Late 19th Century Abstract Paintings

Landscape of Fontainebleau Georges Bousquet Moret (1904-1976) was, first, an engineer passionate about arts. This passion led him to devote his f...

This painting was created in preparation for Grenning Gallery's second Russian-American Painting Alliance Exhibition in October 2018. Organized by Top Grenning artist Ben Fenske, Ryb...

Antique European impressionist harbor oil painting. Oil on board, circa 1920. Signed. Framed. Image size, 15"L x 18"H.

Charles Bertie Hall, Yacht sailing in a river. Owning an Impressionist marine landscape by Charles Bertie Hall, an English/American Impressionist painter, offers a unique opportuni...

A vibrant oil painting by American artist Gordon Micunis. Known for Richly colored botanical and landscape paintings, theatre scenery and costume design...

Vintage Caribbean signed tropical seaside balcony painting. Great color and composition. Framed. Signed.

Summer Glade [2022] original and hand signed by the artist Acrylics on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:3.5cm Sold Unfr...

Stylized depiction of a harbor scene in monochrome blues with abstracted elements by Martha Scurlock (American, 20th Century). Signed lower left "M. Scurlock" and on verso in pencil "Martha Scurlock". Rustic, vintage painted frame...

Autumn Explosion, Fall Forest Abstract Expressionist Landscape Gorgeous abstract expressionist landscape of a forest of trees in bright autumn colors of orange, red, and yellow, by...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

This contemporary abstract landscape painting by Ken Elliott is made with oil paint on canvas. It captures a scene with cool blue and violet trees in front of rolling hills under a p...

“Three Trees”, is an oil painting of an ordinary residential street, lined with tall skinny trees. Houses are blocks of color, which diagonally recede alon...