Mid-20th Century Nude Paintings

Antique American modernist nude signed drawing. Pencil on paper. Unsigned. Framed. Image size, 9L x 12H.

This delicate oil and ink painting on panel by Dusso depicts a beautiful and graceful woman seen from behind, her nude figure enhanced by the framing of her hair. She holds a vase in...

(Bo Arvid) Sten Burén (Swedish, ∗ 12th July 1909, Södra Munkarp; † 31st January 1993, Burlöv) Female Nude carrying an Amphora • Mosaic style painting in either gouache and/or oil paint on thick paper, ca. 50 x 35 cm • Image size ca. 43 x 31 cm • Signed bottom right • The backing of the paintings original frame has a Swedish newspaper article attached, reporting that the Sten Burén painting was won by farmer Arne Herlöfsen from Skegrie in a raffle during a political meeting in the 1960’s. I will include the old backing in the delivery Fantastic work of Art - The pointillist-cubist image is made up of thousands of little coloured, different shaded squares, imitating a mosaic tiles. The technique is very reminiscent of the famous painting ‘Ad Parnassum’ by Paul Klee created in 1932. The Swedish artist Burén studied art in Berlin and was trained by Jules Schyl. Burén undertook numerous study trips to Germany, Austria and Switzerland, befor returning to his native Sweden. His body of work includes figures in a semi-cubist style, mosaic panels, glas work...

Nude in the old Roman baths by M. Bondi (Italian, 20th C.) Excellent execution and details. Oil on linen Image 47"H x 23.5"W Signed lower right "M Bondi" On verso "M Bondi - Livorno,...

Mid Century Modern Mother and Baby Playing Figurative - Nude Wonderful small scale ink and acrylic paint of a mother and baby by Dorothea Stevenson Casady (American, 1910 - 2006). Signed lower left corner. Presented in gilt-toned and velvet filet mid-century frame. Image size: 6"H x 8.25"W Frame: 9.5"H x 11.25"W x 2.25"D (velvet liner has age toning) Casady was a painter and muralist and served as Chairman, Oklahoma City University Art Department, 1939-1943; an Art instructor, Classen High School; Education: University of Oklahoma, B.F.A., 1931; M.F.A., Norman, OK; studied with Emil Bisttram, Taos School of Art and Nan Sheets; Foundation des Etats Unis, Paris, Fance, 1935-1936; New York School of Industrial Arts; studied fresco and egg tempera under Professor Leugi Arcangeti, Florence, Italy, 1937; Oklahoma City University; Julian Academy Paris, France, 1936 Memberships: Oklahoma State Artists Association; Kappa Pi, art fraternity; Delta Delta Delta...

Antique American impressionist signed oil painting. Oil on board. Signed. Framed. Image size, 20L x 28H.

This black pencil on paper is a study of a nude standing female, designed by Marie Louise Simard (1886-1963). The hand-written signature is on the bottom left corner with the officia...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

Benjamin Bennon most prominently worked in the cubist tradition, stretching and fracturing the figures of his subjects in order to take new approaches to their meaning and interpreta...

Signed lower right, 'Vivian R. Huebler' for Vivian Ruth Lewis Huebler (American, 1890-1975); additionally signed, verso, with artist address and painted circa 1955. Vivian Huebler w...

Mid century nude figure study of a woman in a blue chair by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collection of her work. Presented ...

Jan de Ruth's Impressionist painting of a nude woman with her back to the viewer. She turns and looks over her shoulder, exposing her face and chest to us. The only garment she wears...

The Artists Model French Post-Impressionist artist, circa 1930's oil on board, unframed board: 23.5 x 34.5 inches provenance: private collection, France condition: good and sound co...

This charming oil painting on marouflé canvas was designed by Robert Roujas (1908-2000). This romantic composition presents a study of a reclining nude seen from behind in a weary po...

From the estate of Jerry Opper & Ruth Friedman Opper Tighties c. 1950's Gouache on Paper 15" x 18" blue lacquered frame 18.5"x1.75"x21.5" Unsigned From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann...

The Artists Model by Josine Vignon (French 1922-2022) oil painting on canvas, unframed stamped verso canvas: 41 x 29.5 inches very good condition provenance: the artists estate, Fra...

A Mid-20th Century charming oil painting depicting a seated nude woman in a whimsical interior scene, Ducaire was known for her charming intimate figurative scenes portraying female ...

The Tambourine Player French School, circa 1950's-1960's signed lower front corner oil painting on board, framed framed: 18 x 16 inches board: 14 x 12 inches provenance: private coll...

Work on canvas Golden wooden frame 101 x 86.5 x 3 cm

Work on canvas Molded frame in gilded wood 87 x 73.5 x 4.5 cm

Excellent Mid-century nude by famous illustrator/ artist Walter Charles Klett. The work is masterfully painted with a sound understanding of the basic academic principles guiding t...

Antique impressionist painting. Watercolor and gouache on paper, circa 1950. Housed in a vintage frame. Image size, 11L x 9H.

The Nude Model French School, 1930's oil on canvas 21.5 x 15 inches double sided work provenance: private collection, Paris The painting is in sound condition, some former restoratio...

This charming pastel painting on paper was designed by Pio Santini (1908-1986) and named: nude with lace. The artist's signature, Santini, can be found in the bottom left corner of the artwork. Lovely romantic composition with a nude young lady kneeling and holding a piece of white lace. Flamboyant magenta red drape background. The painting remains in its original frame, which features delicately carved wood, a gesso finish, an off-white wood liner, and glass protection. The piece is in good condition but has a dark stain and some small chips on the edges of the original wood frame. Measurements: With frame: 22.75 in. wide (58 cm) x 26 in. high (66 cm) Opening view: 14.50 in. wide (36.5 cm) x 17.75 in. (45 cm). Artist Biography: Pio Santini (1908-1986) Pio Santini was born on April 17, 1908, close to Rome, in Tivoli, Italy. He showed a precocious and pronounced artistic taste and gifts, to begin with, drawing and painting. From his childhood drawings, as early as 5 or 6 years old, he was gifted and had a technique above the average. As early as 1933, Pio Santini moved to Paris, in the Montparnasse district, also known as The Artists Area, where he settled in his first Parisian studio. He is recognized as a member of the Academy of Paris, a significant art movement in the first half of the 20th century, alongside Amedeo Modigliani and other Italian artists. While attending the classes of the Estienne School for further training in plastic art, Pio Santini started to attract attention in various Parisian Salons (particularly the Winter Salon, the Independents Salon, and the French Artists Salon) and to find a place in the Parisian universe of painting, as is shown in the press of the time. The Second World War, which pitted his country of birth against his adopted nation, created conflicting emotions in him. During this time, the concept of a united and reconciled Europe took root in his mind. In a way, he played a part in the resuming cultural exchanges between France and Italy by founding the association The Romans in Paris after the war, and especially by creating and animating the Villa D’Este Prize for about ten years, rewarding each year a French artist or writer by offering, a one month stay at the Villa, in Tivoli. Later, the Montparnasse Prize would reward Italian artists in Paris, in the same way. While devoting himself to painting, he worked as an art illustrator for edition and press and left us a rich but unrecognized work from this period. In the early 1960s, Pio Santini decided, imperiously and bravely, to live on his painting. A member of the Society of Independent Artists since 1934, he then actively participated in numerous collective exhibitions in France and abroad. He regularly exhibited in Parisian Salons, most of which he was a member: the Independents Salon, the Autumn Salon, the Winter Salon, the National Salon of the Fine Arts, and the Comparison Salon. A regular participant in the prestigious Salon des Artistes Français, he was often rewarded: Great Price of the Salon in 1970, then in 1974, a gold medal in 1971, and Prize-winner of the Ernest Marché Prize in 1974. Pio Santini lived his last years in his house in Garches, near Paris. He worked there until the last moment and died of illness at the age of 78. Keeping himself a part of the avant-garde of contemporary art, Pio Santini developed a personal work of formal coherence very steadily. He is a two-time artist, one of the beginnings of his career, the Thirties, and the other one, his rebirth, the Sixties, when the artist can again devote himself to painting. Between these two periods, the Second World War badly hit the pictorial growth of Pio Santini. However, everything had started under the best auspices for the young painter whose desire to devote himself to painting is evident in his self-portrait of 1928 as a manifesto. In the 1930s, following the revolutions of cubism, abstraction, and surrealism, figurative and sensual...

René-Paris Castaing, winner of the Grand Prix de Rome in 1924, left a large body of work, both sacred and secular. Many churches in the Pyrénées-Atlantiques, in South-West France still bear witness to the diversity of his talent. In 1942, he began a major decoration project for the Château de Diusse, in the north-east of the county, including an allegory of the four seasons. The vigorous pastel we are presenting here is a study for Spring, depicted as Flore undressing. This commission was a veritable swan song for the artist, who died a year later at the age of 47. 1. René-Marie Castaing, the great inter-war painter in Pau René-Marie Castaing was born in Pau on December 16th 1896. His father, Joseph Castaing, was also a painter: he was the official portraitist of Pau's high society, which was particularly cosmopolitan at the end of the century, when many rich foreigners spent the winter in Pau, taking advantage of the mild weather to enjoy an outdoor lifestyle punctuated by hunting, horse ridings and golf. René-Marie Castaing was admitted to the Ecole Nationale Supérieure des Beaux-Arts in Paris in April 1920 and entered the studio of Paul-Albert Laurens (1870-1934). In 1924, he was awarded the First Grand Prix de Rome for Painting, which earned him a stay at the Villa Médicis for more than three years. He then returned to Pau in 1928, where he lived until his death. Castaing's work is marked by the academic tradition, in which drawing plays as important a role as painting. Although his drawings are often sketches that help to set up large painted compositions, they stand as independent artworks in which the artist fully expresses the vivacity of his talent. Castaing was a fervent Christian and religious painting played an essential part in his work, as shown by the decorations he created for the churches of Bizanos, Borce, Bidache and Salies-de-Béarn. The painter also created several secular decorations, such as that for the dining room of the Villa Saint-Basil's in Pau in 1935, and the Hunting at the Albret’s time commissioned in 1940 by the Prefecture of Pau. The décor created in 1942-1943 for the Château de Diusse, a mansion located north-east of Pau, was his last large-scale décor, as the painter died shortly after its completion on December 8th 1943. 2. Description of the drawing Our pastel depicts an eminently secular theme: Spring is embodied by Flore, crouching on the ground with one knee touching the ground. She reveals her ample bosom by removing her shirt, her arms raised above her shoulders to undress. Given Castaing's classical training at the Beaux-Arts and the influence of ancient statuary...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Work on canvas Golden wooden frame 73 x 105.5 x 5 cm

La Camacunta Eduardo Arranz-Bravo, Spanish (1941) Date: 1966 Oil on Canvas, signed Size: 29.5 x 24.5 in. (74.93 x 62.23 cm) Frame Size: 30.5 x 25.5 inches

The Artists Model Carl Gunne (Swedish 1893-1979) signed lower front, authentication stamp verso oil on canvas, framed framed: 26 x 22 inches canvas: 24 x 18 inches provenance: from a...

French artist Georges Lucien Guyot (1885 - 1972) signed this charming woman nude study. This painting features a lovely design of a woman getting out of the bath and wiping with a towel. Only a few lines in charcoal and red chalk or sanguine mark the silhouette and posture and capture the model's expression. The red color emphasizes the color of the skin and imbues the lascivious movement. The sketches of the bath towel are only suggested, but it gives the whole thing a lot of softness and an incredible illusion of movement. Signed on the bottom left corner: Georges Lucien Guyot. The artist used a technique named "sanguine," or red chalk or crayon. The drawing has a blood-red, reddish, or flesh coloration. It has been popular for centuries for drawing employed by 15th and 16th Century artists such as the great masters like Leonardo da Vinci, Michelangelo, and Raphael. The drawing is ornate with a contemporary wood frame with a red and yellow deep-textured pattern and an off-white matte with acrylic glass protection. Measurements: With Frame: 20.87 in. wide (53 cm) x 28.35 in. high (72 cm) x 1 in. deep (2.5 cm). View alone: 11.44 in. wide (29 cm) x 18.94 in. high (48 cm). About: Georges Lucien Guyot (born December 10, 1885, in Paris, where he died December 31, 1972) is a French artist, sculptor, and painter. From an early age, Georges Guyot showed artistic abilities, but the modest conditions of his parents did not allow him to study art. So he did his apprenticeship with a wood sculptor. Guyot excelled in copying works from the 15th, 16th, and 17th Centuries but rapidly showed an attraction for nature. This attraction led him to the Jardin des Plantes in Paris, where he could study wild animals and translate his observations into sculptures and paintings. A familiar figure of Montmartre, Georges Guyot was the guest of the Bateau-Lavoir from the time of Cubism. In 1931, he joined the group of Twelve, created by François Pompon and Jane Poupelet...

Gouache and watercolor on paper Estate of Sam Esses Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him, Rolph Scarlett more than once proved to be at the artistic zeitgeist in a career that stretched for more than 75 years. Born in 1889, Scarlett had his first retrospective by 1928. He subscribed fully to the modernist credo. Interviewed at the time, he said: "If a futuristic painting...

Sunbathing by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 29 x 36 inches very good condition provenance: from the artists estate, France Josine Vignon (1922-2022) was a French artist living on the Rue Beautreillis in the Marais district of Paris. She painted with a beautiful style, largely influenced by the Impressionist and Post Impressionist...

Morning Swim Impressionist Nude Woman Portrait Artist signed, titled verso. Wallace Bassford was an American painter and illustrator, known particularly for his floral still-lifes an...

Tempera on board, 87cm x 60cm (framed 106cm x 78cm). Stuart Maxwell Armfield (1916-2000) was renowned for his use of the traditional egg tempera technique, a skilled process that us...

'The Bather', oil on board, by Charles Kvapil (1934). The world of art has for centuries depicted bathers in one form or another. Kvapil's wonderfully allur...

Work on canvas Golden wooden frame 119.5 x 72.5 x 3.5 cm Small ones missing paint on original frame

Interesting ink-wash nude woman study by French painter Robert Cami (1900-1975). In between drawing and painting, the Lavis process consists of the use of a pigment diluted in the wa...

Work on canvas

Work on canvas Golden wooden frame 81 x 80.5 x 4 cm

Nude Portrait by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 18 x 13 inches Colors: Beige colors, beige, brown, blue , green ...

A high level of energy and motion has been masterfully caught in this expressive study of the human figure. Enhanced with sgraffito detail. Unsigned. On board.

blue,nude Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive results dominated by an imp...

Gerald Fairclough (American, Born 1946) Signed: Fairclough 1972 (Lower, Right) " Nude ", 1972 Oil on Canvas 24" x 20" Housed in a 2 1/4" Frame Overall Size: 28" x 24" Small repair to canvas, see repair on verso. In otherwise very good condition. Ready to hang. Provenance: Four Winds Gallery Kalamazoo, Michigan Private Collection Kalamazoo, Michigan The Four Winds Gallery carried names such as Francoise Gilot, Jacques Potin, Robert De Niro Sr...

An original acrylic study by 20th century British artist, John Foulger (1943-2007). Well-presented in smart wood frame. Signed 'J. Foulger' to the lower r...

We are proud to present outstanding original oil on canvas by American artist William Gropper (1897-1977.) William Gropper was an artist and illustrator, known for his exceptional a...

Tadashi Asoma was a Japanese-American painter. Born in Japan in 1923, his career began when, in 1958, the Japanese government awarded him a scholarship to study painting in Paris. After Paris, Asoma visited the United States and became fascinated with the current American style of painting. He eventually moved to New York, near the East Village, where he studied and worked for three years. Asoma did return to Japan for a period of time, however, he moved to New York permanently in 1961 and stayed in the region until his passing in 2017. This early work by Asoma displays the American influence that so enamored him when he first visited the United States. Rendered in flat and discrete sections of bold color, the impressive composition bears an interesting relation to the work of Pop artist Tom Wesselmann. Much like Wesselmann’s work, Asoma builds his image with applications of bold and flat color, often isolating and highlighting sections of the composition, bringing the viewer’s eye to these discrete sections. In this work, a green bed...

Wonderful oil on canvas circa 1960 by French modernist painter Maurice Brianchon. The work depicts a blonde-haired nude seated on a wooden chair turned away from the artist with her chin resting in her hand. Signature: Signed lower left Dimensions: Framed: 38"x33" Unframed: 29"x24" Provenance: Fondation de L'Hermitage (Lausanne) - Exhibition Maurice Brianchon 13th October 1989 - 28th January 1990 As a young man, Maurice Brianchon studied at school in Le Mans before joining the École des Beaux-Arts in Bordeaux. He went on to study at the École des Arts Décoratifs in Paris, remaining there from 1917 to 1923 and working under the direction of Eugène Morand. It was here that he met and became friends with Oudot and Legueult. When he exhibited for the first time at the Salon d'Automne he was immediately elected as a member. He received the Blumenthal Award in 1924 and the Carnegie Prize in 1939. He was a founder member of the Salon des Tuileries and was appointed to serve on the committee in 1941. He also exhibited at the Salon de la Société Nationale des Beaux-Arts in Paris. He took part in major exhibitions abroad, including the Venice Triennale, Antwerp, Rio de Janeiro, New York, Madrid, Brussels and Stockholm. He soon made his mark as a decorative artist, creating stage sets for the Opéra for a production of Griséldis (1922) in collaboration with Legueult, and for Noble and Sentimental Waltzes ( Valses Nobles et Sentimentales) (1938), Sylvia (1941) and The Model Animals ( Les Animaux Modèles) (1944). He created a large, decorative piece entitled Symphony at the Palais de Chaillot, where he worked with Chapelain-Midy, Planson and Oudot. He also decorated the Lycée Janson-de-Sailly with murals. With his wife Marguerite Louppe he produced three large panels commissioned by the state in 1942 for the Conservatoire. The Gobelins and Aubusson tapestry works produced tapestries after his cartoons. He also produced cartoons for...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Baigneuses avec cygne by Georges Manzana Pissarro (1871-1961) Oil on panel 30 x 37.5 cm (11 ³/₄ x 14 ³/₄ inches) ...

From the estate of Jerry Opper & Ruth Friedman Opper Short Hair c. 1940-1950's Gouache on Paper 15" x 18", Unframed From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Genre: Israeli Subject: Abstract Medium: Oil Surface: Canvas Dimensions: 24" x 20" Bezalel (nicknamed “Lilik”) Schatz was an Israeli artist, son of Boris Schatz, founder of the Bezalel School of Arts and Crafts in Jerusalem. Born in 1912 to Boris Schatz, and his wife Olga, an art critic. From an early age, he demonstrated considerable talent for gymnastics and music, but especially for art. He grew up in a home in which artists were a constant presence, he was introduced to Israel’s most prominent leaders, and the first public exhibition of his artwork coincided with his Bar Mitzvah celebration. He attended the Gymnasia in Jerusalem and at age 14 completed his studies at the Bezalel School. In 1930, Bezalel joined his father on a fundraising tour of Europe and the United States, where they also exhibited their artwork and that of Bezalel students. Following his father’s death in 1932, Bezalel left Israel for a period of about two decades. He spent the first four years studying at the Grand Chaumiere Academy in Paris. There, given the fairly conservative artistic views he had acquired at home and school – where modernism was denounced – he had to pave his own way as an artist among his peers. Between 1937 and 1951, Bezalel resided in the U.S. Near the end of WWII, he worked in a California shipyard, and it was there he met his future wife, Louise. He was also introduced to the novelist Henry Miller in California, and their friendship blossomed into a creative collaboration. The artist May Ray...

Oil on canvas painting by Heinrich Richter (German/Polish, 1920-2007). Painting is titled #50, signed and dated 1969. Heinrich Richter has had numerous solo and group exhibitions in ...

Mother and child/maternité: a gorgeous, almost Picasso-like early oil on canvas by Petion Savain, dating from 1953. The painting is monogrammed and dated...

Nude woman is a beautiful and impressive oil on canvas by Antonio Feltrinelli. It was realized between the end of the 1920s and the beginning of the 1930s and represents a nude woma...

José Palmeiro (1903-1984) - Woman in profile - Oil on canvas Oil measures 80x60 cm. Frameless. José Palmeiro Martínez was a Spanish painter and lithographer, from the School of Paris, born in Madrid on August 19, 1903 and died in Bergerac, France, on March 15, 1984. Of Galician roots, the data on the birth of José Palmeiro remain imprecise: although those stated here are those generally accepted, there are certain sources that affirm that he was born in 1901 and that he is a native of Betanzos (Galicia). At the age of 18, he worked in the workshops of the newspaper El Sol where his drawings were published. José Palmeiro arrived in Paris in 1925 where he settled in the Montparnasse neighborhood. He became friends with Celso Lagary and is part of the group of Spanish painters from the School of Paris. He also established friendships with Ginés Parra...

A striking mid century figurative oil painting of a seated nude woman posing in a long lavish red robe by Northern California artist Genevieve Rogers (America...

An oil on canvas pointillism painting of a naked women art class on Cape Cod. Signed by George Durant and dated '52, this is not a subject matter...

Rafael Maria de Soto y Hernandez was born February 18, 1904 in Aguadilla, Puerto Rico. It's high drama in the swamp. Woman in the Swamp is a masterfully executed example of Pulp Art and showcases Rafael DeSoto's full command of academic painting. DeSoto did pulp covers up until the industry's demise in the 1950s for such magazines as Adventure, Argosy, Black Mask, Captain Zero, Crack Detective, Fantastic Novels, 15-Story Detective, Fifteen Western Tales, New Detective, Smashing Detective, and Walt Coburn's Western Magazine. He also painted many covers and interior story illustrations for men's adventure magazines, such as Action For Men, Adventure, Battle Cry, For Men Only...

Wonderful reclining nude in modern style, circa 1940. Faint illegible signature lower right edge. Condition: Good: Professionally cleaned; two tears professionally repaired/inpainted...