Early 2000s Paintings

Farm in Autumn with Pumpkins in Watercolor on Heavy Paper Colorful landscape of a farm in autumn with pumpkins by Les (Leslie Luverne) Anderson (Americ...

Still Life is an oil painting realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame: 40 x 50 cm Hand-signed and dated on the lower margin...

Impressionist landscape of a cabin in the woods in autumn as the leaves change colors by artist Robert W. Boyle. Oil on canvas painting, dated 2003. Signed and dated in lower right c...

Dynamic, heavy impasto abstract expressionist scene by unknown artist Joy W. (American, 20th Century). Titled, signed and dated on verso "Joy Wxxx" Spring 2002. Presented in a custom...

Acrylic Paint and Spray Paint on Canvas.

Conference of the birds no 40 (Abstract painting) Oil on paper. Unframed. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany fee...

Miniature paper collage by Michael Pauker (American, b. 1957). Titled/numbered, initialed, and dated on verso. Acquired with a collection of his work. Presented in a new mat with foa...

Tiger is an original oil painting on canvas, realized in the 2000s by the emerging artist Anastasia Kurakina. Excellent conditions. This beautiful artwork represents the face of a ...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Amitabh Sengupta - Sailboat of Time - 60 x 60 inches (unframed size) Oil on canvas ** This work will be shipped in roll form to save on shipping cost. Mythscape Series : This serie...

Minimal linear abstract painting in a contemporary style. The work is signed and dated by the artist in the bottom corner and on the back of the canvas. The piece is framed in a gold...

Beautiful close up portrait of a gray whale named "Pearl" feeding on kelp in the dark blue ocean by Aptos, California artist Lise Lang Crowley (American, 20th century). Great texture...

Almazan Realistic Still Life Acrylic Painting. FRAMED MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic and tran...

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Oil on canvas.

Fantastical portrayal of five white doves surrounded by flowers and clusters of grapes in a dreamy, colorful vineyard garden setting by Mohammad Hourian (Iranian/American, 1955-2014)...

Pampa Panwar - Autumn Hop Scotch - 40 x 30 inches ( unframed size ) Mixed Media on Canvas ( ROLLED AND DOOR DELIVERED ) Style : Her work in mixed media meanders around nature and...

MARTTA WĘG (born in 1978) Martta Węg graduated from the European Academy of Arts in Warsaw with a special mention in 2002. Her first individual exhibition took place in Gallery Art P...

CF John - Untitled - 24 x 24 inches (unframed size) Ciril Acrylic and high quality cotton fiver on canvas Inclusive of shipment in ready to hang form. Style : C.F. John’s subject brings together the balance of lines and planes, as well as of the rational and emotional in human existence. The results are astonishing – moments of unusual physical calm and motion arrested on the canvas. C.F John is uses his artworks to spread awareness about sensitive issues that affect the society in general. C.F John has also developed an innovative style of adding natural fibres on his canvases.John’s artwork is not easy. It is a continual challenge both to himself and the viewer. Like all else, he sees art as a fluid space which transcends ideologies, and is freed from ‘endless imitation’ of current thoughts in circulation. His deep faith in the earth and its ability to renew itself gives his art an edge that constantly defies definitions, categories and labels. In communion with the natural world, his art remains fresh and alive. About the Artist and his work : Born : 1960, Kerala. Education : • Initiations in Art under Jyothi Sahi at Silvepura, Bangalore. • Disciple of Anthony Devasy of Kalakendra, Thrissur . Selected Solo Exhibitions : • 2005 ‘Landscape Parables’, Malabar House, Kochi. • 1997 Gallery Sumukha, Bangalore. • 1997 Mainz and Saarbrucken, Germany. • 1991 Alliance Francaise, Bangalore. Selected Group Exhibitions : • 2011 'Cross Currents', Art Positive, New Delhi. • 2010 'Roots in the Contemporary', presented by Mahua Art Gallery, Bangalore at Kamalnayan Bajaj Art Gallery, Mumbai. • 2009 'The Still Point in a Turning World', Galerie Métanoïa, Paris & 'The Root of Everything', Gallery Memento, Bangalore. • 2008 'Deeper Than Skin', DAIRA Centre for Arts and Culture, Hyderabad ; 'In Small Format', Gallery Kolkata, Kolkata & 'Young Contemporary India', Gallery Kolkata, Kolkata. • 2007 ‘Emerging India’, Henry Moore Gallery, Royal College of Art, London & ‘In the Fore’, Noble Sage Art...

Provenance: Babcock Galleries (bears their label verso.) signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Detailed seascape of an ocean view framed by rocks and tree branches at Point Lobos, California by Max Flandorfer (American, b. 1962). Signed "Max Flandorfer" lower left. Signed and titled "Through the Shadows, Pt. Lobos" on verso. Presented in a giltwood frame. Image size, 16"H x 20"W. Primarily a plein air painter, Max Flandorfer spent 27 years painting the Carmel, California environs and now calls Ocean Springs...

An Impressionist landscape painting of a lake and trees in Autumn by contemporary artist Erik Freyman. Nicely framed. Signed lower left Canvas size: 12 x 16 inches Frame size: 17.5...

Arturs Nikitins (born 1936) - painter, graphic artist. 1962 – graduated from the Latvian Art Academy, Graphic Department with the diploma work “The workers of Novorosijsk” under th...

Santa Barbara California Blue Yellow Green Modern Abstract Landscape Painting Art measures 30 x 22 inches Margaret Francis received her Degree in Fine Art from Winchester Art...

Jogen Chowdhury - Untitled - 12 diameter Teracotta. Signed in bengali. Always a powerful artist, Chowdhury developed his individual style after his return from France in the late '...

Figurative 'pin-up' portrait painting with abstract mosaic style background by Hungarian artist Dénes Wächter. Offered unframed. Dénes Wächter creates unique post-pop art paintings ...

Carnival in Venice in an oil painting on canvas realized by Antonio Sciacca. 80 x 80 cm. Hand signed in the lower right and on the rear. Good Con...

This artwork is not framed. Béatrice Bescond is a French artist. Mostly influenced by Pavel Filonov, Henri Michaux and François Rouan, and inspired ...

A colorful abstract painting by a contemporary Polish painter. ELŻBIETA "ELLIS" OSTROWSKA She graduated from the Academy of Fine Arts in Warsaw in 1974. She was born to artistic par...

"Disquilibrio" is an oil painting on wood, created by the Italian artist Salvatore Travascio in 2003. It is part of a series of paintings entitled "Instability", a reflection on how ...

Across the Frozen Pond - Winter Landscape in Oil on Canvas Winter landscape by Karen Evans (b. 1952). An off-white expanse of snow stretches out from the bottom edge of the canvas, ...

Yusuf Arakkal - Travel Drawing Series - Moscow Pen & Ink on Paper , 21 x 14 inches About the Artist & his work : Born : Yusuf Arakkal (1945 – 2016) was born in Kerala. Education & Art Career : Both his parents died when he was young. Leaving the comforts of his house behind, he left for Bangalore, lonely but with a passion to become a painter. The hardships that he faced at Bangalore honed the artist in him and sharpened his sensibility. He took a diploma in painting from Karnataka Chitrakala Parishat (KCP), Bangalore and later specialized in graphic print making from National Academy community studios, Garhi, Delhi. Solo International Show : 1992 - Relays De Monts - Siux, Limousin, France. 1993 - Gallerie Taormina Del Arte - Le Hwre, France. 1994 - Srijana Contemporary Art Gallery - Kathmandu, Nepal & Art Forum Gallery, Singapore. 1996 - Wallace Gallery, Chelsea, New York & Air Gallery, Dower Street, London. Group International Shows : 1985 - Thirty contemporary Indian Artists at Habana, Cuba ; Contemporary Indian Art show at the National Museum Mexico City, Mexico ; Second Asian Art show, Fukuoka, Japan & Indian Printmaking, Festival of India, USA. 1986 - Sixth biennale de beau Art, Beaumount, France ; Third Asian Art Biennale, Dhaka, Bangladesh ; Inaugural exhibition of the National Museum of Modern Art, Seol, Korea. 1994 - Indian printmaking show, Maltwood Art Museum & Gallery Victoria, British Columbia & Indian Contemporary Art Show, Gallery Maya, Hong Kong. 1996 - Indian Contemporary Art show, Nagai Garo, Tokyo, Japan ; 32 Contemporary Indian artists - exhibition and auction by Christies, London & Women in Indian Art, by The Gallery, Visual Art Centre, Hong Kong. 1997 - Auction of Indian Contemporary Art by Christies, London. Awards : 2005 : Lorenso-De-Medici Gold...

"Always Dancing" is an abstract oil on canvas painting by Alayna Rose. Like the works of abstract expressionist Cy Twombly, Rose uses explosive lines and an extensive palette to capt...

Five marks (Abstract Expressionism painting) Flashe on panel. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines and organic fo...

Almazan Realistic Still Life Acrylic Painting. frameD MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic and tra...

MARTTA WĘG (born in 1978) Martta Węg graduated from the European Academy of Arts in Warsaw with a special mention in 2002. Her first individual exhibition took place in Gallery Art P...

Animated cartoon comic--like portrait oil painting on paper by Matt Straub. Signed on back by artist. Offered framed. Paper size: 7 x 6 inches Frame size: 11 x 9 inches. Matt Strau...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

Very nicely painted Venice view by Tim A Lovejoy (Born 1943). Watercolor and gouache on paper. Signed. Framed. Image size, 16H x 25L.

Original work by the chinese painter Zhang Wei Guand, also called "Mirror". Realized in the early 2000s. In excellent conditions, it includes a contemporary wooden frame. Zhang We...

Un ballo magico (A Magic Dance) is an original oil painting on wooden panel realized by the contemporary Italian artist Claudio Benghi. Title, tecnique, dimensions and signature are...

Oranges is an oil on canvas realized by the chinese painter Zhang Wei Guang (Mirror) in 2000s. Includes frame: 51 x 97.5 cm Zhang Wei Guang, also called ‘mirror' was born in Helong...

Antra Ivdra (1966) The member of Artist association in Latvia (2004), Association Internationale des Arts Plastiques (2008), Association of Creativity, Latvia (2006). Art education...

"Apollo" Chase Finlay Ballet Dancer - Figurative Abstract on Paper This dynamic figurative abstract painting by Marc Foster Grant (American, b. 1947) depicts ballet dancer, Chase Finlay, previously of the New York City Ballet, performing in the ballet, Apollo. He leaps into the soft blue air, with a shimmering golden lute held high above his head. Apollo is a neoclassical ballet in two tableaux composed between 1927 and 1928 by Igor Stravinsky. It was choreographed in 1928 by twenty-four-year-old George Balanchine, with the composer contributing the libretto. The scenery and costumes were designed by André Bauchant...

Amitava Das - Untitled - 47 X 71 inches (Unframed Size) Acrylic on Canvas , 1992 ( ROLLED AND DOOR DELIVERED ) Amitava Das’s painting his canvas has a striking quality, the stress o...

original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY Painting on paper Perfect state CALDENTEY, Toni - (Portocolom, Mallorca - Spain...

Night of Man is a beautiful acrylic painting realized by the Italian artist Paolo Cantù in 2020. This is an original abstract artwork with bright and lively colors. The figure eme...

Cherries on the Table is an oil painting realized by Zhang Wei Guang (Mirror) in 2007. Includes frame. Hand signed and dated on the lower margin Very Good conditions. Zhang Wei...

Joel Sidney Kelly Alabama Artist Image Size: 32 x 48 Frame Size: 41 x 57 Medium: Textured Oil on Canvas "Dusk Till Dawn" Primarily known as a portr...

Title: British Impressionist Watercolor of The Plough Inn with Seating and Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dim...

Title: British Impressionist Watercolor of “Malford Yales” Village Scene in Autumn By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dim...

Title: British Impressionist Watercolor of Riverside Scene with Boats and Houses By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimen...

"Sorrow" figuratif nude oil on linen canvas 82x60cm 2009 The sorrow leads the withdrawal on oneself, I staged the scarlet dress and the hair to accentu...

ELŻBIETA "ELLIS" OSTROWSKA She graduated from the Academy of Fine Arts in Warsaw in 1974. She was born to artistic parents from whom she inherited the love for art, especially painti...

MICHAL SIKORSKI (born in 1972) He studied at the Academy of Fine Arts in Wroclaw, at the atelier of Professor Stanislaw Kortyka at the department of painting. PhD in Fine Arts. Assis...

Tryptic in three separate parts - Intra-Materia style painting, between abstraction and figurative. Realized by Gregory Proch. Excellent condition.

Title: British Impressionist Watercolor of Stately Cathedral Rising Above the Treetops By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Title: British Impressionist Watercolor of a Snowy Bridge and Winter Sunset By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15...

Title: British Impressionist Watercolor of a Female Silhouette in Sunlit Doorway By Anthony Avery (British 1946-2023) Original watercolor on art...