Late 19th Century Paintings

Hans Zatzka (8 March 1859 – 17 December 1945 Young Lady With Cupid in The Park Oil on canvas circa 1880 signed low with pseudonym C.BRIAND Old Frame gilded with leaves Size canvas : ...

VINCENT G. STIEPEVICH Russian, 1841-1910 Harem Girl with a Lute Signed ‘VG. Stiepevich’ L/R Oil on canvas 24 x 18 inches Frame: 31.375 X 25.25 inches

Dutch estuary landscape Oil on canvas, 30x40,5 cm The artwork depicts a landscape scene of an estuary in the Netherlands, showcasing the unique characteristics and natural beauty o...

Franz (Bernard) Gailliard (Belgian, 1861-1932) "La Place Sainte Gudule a` Bruxelles Apre`s Le Carnaval" A fine and large oil on canvas depicting a street scene in late 19th century B...

A large, life-sized portrait of two lovely women perusing a newspaper called the "Journal Amusante." The painting has a soft, peaceful quality that will set a serene mood in any room...

LEVIGNE Théodore (1848-1912) "Genre scene in 18th century" Oil on canvas signed low right Old original frame Dim canvas : 72 X 100 cm Dim frame : 103 X 127 cm LEVIGNE Théodore (1848...

This primitively rendered but admiring tribute to George Washington has a distinguished artistic lineage. The painter was undoubtedly in the presence of a much admired print engraved...

Oil on board, signed bottom left Image size: 6 1/2 x 9 1/4 inches (16.5 x 23.5 cm) Contemporary hand made frame A painter in oils of both landscapes and the sea. Not a lot is known...

Carle John Blenner (1862 - 1952) Pont Neuf, Seine, Paris, France, 1887 Oil on canvas 15 x 22 inches Signed and dated lower right; titled lower left ...

Antique Italian painting signed Ernesto Fontana, dated 1893 and titled Tra i Due Litiganti Il Terzo Gode 1893, oil on canvas work depicting three children playing happily rolling amo...

GENTY Emmanuel (1830-1904) Portrait of an Elegant Lady Oil on canvas signed low right and dated 1897 Old Frame regilded with gold leaves Dim canvas : 100 x 81 cm Dim frame : 120 x 10...

Jean Richard Goubie French, 1842-1899 A Travers Bois Oil on canvas 25 ½ by 39 ¾ in. W/frame 30 ½ by 45 in. Circa 1892 Jean Richard Goubie was bo...

Jim’s of Lambertville is proud to offer this artwork by: John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one of the leading American Tona...

This is an original and unique oil on canvas painting by the Belgian 19th century artist Julien Jos, who was active from 1890 -1910. He specialised in rustic genre scenes featuri...

William Astor Pilots the New York Yacht Club Run A superior and graceful schooner as grand as any ever built, AMBASSADRESS was William Backhouse Astor, Jr's "floating home" from its launch in 1877 until he sold it in 1884 and purchased his massive steam/sail yacht...

Charles Jay Taylor American, 1855-1929 Ships in the Moonlight Oil on Canvas 32 ¼ by 42 in, w/ frame 36 ¾ by 46 ¾ in Signed lower left Charles Jay Taylor was born in New York in 185...

A fine late 19th century maritime scene attributed to Joseph Horlor of Bath (1809-1887). The painting depicts beached vessels at low tide, with a large ship tilting dramatically in t...

Cogen Felix Sint-Niklaas 1838 – 1907 Brussels Belgian Painter 'Return from Fishing' Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 45 x 80 cm, frame siz...

Olof Arborelius (1842‑1915). View from Capri with Vesuvius in the background. Monogram signed OA. Oil on canvas laid on cardboard, 31 x 46 cm. Certified on verso: "Painted by Olof A...

Harvest, Surrey England. Signed and titled antique gold leaf frame. John Horace Hooper was born in 1851-1906 England. Known for his captivati...

MAXIMILIEN LUCE (French, 1858-1941) Femme Lavant le Linge Estate stamped signature 'Luce' (lower right) Oil on canvas Canvas: 16 1/4 x 13 in. (41.3 x 33.0 cm) framed: 25 1/4 x 22 x 1...

Edward Lamson Henry (American, (1841 - 1919)) “The Warning” Grisaille on paper mounted on board, signed lower left ‘E L Henry’ (partially obscured by frame) ...

Beveled wood painting depicting a landscape of river banks with lavandieres by a painter from Spain. He works in Paris and exhibited at the Salon des Artistes Français Very good co...

Oil on canvas 46 x 55 cm (18 ⅛ x 21 ⅝ inches) Signed lower left, Ridgway Knight Artist biography American artist Daniel Ridgway Knight was born in Pennsylvania and studied at the École des Beaux-Arts in Paris. From 1872 he lived and worked at Poissy on the River Seine, just to the west of Paris. Best known for his landscapes and depictions of peasant women in the fields, Knight earned distinction at the Paris Salon of 1882. He went to be was awarded the Silver Medal and Cross of the Legion d’Honneur at the Exposition Universelle in 1889, the Gold Medal of Honour from the Pennsylvania Academy of Fine Arts in 1893 and in that same year was created a Knight of the Royal Order...

KUWASSEG Charles Euphrasie (1838-1904) Landscape with Windmill Oil on canvas signed low right New Golden frame Dim canvas : 75 X 108 cm Dim frame : 104 X 140 cm KUWASSEG Charles Euphrasie (1838-1904) French Painter 19th Century born on September 29, 1838 in Draveil (Essonne). Died in October 1904 in Paris Painter, Watercolor Lively landscapes, seascapes, panoramas Charles Kuwasseg...

A very attractive antique oil on canvas landscape painting by the French Post Impressionist artist Max Bouvet (1854-1942), the painting circa 1890. The painting depicts a pastoral sc...

Set of Five late 19th century Italian or French portraits of Putti or Angels A unique set of five oils on board depicting either Cherubs or Putti, ...

Ashley John is proud to offer this artwork by: J Alden Weir (1852 - 1919) Born in West Point, New York Julian Alden Weir received his first art training from his father, Robert W. Weir, who was a professor of drawing at the United States Military Academy. The younger Weir continued his studies in New York at the National Academy of Design and in Paris at the Ecole des Beaux-Arts where he worked under the important academic teacher Jean-Léon Gérôme beginning in 1873. Traveling to Holland and Spain during his student years, Weir was inspired by the work of Hals and Velasquez. However, the major influence on his early career was the French painter Jules Bastien-Lepage, who was well known for his realistic depictions of Breton peasants in the outdoor landscape. On his return to New York in the fall of 1877, Weir supported himself by teaching at the Cooper Union Women's Art School and at the Art Students League. He was also active in avant-garde artist organizations that began in the late 1870s, helping to found the Society of American Artists and participating in Tile Club...

Signature: Signed Lower Right Homeward Bound is a product of John George Brown’s 1877 and 1878 trips to Grand Manan Island, off the coast of Maine in t...

Howard Logan Hildebrandt, 1872-1958 Femme Avec Le Chapeau Plumé, n.d. Oil on canvas 26 ½ x 21 ½ inches Signed (lower right): H L Hildebrandt Provenance Private collection, Detroit A native of Allegheny, Pennsylvania, which later merged with Pittsburgh, Howard Logan Hildebrandt achieved prominence in the art world for his portraiture, and counted esteemed doctors, businessmen, musicians and his own artist-colleagues among his numerous sitters. Born in 1872, his life followed a trajectory similar to other young men in an industrial Pennsylvania town when he went to work at a local stained-glass factory during his teenage years. In 1890, Hildebrandt decided to enroll in the National Academy of Design in New York and although his instruction there was brief, lasting only one season, he took classes in both antique and life drawing and must have felt prepared enough to continue his education abroad in the ateliers of Paris. He studied with Jean-Joseph Benjamin-Constant and Jean-Paul Laurens at the Académie Julian, and also trained at the École des Beaux-Arts, before eventually returning to the United States in the late 1890s to launch his career. Hildebrandt initially settled in Pittsburgh before relocating to New York by 1899, where he briefly kept a studio at the famed Tenth Street Studios and later moved to Carnegie Hall. With the artist’s star rising steadily, Marian A. White, editor of the Fine Arts Journal, praised for his talents in a commentary published in a Pittsburgh weekly: [Hildebrandt] is but thirty-three years of age, yet, through perseverance and industry and an indomitable will, has taken an enviable position among American portrait painters as well as of painters of fisher-folk….Mr. Hildebrandt is an ideal American artist, enthusiastic, energetic, and reveling in painting subjects that are of American type. Beginning in 1905, Hildebrandt was fortunate to gain admittance into newly-constructed buildings being designed specifically for artists rising along New York’s West 67th Street, including the Sixty-Seventh Street Studios, where Henry Ward Ranger and Childe Hassam had spaces, and later the Colonial Studios building, which was commissioned by Robert and Bessie Potter Vonnoh. Counting such luminaries among his neighbors and keeping to an active exhibition schedule, Hildebrandt continued to advance his career. Between 1898 and the mid-1920s, he participated in the annuals of the Pennsylvania Academy of the Fine Arts and the Art Institute of Chicago. Concurrently, he exhibited with the National Academy from the 1890s through the late 1940s, and the titles of paintings shown at these venues suggest the artist was drawn to a variety of themes, from the fishermen and wharves of Gloucester, Massachusetts, to landscape, still life and figural subjects, and finally portraiture, at which he excelled. One of his early portraits, titled Portrait: Miss C and shown at the National Academy in 1902, is thought to be of Cornelia Ellis, a talented miniature painter whom Hildebrandt married that same year. The artist eventually earned the esteemed moniker of National Academician in 1932. In addition to the venues previously mentioned, he showed with the National Arts Club, the Salmagundi Club, the American Watercolor Society and the Allied Artists of America, earning prizes from all four groups. Around 1913, the Hildebrandts began spending summers away from the city in New Canaan, Connecticut, and a few years later built a home on Huckleberry Hill Road near the Silvermine River. Drawn to the idyllic countryside and to the region’s burgeoning artists’ colony founded by sculptor Solon Borglum...

3912 19th Century Italian female portrait Image size 23x19.5

Oil on canvas set to oval Signed and dated F. Bonvin 1876 in the center right Provenance: • France, private collection

A fine impressionist painting of peonies on a palette by French artist Felix François Georges Philibert Ziem (1821-1911). Ziem was born in Beaune,...

Adolphe La Lyre 1850-1935 French Le Concert des Sirenes Oil on canvas Signed lower right Canvas: 32" high x 24" wide Frame: 39 1/2" high x 31" wide Seal Exhibition at Salon d...

Napoleone Parisani (Camerino 1853 - Rome 1932), Portrait of Carlotta Parisani Oil on canvas 35 x 24 cm with monogram at lower left and lower right, on back: inscribed "A M.r and M.m...

Frederick J. Sykes (1851-1905) was a remarkable artist of the Hudson River School, renowned for capturing the serene beauty of tranquil landscapes. His work often featured New Englan...

Incredible signed early American dog portrait painting. Oil on board. Signed. Housed in a period gold giltwood frame.

The Carpet Merchant by Giulio Rosati watercolour on paper signed Dimensions: 33 x 27 x 2in framed  Rosati trained at the Accademia di San Luca and studied with the painter, archit...

This painting is in excellent condition and signed lower right. William Hicok Low first trained with the sculptor Erastus Dow Palmer. When he was 17, he worked in New York City as an illustrator and years later traveled to Paris to study with Jean-Léon Gérôme and Carolus-Duran. During his years in France he summered with the Barbizon artists where he was especially influenced by the work of François Millet. In the United States, he became active as a muralist, illustrator, and decorative painter, performing prominent commissions such as the ceiling murals and decorations of New York's Waldorf Astoria Hotel. His Beaux Arts classicism inspired Louis Comfort Tiffany and other of his younger colleagues. After 1900, as artistic styles changed, there was less demand for his work but he continued to write art criticism for Scribner's and The Century magazine...

A very fine French 19th century oil on board titled "A Standing Beauty with Spring Roses" by Charles Baptiste Schreiber (French, 1845-1903)...

Henri Léon Mabboux French, 1843-1895 Still Life with Steak Oil on canvas 23 ½ by 32 ½ in, w/ frame 29 by 38 ¼ in Signed upper left

Edward Henry Eugene Fletcher British, (1857-1945) Shipping in the Pool of London with Tower Bridge & St Paul’s Beyond Oil on canvas, signed Image size: 14.25 inches x 29.25 inches Size including frame: 19.25 inches x 34.25 inches A wonderful painting of a steamship and other boats in the Pool of London by Edward Henry Eugene Fletcher. A two funnelled steamship is shown in the foreground next to sailing boats and a dock. Tower Bridge can be seen in the distance with St Paul’s Cathedral beyond. The Pool of London is a stretch of the River Thames between Tower Bridge and Limehouse and is divided into two sections, the Upper Pool and the Lower Pool. Edward Henry Eugene Fletcher was a marine artist who was born in Marylebone, London on 23 July 1857 to Robert Henry Fletcher and Julia Pennell. His father worked for the Bengal Pilot Service guiding shipping along the Hooghly River between Calcutta and the Bay of Bengal. After the death of his father in 1862, his mother married the picture dealer Reuben Brooks. He attended the Bradmore House School in Chiswick Lane before enrolling at the Chelsea School of Art, where he became a close friend of the landscape artist Daniel Sherrin. Fletcher initially enlisted in the Army Hospital Corp, serving in Nova Scotia but was invalided out in 1882 at the age of 24 due to an eye condition. His records indicate he was 6ft tall with fair hair and grey eyes. He continued to paint in his spare time and undoubtedly his travels would have inspired his subject matter and given him a deeper knowledge of shipping and the sea. He married Annie Reed Moses in 1886 at Norwich and they lived in Margate before moving back to London to live in Blackheath around 1890. He is widely believed to have set up an auction business during this time to help support his growing family, however , perhaps due to the return of ill health he decided to give it up to focus on painting. Although he did not exhibit, he sold his work mainly through art galleries, possibly aided by his step father. He also used the pseudonym of John Hayes which was probably for contractual reasons. By 1901, he had established himself as a full time artist and was living at Georgette Place in Greenwich with his wife and their 5 children. He later moved to 99 Lee Road, Blackheath where he spent the rest of his life. He died at Blackheath on 23 June, 1945. Much of Fletcher’s work consisted of views of the river Thames or ships in harbours...

"Self Portrait of Addison Thomas Millar at Desk" is a captivating painting by the American Impressionist artist Addison Thomas Millar. This self-portrait offers a glimpse into the in...

Alfred East The Wood Cutter Oil on board Signed lower right and titled on back Image size: 10 1/4 x 15 inches (26 x 37.5 cm) Carved gilt frame This romantic landscape by East, certainly shows the influence that the Barbizon school had on his work. The Barbizon school were drawn together by their passion and desire to elevate landscape painting as a response to the Academic elevation of historical and mythological themes. Here, East truly revels in the beauty of the English landscape but also captures the mood of the time in which there was a growing concern at the rapidity of social change and its impact upon the countryside. East regularly painted the Cotswolds from the early 1890s until the end of his life - it is probable that this scenes depicts that part of the country. He focused principally on the area around Upper Swell, which he referred to as 'Over Swell', hoping to avoid the village becoming a focus for visitors seeking out the views that he portrayed. East adopted a well established three-stage-technique that made great use of the under-painting, a second layer concerned with the correction of values, and a final stage for the addition of details; all painted with lean oil paint. As can be seen in the work, during this process East practically repainted the entire canvas after the first layer and then proceeded to pick out isolated sections that required further reworking and detail. Provenance Pelter Sands Gallery Bristol, 1975 Exhibition of Twentieth Century British Painting. This work was part of Andrew Vicari...

JOSÉ GALLEGOS Y ARNOSA Spanish, 1857 - 1917 CORO DE MONAGUILLOS ENSAYANDO signed, located and dated "JGallegos / Roma 1883" (lower right) oil on...

American artist Franklin Briscoe (1844-1903) known for his hirtorical and portrait paintings, paints a Civil War piece; it is a portrait of an officer with his white horse. The brus...

This atmospheric 19th-century oil painting by George H. McCord (1848–1909) depicts a wooded riverbank under a dynamic sky, rendered with the crisp naturalism and luminist subtlety as...

Albert Besnard entered the École des Beaux-Arts in 1866, studying with Alexandre Cabanel before making his debut at the Salon in 1868. Six years later he won the Prix de Rome with a ...

Margaret Dovaston (1884–1955) After Dinner, Rest Awhile Oil on Canvas Signed M Dovaston (lower right) 46 x 61 cms / 18 x 24 inches This finely detailed scene by British artist Marga...

Niels Frederik Martin Rohde, born 27 May 1816 in Copenhagen, died 14 July 1886 at Frederiksberg Castle, Copenhagen, was a Danish painter. Rodhe studied, among other things, at Det ...

Robert William Vonnoh (1858-1933) Spring in the Meadow Signed lower left: Vonnoh Oil on canvas 20 x 24 inches 50.8 x 61 cm Framed dimensions: 26.5 x 30.5 inches Provenance Private c...

Charles Caleb Ward was born in St. John, New Brunswick, Canada, the grandson of a New York Ward who had left for New Brunswick around the time of th...

An original oil painting by the prolific and well collected Württemberg soldier and battle painter, Otto von Faber Du Faur (1828-1901). Entitled ' Legionare'. Presented in a modern g...

A Highland Landscape with Drover and Cattle A. Lewis (19th - 20th Century) signed oil painting on canvas, framed framed: 22 x 30 inches canvas: 12 x 20 inches provenance: private col...

Lewis George Fry (1860 - 1933) Lewis George Fry was a British painter who was born in 1860 in Clifton, Bristol UK. This piece was created with mixed media and is in a gilt frame un...

An extremely atmospheric Victorian oil of a dramatic rocky coastline. Various sailing vessels are seen braced against a stiff wind, making their way through a channel bordered by cra...

Levi Wells Prentice paints a rock-ringed pool surrounded by dense trees beginning to display autumn color in his oil painting, “Autumn Brook.”

Sir George Clausen A BRETON FISHERMAN Later inscribed: "To Trythallen Rowe in Friendship / George Clausen 1892 / 28th Sept" Oil on canvas laid down on board Frame 46cm x 37cm Image ...

Star Island, Isles of Shoals is a fine example of Warren Sheppard’s great love and respect for the sea. As an expert navigator and yachtsman, Sheppard had a deep reverence for the oc...

Étienne-Prosper Berne-Bellecour (June 29, 1838 - November 29, 1910) was a French painter, engraver and illustrator. He was known for his art of war. Berne-Bellecour was born on June ...