Tony Peters Art

"Lemons" is a contemporary realist painting; a still life of fresh cut lemons from the Italian countryside. Lemon's from a lemon tree, still have their leaves, and are hanging on a b...

Charles Lewis Fussell (American, 1840–1909) Children Playing on a Boat Oil on canvas, 11 x 16 3/4 inches Framed: 19 x 25 inches (approx.) Signed at lower left: “C.L. Fussell” Charle...

Roosters and Hens in a Barn 19th century E. Binam (Belgian? 19th century) Signed lower left Oil on wood panel 8 1/4 x 5 /12 (10 1/4 x 13 1/4 frame) Though little is known about E. ...

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

A classic scene of a large mid-Nineteenth Century schooner at rest in the Mediterranean port painted by the Italian countryman Tomaso De Simone. The complete narrative scene around the schooner's broadside is complemented with a British merchant steam/sail ship, local boats and the colorful sky and headland architecture of the ancient city. The vast serenity and unspoiled life of cruising the Mediterranean Ocean...

Frank Waller (American, 1842-1923) Ocean Crashing against Rocks, Isles of Shoals Oil on canvas, 9 1/2 x 20 1/4 inches FRAMED: 15 x 26 inches (approx.) Note: while this work is unsi...

Frank Waller (American, 1842-1923) Farmstead, Long Island Oil on canvas, 13 x 21 inches FRAMED: 18 x 26 inches (approx.) Note: while this work is unsigned, it relates to a number o...

Housed in an elaborate late nineteenth-century carved gilt frame lined with deep red velvet, the painting offers a harmonious composition of carefully arranged objects illuminated by...

Frank Waller (American, 1842-1923) House in the Country Oil on canvas, 10 1/2 x 20 1/4 inches FRAMED: 16 x 26 inches (approx.) Signed and dated at lower left: "Frank Waller Study 19...

ROBERT KENNETH WHITE – "CAIRN ROAD" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A QUIET TESTAMENT TO ENDURANCE AND SOLITUDE In “Cairn Road” (2012), Robert Kenneth ...

“Elephant In The Pool,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of greens, browns, and blue...

“Dancer's Dream,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of greens, browns, and whites project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for dancers, the ballet, portraits, and color-rich works of art. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...