Women Landscape Paintings

Leon Collins Birthdate Unknown Galveston / Navasota Texas Artist Image Size: 36 x 24 Medium: Acrylic on Canvas "Alamo" Leon Collins Birthdate Unknown "The inspiration comes from my g...

Oil Painting circle of Nicolaes Berchem "Off to Market" 1620 - 1683 Highly esteemed Dutch pastoral landscape painter of the Golden age with a large studio and many pupils. Found in m...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Title: By the Sea Size: 27.5" x 31.5" x 0.8...

Bold figurative work by Richard Cronin (American, b. 1952). Two figures stand on a patio, turned away from each other. The figures and scene are rendere...

This painting features hues of red, yellow and blue. This work is framed 22.75 by 26.75 inches. David Boyd is inspired by the work of Edward Hopper, Andrew Wyeth and Winslow Homer. ...

Roger Murrey Modern British view of Whitby Harbor, Yorkshire, UK This striking modern British view of Whitby Harbor by Roger Murrey, circa 1960, is a captivating representation of ...

The beaches of Luigi Christopher Veggetti Kanku represent a pictorial exploration that goes beyond the mere representation of the subject itself. The artist seeks to convey a poetry ...

"Study for Long Beach" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan Daniel Ralph Celantano (1902-1980) "Study for Long Beach" 8 x 10 inches Oil on artist bo...

The Grape Harvest by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 24 x 29 inches Provenance: all the paintings we have by this artist have come from the artists ...

Greg Singley , born 1950- Artist Statement: When the sun sets in the desert South West, things appear. This is the nature of what touches me about that la...

Rest during the Flight into Egypt - The Virgin and Child with St. John the Baptist and the angels in a Landscape. Attributed to Pieter Van Avont (1600-1652) 17th century Antwerp School, circa 1630 Oil on oak panel, Dimensions: h. 38 cm, w. 50 cm (14.96 in x 19.68 in) Flemish style frame in ebonized and moulded wood Framed: h. 56 cm, w. 68.5 cm (22.04 in. x 26.97 in.) In the heart of a lush wooded landscape, the Virgin with Jesus rests in a green clearing accompanied by Saint John the Baptist and the cherubs. Seated to the left of the composition, the Virgin Mary holds the Child on her lap; the little Saint John the Baptist wearing the camel-skin tunic (his attribute) stands before Jesus to exchange a few caresses. On the right, the couple of cherubs are playing with the lamb of Saint John the Baptist, bringing a jovial character to the scene. A pair of gardening putti on the left pick flowers to bring bouquets to the Virgin and Jesus. Spring flowers such as tulips, daffodils and anemones that grow abundantly around them and enrich the composition with their shimmering colors. A lush rose bush blooms to the left of the figures offering delicate roses. (The rose is the flower associated with the Virgin Mary, who is the "mystical rose," the one that does not bear the "thorn of sin") At the feet of the Virgin are bunches of grapes (symbol of the future passion of Christ) as well as apples (symbol of the original fall of Man but also of the Redemption in Christ) In the foreground we find a wicker basket filled in profusion with beautiful flowers and guinea pigs nibbling on the blades of grass. In a cleverly arranged disorder, these elements of the still life with their strong symbolic power accentuate the religious theme, but are also an opportunity for the artist to demonstrate his know-how in the still life genre that is gaining momentum in Antwerp. The landscape behind the figures consists of a large tree with a twisted trunk and a luminous opening to the horizon placed on the right. We see Saint Joseph arriving with a donkey, a small reminder from the artist that the composition is associated with the episode of Rest during the flight into Egypt. The calm expanse of this bucolic forest opening onto the luminous distance, with its profusion of symbolic flowers and fruits, is particularly suited to this sacred scene. The theme of Jesus' sacrifice and his tragic fate is mitigated by cherubs who play with innocence and carelessness in the face of the fragility of life symbolized by cut flowers. The great mastery of the painter is manifested by the finesse of the drawing enhanced by the delicacy in the application of the brushstrokes bringing a multitude of details. The richness of the whole is exacerbated thanks to the choice of colours, this varied palette is an undeniable asset of our work. The virtuosity of our artist lies in his versatility, as much concerned with the success of the landscape and flowers as with the modelling of his figures. The cherubs with their naked bodies are gracefully illuminated by warm colours with subtle shadows, while the still life is rendered with astonishing realism, both in the precision of the drawing and in the countless shades of the flowers. There are several compositions similar to ours, of which below are the closest versions: • Sale, Jean-Claude Anaf et Associés, Lyon, 08/02/1998, attributed to Pieter Van Avont, oil on panel, h. 48 cm, l. 71 cm (recorded on RKD n° 31451). Comment: identical composition, only St Joseph with the donkey is different) • Christie's New York sale, 29/01/1998, Pieter Van Avont, oil on copper, h. 23.8 cm, w. 24.8 cm • Dorotheum sale, Vienna, 25/04/2017, Pieter Van Avont and Jan Breughel II, oil on copper, h .26 cm, w. 39 cm • Hermitage Museum, Saint Petersburg, Russia, Pieter Van Avont, oil on panel, h. 50.5 cm, w. 71.7 cm Peter van Avont, Flemish painter (Mechelen, 1600 - Antwerp. 1652) Born in Mechelen, he is mentioned in 1620 as a member of the painters' guild of his hometown. He left in 1 622 for Antwerp, where he was also a member of the guild. He collaborated with many painters, including Jan Brueguel the Younger, David Vinckboons, Lucas van Uden...

Jules SANSON Active in the 1830s and 1840s The arrival of the young girl at the monastery on the shores of Lake Como Oil on canvas 27 x 35.5 cm (31.5 x 39.5 cm with the frame) Signed...

Kaleidoscope is an original oil painting created underwater at a depth of 7.6 meters by artist Olga Nikitina, a pioneer in the rare and physically demanding practice of underwater pa...

Toni Franović was born in Zagreb on April 15th, 1964. He is a graduate of the Academy of Fine Arts in Zagreb, where he studied under professor Vasilije Jordan...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

A Stunning Mid-Century Modern Cubist Watercolor, Harbor Scene & Rooftops by Noted Chicago Artist, Rudolph T. Pen. A vivid European harbor scene, depicting the whitewashed buildings ...

Katharina Husslein’s impressionist landscape paintings beautifully reflect her experiences abroad. The vibrant colors and dynamic textures in her work capture the essence of diverse ...

"If it was wind, I would bathe in your breeze", symbolic figurative landscape with figures. Acrylic and mixed media on wood panel. Dimesions: (H) 44 x (W) 57 x (D) 5 cm. The picture...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Howard Everett Giles (1876 - 1955) MacMahan's Maine Oil on canvas backed with board 30 x 30 inches Signed lower right Provenance: Art Institute of Chicago Christie's New York, December 8, 2011, Lot 2 Howard Giles spent most of his career in New York City, where he was an educator, magazine illustrator, and painter who espoused the theory of Dynamic Symmetry. He was born in Brooklyn, and as a young man worked in a New York railroad office. Financial support of a family friend allowed him to study at the Art Students League with H. Siddons Mowbray. In early 1910, he became an illustrator for Scribner's Magazine, and in 1912, on sketching assignment for Scribner's went to England. During World War I, he did illustration for Harper's Monthly Magazine, and many of his images were 'roaring twenties' genre and figure paintings. In 1912, he began teaching life classes at the New York School of Fine and Applied Arts (later Parsons School of Design), and remained there until the late 1920s. During that time, he was also a part-time instructor at the Childs-Walker School in Boston, and accepted numerous invitations to lecture including at Carnegie Institute in Pittsburgh, Pennsylvania Academy of the Fine Arts, Detroit Institute of Arts and Wellesley College. His initial painting style was Impressionism, but he grew increasingly interested in other scientific, aesthetic theories. He worked with Jay Hambridge from 1916 to 1919, applying Hambridge's theory of Dynamic Symmetry to his painting and his lecture topics. From 1922 to 1926, Giles also worked with and was influenced in his own painting by colorist theorist Denman Ross, who espoused a limited and related color palette. For many of his paintings, Giles used watercolor although he also painted in oil and pastels. During the last years before his retirement when he moved to Woodstock...

White Sailing Boats by Fanch Lel Size: 11 x 14 inches (height x width) Oil painting on board, unframed Condition: Good condition overall with minor surface handling marks and light w...

Feeding The Plough Horses, 19th Century attributed to Edward Robert SMYTHE (1810-1899) Large 19th Century English farm scene of a farmer feeding his pl...

A Victorian Harbour Scene With Families Boarding A Steamship French School, 20th century oil painting on board, framed framed: 13 x 18 inches board: 9.5 x 14.75 inches provenance: pr...

The Wild Meadow Hungarian School (20th Century) signed oil painting on canvas, framed framed: 24 x 34 inches canvas: 18 x 28 inches provenance: private collection, England condition...

"Cold Walk" by Clyde Steadman (United States) is a handmade landscape painting that is unframed, but ready to hang. Clyde Steadman got his start as an artist drawing people in coffe...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Title: Impressionist Seaside Scene after Eugène Boudin Normandy 1855 Style Painting by Fanch Lel Signed: yes Size: 9.5 inches (height) x 11.75 inches (width) Medium: Oil on board, un...

Figures Walking Through Bright Street Signed by Fanch Lel Size: 12 x 12 inches (height x width) Oil painting on canvas, unframed Inscribed verso Condition: Good condition overall wit...

Oil on canvas, signed bottom left Image size: 11 x 9 1/2 inches (28 x 24 cm) Gilt frame Provenance Thos. Agnew & Sons Pyms Gallery Robert Gemmell Hutchinson A native of Edinburgh, R. Gemmell Hutchison was born in 1855, and died on 22nd August 1936. After his school days he began work as a seal engraver, but soon left that occupation for painting and studied at the Art School of the Board of Manufactures. He exhibited for the first time in the Royal Scottish Academy in 1878 and in the Royal Academy in 1881. A very early work was acquired by the Royal Association for the Promotion of the Fine Arts in Scotland. An assiduous and prolific worker, Hutchison painted in oil, water, and pastel, and with varied subjects—figures, landscapes, the seashore, domestic interiors and occasionally portraits. As indicated, his works from the first found a ready sale, and he is represented in the permanent collections of Oldham - Glasgow, Kelvingrove Gallery; Modern Arts Association, Edinburgh; Liverpool, Walker Art Gallery ; Bolton; Toronto, Canada; Fine Art Association, Canada ; Blackpool; Hamilton Trustees, Glasgow; Paisley...

Title: British Impressionist Watercolor of a Portrait of a Woman in a Black Dress By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15 x...

Giuseppe Zais (Forno di Canale 1709 - Treviso 1784) - Landscape with shepherds and spinner. 48 x 63.5 cm without frame, 59 x 74.5 cm with frame. Oil on canvas, in a carved and gild...

Marc Esteve was born in Alcoy (Alicante) Spain in 1971. He began his studies locally at the Escuela de Artes y Oficios. In 1994 he left his hometown to reside by the sea – his insp...

Oil on canvas

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Boats At The Harbour by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 13 x 16 inches Colors: Red colors, brown, blue, yellow an...

An oil painting by American Painter Kelly Carmody. A bouquet of flowers are the focal point of this small scale composition, white and red blossoms with green leaves feel abundant be...

Title: British Impressionist Watercolor of Cottages Along a Country Lane by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.25...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Gershon Benjamin (1899 – 1985). An American Modernist of portraits, landscapes, still lifes, and urban scene...

Bartolomeo Pedon (1665-1732) – Fantasy Landscape Medium: Oil on canvas Dimensions: 84 x 121 cm (unframed), 98 x 132 cm (framed) Provenance: Private collection This captivating oil ...

"Lonely Childhood In The Neighborhood Of Zombies" (tribute to Hariton Pushwagner) is a painting by Maestro Vlado Vesselinov. About the painting: Style and Technic: POP ART, Contemporary, Acrylic paint on canvas The painting is unframed. “The impressions of artist's paintings on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination and leaves no option. His paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of his talent.” Maestro Vesselinov has track records of multiples exhibitions. His works are owned in privet collections around the word. Painting of the Bulgarian artist Vlado Vesselinov is a great example that the vintage style prevails lately and is also present in the world of contemporary art. The work of Vesselinov should be read as an expression of nostalgia and fascination with the past - fashion, design and pop culture of the 60s. A characteristic feature of these images is a clearly visible texture of the canvas, which remind us pages that someone snatched from a fashion magazine found in the attic. It's similar to the effect used by Quentin Tarantino in his recent productions, where full of dirt and defects film reels pulls the audience in a unique atmosphere of a Drive-in theater. As for the colors of Vesselinov artworks, he clearly refers to the psychedelic record covers of Jimi Hendrix or Jefferson Airplaine. Vlado Vesselinov born in 1977 Bulgaria Solo exhibitions: 1998 – solo exhibition, Kyustendil, Bulgaria 1999 – solo exhibition – Gallery Kovachev, Kyustendil, Bulgaria 2000 – solo exhibition – Art Gallery "Vladimir Dimitrov...

"Hosta Party" by Tracy Wall (United States) is an original, handmade oil painting that depicts a landscape and is framed and ready to hang. As an artist, Tracy Wall sheds new light ...

A Summer’s Day Cornelis Koppenol Zoetemeer 1865 – 1946 The Hague Dutch Painter Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 29 x 43 cm, frame size 37 x 52 cm Biography: Koppenol Cornelis was born on December 26 in 1865 in Zoetmeer, The Netherlands. He was a Dutch painter of genre scenes, portraits, still lifes, flowers, beach scenes with figures, cows and sheep markets, landscapes with farm workers, farm interiors. He is known especially for paintings with farm girls with geese...

Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. A...

Oil on canvas

The key to this painting's charm is that the subject is a beautiful young woman who is showing her face. She lounges comfortably in a carpeted boat with a lute by her side, running...

EMILIO GRAU SALA Spanish, 1911 - 1975 JARDIN FAMILIAL signed "Grau Sala" (lower right) signed again, dated & titled "Grau Sala / 1974 / Jardin Familial" (on the reverse) oil on canvas 18-1/8 x 21-3/4 inches (46 x 55 cm.) framed: 25 x 28-1/2 inches (63.5 x 72.5 cm.) PROVENANCE Private Collection, Barcelona, Spain Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

The Musical Contest between Apollo and Marsyas, by Peter Sion (Antwerp, 1624-1695) Signed in the lower right corner P. Sion 17th century Antwerp School Oil on copper, dim. h. 53 cm, ...

"Children On Sea" is a figurative painting by the impressionist Ivan Roussev. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, signed...

Signed figurative oil on original canvas by French realist painter Victor Gabriel Gilbert. The work shows a flower seller filling a young girl's basket with cherries while a little b...

Contemporary figurative oil on canvas painting by Polish artist Martta Węg. Painting depicts women sitting at the table outside. Colors of this painting are mostly red, pink, brown a...

“Friends of Friends” explores a playful world where dreams and reality meld together to create surreal moments. When engaging with Piussi's work, we enter an arena where we are imme...

Title: Historic Miniature Watercolor of Wine Street Looking to Corn Street in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

EMILIO GRAU SALA Spanish, 1911 - 1975 PLAGE DE TROUVILLE signed Grau Sala (lower left) signed again, located & dated "Grau Sala, Trouville, 1953" on the reverse oil on canvas 15 X 24 inches (38 X 61 cm.) framed: 24-1/2 X 33-3/4 inches (62.5 X 85.5 cm.) PROVENANCE Private French Collection Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Grau Sala lived and absorbed all the avant-garde movements that broke through in Paris, but never adhered to any. Creating your personal style. His pictorial lyricism and naturalism superimposed the evotative and sensitive quality of the image to any other concern. In 1953 Grau Sala spends his first summer in Honfleur becoming one of the most active Honflerian painters. Honfleur forms a coast triangle next to Deauville and Trouville, and in that August of 53, Grau Sala pinto is an elegant beach, which at that time met French and European high society. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

5128 Vintage colorful Fauvist landscape Gilt carved frame Imagesize 13.5x17,5.

Anatole Krasnyansky: 1930-2023. Well listed Ukrainian American artist who just passed away a few months ago. He has had auction results higher than $7100. He was born in Kyiv and emi...

Dutch School, Feeding the Chickens, Oil on Board, 19th century, unsigned, giltwood frame. Image: 12" H x 9.5" W; frame: 19" H x 16" W.

Acrylic and oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for ...

Title: Le Port De Lannion Fishing Boats Moored In Brittany Harbour Fanch Lel 2000 by Fanch Lel Signed: yes Size: 9 inches (height) x 11.75 inches (width) Medium: Oil on board, unfram...