Mid-19th Century Paintings

Victorian Portrait of a young girl on a Sunday Morning, possibly after or before Sunday School Wonderful Victorian portrait of a little girl painted circa 1870. The quality of the p...

Paul René YARDIN (Active 1830s to 1850s) Oil on cardboard 32.5 x 41 cm (53 x 61 cm with frame) Signed lower left “Yardin” Exhibition label at the Salon des Artistes Français at the t...

Fairs have played a central role in the city of Chester for nearly a millennium and can be traced back to 1092, when Earl Hugh I granted Chester Abbey all the tolls, rents, and issue...

Canvas Size: 30 x 30" (76 x 76cm) Outside Frame Size: 37 x 37" (94 x 94cm) Unsigned Provenance: Christies REUBEN Thomas William SAYER(S) 1815 - 1888 British Painter born in 18...

Jean-Charles Cazin Ploughing on the Hillside Signed lower left Oil on board 6 1/2 x 6 inches The son of a well-known doctor, FJ Cazin, he was born at Samer, Pas-de-Calais. After st...

After Fragonard "The Gardner" Oil on canvas 25.75 x 36.25 unframed, 27.5 x 38.5 framed

Edward Niemann A lovely countryside painting by the highly regarded Edward Niemann. These pretty scenes are not regularly seen on the art market. Often ...

Mid 19th Century portrait of a young Irish woman in c. 1570s dress with ruffle. Painted in the style of William Merritt Chase. Unsigned and unframed.

Henry Chaplin who flourished 1855 - 1879. A Worcestershire fruit and flower painter, exhibited at the Royal Academy, British Institution, Royal Society of British Artists in London a...

James Webb 1825 - 1895 Littlehampton, Sussex Oil on board, signed lower left Image size: 8 x 12 inches Contemporary silver gilt frame This painting has on ...

Joseph BEAUME (Marseille, 1796 – Paris, 1885) Souvenir from Italy: pifferaro playing the zampogna with the family Oil on canvas Signed lower left 73.5 x 60 cm Provenance: probably...

Beautiful painting of the Neapolitan school signed, dated and located. It has a metal plate on the front with the inscription ‘PAESAGGIO NAPOLETANO NUCCI Agosto 1893’. Indeed, this...

A pair of oil on panel paintings featuring the "Farm in Autumn" and "A Fisherman in the Mountains". Autumn initialed 'D' lower right and The Fisherman s...

This 19th-century American School river landscape painting by an unknown artist embodies the essence of the era’s reverence for nature and the burgeoning national identity. These wor...

Huile sur toile marouflé sur panneau acajou. Dim sans cadre 25/33cm Dim avec cadre 35/43cm Ecole belge Monogrammé EA73 Édouard Joseph Alexandre Agneessens, né à Bruxelles le 24 août ...

Charming 19th Century Italian School portrait of peasant girl by unknown artist, circa 1840. Partial signature lower right edge. Condition: fai...

Antoine-Claude PONTHUS-CINIER (Lyon, 1812 - Lyon, 1885) The Port of Banyuls Oil on paper mounted on cardboard H. 36 cm; W. 52 cm Unsigned Provenance: - B.R. Collection, Lyon Ponthu...

After Eugene Joseph Verboeckhoven (Belgian, 1798-1881), "Passing the Brook", Oil on Canvas, 1854, unsigned. Image: 29" H x 40" W; frame: 34" H x 46" W.

Asking for forgiveness. Artist signed and dated 1860 The painting has been previously conserved including a lining that protects the painting surface, some craquelure remains, beautiful handmade gold leaf frame by Richard Tobey Los Angeles. Pieter Alardus Haaxman was born in 1814 he was a Dutch painter. The son of Cornelis Haaxman and Maria Bolland, the criminal investigator of urban taxes in Delft. Haaxman was trained by the Delft art teacher Cornelis Ouboter van der Grient and the painter Cornelis Kruseman. Like his Delft teacher, Haaxman became a drawing teacher at the Delft City Drawing...

Scène de chasse dans un paysage boisé Entourage de Carle Vernet (1758–1836) Huile sur panneau, 24,5 x 32,5 cm Charmante scène animée dans un paysage de sous-bois baigné d’une lumière dorée, cette composition illustre l’influence de Carle Vernet dans le genre du tableau de chasse et du paysage animé. On y retrouve l’élégance narrative propre à l’artiste et à son cercle, avec un sens aigu de la composition et du mouvement. Les cavaliers, les chiens, les chasseurs et les promeneurs, répartis avec naturel sur un chemin bordé d’arbres majestueux, apportent vie et profondeur à ce petit format. L’atmosphère est paisible, tandis que le ciel lumineux et les ombres douces soulignent la qualité de l’exécution. Ce tableau, par sa touche précise et son sens du détail, s’inscrit pleinement dans la tradition française du paysage néo-classique enrichi de scènes de genre...

Mystery English School Artist Untitled (Townspeople in a Field), 1857 Oil on canvas 41 1/2 x 69 1/2 in. Signed illegibly lower left, dated 1857 Frame available at additional shippin...

Signed lower right - Jacques - Joseph Lécurieux (Jacques - Joseph Lecurieux, 1801-1867). "Rituel du Serpent. Bou Saada" ("Snake Ritual. Bou Saada") - highly informative and masterly painted picture of Algerian street scene by acknowledged and talented 19th century french artist. His genre scenes, his landscapes and his still lifes are particularly remarkable, as well as his engravings. His life nonetheless remains mysterious, but until now his work continues to be studied and appreciated by art enthusiasts around the world. Antique oil painting on wood panel...

This romantic scene depicts a young couple resting beneath a tree. The boy looks longingly at the girl who stares into the distance in a dream-like trance. The maiden rests her basket of foliage on her skirt as she gently plucks a plant from the ground. This painting is of the style of Thomas Faed and his artistic circle in the mid 19th century. Genre paintings with strong narratives were gaining aesthetic popularity in Scotland during this time and artists with showed a particular interest in presenting the everyday life of country people. Unsigned. The panel supplier's stamp to the reverse has helped us to date this painting as mid 19th century. This particular stamp was used by Brown's in the 1850's, which was stamped onto all of their art supplies...

Pierre Emmanuel Dielman 1829 - 1902 A Belgian artist, the son and pupil of Pierre Emmanuel Dielman senior (1800 - 1858). he painted low country rural landscapes with farmyard animals...

A most popular drawing master, Lesourd-Beauregard exhibited extensively at the Paris Salons, and was awarded a medal in 1842. He is famous for his in depth botanical studies done in...

Oil on canvas, inscribed on the stretcher bar reverse. The painting is presented in a flat black frame that complements it well. Horace Bundy was an itin...

Arijs Skride (1906.24.IX Madonna parish – 1987.22.XI Riga), painter. Arijs Skride was born into a farmer's family. Wife Gundega Vaska – graphic artist. At the age of 15, he passed ...

A Mediterranean landscape with ruins, agaves and a sweeping view of a mountain range. The landscape could be in Sicily, possibly near Taormina, an area that Castell has already depic...

Samuel Coleman's "Fishing Along the Meder River at the Edge of Vic, Spain" is a captivating painting that beautifully captures both the charm of the riverside, and the beauty of the ...

Modesto Faustini (1839-1891), "Portrait of elegant," oil on canvas in gilt frame signed lower right "M. Faustini - Rome." This splendid portrait belongs to one of the most flourishi...

Thomas Creswick, R.A 1811 - 1869 Sheffield born painter of atmospheric landscapes. A true studier of nature out of doors. Elected a member of the Royal Academy in 1850, found in many...

Victorian Hunting Shooting Landscape Scene, Large Oil Painting depicting a Rifleman and his Hunting Dogs, gun cocked to shoot. This is a large Oil Painting on Canvas, it came from ...

Domenico Induno (Milan, 1827-1890) "Peasants at the entrance to a village," oil on canvas, signed lower left D. Induno. Provenance: collection of Juan and Felix Bernasconi, Villa Ar...

19th Century French school, Two italian women in a landscape, oil on canvas 59 x 43.5 cm Bears a signature and a date on the lower left (see photograph please) but barely lisible ...

WILLIAM WILLIAMS, 1808 - 1895 A Plymouth artist of local views and maritime subjects, in many Museums and and Art Galleries. Signed with initials and dated (18)'65 Original oil on b...

A classic scene of a large mid-Nineteenth Century schooner at rest in the Mediterranean port painted by the Italian countryman Tomaso De Simone. The complete narrative scene around the schooner's broadside is complemented with a British merchant steam/sail ship, local boats and the colorful sky and headland architecture of the ancient city. The vast serenity and unspoiled life of cruising the Mediterranean Ocean...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 h...

A classic and elegant Venetian view with a period Barbizon, gold leaf frame! Sheppard did a series of these and two other American painter is more noted for their Venetian views than...

Fascinating 19th century Italian painting depicting Saint Anthony the Abbot burying Saint Paul the hermit. Two lions miraculously help the saint by digging a grave in the foreground....

Signed lower right - David Cox (1783 – 1859). The scene on the coast, the impending storm wind. The depiction of wind in art has always been a symbol of change and a reminder that everything in this world is relative... Beautiful landscape full of expression and dynamism. Antique oil painting on wood...

'Portrait of a Gentleman Reading' by George Richmond, RA. Regency Dandy, William Blake, Royal Academy, Framed Oil ----- Signed lower right, 'Richmond' for George Richmond, RA (Brit...

American School, Portrait of a Blonde Haired Girl, Oil on Canvas, circa 1865, label to verso reading "Annie Budelman Leonard, Gene's Grandmother at the age of about 4 or 5", giltwood...

Luigi Mussini Portrait Of Dominican Father 1860 taken frontally, half-length, with dark green background. Dressed in a buttoned smock and a white cassock rendered with a masterful b...

This is beautiful little 19th century oil painting on panel. Painted in the barbizon school style. It is a lovely example of pastoral artwork, depicting a sweet little country scen...

Artist/ School: French School, circa 1970's-1980's Title: Abstract/ Expressionist composition Medium: oil painting on canvas, unframed Size: painting: 39.25 x 39.25 inches Prove...

David De Noter Ghent 1818 – 1892 Bologhine Belgian Painter 'Still Life with a Lapis Lazuli Coloured Flower Vase on a Table' Signature: signed lower right 'David De Noter' Medium: oil on panel Dimensions: image size 35 x 27 cm, frame size 41,5 x 34 cm Biography: David De Noter was born in Ghent on June 24, 1818, and passed away in Saint Eugène Bologhine, Algiers, on January 21, 1892. He was a renowned Belgian painter, celebrated for his detailed still lifes and interior scenes. Born in Ghent, he was the son of Jan-Baptist De Noter, a draftsman and architect, from whom he received his early artistic training. His mother, Carola Maya, married Jan-Baptist shortly before David’s birth. He had a brother, Michaël, who tragically passed away at a young age (1821-1823), and two sisters, Anne-Marie and Edalie. In 1840, De Noter moved to Brussels, and five years later, on November 25, 1845, he married Clemence Wauters in Mechelen. Together, they had seven children. His son Raphaël would also become a painter. By the 1860s, De Noter had relocated to Paris, where it is believed he shared a studio with the well-known art dealer J. Goupil around 1864. In his later years, De Noter and his family moved to Algiers, North Africa, where he contributed a floral still life to the Algiers Museum in 1870. By around 1879, he was living in Le Nador, near Marengo. David De Noter is primarily celebrated for his exquisite still lifes featuring flowers, vegetables, seafood, game, and fruit. He also painted detailed kitchen and salon interiors, as well as genre scenes, often with a strong focus on still life elements within the broader composition. His style combined meticulous realism with a romantic atmosphere, capturing both the beauty and mood of his subjects. During his time in Algiers, De Noter began painting local scenes, including views of the Kasbah of Algiers. Throughout his career, De Noter collaborated with notable artists such as Henri Leys, Guillaume Koller, Louis Tuerlinckx, and Alfred Stevens. His works remain highly valued on the art market today. His paintings were exhibited in various cities, including Kortrijk, Brussels, Rotterdam, The Hague, and Paris. In 1854, he was awarded a gold medal at an exhibition in Brussels. David De Noter’s artwork has been exhibited in prestigious galleries and museums across Europe, showcasing the enduring appeal of his detailed and romantic still life paintings. His works can be found in the permanent collections of several important institutions, including: Royal Museums of Fine Arts of Belgium, Brussels; Musée des Beaux-Arts, Cambrai; Stedelijk Museum, Kortrijk; Art Gallery, Leeds; John Selbach Museum, Maaseik; Museum Hof van Busleyden, Mechelen; Musée des Beaux-Arts, Mulhouse; Municipal Collection, Schaerbeek; Museo Revoltella, Trieste; Museo Municipal “Quiñones de León...

Régis François Gignoux (1816–1882) was a French-American landscape painter known for his contributions to the Hudson River School. Gignoux quickly became an integral part of the Amer...

Alleyway Looking at Tyrol, Austria" by Henry T. Cariss captures a quaint yet vibrant scene set in the picturesque region of Tyrol. The painting features a narrow dirt alleyway that s...

James Stokeld (1827-1877) "Buttercup" Original Oil Painting C.1869 Original oil on canvas Canvas dimensions 20" wide x 26" high The frame measures 23....

"Columbia River Gorge" by Cyrenius Hall is a quintessential example of the Hudson River School. Hall, known for his masterful landscapes, captures the awe-inspiring grandeur of the C...

This painting is listed in the W.H. Cadbury and H.F. Marsh book Arthur Fitzwilliam Tait: Artist in the Adirondacks, Newark, Delaware, 1986, no.59.36t. It is hand-signed "AF Tait...

Hippolyte Roques (active 1838-1864) Three Head Portraits of a Young Girl Oil on grey wove paper, c. 1850 Unsigned Provenance: Estate of the artist Shepherd Galle...

Oil Painting Frederick Johnston “The Reading Lesson” 1855- 1868. London painter of domestic genre scenes. He exhibited at the Royal Academy, Royal s...

Joseph Weidner Austrian 1801 - 1870 Self Portrait Oil on canvas, signed lower left Image size: 23 x 19 inches (58.5 x 48.5 cm) Original gilt swept fra...

Unknown Russian Artist Russian Orthodox Church, Middle 19th century Unsigned Illuminated in red, yellow blue and green pigments and gold leaf on paper ...

Youthful Thoughts Armand Point Oil on canvas, signed and dated 1889 lower left Image size: 18 1/4 x 25 3/4 inches (46.4 x 65.4 cm) Framed Provenance Private collection, France The p...

Clement Drew grew up in Kingston, Massachusetts, a coastal New England town. Early on he settled into a career as a marine painter. He augmented his income by working in a number of ...

"View of a city, animated landscape" attributed to Jean Victor Bertin. Oil on panel VB monogrammed, Circa 1830 Within its original giltwood frame from the same period. Dimensions without frame Height: 56 cm / 22 inches Width: 90 cm / 35.4 inches Dimensions with frame Height: 76cm / 30.7 inches Width: 108 cm / 42.5 inches Depth: 8 cm / 3.14 inches Certificate of authenticity Jean-Victor Bertin (1767-1842) was a French landscape painter of the neoclassical school. Considered as one of the masters of the historical landscape's school, he painted an abundant production influenced by Italy. Therefore, he is one of the most talented representatives of the landscape "adjusted" Italianate character and elegiac. He played the role of intermediate between the historical landscape and the romantic movement. His paintings are found in many museums : Beziers, Fontainebleau, Dijon, Honfleur, Rennes, Versailles, Angers, Autun, Carpentras, Cherbourg, Coutances, Evreux, La Fere, Lille, Quimper, Nantes, Reims, Rouen, Toulouse. Bibliography: Dictionary French landscape painters of the nineteenth century, Lydia Harambourg. Dictionary of the Little Masters...

Alfred S. Wall (American, 1825-1896) Untitled (Building the Railroad), 1859 Oil on canvas 14 1/2 x 18 1/2 inches Signed and dated lower left For Christmas, 2008, the Pittsburgh Post-Gazette featured Alfred Wall's painting, Old Saw Mill from the collection of the Westmoreland Museum of American Art in Greensburg, PA. It was painted in 1851 in the town of Lilly, Pennsylvania in the Allegheny Mountains. The newspaper description stated that "though the saw mill is long gone, it still conveys all the warmth and coziness of this time of year. The article, written by Patricia Lowry, continued: At first glance, Alfred S. Wall's painting of a saw mill in snowy woods triggers nostalgia for the coziness of a log cabin, the smell of a wood-burning fire and the warming of chilled hands and feet beside it. But as sentimental as it seems on the surface, Mr. Wall's painting has a deeper and unexpected context. This is more than a painting about sled-riding children and early industry planted in the middle of virgin forest. Intended or not, this is a painting about conquering the great divide of the Allegheny Mountains. For the third consecutive year, the Post-Gazette features a winter-scene painting on the cover of the Christmas Day newspaper. This year's painting, Old Saw Mill, was selected by co-publisher and editor-in-chief John Robinson Block and executive editor David Shribman during a visit to the Westmoreland Museum of American Art in Greensburg. Mr. Wall, listed as a portrait painter in the 1850 census, was about 26 when he painted Old Saw Mill in 1851. The self-taught artist was born in Mount Pleasant, Westmoreland County, to William and Lucy Wall, who'd emigrated from England around 1820. An artistic sensibility ran in the family: William was a sculptor who carved ornate tombstones here; Alfred's children, A. Bryan and Bessie, were landscape painters, as was Alfred's older brother, William Coventry Wall. For more than a century the Walls formed a prominent art dynasty in Pittsburgh, and Alfred, eventually a partner in the city's most prestigious art gallery, was well known as a painter, dealer and restorer. In Old Saw Mill, two wood cutters, each holding an axe, meet outside the mill; one points in the direction of the forest. On the other side of the stream, one child pulls another down the hillside on a sled. Just behind the hill's slope, the roof of a building appears, perhaps the home of the sawyer. The luminous, late afternoon light comes from the northwest, casting lengthening shadows on the snow under a darkening sky. The saw mill in "Old Saw Mill" likely would have been impossible to track down had Mr. Wall, presumably, not written on the back of the painting: "old saw mill near Jct. 4, Portage RR, Pa." "There was no Junction 4," said Mike Garcia, park ranger at the Allegheny Portage Railroad National Historic Site, about 90 miles east of Pittsburgh near Gallitzen, Cambria County. "But there was an Inclined Plane No. 4 at Lilly, and there was a saw mill there." In fact, there were at least six saw mills at Lilly over the years, said longtime resident Jim Salony, president of the Lilly-Washington Historical Society. But when he saw an image of the painting, Mr. Salony had no trouble coming up with a location. While there are no known photographs of the saw mill, he believes it stood near the intersection of Portage and Washington streets, next to Bear Rock Run. Mr. Salony, retired academic dean at Mount Aloysius College, didn't know exactly when the mill was torn down, but it's been gone since at least the late 1800s. He was pleased to learn of the painting, even though that knowledge came too late for inclusion in a new book about Lilly, The Spirit of a Community, for which he served as primary author and editor. It runs to more than 700 pages. For a little town -- population 869 last year -- Lilly has a lot of history. Nestled in a bowl on the western slope of the Allegheny Mountains about 3 miles south of Cresson, Lilly was first settled in 1806 by Joseph Meyer and his family, who named their 332-acre land patent Dundee. Although the Meyers had left by 1811, other settlers followed, but the community didn't flourish until the 1830s, when the Allegheny Portage Railroad began its 23-year-run through the town. For 200 years the Alleghenies had stood as an impediment to trade and travel between Pittsburgh and the east. A canal from Philadelphia to Pittsburgh would change that and compete with New York's Erie Canal. But a portage railroad would have to be built, on which teams of horses would lead the canal boats over the mountains. Engineer Sylvester Welch began his surveying from the small settlement at Lilly. The railroad would require 10 inclined planes, some quite steep, between Hollidaysburg and Johnstown. To build it, trees had to be cut along a 120-foot-wide right-of-way for 36 miles, along which track and engine houses had to be built. William Brown, who owned the saw mill on Bear Rock Run, built at least one of the engine houses at Inclined Plane No. 4; an 1834 contract also included fencing the dwelling lots at the head and foot of the plane. Lilly is located at what was the foot of Inclined Plane No. 4., giving the community one of its early informal names, Foot of Four. Named in 1883 for Richard Lilly, who'd completed the grist mill there, Lilly had another early name: Hemlock, so dubbed by a Portage Railroad traveler who smelled the bark stripped from the trees at the saw mill. Because there isn't another Allegheny Portage Railroad location like it, where a cut in the mountains opens into a bowl, Mr. Salony thinks it was Lilly that Charles Dickens wrote about following his trip from Harrisburg to Pittsburgh on the Pennsylvania Canal in late March 1842, describing what he saw after emerging from "the bottom of the cut": "It was very pretty while traveling, to look down into a valley full of light and softness, catching glimpses through the tree-tops of scattered cabins; children running to the doors; dogs bursting out to bark, who we could see without hearing; terrified pigs scampering homeward; families sitting out in their rude gardens; cows gazing upward with a stupid indifference; men in their shirt-sleeves looking on at their unfinished houses, planning out to-morrow's work; and we riding onward, high above them, like a whirlwind." To get to Lilly, Mr. Wall may have taken the Pennsylvania Canal from his home in Allegheny City, now the North Side. He'd married young, at 21, to Sarah Carr in 1846, the same year he began his career as an artist. By 1880 they were living in a brick townhouse at 104 (later 814) Arch St., now demolished. Across the river in Pittsburgh he shared a studio at 67 Fourth Ave. with his brother William; they later moved to Burke's Building, today the city's oldest office building at 209-211 Fourth. But often they worked outdoors, sometimes as part of the colony of artists that grew up around painter George Hetzel beginning in the late 1860s at Scalp Level...