Water Landscape Paintings

Fine 19th century landscape oil painting on canvas by Scottish artist William Beattie-Brown (1831-1909), is of a Highland River in Spate. Beattie-Brown excels in capturing the movement of water and atmospheric hills in scenic Scottish backgrounds. Beattie-Brown was a member and academician of the Royal Scottish Academy (RSA), and his signature is followed by RSA to note this distinction as an artist. His work is represented in the Scottish National Gallery in Edinburgh, Glasgow, northern England and in the London Royal Academy. His forte' is in Scottish landscapes painted plein art...

The coast 1969, watercolor on paper, 20.5x28.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...

This piece, "Autumn Reflections", is a 39x39 oil painting on canvas by Miguel Peidro. Peidro's use of bold color and contrast stand out against the bright water reflections incorpora...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism, Subject: Emerald Grove, Size: 20.5" x 30...

Early Twentieth Century Newlyn School Marine Pure Seas Oil Painting, entitled Cornish Blue by the artist, most likely a view of the sea around Newlyn and Penzance. It is a study in l...

Ernest Albert (1857 - 1946) Maine Coast, Ogunquit, 1937 Oil on canvasboard 18 x 20 inches Signed and dated lower right; titled on a label on the reverse A distinguished theatrical and scenic designer who also became a landscape painter and muralist, Ernest Albert worked in New York, St. Louis, and Chicago. He was born in Brooklyn, New York in 1857, and showing early talent, received the Graham Art...

Frank Corso Biography American, b. 1952 Frank Corso was born in Syracuse, New York. Taking a keen interest in art at a very early age, he was inspired to draw and paint the landscap...

"Afternoon Cala Molto" is a stunning oil on canvas by Patsy McArthur, showing a couple underwater swimmere surrounded by refreshing, cool turquoise green water and stunning reflectio...

Scottish artist Patsy McArthur explores the grace and power of human movement in her naturalistic drawings and paintings. Her latest works, including small ink studies, charcoal and ...

Lazy River 8.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This painting reminds me of the long days of summer when the temperature ...

This lively impressionist painting, likely English or American school, captures a quiet yet dynamic moment in nature where a lone figure fishes at the base of a cascading waterfall. ...

Spring. 1990, cardboard, oil, 44x62 cm Landscape with the river at early spring. Rolands Beitners (1917-2006) Born in Helsinki during the First World War. 1930-1940 He studied at ...

Les deux arbres au bord de la rivière dans la forêt de Lyons by Paulémile Pissarro (1884-1972) Oil on canvas 65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches) Signed lower left, Paulémile-Pissarro...

Oil painting on canvas Unique work Hand-signed lower right by the artist

Artist: Miguel Ribera Roca (1924-?) Title: Cala S'Alguer, Palamós Technique: Oil on canvas Dimensions without frame: 18.1 x 15 inches Dimensions with frame: 23.2 x 20.1 inches Period...

"Tranquil Beach" is a peaceful dog painting on panel by Kazaan Viveiros features a soulful brown dog sitting quietly amid coastal grasses under a blue sky with soft clouds. A tranqui...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Signed at the bottom right Jean Duquoc is a French artist born in 1937 who lives & works in Belz, Brittany in France. In his work, we can see the skill with which he uses color, mov...

Leo B. Blake (1887 - 1976) Berkshires Winter landscape, Massachusetts, circa 1952-53 Oil on canvasboard 12 x 16 inches Signed lower right Provenance: Private Collection, Massachuset...

DAVID DUNLOP is a modern-day old master whose luminous paintings draw from both Renaissance techniques and contemporary science. His paintings have been shown internationally and a...

Artist: Morris Walton Leader (1877 - 1966) Title: Bluff on the Creek Size: 30" x 36" Medium: Oil on Canvas Signed LR "Walton Leader" This painting by Morris Walton Leader captures a...

Boats Approaching the Coast Kohler Fritz Moritzberg, Germany 1887 – 1972 Düsseldorf, Germany German Painter Signature: Signed bottom right and placed Medium: Oil on board Dimension...

Lets go & just swim study – diptych By Gordon Hunt [2021] original Acrylic on deep edge canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:...

Signed with a monogram to the lower right. On canvas.

Burning sun, waves lapping at the shore, the lingering scent of suntan lotion – it’’s an endless summer day at the beach. Carole Garland evokes the heat, wind and sand of a day along the Southern California coast. Swimmers and onlookers cool off in the Pacific waters waiting for the next surge or ripple. Carole Garland graduated from Knox College, Galesburg, Ill., and studied art at the Chicago Art Institute and the University of the Americas in Mexico City. She has worked privately with artists Keith Finch and Ron Pekar, taken numerous workshops and was mentored by fine artist David Gallup...

acrylic on canvas blue green white

May The Four Winds Blow You Safely Home 8.0 x 10.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This is my second painting in the series celebrating the lyrics and magic of the Grateful Dead. The title of this painting is from a lyric in the song ‘Franklin’s Tower’ and it always reminds me of Jerry Garcia. After Jerry died...

This artwork depicts a serene pond scene, masterfully capturing the essence of tranquility. The surface of the water is adorned with delicate lily pads, creating a textured, vibrant ...

Oil on canvas realized by Pino Romanò (1934) in 1990s. Hand signed. Titled on rear. Very good condition.

Oil on canvas realized by Pino Romanò (1934) in 2000. Hand signed. Titled and dated on rear. Excellent condition.

The painting "Windy Day on Walensee", painted from life in oil on canvas in the style of modern impressionism, captures a lively and sensual landscape of one of the most picturesque ...

This small plein air study was painted during a strong wind, when the ocean was in constant motion. Waves, air, spray, and coastal rocks moved together as if forming a single living ...

Tokyo Landscape – Hitotsumatsu III is a unique diptych painting by contemporary artist Lumi Mizutani. The painting is made with Japanese pigments, India ink and gold leaves on Japane...

Stono Bay, South Carolina by Anthony Thieme captures the serene beauty of a coastal landscape in South Carolina. Rendered in Thieme’s signature Impressionist style, the painting feat...

This work is a finely constructed pictorial scene in which the artist, masterfully using painting technique and composition, invites the viewer to enjoy the incredible beauty of a co...

Linda Lillegraven's beautiful original oil landscape "Mud Volcano Twon" (2024) depicts a serene moment of a western plain in the afternoon with active geysers spewing steam. Linda L...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

In Mountain Stream, Henry Boese presents a majestic and serene vision of the American wilderness. A crisp, rushing stream flows through the heart of the composition, cascading over r...

"Repairing the Nets" by Henni de Korte measures 19x23 and is available for $8250. Fishing boats are docked in a quiet cove of a village while the fisher...

Title: Lobster Pots and Fishing Nets on Dorset Coastline 1967 Coastal Watercolour Scene by John Steane (b.1931) Signed: Bottom right Size: 21.25 inches (height) x 27.75 inches (width...

Noon at Point Judith, Rhode Island 1877 by Alfred T. Bricher (1837-1908) Medium Oil Medium Detail Oil on canvas Dimensions 25 x 50 inches; Framed: 40 x 65 inches Signed Location Sign...

This piece, "Fishin' Solo" is a 36x48 oil painting on canvas by artist Trip Park featuring a man in orange shorts, blue shirt and cowboy hat fishing on the edge of the water. The wat...

This realistic piece, "Eternal Play", is a 26x36 oil painting on canvas by artist Ken Otsuka featuring a bright ocean shoreline in the midafternoon sun. Smell the sea salt air as the...

Very large oil on canvas 'Twilight on the River' by Sir Alfred East RA, RBA (1844 – 1913) Signed by the artist. 59" x 82" overall in frame. (Main Photo taken with spotlight) East wa...

Henry Ward Ranger (1858 - 1915) Stony Cove and Headland, 1910 Oil on canvas 28 x 36 inches Signed lower right Provenance: McDonough Gallery, New York William Macbeth Galleries, New York American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72 A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries. He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree. He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting...

Title: Walberswick Tidal Creek with Moored Dinghies Suffolk Watercolor by Tony Herbert By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 9.75 x 13.75 inches Condi...

"Hunting Dogs" is a 26 x 21.5 inches, oil on canvas landscape of two dogs on the trail by the river. The canvas is signed "G Boucher" in the lower left. G. Boucher is a listed artis...

The painting size is 17x29 inches, oil on canvas. Narek Arakelyan is a visionary artist who has carved his own niche in the art world with his unique brushstroke technique and meticu...

Through The Dune Grass [2020] Original Landscapes and seascapes Oil on canvas Complete Size of Unframed Work: H:61 cm x W:76 cm x D:2cm Frame Size: H:69 c...

LANDSCAPE SERIES Everyone knows that a coin has two sides. One depicts an heads, and other tails. The two sides are different, but they are folded into one indivisible coin. So is m...

The Restless Sea Holds Deep Passion by Carolyn Tryer Signed by the artist Acrylic on canvas. Work size: 80 x 100 cm The mesmerising light on the gorgeous waves sparkled like diamonds...

'View From Richmond' is 24 x 48 inches, painted in 2025. It is traditionally framed in thin, minimal natural oak with an outer dimension of 24.5 x 48.5 inches. Signed and dated by th...

"The Illusion of Progress" is a 59in x 79in original oil painting by Katherine Fraser in a handmade wood frame. "Life often strikes me as a string of moments, like a series of film ...

"Portofino Memories," with rippling water reflections below the iconic Portofino harbor is a quintessential example of Tom Swimm's enhanced realism. This colorful oil painting is on ...

This painting is inspired by the view towards Rock from Padstow. It was a windy day with big fluffy clouds in the sky. The colours were unbelievably beautiful with lots of strong tur...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

Oil on Canvas realized by Michelangelo Cupisti (1935-2012) in 2008. Hand signed and dated lower right. Hand signed and titled on rear. Very good condition.

Oil on masonite realized by Michelangelo Cupisti (1935-2012) in 2000s. Hand signed lower right and on rear- Tltled on rear. Very good condition.

Oil on Canvas realized by Michelangelo Cupisti (1935-2012) in 1980s. Not signed. Very good condition.