including rural landscapes, village streets, harbours, seascapes, and views of the French Riviera and interior France. His technique combined impasto application with both palette knife and brush, reflecting influences from Impressionism and post-Impressionist colourism encountered during his career, especially in Paris. This gives his canvases a textured, lively surface and strong sense of light and atmosphere. His works typically show rich colour and balanced composition, with evocative French light. Nowadays Vidal’s paintings appear regularly in antique galleries, auctions, and online sales in Europe and beyond, though he’s not commonly featured in major public museums or standard art history encyclopaedias. Auction results indicate steady interest among collectors of regional French painting, with prices varying according to size and subject. Although not among the most famous French painters of his generation, Gustave Vidal holds a solid place within early-to-mid-20th-century Provence painting, continuing the regional tradition of light, colour, and landscape that followed Impressionism, and appealing to contemporary collectors of Provençal and southern French art...

➡️ Summer in Normandy⬅️ ⏩It is signed H D'Avesnes⏪ ⭐Medium:⭐ Oil on wood / isorel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐37x48cm / 14.6x18.9 inch with ...

Severin Nilson (1846–1918) Sweden Children in a Flower Meadow signed lower right Severin Nilson oil on board laid on panel unframed 25 × 18 cm (9.8 × 7.1 in) framed 32.5 × 26.5 cm ...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

Carl Skånberg (1850-1883) Sweden A Barbizon Garden (1879) oil on wood panel signed C. Skånberg, dated 1879 (lower front) unframed: 19 × 24 cm (7.5 × 9.4 inches) framed: 40 × 45 cm ...