1960s Paintings

Jules Perahim (Born: 1914; Bucharest, Romania - Died: 2008; Paris, France) Oil painting on paper depicting a figure with abstract multicolor design. (thi...

Arijs Skride (1906.24.IX Madonna parish – 1987.22.XI Riga), painter. Arijs Skride was born into a farmer's family. Wife Gundega Vaska – graphic artist. At the age of 15, he passed ...

BLACK & WHITE HOUSE Size: 47 x 52 cm (including frame) Oil on Canvas A brilliantly executed and richly textured modernist oil composition, painted by the established Swedish artist ...

Sylvette Ammann Chanel (fl 1953-1994) French. Le pont de Bois. oil on board 37cmx46cm original french frame 50cmx58cm Viewi of a French town showing the old wooden bridge and clock T...

Louis Bosa (American, 1905, 1981) What a Lovely Dream, c. 1965 Oil on board Signed lower left 11.5 x 17 inches 17 x 22.5 inches, framed Born in Codroipo, a small village only a few ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Ralph Gillies Cole (1915-1994) Farmhouse in English Landscape Oil on canvas 48 x 72 cm Signed lower left 'Ralph Gillies Cole' and dated 1964. A handsome oil painting of the English countryside by well-listed painter Ralph Gillies Cole. We have another painting by the same artist listed. Artist known for his views of the English countryside. Additionally the Fleet Air Arm Museum has a series of paintings by Cole...

An elegant oil portrait of a young Arab woman shown wearing a veil and gazing with candor and interest directly towards the viewer. Signed lower left, "Jan Hoowij" (Dutch-American, ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 22L x 28H.

Signed lower left and lower right "Mary Juergens" (American, 20th century) and painted circa 1960. An Impressionist-style oil seascape showing a dramatic view of azure and jade wate...

Impressive early American modernist abstract oil painting by Alton S. Tobey (1914 - 2005). Framed. Oil on board. Signed. Image size, 48H by 36L.

Signed lower left, 'M. V. Mujica' for Manuel Vicente Mujica (Venezuelan, 1924-2002). A bright and breezy oil painting of a dark-haired young woman wearing a wide-brimmed, floral hat and seated at a table decorated with a large vase of flowers. A charming and period work by this European-trained Venezuelan Post-Impressionist. Manuel Mujica first studied at the School of Plastic and Applied Arts under Antonio Edmundo Monsanto and Rafael Ramón González (1939-1942). Over the course of a long and successful career, he exhibited widely and with success including at the Salón Anual de Artistas Independientes held by the Caracas Museo de Bellas Artes...

BREAK OF DAY Size: 35 x 43 cm (including frame) Oil on Canvas A dramatic atmospheric mid century modernist landscape, painted in oil onto canvas. In this semi-abstract composition ...

Musicians, guitar, violin,Buskers,Music Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, ...

Step into the vibrant world of mid-20th-century American art with this remarkable Vintage New York School Minimalist Abstract framed oil painting, dating back to the pivotal year of ...

Syril Frank (American, 1929-2021) Untitled, c. 1963 Oil on canvas 44 x 48 in. Provenance: Estate of the Artist Syril Harriet Frank was born in Brooklyn t...

Gorgeous abstracted figurative of Caryatids titled "Ring Three" by Doris Ann Warner (American, 1925-2010). Signed, titled, and dated "Warner 1970" on verso. Displayed in rustic wood ...

Artist: Charles Cobelle, French (1902 - 1994) Title: Paris Street Scene Year: circa 1968 Medium: Acrylic on Canvas, signed l.r. Image Size: 15 x 30 inches Frame Size: 23 x 37 i...

Wonderful mid-century still life of a floral bouquet with self portrait, in a vivid palette and painterly brush strokes, by Marjorie Hyman (American, - 2016), circa 1969. Signed lower left corner. Unframed. Condition: Good; wear on edges and corners. Image size: 30"H x 24"W. Hyman was a professional artist, published poet, played piano at the Officers Club during World War II. She studied theater at Stanford University and later performed professional monologues in the Bay Area. Member of the Peninsula Art Association, student of Alice de Boton...

Maurice Estève (1904-2001) Le Boischaut 1960 oil on canvas 65 x 100 cm signed and dated ‘Estève 60’ (lower left) Price: €276,000 EUR (inc. 20% UK VAT) Provenance: Galerie Villand-Galanis, Paris Sonja...

Famed Illustrator Isadore Seltzer paints a fantasy folk guitar in a surreal setting. The viewer looks down at the guitar as it rests in bold red space where foreground and sky blend ...

Signed lower left, 'H. Howard Miller' (American, 20th century) and painted circa 1965. A large, American Impressionist oil study of a young woman wearing an orange blouse...

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Cont...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: Another Question Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 28 in. x 22 in. (71.12 cm x 55.88 cm) Frame Size: 35.5 x 29...

An Abstract Expressionist cum Surreal painting by Kenneth Morrow Martin, American (1911-1983). Storm by Keith Morrow Martin, American (1911–1983)...

Striking 3-dimensional acrylic and wood on canvas sculpture by renowned Colombian painter an sculptor, Omar Rayo. Signed, titled, inscribed "New Yo...

Here is one of Paul Guiragossian's 1960s oil paintings on canvas. The artwork's size, without the frame, is 31 x 23 inches. The overall composition represents a family, with the figu...

Untitled (43) Hanna Eshel, Israeli (1926) Date: 1965 Oil and Assemblage on Burlap, signed and dated verso Size: 39 x 31 in. (99.06 x 78.74 cm) Frame Size: 45 x 37 inches

Gouache, watercolor and crayon on paper. Signed in white gouache, lower right recto by Dobashi.

size includes frame 20X20 sight size. Richard tum Suden (1936, Brooklyn NY) Painter, sculptor, graphic artist, has taught at Parsons School of Design in New York, Art Students League...

Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1969. Signed and dated, lower right. Tondo, 3 1/4 inches diameter, (image), 15 x 11 inches (shee...

Flowers, Roses, red,pink MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya Kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Rus...

Mid Century Continental School impressionist still life oil on paper of a bouquet of Chrysanthemums by an unknown artist. Ilegibly signed "Juan xxxx". Presented in a gilwood frame. ...

Ships in port. Oil on cardboard, 56,5x64,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with dip...

In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of John Begg Jr., the son of the mid-century nuclear family...

A colonnaded plaza filled with dancing figures and stone statues. Soft billowing pieces of fabric are draped over the whole scene. Palace Charles Cobelle, French (1902–1994) Date: ...

Artist: John MacWhinnie, American (1946 - ) Title: Portrait of Truman Capote Year: 1968 Medium: Mixed Media on Board (Oil and Pencil), signed and dated l.r. Size: 23.5 x 18 inches Fr...

Artist: John Kinnear, Canadian (1922 - 2003) Title: Highland Figures Medium: Acrylic on masonite, signed lower right Date: circa 1960 Image Size: 22 x 38 ...

Sunil Das - Untitled - 23 x 16.5 inches (unframed size) Ink & Watercolor on paper Inclusive of shipment in ready to hang form. In the mid sixties again he explored diverse cults of popular ritual for pictorial ingredients of an evocative mystic symbolism. An ink-and-wash of 1965 features a figurative image of ambiguous connotation. The motif looks like a cult image worshipped by people practising primitive religion. A squat but monumental figure, it has for each hand several reptilians snaking down from shoulder to the finger-tips, for legs a pair of beastly fore-paws and its dark oval totemic frame...

JACOB EL HANANI b. 1947 1947 Casablanca (Israeli) Title: Untitled, 1968 Technique: Signed and Dated Acrylic on Canvas Size: 73 x 93 cm. / 28.7 x 36.6 in. Additional Information...

Oil on canvas. Framed. Image size, 40H x 38L.

Signed lower right, 'Shaha' and dated, '69'; additionally signed and dated upper right. A large and bright, mid-century abstract oil by this French-born California artist. Giselle S...

Lithograph on Arches Exemplaire B/165 Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the...

Sunil Das - Horse III - 11 x 9 inches (unframed size) Pastel on Sand Paper Inclusive of shipment in ready to hang form. Sunil Das was one of India's most important postmodernist pai...

Titled, Nocturne. Asian-style waterfalls

Nicely painted mid century impressionist painting of New York. Great color and composition. Framed. No signature found.

Inscribed verso "Dora Masters" and painted circa 1960. A large, Post-Impressionist figural oil of a young woman shown facing the viewer with her gaze averted and surrounded and over...

Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973" Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso). 30 x 40 in Ralph Rosenborg (1913–1992) was an American artist whose paintings were described as both expressionist and abstract and who was a colleague of the New York Abstract Expressionists in the 1940s and 1950s. Unlike them, however, he preferred to make small works and tended to explicitly draw upon natural forms and figures for his abstract subjects. Called a "highly personal artist," he developed a unique style that was considered to be both mystical and magic. His career was exceptionally long, covering more than 50 years. Rosenborg was born in Brooklyn, New York, on June 9, 1913. In 1929, while he was a high school student, he began to work with the designer, artist, and instructor, Henriette Reiss. When Rosenborg encountered her, Reiss was serving as an instructor for the School Art League in the American Museum of Natural History. She was then engaged in instructing both students and their teachers in the city school system by a method she called Rhythmic Design. She believed inspiration for abstract designs could be found in rhythms—rhythms that could be perceived in ordinary perceptions much as they are when listening to music. In May 1930 Reiss selected a drawing by Rosenborg to be shown in an exhibition of creative design by City high school students. From 1930 to 1933, aged 17 to 20, Rosenborg studied with Reiss in what Vivien Raynor of the New York Times called a "pupil-apprentice" relationship. During this time she instructed him in music appreciation, literature, and art history as well as giving technical training in art. In April 1934 Rosenborg was one of 1,500 artists to participate in the annual Salons of America exhibition, which was held that year in Rockefeller Center RCA Building. Each paid two dollars for the privilege of hanging up to three works and none was given prominence over the others. The New York Times reported that by the time the show closed a month later, some 30,000 people had viewed it. The following year he was given a solo exhibition (his first) at the Lounge Gallery of the Eighth Street Playhouse. The year after that he participated in a group show held by the Municipal Art Committee and in 1937 was given a second solo exhibition, this time in the Artists Gallery. That year he also became a founding member of and participated in a group show held by American Abstract Artists, a loose assembly of artists that aimed to promote abstract art and artists in New York. Its founders included Josef Albers, Ilya Bolotowsky, Werner Drewes, Ibram Lassaw, Mercedes Matter, Louis Schanker, Vaclav Vytlacil and Rudolph Weisenborn. At roughly the same time Rosenborg associated himself with a group of abstractionists that called itself "The Ten" (It included Ben-Zion, Mark Rothko, Adolph Gottlieb and Joe Solman) and in May 1938 joined with its other members in what would be his first appearance in a commercial gallery: the Gallery Georgette Passedoit. In 1938 he his work appeared in a group show at the Lounge Gallery, in 1939 in group shows at the Artists Gallery and at the Bonestell Gallery with David Burliuk, Earl Kerkam, Karl Knaths and Jean Liberte...

Michael Frary (1918 - 2005) Austin Artist Image Size: 16 x 12.5 Medium: Oil "The Clown" Biography Michael Frary (1918 - 2005) Michael Frary was born in Santa Monica, California on Ma...

Signed lower right, "Eral" for Eral Leek (American, 20th century) and dated 1962. A substantial, mid-century oil abstract comprising bold, overlapping rectangular compositional elem...

Outlook of the city 1960. paper, pastel. 29x40 cm "Outlook of the City" is an evocative and vibrant artwork that offers a glimpse into the urban landscape of the 1960s. Through the expressive use of pastels on paper, the artist aims to capture the essence and energy of the city, inviting viewers to immerse themselves in the sights and sounds of this bustling urban environment. Aleksandra Belcova...

Sea. 1968. Paper, gouache, 86x60 cm

33.5x27, sight size 28x22 Lionel Kalish born 1931 New York, NY A painter and childrens book illustrator. Education: 1951 Cooper Union of the Advancement of Science and Art, New York, NY Selected Solo Exhibitions: 1978 Forum Gallery, New York, NY 1980 Galerie Brusberg, Hannover, Germany 1981 ACA Galleries, New York, NY 1982 Galerie Stubler, Frankfurt Germany 1984 Galerie Brusberg, Berlin, Germany 1990 Sid Detuch Gallery, New York, NY 1994 Lewis Newman Galleries, Beverly Hills, CA Galerie Brusberg, Berlin, Germany 1996 The Horwitch Newman Gallery, “Italy: The Poetry of Landscape,” Scottsdale, AZ Gremillion & Co. Fine Arts, “Italy: The Timeless Landscape,” Houston, TX 1997 Hoorn-Hashby Gallery, “Color and Light: The Italian Façade...

"Library" Mid 20th Century Precisionism Cubist Realism Modernism Architectural. Signed verso. Robert Herrmann hid his paintings from the public for ov...

Abstract waves watercolor painting by listed artist Doris Ann Warner (American, 1925-2010). Signed "Warner" lower left. Unframed. Image size, 15"H x 2...

Bold French still life painting of small African mask on warm brown and blue background by artist Raymond Bailly, circa 1965. Original artwork on p...

Norman Bluhm Untitled, circa 1960 Signed lower right Oil on paper laid down on board 22 x 30 inches Norman Bluhm (1921-1999) was an American Abstract Expressionist celebrated for c...

Artist: Charles Cobelle, French (1902 - 1994) Title: Monument Year: circa 1960 Medium: Acrylic on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame: 28.75 x 33 inches

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...