1990s Paintings

Abstract acrylic and dye painting on cotton canvas by artist Martha Lloyd. A bright red pinwheel style flower in the center of a square canvas, against ...

JONATHAN FELDSCHUH Education: 1982-1986 Harvard University, summa cum laude in Physics 1993-1996 Academy of Fine Arts, Prague Selected Solo Exhibitions: 2017 “First Particles, Elementary Particles”, OPUS Project Space, New York 2016 "Large Hadron Collider", National Academy of Sciences, Washington DC, with subsequent travel to Keck Institute, Washington DC; Janelia Gallery, Ashburn Virginia (2017); Howard Hughes Medical Institute, Bethesda, MD (2017) 2013 "The World Egg", Skink Ink Gallery, Brooklyn, New York 2012 "Large Hadron Collider", Mixed Greens Project Space, New York 2008 "Large Hadron Collider", Galerie Vernon & Vernon Projekt, Prague 2005 "Simulations", Cynthia Broan Gallery, New York; AAAS Gallery, Washington DC 2004 "Trajectories", Marella Arte Contemporanea, Como 2003 "Solar", Art Resources Transfer, New York 2002 "macro-mini", Vernon Fine Art International, Prague "Macrocosm", Cynthia Broan Gallery, New York 2000 "Little Corner of the World", Cynthia Broan Gallery, New York Selected Group Exhibitions: 2017 “The Cloud and the Void”, UES Gallery, New York “Resonators” 524W26 Gallery, New York 2016 “Visual Inquiries: Artists Inspired by Science”, Fingesten Gallery at Pace University, Artists: Suzanne Anker, Julia Buntaine, Angie Drakopoulos, Jonathan Feldschuh, Carter Hodgkin, Eve Andree Laramee, Deanna Lee, Maureen McQuillan, Paula Overbay, Taney Roniger, Steven Salzman. "Dialogues: Drawings and Works on paper", Satellite Contemporary, Las Vegas, January 9 - February 12, 2016 2015 "Sun Light / Star Light: Contemplations Upon the Solar Orb" - Louisiana Art & Science Museum, October 9, 2015 – April 3, 2016 2014 "Pouring it On", Herter Art Gallery, University of Massachusetts, Amherst "What Lies Beneath", SciArt Center, New York 2013 "Salon", Active Space Gallery, Brooklyn "Opening", The Paper Factory, Queens, New York 2012 "The Quantum Effect", The Active Space, Brooklyn "Laboratory", Pfizer Labs, Brooklyn 2010 "Lost Horizon", ArtJail Gallery, New York 2009 "Starry Messenger: Galileo's Vision in the 21st Century", Louisiana Art & Science Museum 2006 "Science as Muse”, Montgomery Center for the Arts, New Jersey "Native Spirit" Supreme Trading, Brooklyn 2005 "Beautiful Dreamers" Spaces, Cleveland 2004 “DNA: Art & Science”, University of South Florida Contemporary Art Museum Art Miami (with Cynthia Broan Gallery) 2003 "Before and After Science", Marella Arte Contemporanea, Milan Scope Art Fair (with Cynthia Broan Gallery) Art Chicago (with Cynthia Broan Gallery) 2002 "Some Are Painting II", Educational Alliance, New York “Vivid”, Mead Gallery, Warwick Arts Center, Coventry; Northern Gallery for Contemporary Art, Sunderland "DNA", Art Resources Transfer, New York (Hallway Space project) 2001 "Vivid", Richard...

Artist: Ruperto Cabrera (Spanish 1960 - ) Title: Composition I Year: 1999 Medium: Oil, Silkscreen, Zund UV Jet Print on Canvas, Signed verso Size: 32 x 39 in. (81.28 x 99.06 cm)

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 50"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

"She's Watching" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late feminist artist Ana Mendieta, collages by Kara Walker, a watercolor by Louise Bourgeois, Cecily Brown, Tracey Emin, Teresita Fernandez, Carrie Mae Weems, Nan Goldin, Barbara Kruger, Catherine Opie, Lorna Simpson, Kiki Smith, Mickalene Thomas, and Kara Walker. are among 100 works by leading contemporary artists donated by philanthropists David Horvitz...

Artist: Martin Barooshian, American (1929 - ) Title: Flygirl No. 1 Year: 1996 Medium: Acrylic on Canvas, signed Size: 36 x 24 in. (91.44 x 60.96 cm) Frame Size: 36.5 x 24.5 inches

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

Conference of the birds no 28 (Abstract Painting) Oil on panel. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a conne...

Artist: Vasily Kafanov, Russian (1952 - ) Title: General and Nude Year: 1990 Medium: Acrylic on Canvas, signed l.r. Size: 50 x 70 in. (127 x 177.8 cm)

An abstract painting by Duayne Hatchett from his Trowel Painting Series. Oil on canvas, circa 1994. Signed. Unframed. Duayne Hatchett was a visual artist whose work included pr...

Sunil Das - 9 x 14 inches (unframed size) Rare Collage Series, Pen and Ink Plastic Feather Acrylic Foil on paper pasted on board Inclusive of shipment in ready to hang form. Sunil D...

Untitled - OL1.96 (Abstract Painting) Oil, fabric and string on linen - Unframed Feinberg works with a variety of techniques and mediums, including painting, paper collage and inst...

Abstract in tones of yellows and red with highlights of blue on black paper, 1990s. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-si...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Pignon Bleu - Mareil by Hugues Pissarro dit Pomié (B. 1935) Oil on canvas 130 x 162 cm (51 ¹/₈ x 63 ³/₄ inches) D...

Gouache on paper Unique work Hand-signed lower right by the artist

Pronounced acrylic body art on paper featuring chest and face by American artist Kismine Varner, circa 1990. Signed lower right. Original artwork on paper ...

Vivid acrylic body art on blue paper by American artist Kismine Varner, circa 1990. Signed lower right. Original artwork on paper displayed on a white mat ...

Bold primary color monotype abstract by American artist Kismine Varner, 1990. Signed and dated lower right. Original artwork on paper displayed on a white mat with a gold border. ...

Abstract impressionist work done in blue and green tones of a cityscape by artist Robert Weimerskirch in 1991. Signed and dated by artist. Dimens...

Because it's Spring! by Roy Wilce Oil Pastel on Paper image 29x44", framed 48x56" *Shipping cost includes the custom packing required to transport fine art securely. ABOUT THE ART...

Ancient Highway, trompe l'oiel, oil painting, ruins, road, western landscape Helen Stanley’s sculptural paintings are beautifully drawn, realistically r...

Colorful surrealist French painting of parachuter and lion, signed and dated lower right. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sle...

Prakash Karmakar - Untitled - 29 x 20 inches ( unframed size ) Dry Pastel on Paper , 1999 Prakash Karmakar was the most senior artist of Bengal . He was instrumental in the Bengal...

Vivid monotype abstract by artist Sue Shaffer, 1995. Titled: El Sueño. Signed and dated lower right. Original artwork on paper displayed on a white mat with a gold border. Archival ...

Amitabha Banerjee - Man & Woman - 6 x 10 inches ( unframed size) Etching on paper Inclusive of shipment in roll form. About the Artist and his work : Born : In 1929 born in Barisal,...

Mixed media on plywood, signed lower right.

Morning Letter Woman with a Cat Framed 34x27.8x1.5 Gregor Zamierowski Polish-Canadian artist. Vibrant modern oil painting on canvas.

Oil on canvas, signed Aden lower right

Artist: Michel Caro, American XXth Title: After Sam Francis: Senza Titolo III Year: circa 1999 Medium: Oil on Canvas, signed l.r. Size: 49 x 53.5 inches

Untitled - OL1.96 (Abstract Painting) Oil, fabric and string on linen - Unframed Feinberg works with a variety of techniques and mediums, including painting, paper collage and inst...

Sunil Das - Untitled - 12 x 9.5 inches (unframed size) Ink on Thick Paper Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artist from B...

South II by Antonio Ole, Angolan (1951) Date: 1993 Acrylic, Impasto and Collage on Paper, signed l.l. Size: 26 x 39.5 in. (66.04 x 100.33 cm)

Sunil Das - 56 x 56 inches (unframed size) Pin Work, Pins and Acrylic on Canvas Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Mast...

Prakash Karmakar - Untitled - 36 x 40 inches ( unframed size ) Acrylic on Canvas , 2012 Prakash Karmakar was the most senior artist of Bengal . He was instrumental in the Bengal M...

Prakash Karmakar - Untitled - 29 x 20 inches ( unframed size ) Dry Pastel on Paper , 1999 Prakash Karmakar was the most senior artist of Bengal . He was instrumental in the Bengal...

Robert Baribeau (1949 - ) is an American Abstract painter, best known for his mixed-media paintings. This painting is signed and titled verso.

Amitabha Banerjee - Radha - 19 x 22 inches ( unframed size) Etching on paper Inclusive of shipment in roll form. About the Artist and his work : Born : In 1929 born in Barisal, Bang...

Painting, oil on canvas, measuring 55 x 65 cm without frame and 64 x 82 cm with frame, depicting two racing Ferraris, during a grand prix, by the painter Maurizio Scarpari, as can be...

Composition with roses. Oil on cardboard, 50x40 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School o...

Shangri-La 54”x48” Oil on Canvas Abstract Art Bold Colors Red Shapes As life often does, the life of Marilyn Biles has come full circle since her life as a fashion illustration stu...

Sunil Das - Untitled - 18 x 14 inches (unframed size) Jottings, Pen & Ink on Graph Paper Inclusive of shipment in ready to hang form. Sunil Das (1939-2015...

Sunil Das - Collage based Drawings - 11 X 9 inches (unframed size) Mixed Media on Board Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian...

Today we can consider the artist Bette Ridgeway as the one and only true heir of Paul Jenkins: her mentor and teacher. Ridgeway's painting is dynamic and rhythmic; like the most “en...

Malcolm Maloney Jagamarra "Kangaroo Dreaming" 1991 Framed Signed verso Provenance: Hank Ebes, Aboriginal Gallery of Dreamings, Melbourne, Australia; Acquired from the above in 1991, Richard Kelton Collection, Santa Monica, California Malcolm Jagamarra was born in the Australian outback...

Musa II. Beautiful woman playing an instrument and still life was painted by Goyo in 1997. Date and signature appear in the lower left corner. It is done with acrylics in a 122 x 6...

Oil work on canvas Signed P. Chapatte and dated 06.91 Artist unknown from the gallery Beautiful and quality work representing the Swiss Landscapes, around the Lake

Aaron Bohrod Autobiography, 1991 Signed lower right Oil on gesso board 12 x 16 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Oil on canvas, signed top right.

This remarkable painting evocative of the celestial universe is lovely in its texture, intensive brush work and lovely color palette. Forster who was Canadian, in his earlier years ...

Sax Berlin offers this exquisite portrayal of a classical maiden which he calls "endearing" ............. who are we to dispute that, she's also very beautiful. Artist Biography: Sa...

Tulips bouquet. Oil on cardboard, 50x40 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, S...

Artist: Giuliano Ottaviani Title: Cocktail Hour Year: 1997 Medium: Acrylic on Canvas, signed l.r. Size: 59 x 40 in. (149.86 x 101.6 cm)

Words and Deeds Oil and collage on wood panel, c. 1990 Signed recto lower right (see photo) Verso: See photo Signed, verso: Ben Wilson Dated: c. 1990 Titled: Words and Deeds Condition: Excellent Image/panel size: 23 1/4 x 19 inches Frame size: 26 1/4 x 21 1/4 inches To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his rst one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, lled with what he called “the grief of the intolerable” and reecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identied strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specic imagery persisted but became more psychological and mythic in orientation. Inuenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early gurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, inuenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson lled notebook after notebook with drawings that he amplied in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...

Saint John, The Forerunner, after a Russian Icon from the 16th Century. Tempera and gold leave on gesso over a wooden board. Dimensions: (H) 33 x (W) 25,5 x (D) 4 cm. John, The Forerunner, is depicted as an ascetic desert saint with a tousled beard and a coat made from camel hair. The expression that transmits his beautiful face is very intense. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterward, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold . Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

Village. 1990. Oil on canvas, cardboard, 50x70 cm Colorful landscape, in blue, yellow, colors Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), his favori...

Peter Christian Peterson (Danish, b. 1973), "Cellphone Accident Surprise 1", Acrylic and Enamel on Plastic, 1999, signed, titled, dated, and American-European Fine Art label to the v...

Peter Christian Peterson (Danish, b. 1973), "Cellphone Accident Surprise 2", Acrylic and Enamel on Plastic, 1999, signed, titled, dated, and American-European Fine Art label to the v...

Avant la Fête or “Before the Party” is a superb and vibrant work by Wemaere who is a well recognized European abstractionist in the tradition of the CoBrA move...

Painting, oil on canvas, measuring 55 x 65 cm without frame and 64 x 82 cm with frame, depicting two racing Ferraris, during a grand prix, by the painter Maurizio Scarpari, as can be...

By the river in the spring. Paper, watercolor, 48x54 cm Arnolds Pankoks (born 1914.21.IX - 2008.) Graduated Art Academy of Latvia (1937 – 43, 1945 – 4...