Late 19th Century Paintings

Louis Aimé Japy (1840-1916) Oil on canvas Cows in river with village in background Signed lower right, Japy. Canvas 26” x 32” Overall in a period gilt frame 38” x 44”. Conditi...

Eugene Galien Laloue (French, 1854-1941) Large oils on canvas landscape painting of the outskirts of Paris on the Seine River with figures and bui...

Literary Origins of Angelica The subject of this painting is Angelica, a princess from the epic chivalric romances of the Italian Renaissance. She first appears in Matteo Maria Boiardo’s Orlando Innamorato (1483) and reappears famously in Ludovico Ariosto’s Orlando Furioso (1532). In these poems – part of the Matter of France cycle of Charlemagne and his paladins – Angelica’s extraordinary beauty ensnares many knights, including Orlando (Roland) and his cousin Rinaldo, sparking rivalries and adventures. Ariosto’s narrative particularly highlights Angelica’s tumultuous journey: at one point she is stripped and chained to a rock as a sacrifice to a sea monster (a scene mirroring the myth of Andromeda) before being dramatically rescued by the valiant knight Ruggiero on his winged horse. Ultimately, however, Angelica chooses her own destiny. She falls in love with a humble Saracen soldier, Medoro, whom she nurses back to health, and she returns with him to her far-off Asian kingdom – an affair that drives the heartbroken Orlando to madness. This independent resolution (marrying outside the circle of Christian knights) made Angelica an emblem of feminine agency and romantic idealism in Renaissance literature. Her story remained popular in art and literature through the centuries, symbolizing the allure and elusiveness of love. Kronberg’s Portrayal and Composition In Julius Kronberg...

Francois Martin-Kavel (1861 - 1931) was active/lived in France. He was a profiling painter of woman, especially orientalism His auction records have exceeded over $20,000 Such a ...

Original oil on canvas laid down to old fiberboard by the well known American artist, Edward Burrill Jr. The painting shows two figures standing in front of an old double chimney ho...

One of early of the French artist’s works by Emile Godchaux (fra.: Émile Godchaux, 1860 - 1938), late 19th century. This amazing landscape takes us to a cloudy spring day, making us ...

“The ploughed horses break” Oil on canvas signed Michael Therkildsen, dated 1887. Monogrammed bottom right M TH and dated 1887. Danish school Exhibited at the universal exhibition ...

Jacob Simon Hendrik Kever Simon Hendrik Kever, known as Hein (19 June 1854 in Amsterdam – 29 April 1922 in Amsterdam) was a Dutch genre and still-life painter; associated with the L...

Signed lower right: W Bradford

BRITISH SCHOOL (circa 1890) The Farmer Oil over a photographic base, on card and mounted onto original canvas Framed in original frame and behind glas...

Portrait Of A Young Lady In The Landscape. Portrait depicting a beautiful young woman in the landscape dressed in a tulle dress and hat decorated with pink roses. The painting is in original very good condition, signed upper left corner. An American artist and illustrator, William H. McEntee (1857 - 1919) was active/lived in New York, Michigan. William McEntee...

A Dandy Time Was Had an interior Figural Scene by Walter Dendy Sadler 1880s Jovial evening of wine and good cheer by Walter Dendy Sadler (1854 - 19...

Early 20th Century English Autumn river landscape with a Norman Church. Abraham Hulk Junior was born in the Netherlands in 1851 to renowned Dutch ...

KAUFMANN KARL (1843-1901) Pseudonym : CARNIER Venice view Oil on canvas signed CARNIER low right Framed by Gault (Paris) gilded with leaves Dim : canvas ...

Joseph Alexis KREYDER (1839-1912) Bunch of Iris Oil on canvas signed low left Old frame gilded with leaves Dim canvas : 82 X 61 cm - Dim frame : 104 X 8...

3912 19th Century Italian female portrait Image size 23x19.5

Gustave DURAND (1863 – 1938), Still life with a pearl necklace, late 19th century – early 20th century, oil on canvas, signed upper right, 60 x 73 cm Good general condition of the c...

This is a 19th century life-size impressionist painting by the artist Suzanne Hurel (1876-1956). It depicts a young woman sitting in-front of her boudoir...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) l'Aumance à Hérisson - Allier Oil on panel H. 26.5 cm; W. 35 cm Signed lower left, dated 1899, located Titled on the back...

Charles Lewis Fussell (American, 1840–1909) Trees in a Meadow Oil on canvas, 12 1/4 x 7 3/4 inches FRAMED: 18 x 13 1/2 inches (approx.) Fussell probably painted this work sometime b...

Charles Euphrasie KUWASSEG Draveil (Essonne), 1833 – Paris, 1904 Animated View of a Town by the Sea in Normandy Oil on wood panel Signed and dated lower right "Kuwasseg fils" 41 x 32...

Edward L. Custer (1837–1881) was an American painter known for his landscape paintings, genre scenes, and still lifes often imbued with a romantic and idyllic quality. Custer's paint...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a youn...

Beautiful painting depicting a gallantry scene, an officer and a young lady sitting on a pool table inside a Tavern. Signed lower right Rigot and dated 1874. Austrian or German Sc...

This charming late 19th-century oil painting depicts a serene rural landscape with lush trees and foliage. The composition draws the viewer's eye along the winding path to a figure i...

Art: 30" x 24" Frame: 36.50" x 30.50" Oil on canvas signed and dated lower right.

A charming little classical landscape capturing a figure fishing in the river. Well presented in an ornate gilt-effect frame. Signed. On canvas on stretchers.

ROBERT WALKER MACBETH, RA (1848-1910) Fenland Reed Cutters Signed with initials and dated 1900 Oil on canvas 59 by 79 cm., 23 ¼ by 31 in. (frame size 82 by 102 cm., 32 ¼ by 40 in.) Provenance: Agnews; Fine Art Society, London. Macbeth was born in Glasgow, the son of the Scottish portrait painter Norman Macbeth, RSA. He first studied at the Royal Scottish Academy, before moving to London in 1870 to join the staff of The Graphic. On his arrival in London he first exhibiting at the Dudley Gallery. He soon became acquainted with Hubert von Herkomer, Fred Walker...

A finely detailed portrait of a beautiful young woman with a fan by Franco-German artist Carl Ernst Von Stetten (1857-1942). Stetten was a Franco-German portrait and genre painter who worked in France. He came from the wealthy Stetten banking family. He began his studies on October 16, 1876 in the class of antiquities at the Royal Academy of Arts in Munich. He then left for Paris in the 1880s to study under Jean-Léon Gérôme. He attended the Académie Julian with Gustave Boulanger, Gustave Courtois...

A charming late 19th century oil painting by the artist Mark Langois (1848-1924) depicting a schoolmaster and his pupils. Well presented in a gilt frame with floral ornaments and a d...

Francesco Brunery (1849–1926) Portrait at the Artist's Workshop Oil on wood panel Old frame gilded with leaves Dim panel : 30 X 24 cm Dim frame : 54 X 46 cm Francesco Brunery (1849...

John Henry Dolph, best known as painter of domestic animals, especially cats, was born in 1835 in Fort Ann, New York. In 1841 Dolph's family moved to Ohio and in 1849 Dolph began an ...

Henry John Yeend King R.B.A, R.I., R.O.I. (British, 1855-1924) "A Victorian Lady Standing by a Sundial in the Park" Oil on panel. Signed lower right: Yeend King. "YK" Sticker en ver...

Up for sale is a beautiful original painting by Valentine Thomas GARLAND (1868-1914). Garland was a painter of animal and genre subjects, working in both oil and watercolor. He was ...

“Fishing In A Castle Moat”. Oil on canvas by listed German artist Carl Rochling (1855-1920). Signed in lower right corner. Framed in a hand-carved gilded frame.

Oil on canvas 130.5 x 97 cm Signed and dated lower right: A Marinier 1889 Alfred Hippolyte Marinier was born in Orsay in 1833. A student of Jules Noël and Henri Marie Beyle, he ex...

David Johnson was born in 1827 in New York City. Beginning in 1845, he studied for two years in the antique school of the National Academy of Design. His classmates and colleagues in...

Owning a 19th century Victorian Highland landscape with pony and gun dogs with a gillie circa 1880, offers a unique opportunity to own a piece of art that encapsulates the pastoral beauty and tranquil charm of the Victorian era. Duvall's work is celebrated for its meticulous attention to detail, evoking a sense of serenity and timelessness. This painting not only serves as a stunning decorative piece but also represents a valuable object, given the historical significance and enduring appeal of Victorian art. Owning such a painting allows you to connect with the rich cultural heritage of the period, while enhancing your collection with a work that exudes both artistic merit and nostalgic elegance. John Duvall...

19th century oil painting of a market scene by H. C. Bryant English, 1877 Canvas: Height 51cm, width 76.5cm Frame: Height 68cm, width 93.5cm, depth 5cm Painted by the English artist Henry Charles Bryant, this lively scene is typical of Bryant’s oeuvre. Bryant specialised in market and farmyard scenes, inspired by 17th century Dutch genre painting which similarly depicted vignettes of everyday life. Bryant’s realistic painterly style also recalls these Dutch genre scenes, which in turn were inspired by the form and content of Early Netherlandish...

GODCHAUX Emile (1860) Compositions of Flowers in Pair Oil on canvas signed low Left Old Frames gilded with gold leaves Dim canvas (each) : 130 X 89 cm Dim frame (each) : 149 x 109 cm...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

George William Horlor (British 1819-1899) George William Horlor was born in Bath around 1819. He married Mary Cook on 15 March 1845 and by 1851 was living in Cheltenha...

Oil on canvas mounted on board. As twilight descends over the ancient city of Cairo, the iconic silhouette of the Citadel emerges against the fading light. This is the scene that Robert Swain...

MONTBARD (Active XIX-XXth c.) "The Lion" Oil on canvas Painting: 78 x 62 cm Framed: 93 x 78 cm

Franz Kaspar Huibrecht VINCK (Antwerp, 1827 - Berchem, 1903) The two lovers Oil on canvas Signed at the bottom 82 x 56 cm Pupil of Edward Dujardin (1817-1889) and Joseph Dyckmans ...

PICOU Henri Pierre (1824-1895) Nymphs Dancing Oil on canvas signed and dated 1881 low left Old frame regilded with leaves Dim canvas : 62 X 82 cm Dim frame : 80 X 100 cm PICOU Henri Pierre (1824-1895) French Painter 19th century Born on February 27th, 1824 in Nantes - Died on July 17th, 1895 in Nantes Painter of History, allegorical subjects, genre paintings, Symbolist. Pupil of Paul Delaroche...

Adrien Dauzats (1804 - 1888) Tomb of Edward the Confessor at Westminster Abbey Oil on canvas 76 x 88 cm Provenance: Dauzats sale, n°82 (1 - 4 Feb 1869, Paris, Drouot), its sales stam...

1895 portrait by the french painter Arthur Rion. The oil on canvas is finely framed.

Portrait of a young woman holding a rose. Oil on canvas signed Grandin and dated 1888. French School XIXth Century Dimensions: 80 x 21.5 cm ( 31.496 x 8.268 inches) Dimensions wi...

Alfred Crowdy Lovett C.B.E (British, 1862-1919) Palm Tree & Coconut of Palm (in pencil on verso), single palm signed top right Watercolours on paper, mounted Single palm: Mount si...

This wonderful oil on canvas landscape was done by the famed William Graham. William Graham was an American landscape painter who spent most of his life and career abroad. He was bor...

Lovely genre scene by American impressionist Henry Bacon (1839-1912). The Beekeeper's Daughter (1881) Oil on canvas 35" x 36" 42.5" x 33" x 3" framed Signed and dated "Henry Bacon ...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Paysage d'Automne à Nesle la Vallée by Gustave Loiseau (1865-1935) Oil on canvas 65 X 81.2 cm (25 ⁵/₈ x 32 inches) Signed lower left, G Loiseau Executed in 1898 This work is accompanied by a certificate of authenticity issued by Didier Imbert. Painted in 1898 this oil landscape, shows Loiseau’s sophisticated approach to capturing rural landscapes. In both 1890 and 1896, Loiseau exhibited in the Impressionist exhibitions, with this piece proving indicative of the level of artistic maturity he had acquired towards the turn of the twentieth century. Provenance: Wally Findlay Galleries, Palm Beach ​Private collection, USA,​ acquired from the above in April 1975 Artist biography: Gustave Loiseau was born 3 October 1865 in Paris. A Post-Impressionist painter, he is remembered above all for his landscapes and scenes of Paris streets. Brought up in Paris and Pontoise by parents who owned a butchers shop, Loiseau served an apprenticeship with a decorator who was a friend of the family. In 1887, when an inheritance from his grandmother allowed him to concentrate on painting, he enrolled at the École des arts décoratifs where he studied life drawing. However, a year later he left the school after an argument with his teacher. While working as a decorator, Loiseau redecorated the apartment of the landscape painter Fernand Quignon (1854-1941). After he left the École des arts décoratifs, Quignon tutored him in painting. In 1890, he went to Pont-Aven in Brittany for the first time, fraternizing with the artists there, especially Paul Gauguin and Émile Bernard. After experimenting with Pointillism, he adopted his own approach to Post-Impressionism, painting landscapes directly from nature. His technique, known as en treillis or cross-hatching, gave his works a special quality. Loiseau first exhibited at the Salon des Indépendants in 1893 and at the Salon de la Société Nationale in 1895. He also exhibited at Impressionist exhibitions in 1890 and 1896. Loiseau's paintings, revealing his passion for the seasons from the beginning of spring to the harvests later in the autumn, often depict the same orchard or garden scene as time goes by. Series of this kind, which also include cliffs, harbours or churches, are reminiscent of Claude Monet. Although Loiseau did not complete many portraits, he often painted people at work: dockers together with their boats, villagers leaving a Sunday service in Brittany or arriving at the market in Pont-Aven, or even carriages in Paris driving across the Place de la Bastille and the Étoile. He is also remembered for his paintings of Paris streets...

Two figures in 19th century dress sit at a table in a cafe. Provenance: Private Collection, New Jersey Originally based in New York City, William Bodfish was a talented artist who gained recognition for his illustrations and cartoons in the late nineteenth century. A painter of genre scenes, he also created detailed illustrations of hunting, whaling and fishing adventures for such magazines as Harper's Weekly. In the years following the Civil War, he traveled to the American West, joining the legion of journalists and illustrators who recorded the development of the new frontier. He was considered by historians to be one of the most “able cartoonists” to tackle the West. During his lifetime, Bodfish exhibited work at the National Academy of Design and the Art Institute of Chicago. Likely created after the artist’s departure from New York, The Sister’s Visit records a quiet moment between two siblings. Seated before a lovely spread of luncheon items, including a bowl of oranges...

The painting is signed on the bottom left: MGordigiani. It can be added to his mature production, as we can deduce from the clear Macchiaioli and Paris avant-guard influences, and with the stylistic affinity with the draft of the portrait of the Queen...

Lovely landscape painting of sunset titled Shere, Surrey by George Vicat Cole, RA (1833-1893). The painting is in the tradition of plein art, monogrammed VC lower right and dated 187...

Carl SCHLICHTING-CARLSEN (Flensburg 1842 – Hellebæk 1931) The Painter's Rest Oil on canvas H. 130 cm; W. 93 cm Signed and dated lower left – S. Carlsen (18)94 This artist of German ...

Born on a small island near Martha's Vineyard, R. Swain Gifford and his family moved to the New Bedford, Massachusetts, area when he was two years old. The Dutch marine painter Alber...

Albert Besnard entered the École des Beaux-Arts in 1866, studying with Alexandre Cabanel before making his debut at the Salon in 1868. Six years later he won the Prix de Rome with a ...

Image dimensions: 33cm x 40cm / 13 inches x 15¾ inches Framed dimensions: 50cm x 56cm / 19.7 inches x 22 inches This beautiful original oil painting by Alexandre Jacob depicts a the...