1990s Paintings

Amitabha Banerjee - Radha - 19 x 22 inches ( unframed size) Etching on paper Inclusive of shipment in roll form. About the Artist and his work : Born : In 1929 born in Barisal, Bang...

South II by Antonio Ole, Angolan (1951) Date: 1993 Acrylic, Impasto and Collage on Paper, signed l.l. Size: 26 x 39.5 in. (66.04 x 100.33 cm)

constellation original acrylic paper painting . framed Son of Josep Tharrats i Vilà, in 1932 he moved to Béziers until 1935, when he returned to Barcelona to study at the Massana Sch...

Kevin Luthardt is an american artist, childrens book author, and muralist. This oil on canvas painting measures 36 x 30 in. (91.44 x 76.2 cm). It is si...

Abundance by Lu Haskew Floral Still Life Oil painting featuring sunflowers in a blue vase. 24x18" image size 28x22" framed size ABOUT THE ARTIST: Lu considered it a must to work w...

La obra va firmada por el artista en la parte trasera, también va fechada del año 1990 y titulada "Sibila III y IV" Se presenta enmarcada la pintura Medidas de la obra: 213 cm. alt...

Modernist abstract portrait oil painting by Abraham Pariente. Oil on canvas, circa 2000. Signed. Displayed in a modernist frame. Important large and impressive work!

The Collector is by Anne Embree who is known for her whimsical animal paintings . The Collector focuses on the Bird and the surrounding objects The Collect...

Prokash Karmakar – Untitled – 18 x 12.5 inches (unframed size) Watercolor, Acrylic on Paper, 1991 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely respo...

Sunil Das - Untitled - 12 x 9.5 inches (unframed size) Ink on Thick Paper Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artist from B...

Fecundacion original painting Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded her studies in etching and lithography at the Friedlaender ...

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

Oak. 1997, oil on canvas and cardboard, 70x50 cm Colorful landscape wit oak tree Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), his favorite professors...

Barcelona watercolor original paper expressionist painting. framed MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joaquín Mir, Mariano Pidelaserra and Manolo Hugu...

Sunil Das - 56 x 56 inches (unframed size) Pin Work, Pins and Acrylic on Canvas Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Mast...

Artist: Daze (aka Chris Ellis), American (1962 - ) Title: Notorious Year: 1990 Medium: Acrylic and Spray Paint on Canvas, signed, titled and dated verso Size: 62 in. x 52 in. (157.48...

George Tzannes' Corner Stone at Chora Castle is a 24"x24" inches acrylic figurative painting. It depicts an architectural detail of the ancient castle in Chora, in the Greek island of Kythira. Ancient ruins have been often the subject of paintings through out art history, frequently depicted for their romantic and timeless spiritual quality. This painting by Tzannes is certainly not oblivious of such tradition, yet showing a very personal and unique approach. Instead of depicting the entire building, Tzannes chooses to concentrate on a architectural detail of an ancient castle in the Greek island of Kythira. The clarity and realistic precision with which the stones are painted, like a trompe-l'oeil, confer to this artwork a sculptural quality. The viewer can almost feel the roughness of the stone, the warmth of the Greek sun...

Artist: Ken Mabrey Title: Subway Riders Year: circa 1995 Medium: Oil on Canvas, signed l.r. Size: 50 x 36 inches [127 x 91.44 cm] Frame: 55 x 41 inches [139.7 x 104.14 cm]

Sergii Druziaka and Sergii Litvinov. ART tandem "Girl - Luna"

This piece is a unique original acrylic painting on brass by Andreas Nottebohm, created in 1997. Andreas Nottebohm is a German artist that came to America circa 1979. Nottebohm's wo...

Racing the Moon John Hardy, American (1923–2014) Date: 1991 Oil on Canvas, signed Size: 10 x 34 in. (25.4 x 86.36 cm)

Translated title: "Tropical nocturne". Acrylic on canvas.

This still-life fresco painting is part of a series depicting ancient Greek amphoras and pottery vases from the archaeological site of Paliopol...

Translated title: "Invitation to the game" Acrylic and sand on plywood.

A striking 20th Century oil showing a woman bathed in bright sunlight. The artist's use of closely cropped composition and confident colours make this a tru...

David Hare Cronus Waiting, 1990 Acrylic on linen 72 x 42 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Because it's Spring! by Roy Wilce Oil Pastel on Paper image 29x44", framed 48x56" *Shipping cost includes the custom packing required to transport fine art securely. ABOUT THE ART...

"Vestido de la Region (Regional Costume) - Cuzco" is an original oil painting on canvas by Abelardo Marquez. The artist signed the piece in the lower right. This painting depicts a w...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 50"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Shyamal Dutta Ray - 'Nostalgia' : A Stunning renidition of a old bengali woman in her bengali home with the bengali mirror metaphorically talking abo...

Untitled. From "La Música Ausente" series. Oil on canvas Image Size: 170 H x 190 W cm. Unframed _______ The paintings of Sergio Bazán have a strong gesture and expressionist impri...

Las Tablas de JC. From "La Música Ausente" series. Painting Acrylic on canvas Image Size: 57 7/8 H x 83 7/8 W in. Unframed _______ The paintings of Sergio Bazán have a strong gestu...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

Artist: Allan Simpson, American (1935 - ) Title: Winter, George Washington Bridge Year: 1996 Medium: Oil on Canvas, signed Size: 36 x 48 inches

Modernist abstract cloudscape abstract painting by Abraham Pariente. Oil on canvas, circa 2000. Signed. Displayed in a modernist frame. Important large and impressive work!

A striking action portrait by Clifford Hanley, capturing the profile of a male motorist from the driver's side window. The painting is signed and dated to the lower body of the car. ...

trumpet and daisies original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of h...

Calman Shemi (1939-) Laser cut metal wall sculpture 3D Titled "Circus" Signed on the front lower left edge, and signed, numbered, and titled verso. Marked, Jerusalem Limited edition, 2/99 (I don't know how many were actually made) Approx. 34.5" x 35.5" Depicts weightlifter, acrobats, figure on unicycle, clown with umbrella, and acrobat under the circus big top...

Joseph Maresca (American, b. 1946). Still life rendering on wood mounted tiles. Flowers, Plant and fruits. Green X Ray Oil and wax encaustic on tile Gallery label and hanging wire at back. Dimensions: Height: 12 inches / 30.48 cm Width: 12 inches / 30.48 cm This one is not signed but its companion piece is hand signed and dated in black pigment verso. I am selling them individually but they make a lovely pair. Joseph Maresca was born in Brooklyn, NY, in 1946, and currently resides in Rhinecliff, Rhinebeck, NY. He received his BFA in industrial design from Pratt Institute, and a master’s degree in arts education from New York University. His paintings and drawings have been exhibited in numerous galleries and museums, including the Aldrich Contemporary Art Museum, the Albright-Knox Art Gallery, the Katonah Museum of Art, and even the White House—in honor of his design for an official White House tree ornament depicting Vanderbilt Mansion. Academically, Maresca has taught as an adjunct professor at New York University and at City University of New York, and has authored a book—WPA Buildings: Architecture and Art of the New Deal (2017)—about the influence of Works Project Administration architecture. The book examines the social impact on American cities of the imposing government buildings that were funded by the WPA to restore public confidence during the Great Depression. Maresca has been represented by Carrie Haddad Gallery in Hudson, NY and Michelle Rosenfeld Gallery in New York City. Education BFA Pratt Institute, New York, NY MFA NYU, New York, NY Solo Exhibitions 2010 Carrie Haddad Gallery, Hudson, NY 2006 Lascano Gallery, Gt. Barrington, MA 2004 Haddad Lascano Gallery, Gt. Barrington, MA 2002 Michelle Rosenfeld Gallery, New York, NY 1992 Zimmerman -Saturn Gallery, Nashville, TN OK Harris Gallery, Birmingham, MI 1991 OK Harris Gallery, New York, NY Zimmerman -Saturn Gallery, Nashville, TN OK Harris Gallery, Birmingham, MI 1990 Marilyn Pearl Gallery, New York, NY 1987 Richard Green Gallery...

An Angel appeared in the window after the rain. As a messenger of light.

Words and Deeds Oil and collage on wood panel, c. 1990 Signed recto lower right (see photo) Verso: See photo Signed, verso: Ben Wilson Dated: c. 1990 Titled: Words and Deeds Condition: Excellent Image/panel size: 23 1/4 x 19 inches Frame size: 26 1/4 x 21 1/4 inches To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his rst one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, lled with what he called “the grief of the intolerable” and reecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identied strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specic imagery persisted but became more psychological and mythic in orientation. Inuenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early gurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, inuenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson lled notebook after notebook with drawings that he amplied in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...

"She's Watching" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late feminist artist Ana Mendieta, collages by Kara Walker, a watercolor by Louise Bourgeois, Cecily Brown, Tracey Emin, Teresita Fernandez, Carrie Mae Weems, Nan Goldin, Barbara Kruger, Catherine Opie, Lorna Simpson, Kiki Smith, Mickalene Thomas, and Kara Walker. are among 100 works by leading contemporary artists donated by philanthropists David Horvitz...

Blessing John Hardy, American (1923–2014) Date: 1997 Oil on Wood, signed Size: 24 x 18 in. (60.96 x 45.72 cm)

A striking 20th Century oil showing a glamorous woman wearing sunglasses, driving her car towards the sun. The artist's use of closely cropped composition and confident colours make ...

John Okulick, large colorful wood wall sculpture construction "Perfect Harmony" Hand signed and dated, 1999 Dimensions: H: 52 inches:...

Sunil Das - Untitled - 18 x 14 inches (unframed size) Jottings, Pen & Ink on Graph Paper Inclusive of shipment in ready to hang form. Sunil Das (1939-2015...

Colorful geometric painting organized to cross across the canvas. Canvas is not framed. Artist signed, dated, and named the painting on the back. Artist Biography: Sara Sosnowy was...

Sunil Das - Collage based Drawings - 11 X 9 inches (unframed size) Mixed Media on Board Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian...

Colors original abstract pastel Painting Manel Font Díaz (Barcelona, 1950) es un artista centrado especialmente en la pintura, primero formado en la facultad de Bellas Artes de la U...

"London on view". Oil on panel. Post-Impressionist London townscape. Dimension art: 18 x 27 x 0.5 cm. Dimension framed: 37 x 45 x 4 cm. Small-format townscape of a London street with a car, a cyclist and an elegant woman in the foreground wearing a cheerful spring outfit...

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

Prakash Karmakar - Untitled - 36 x 40 inches ( unframed size ) Acrylic on Canvas , 2012 Prakash Karmakar was the most senior artist of Bengal . He was instrumental in the Bengal M...

Prakash Karmakar - Untitled - 29 x 20 inches ( unframed size ) Dry Pastel on Paper , 1999 Prakash Karmakar was the most senior artist of Bengal . He was instrumental in the Bengal...

Dominika Krechowicz is a professor at the Gdansk GUT Institute Flags , 53x65 cm, acrylic, pigment on paper, 1996, composed of 4 elements, a single part is 24 x 30 cm. Works from th...

Hegina Rodrigues, a native of Sao Paulo, Brazil is a painter who lives and works in her studio in West Palm Beach, Florida. Rodrigues’s history as an artist has been a primarily self-taught passion. With no exposure to the art world as a child, her work has developed through decades of the desire to follow her painting passion and persistence. Experimenting with all mediums from inks, waxes, pastels and oils, her techniques begins with applying layers and layers of paints to her bare canvasses, wood and textiles. She studied at the New York Artist League and participated in workshops learning from inspiring artists but always held strongly to her own style of creating. Extensively exhibited in the United States and abroad her works are held by many collectors including Led Zeppelin’s guitarist Jimmy Page in the UK. Selected exhibitions: Palm Beach Modern and Contemporary Art Fair The Latin American Women...

John Hubbard (1931-2017), American. 'Sunset Cloud number 3'. circa 1995. An evening landscape in Dorsetshire where Hubbard lived for many years. A uniqu...

An oil painting by Harry McCormick from 1990. An interior scene of a young woman in a low-lit bar. Artist: Harry McCormick, American (1942 - ) Title: Downey'...

Landscape with trees. 1991, canvas, cardboard, oil, 34x49 cm Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), his favorite professors being A. Skride, L....