1960s Paintings

6019 Antique Impressionist Landscape 1964 Framed. Signed Image size 14x12"

4080 Impressionist style still life on artist board Displayed in a thin black wood frame Image size 12x14" Signed Rovini

6027 Charming acrylic painting of a young boy with dog fishing under a willow tree Framed Image size 12.5x9.5" Signed lower right

Adolfs Melnars (till 1940 – Adolfs Maslovskis) (1908.4.III – 1963.31.X) attended studio of K. Miesnieks (1928), studied in Latvia Art academy (1930 – 39) and graduated studio of G. ...

Bold abstract painting by French artist, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plastic sleeve ...

Oil on cardboard realized by Sirio Pellegrini in 1968. Hand signed. Includes a wooden frame realized by the Artist. cm. 58x48. Sirio Pellegrini, born in Rome on March 1, 1922, of ...

Oil on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 60.5x47.5. Sirio Pellegrini, born in Rome on March 1, 1922...

Oil on wooden panel realized by Sirio Pellegrini in 1969. Hand signed and dated. On recto: The Cliff. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestra...

A painting by Paul Jenkins. "Phenomena By Return" is an abstract, acrylic on canvas painting executed in a bright palette primarily of reds, teals, blues and yellow by Post War artis...

'Still Life with Pineapple', oil on panel, by Lucien Martial (circa 1960s). Like human life, fruit is perishable and ephemeral, and thus many believe th...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887 – 1974) Abstraction 14 x 18 inches Estate stamp verso Oil on panel Provenance: ...

Bay Area figurative painting of a nude woman looking over her shoulder by Thomas L. Tribby (American, b. 1944). Signed and dated "Tribby 66" in the lower right corner. Unframed, but the edges are painted black for a frame-less display. Canvas size: 37.5"H x 33.5"W. Bay area figurative artist and painted while at the University of California, Berkeley, CA – Bachelor of Arts, 1963-1966. Flat rate Shipping $100 quoted. Thomas Tribby (American, b. 1944) is an internationally known artist who has participated in solo and group exhibitions in the United States and Europe. He works in a variety of media, including watercolor, acrylic, and oil. Tribby has gallery representation in Florida and his paintings have been featured in articles in Waterfront Home and Design and Architectural Digest. Tribby has participated in juried and invitational shows in Florida, California, Arizona, Georgia, South Carolina, Tennessee, Washington, D.C., and New York, and in Paris, France. In December 2007, Tribby had the honor of being one of nine painters in the American Delegation at Le Salon des Beaux Arts de la Société Nationale des Beaux Arts exhibition, known as the Paris Salon, at the Carrousel du Louvre in Paris, where his painting, Lifeguard, was exhibited. In January 2008 Tribby received from the Design Center of the Americas, DCOTA, the prestigious Stars of Design award in the category of Art. Tribby lives and works in West Palm Beach, Florida. EDUCATION 1961-1963 University of Washington, Seattle, WA Studies in Fine Arts 1963-1966 University of California, Berkeley, CA – Bachelor of Arts 1969-1970 Arizona State University, Tempe, AZ, Grad Studies, MFA Program 1979-1980 Arizona State University, Tempe, AZ, Grad Studies, MFA Program GROUP EXHIBITIONS: INVITATIONAL OR JURIED 2014 Monochrome, Palm Beach Cultural Council, Lake Worth, FL 2010 Spectrum 2010, The Hunter Museum of American Art, Chattanooga, TN 2010 Studio 1608 Group Show, West Palm Beach, FL 2008 Florida Original Contemporary Art, West Palm Beach, FL 2007 Paris Salon, Carrousel du Louvre, Paris, France 2005 Liman Gallery, Palm Beach, FL 2003 Grand Bank and Trust, Palm Beach Gardens, FL 2003 Aaron Gallery, Washington D.C. 2001 The Retreat, Artists Against Abuse, Southampton, NY 2000, 2003-2004 Palm Street Art Studios, West Palm Beach, FL 1996 Studio 412, Group Show, West Palm Beach, FL 1992, 1994 Small Works Show, Armory Arts Center, WPB, FL ONE MAN EXHIBITIONS 2018 Armand Bolling Fine Arts, Jupiter, FL 2012, 2016 Ellis-Nicholson Gallery...

Famous french painter of XXth century, born in Moscow in 1902 and died in Paris in 1976. The Count André Lanskoy works are exhibited in the world's greatest museums like : National ...

A beautiful 1960's oil on canvas by Paul Lucien Dessau depicting a scene in St. James's Palace, London, with red coated Guardsmen on parade. The work is signed lower left and prese...

George Dannatt (1915-2009) Small Black Abstract (Xanadu) 1963 Gouache & pencil on paper 19.6 x 25.4 cm Exhibitions 1981 May. Wills Lane Gallery, St. Ives 2001 Jly. Maltby Co...

Gorgeous Sierra Mountains winter landscape of snowy stream in pastel tones by Verneda Mehringer (American, 1924-2015). Signed "Verneda" lower right. Unframed. Image, 18.25"H x 23.75"...

Charming mid-century naive painting of small figures and chickens in a rural landscape by an unknown artist (American, 20th Century). Signed with the monogram "I. M. H." on lower lef...

Richard Andres (American, 1927-2013) Panama Garden, c. 1964 acrylic on canvas signed lower right, signed and titled verso 46 x 38 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

3901a Oversized Italian Futurist black and white dancers oil painting on framed canvas

Cubist Still Life (49) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 12 in. x 12 in. (30.48 cm x 30.48 cm) Frame Size: 15 x 15 inches

Alan Davie (1920-2014) Queen Emma June 1968 oil on canvas (triptych) 213.5 x 404 cm signed, dated and titled (on the verso) Price: £300,000 GBP (inc. 20% U...

Mid Century Bay Area Mountains Autumnal Landscape Oil Painting Beautiful plein air oil painting of Bay Area mountains in autumn by Charles Eades (A...

Dwight Holmes (1900-1986) Fort Worth, San Angelo Artist Image Size: 9 x 12 Frame Size: 12 x 18 Medium: Oil Dated 1967 "West of Copperas Cove" Texas Dwight Holmes (1900-1986) Dwight C...

Lilacs and Peonies, Mid Century Floral Still-Life with Pink & Purple Vibrant mid century floral still-life featuring lilacs and peonies by Carolyn Tyson (American, b-1941). This lov...

George Dannatt (1915-2009) White Sea 1960 Gouache on paper Image: 8.90 x 24.1 cm Frame: 48.0 x 50.3 cm Provenance: The George and Ann Dannatt Estate, The George Dannatt Trust ...

George Dannatt (1915-2009) Painting 1960 1960 Gouache on paper Image: 25.4 x 28.9 cm Frame: 48.0 x 50.3 cm Provenance: The George and Ann Dannatt Estate, The George Dannatt Trust...

Ukrainian American abstract painting by Misha Reznikoff (1905 - 1971). Oil on canvas. Signed verso in monogram. Measuring 20.5 by 30.5 inches.

NYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary David Atkins (1910 – 2012) Subway Train Departure 24 x 30 inches Oil on can...

Mid Century Nude Study, Reclining Figure on Blue in Oil on Board Mid Century nude study of a female figure in a reclining pose with a rich blue background by listed artist Jon Blanc...

Marcel Dyf (French, 1899-1985) Leçon de musique; Music Lesson Circa 1965, Oil on canvas Dimensions: 29 x 24 inches (73.0 x 61.0 cm) Framed: 36 x 31 Inches Signed lower right: Dyf T...

George Dannatt (1915-2009) Venice No 2 1963 Mixed media on paper Image: 15.5 x 23.5 cm Frame: 34.7 x 42.0 cm Provenance: The George and Ann Dannatt Estate, The George Dannatt Tr...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 16 x 20 Frame Size: 23 x 27 Medium: Oil on Canvas "Bluebonnet and Huisache" Texas Hill Country Pedro Lazcano (1909-1970) I wa...

Stunning mid-century fauvist still life of flowers and fruit by California artist Virginia Sevier Rogers (American, 1916-2015). Signed and dated "VR 7/65" lower right. From the estat...

BENJAMÍN PALENCIA Spanish, 1894 - 1980 THE PARTRIDGE signed & dated "B. Palencia, 66" (lower right) oil on canvas 25-3/4 x 21-3/8 inches (65 x 54 cm....

Francesc Serra Castellet (1912-1976) - Girl - Oil on canvas Oil measurements 73x60 cm. Frameless. Biography: Francesc Serra Castellet. Barcelona 1912 - Tossa de Mar (Girona) 1976. ...

Les Fruits 2 Oil on masonite, 1967 Signed and titled lower right (see photos) Signed with the estate stamp verso: Beni Kosh Collection #254 (see photo) Condition: Good Board size: 7 ...

5192 Italian landscape scene with tall trees by rivers edge with woman watering her garden. Image size 23.5x 11.5"

BREAK OF DAY Size: 35 x 43 cm (including frame) Oil on Canvas A dramatic atmospheric mid century modernist landscape, painted in oil onto canvas. In this semi-abstract composition ...

This lovely floral landscape oil painting is by artist Elsie Bye- Rawson. Painted circa 1960 the view is looking down from Newlyn and along the coast to Penzance in Cornwall. St Mary...

Post-Impressionist Oil Painting of Donegal Wetlands Landscape in Ireland by 20th Century Irish Artist, Charles McNeill Caldwell. Signed, Ori...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers, Fruit and Bottle) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condi...

This superb oil painting of horses is by Scottish female artist Doris Zinkeisen. Painted circa 1960 the composition has six horses in a landscape. There is great impasto and brushwor...

1968 Oil on canvas, signed and dated « Mathieu 68 » lower right and titled « Sator » on the stretcher. The artwork is accompanied by a certificate by the Association “Archives Jean-M...

In 1961, there would have been a chauffeured Rolls-Royce Phantom V limousine waiting for this gentleman curbside. Perhaps he was a new ambassador paying his respects to a head of gov...

Artist: Ian Hornak (1944-2002) Title: Untitled (Neo-Impressionist Figures in Landscape) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Good P...

Date: 1960 Oil on Masonite, signed and dated lower right Size: 15.75 x 23.75 in. (40.01 x 60.33 cm) Frame Size: 16 x 24 inches

Here for your consideration is a wonderful expressive portrait of a blue eyed country girl by the American artist David Pallock. Signed top right and dat...

Diana Kurz #10 Big Orange and Turquoise, 1962 Signed lower right Oil on canvas 53 x 47 1/2 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's...

Signed lower right, 'Savo' for Joan Savo (American, 1918-1992) and dated 1960. Additionally signed, verso, on old label and titled, 'City Lights'. Accompanie...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 24 x 20 Frame Size: 34.5 x 30.5 Medium: Oil on Panel Applied by Palette Knife Dated 1962 "Flores" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

French expressionist artist, circa 1960’s Circle of Bernard Buffet oil painting on board, framed framed: 37.5 x 31 inches board: 32 x 25.5 inches provenance: private collection, Fran...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

This colorful late spring scene is most likely around Erie, Pennsylvania. Artist and teacher Joseph M. Plavcan generally painted around the area in which he lived for over 50 years. Joseph Michael Plavcan was born near Pittsburg, in Braddock. He attended the Pennsylvania Academy in 1926, studying with renowned New Hope artist Daniel Garber. Through a scholarship, he went to Europe to study. He returned to Erie in 1932 and became an art instructor, teaching for the next 38 years. Plavcan went far beyond teaching trade school requirements and instilled a true sense of sophisticated artistry in his students. During his artistic career, he exhibited often in Philadelphia, Washington, New York and Chicago. This painting, oil on canvas, demonstrates Plavcan’s style, utilizing figurative abstraction with a modernist color palette. The paint is not over applied and areas are treated with smooth broad brush strokes. The hint of late blooming leaves are dashes of paint applied in a fast yet confident manner. Plavcan’s sense of light, demonstrated in the distant church tower is spot on. While not signed, there are two official estate stamps on the reverse that attest to the authenticity of Plavcan’s work. The piece measures 16” x 20” and appears to be canvas applied to a back board. This was likely done by the former retailer, Hudson House Galleries in Hagerstown, Maryland. That shop was a fine regional art gallery and antiques shop for decades until its closure about five years ago. The painting is nicely framed in a modernist gold wood frame with a subtle pink liner. The overall framed dimensions are about 20” x 24”. The painting is in very good condition, bright and crisp. There is a very minor vertical crease above the peak of the house that is truly barely noticeable from any distance. Other than that, all is fine with the work and its frame. This strong, colorful work by Joseph Plavcan...

A beautiful signed 1960's Belgian oil on board portrait of a lady wearing a blueb jumper against a striking orange background, by Noëlle Verheggen. Possibly a self portrait of the ar...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: Resting Year: circa 1965 Medium: Oil on Canvas, signed l.r. Size: 26 x 48 in. (66.04 x 121.92 cm) Frame Size: 33 x 55 inches

Wonderful mid 20th century European modernist cityscape oil painting. Framed. Oil on board. Signed. Image size, 20H by 26L.

I have 5 paintings I purchased recently for sale by this artist. They are all beautiful and colorful with gallery labels as pictured. They all come From the estate of Guy Joseph Émile Nairay…. Famous French Diplomat who owned many major artists in his collection. Sarthou is a famous French abstract painter whose colors are very vibrant. Here for sale: MAURICE ELIE SARTHOU...

Vintage modernist abstract oil painting by Anton Sipos (Born 1938). Oil on canvas. Framed. Signed.

'The Red Headdress', pastel on art paper, by W. Worms (circa 1960s). A beautiful woman with contemplative expression and tender eyes is exquisitely portrayed by the artist. The treat...

Gorgeous mid-century painting of heavily textured Ranunculus flowers in a blue vase by Bonnie Yankauer (American, 20th Century), 1964. The palette and impasto brush strokes gives thi...