Mid-20th Century Nude Paintings

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 26 x 19 inches Beautifully decorative, mid 20th century French origin...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 24.5 x 18.75 inches Beautifully decorative, mid 20th century French o...

Woman Lying Down on White Cloth is an artwork realized by an Italian Artist in mid-20th Century. Oil on cardboard 24x34 cm. Good conditions.

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Wonderful mid century modern oil painting of nude oil painting of an artist, possibly Joan Brown (see sample photo image). C. 1950. Condition: Excellent. Un...

Born on the 17th September 1892 in Preston, Lancashire. He specialised in painting portraits, landscapes and marines on oil, watercolour and pastel and was an accomplished etcher and...

his captivating work, painted in 1948 by E.Chambon, captures the eye with its intense expression and bold color palette. The portrait depicts a woman with dark, curly hair and a larg...

This is a two sided painting. Nude reclining woman and a ship lit at night. Harold Cohn (1908 - 1982) Harold Cohn was active/lived in New Jersey, Michigan. Harold Cohn is known fo...

Act. Double sided. cardboard, oil, 71x45 cm

1950's Mid Century modern oil portrait of a nude woman seated reading in an interior. The artist was a portrait and figure painter active during t...

1950's Mid Century modern English oil portrait of a woman seated in an interior The artist was a portrait and figure painter active during the 1950s-1960s Great use of color and abstract brush strokes...

Tony Giles. English ( b.1925 - d.1994 ). Vows Are Spoken Only To Be Broken. Oil On Board. Signed Lower Right. Image size 39.6 inches x 29.5 inches ( 100.5cm...

Seated Nude is an artwork realized by Antonio Feltrinelli, in 1930s.  Oil on canvas, 108 x 75 cm. Provenance: Galleria Pesaro, Milan. Good conditions! The nudes and portraits w...

Raphael DELORME (1886-1962) Study, preparatory work for “La Princesse” Watercolor and pencil on paper Annotated “La Princesse” 30,5 x 22,5 cm Small folds and small stains Born in 18...

Beautiful female nude painting from the first half of the 20th century. Oil on canvas, first canvas, artwork signed P. Sieffert, attributable to the French painter Paul Sieffert (the...

Exceptional mid century Abstract Expressionist figurative painting from her study with David Park by Honora Berg (American, 1897-1985). Signed lower right "Honora Berg" and on verso. Unframed. Image 36"H x 30"W. Berg studied at the San Francisco Art Institute with David Park, Elmer Bischoff, and James Budd Dixon. Berg's friend Edith Truesdell...

Woman in a Red Hat - Figurative Study Oil on Canvas A reclining figure painting by American painter, Patricia Gren Hayes (b. 1932), shows a person in a black dress and a Russian Fez...

This thickly painted and textural work is lush with mother of pearl type colors. It is suggests a nude but plays with the eye in terms of seeing it completely. Few artists could app...

Bay Area Expressionist Standing Nude from Behind in Oil on Cardboard Standing nude woman from behind by Honora Berg (American, 1897-1985). Bold...

Lillian Delevoryas Untitled (Nude & Interior), 1969 Oil on board 19 3/4 x 15 1/2 in. Framed: 24 1/2 x 20 1/2 x 1 1/4 in. Signed and dated lower righ...

Signed lower right "Grise" and painted circa 1965. A substantial Expressionist-style figural watercolor of a young woman reclining on a divan. Grise first studied at the Art Institute of Chicago...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

1950's Mid Century modern English oil portrait, two women in an artists studio The artist was a portrait and figure painter active during the 1950s-1960s Great use of color and abstract brush strokes...

Veiled woman is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Not signed. Antonio Feltrine...

Painted circa 1955 by Victor di Gesu (American, 1914-1988) and stamped verso with Victor Di Gesu Estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los...

Woman in the wood is an original modern artwork realized by Antonio Feltrinelli in 1930s Mixed colored oil painting on canvas. Not signed. Antonio Feltrinelli (Milan, 1887 – Gargna...

Gloria Dudfield Hanging on a Bar 1960's Gouache and Oil Pastel on Paper 17.75"x17" Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a ...

Signed lower right, 'John T Stephens' (American, 20th century) and painted circa 1965; additionally inscribed, verso, with title, 'Leaving the Garden of Eden' and signed. Paper dime...

Mid Century Modern Mother and Baby Playing Figurative - Nude Wonderful small scale ink and acrylic paint of a mother and baby by Dorothea Stevenson Casady (American, 1910 - 2006). Signed lower left corner. Presented in gilt-toned and velvet filet mid-century frame. Image size: 6"H x 8.25"W Frame: 9.5"H x 11.25"W x 2.25"D (velvet liner has age toning) Casady was a painter and muralist and served as Chairman, Oklahoma City University Art Department, 1939-1943; an Art instructor, Classen High School; Education: University of Oklahoma, B.F.A., 1931; M.F.A., Norman, OK; studied with Emil Bisttram, Taos School of Art and Nan Sheets; Foundation des Etats Unis, Paris, Fance, 1935-1936; New York School of Industrial Arts; studied fresco and egg tempera under Professor Leugi Arcangeti, Florence, Italy, 1937; Oklahoma City University; Julian Academy Paris, France, 1936 Memberships: Oklahoma State Artists Association; Kappa Pi, art fraternity; Delta Delta Delta...

Nude is an original drawing in watercolor, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions except for consumed margins and some foxings. Jean-Ray...

Donald Stacy "Orange Nude Lounging" c.1950s Oil pastel and gouache paint on paper 23" x 20" framed black gallery wood frame float mount Unsigned Came from artist's estate Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art...

Elegant nude by Spanish artist Diaz Cruz (Spanish, 20th Century). This modernist figurative depicts a reclining nude woman from behind. The figure resides in an abstracted minimalist...

Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors...

Raphael DELORME (1886-1962) Study, preparatory work for “La Princesse” Watercolor and pencil on paper Annotated “La Princesse” 30,5 x 22,5 cm Small folds and small stains Born in 18...

Artist/Designer; Manufacturer: Neil Gavin Welliver (American, 1929-2005) Marking(s); notes: signed; 1964 Materials: acrylic and charcoal on canvas Dimensions (H, W, D): 94.5"h, 78.25...

Artist: Natasia "Nude with Ball" 1962 Watercolor, charcoal and ink on paper 22.25"x32.25" unframed Signed and dated in ink lower right

The beauty of curvature. Paper, mixed media 16x12 cm watercolor and pen on paper Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his rel...

An original oil on canvas painting by American female artist Mildred Green depicting fellow artist and friend Virginia Cuthbert. This beautiful pain...

Signed lower right, 'Vivian R. Huebler' for Vivian Ruth Lewis Huebler (American, 1890-1975); additionally signed, verso, with artist address and painted circa 1955. Vivian Huebler...

Signed lower left 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated "51". Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtma...

Charming diminutive nude study of a seated figure on raw linen in pastel tones. Signed "Jan" lower right corner. Framing stamp on back from San Francisco. Presented in gilt-toned rus...

BATH TIME Size: 35.5 x 40 cm (including frame) Oil on canvas A mid-century modernist style figurative painting that depicts a nude female figure by a bathtub, executed in oil onto c...

Genre: Israeli Subject: Abstract Medium: Oil Surface: Canvas Dimensions: 24" x 20" Bezalel (nicknamed “Lilik”) Schatz was an Israeli artist, son of Boris Schatz, founder of the Bezalel School of Arts and Crafts in Jerusalem. Born in 1912 to Boris Schatz, and his wife Olga, an art critic. From an early age, he demonstrated considerable talent for gymnastics and music, but especially for art. He grew up in a home in which artists were a constant presence, he was introduced to Israel’s most prominent leaders, and the first public exhibition of his artwork coincided with his Bar Mitzvah celebration. He attended the Gymnasia in Jerusalem and at age 14 completed his studies at the Bezalel School. In 1930, Bezalel joined his father on a fundraising tour of Europe and the United States, where they also exhibited their artwork and that of Bezalel students. Following his father’s death in 1932, Bezalel left Israel for a period of about two decades. He spent the first four years studying at the Grand Chaumiere Academy in Paris. There, given the fairly conservative artistic views he had acquired at home and school – where modernism was denounced – he had to pave his own way as an artist among his peers. Between 1937 and 1951, Bezalel resided in the U.S. Near the end of WWII, he worked in a California shipyard, and it was there he met his future wife, Louise. He was also introduced to the novelist Henry Miller in California, and their friendship blossomed into a creative collaboration. The artist May Ray...

Nude Figure by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back pencil drawing on artist paper, unframed measures: 10 high by 8 inches wide condition: o...

Painted by Victor di Gesu (American, 1914-1988) circa 1955, and with Di Gesu estate stamp verso. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art C...

Artist: Lou Zansky (American, 1920-1978) Title: Standing Nude Year: circa 1960 Medium: Oil on canvas, signed l.r. Size: 48 in. x 24 in. (121.92 cm x 60.96 cm)

A wonderful mid-century nude study depicting a woman with cropped hair on a cushioned sofa. The artist has used some scraffito to create pattern and texture within the composition. S...

The present mid-century work features two taboos in one painting. In 1949, it was verboten to glamorize gay life and even more prohibited to show interracial love. This work by Dan A...

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

'Seated Nude', Louvre, Académie Chaumière, LACMA Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Ge...

red, odalisque,orange,yellow Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums: Turin, Modern Art Gallery...

A high level of energy and motion has been masterfully caught in this expressive study of the human figure. Enhanced with sgraffito detail. Unsigned. On board.

A Large, Dynamic Mid-Century Modern Painting of a Chicago Night Club Showgirl by Noted Artist, Rudolph T. Pen (Am. 1918 - 1989). Painted in the 1960s, this is a large, vertical, abs...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Nude Year: 1960 Medium: Oil on Masonite, signed and dated l.r. Size: 8 x 11.5 inches Frame: 16 x 19.5 inches

Work on wood Black wooden frame 77 x 55 x 2 cm

In the Mid-Century Modern style of the 1960s, artist Gregory Cary recalls discovering "Beefcake" male nude photography when he was thirteen years old via male model magazines which h...

Born on the 17th September 1892 in Preston, Lancashire. He specialised in painting portraits, landscapes and marines on oil, watercolour and pastel and was an accomplished etcher and...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...