Mid-19th Century Paintings

Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...

An idyllic view of the Falls of Clyde in full spate in this gem of a painting. Specifically this is Corra Linn, the largest and most impressive of the four waterfalls with a fall of 84 ft. Painted by a master of the subject, demonstrated by the fact that the artist became known as Edmund "Waterfall" Gill. All in all, a very handsome piece. Edmund Gill...

Victorian Portrait of a young girl on a Sunday Morning, possibly after or before Sunday School Wonderful Victorian portrait of a little girl painted circa 1870. The quality of the p...

"Enjoying Old Times" by Charles Baker captures a poignant and joyful moment in the life of an older man, immersed in the beauty of nature. The painting features the man in the midst of a hike, his weathered walking stick in one hand, and a bottle of champagne in the other. His gaze is fixed on the bottle, a focused and content expression playing on his lips, suggesting a celebration of memories or perhaps a spontaneous toast to the present moment. Baker’s use of warm, earthy tones highlights the natural surroundings, with the man standing against a backdrop of greenery, a rocky path, and a clear, open sky. The composition is rich in detail, from the rugged texture of the man’s clothes...

In his oil painting, “A Path in the Mountains,” Sanford Robinson Gifford paints a figure walking down a mountain trail lined with tall evergreens towards a forested bluff.

Signed lower right "Nasmyth" leading to one of the whole pleiad of renowned Scottish artists starting with Alexander Nasmyth (1758 -1840). This painting showcases a scene of a landscape with shallow water, where a family is seen wading through a river ford in knee-deep water. The presence of a shepherdess on a high bank, observing the travelers with keen interest, adds a sense of pastoral charm to the composition. One of the focal points of the painting is a picturesque tree that has fallen into the river, adding a touch of drama to the overall scene. The contrast between the lush woodland and bushes on the right side of the foreground and the rolling valley on the left side further enhances the depth and perspective of the painting and superbly illustrates the traditions of the early 19th century British Art...

Mid 19th Century Woman in Black Dress and Lace Cap Original Oil Painting c.1840 A fine portrait of an elegant matron with the lappets of her cap held together by a fancy brooch Ori...

Émile-Pierre Metzmacher (French, 1815 - 1890) A Young Beauty Crossing a Brook, A Hunter Beyond Oil on panel 24 x 19 1/2 inches Signed lower left Provenance: Christie's New York, Oct...

Charles CHAPLIN (Les Andelys 1825 – Paris, 1891) Portraits of women Pair of oils on rectangular canvases H. 60 cm; L. 50 cm Signed Student of Michel Martin Drolling at the École des...

French Romantic School 19th Century Manly head of bearded man oil on canvas 46 x 37.8 cm In fairly good condition, some inpaintings visible under UV light, mainly in the backgrounds ...

Paul René YARDIN (Active 1830s to 1850s) Oil on cardboard 32.5 x 41 cm (53 x 61 cm with frame) Signed lower left “Yardin” Exhibition label at the Salon des Artistes Français at the t...

Wonderful China Trade painting dating from the mid 19th century. This piece is rich in color and is of fine quality with the depiction of the figures.

Antique Danish Orientalist oil painting of a military scene by Niels Simonsen Danish, 1860 Canvas: Height 27cm, width 35cm Frame: Height 43cm, width 52cm, depth 4cm This very fine O...

Presented is a wonderful example of mid-19th-century American Portraiture. Portrait of a Girl, c. 1850s Oil on Canvas 27" x 22" Housed in its original period frame Spandrel Sit...

Jacob's Blessing is an original painting realized in the mid-19th Century by the Italian artist Andrea Appiani Il Giovane (Milan, 1817 - Milan, 1865). ...

Eugène Joseph Verboeckhoven, a luminary of 19th-century Belgian art, wielded his brush with unparalleled mastery, capturing the timeless allure of pastoral landscapes and noble anim...

A couple of young boy and girl, dressed in ethnographic costumes, probably Savoyard, ride a donkey. The scene takes place in the middle of the countryside with mountains in the back...

Italian painter (dated 1853) - Historical interior scene. 29.5 x 43 cm without frame, 50 x 65 cm with frame. Antique oil painting on panel, in a contemporary carved wooden frame, l...

Signed center right N Diaz. All of our works are covered by our own guarantee of authenticity which covers the work for its lifetime of ownership with the purc...

Tomkins Harrison Matteson Playing with Grandfather, 1869 Signed and dated lower left Oil on canvas 29 5/16 x 24 3/16 inches Provenance: Sotheby's New York, May 24, 2001, Lot 150 Estate of a New Hampshire Collector Tompkins H. Matteson was one of the most noted painters in upstate New York during the 1850s and was well-known for genre and historical subjects. Born in Peterboro, New York, he studied and exhibited at the National Academy of Design - established himself as a portrait painter in Sherburne, New York before moving in 1841 to New York City. In 1850, he returned to Shelburne, where he spent the remainder of his life. A follower of William Sidney Mount...

Charles Cooper Henderson (English, 1803-1877) Windsor Mail Coach Oil on canvas With chalk inscriptions verso Property of a gentleman From the collection of Peter Roe Dimensions: (F...

Henri Auguste Cesar SERRUR (Lambersart, 1794 – Lille, 1876) People's Woman of Venice Oil on canvas Signed, located and dated 65 x 60 cm Venice 1850 Exhibitions: - Paris Salon of 1...

Désiré THOMASSIN (Attributed to) Vienna, 1858 – Munich, 1933 Oil on panel 32 x 50 cm (42 x 60 cm with frame) Inscription on the back “Thomassin / Braz...

Winckworth Allan Gay paints a scenic coastal scene from an elevated perspective overlooking a wave-filled beach below in his work entitled, “Sandy Beach, Cohasset.”

Frederick E. Cohen (American, born England, c. 1818-1858) Boy in a Dog Sled, 1853 Oil on canvas, 25 x 30 inches Framed: 35 x 40 inches (approx.) Signed and inscribed: (on side of sle...

‘Piazza San Marco from the Palazzo’ by Edward Pritchett RWS (1807-1876). The painting – which depicts St. Mark’s Square and the Campanile seen from the Porto della Carta entrance to...

Adolphus M. Madot Circa 1833 - 1861 Oil on canvas Image size: 36 x 24 inches (91.4 x 61 cm) Arched Pre-Raphaelite style frame The subject of the present picture is the dialogue between the court jester Touchstone and the shepherd Corin in the Forest of Arden ( As You Like It, Act III, scene 2). The work of William Shakespeare 'As You Like It' was a popular literary source in Pre-Raphaelite circles, inspiring such artists as John Everett Millais, Walter Howell Deverell and Arthur Hughes. The present picture is comparable in style to the work of Edward W. Rainford and Henry Stacy Marks...

A charming still life of various fruits displayed together, in it we can see a pineapple which has been viewed as a sign of wealth during these times. Although unsigned the work has ...

Work on cardboard Golden wooden frame 37 x 45.5 x 4.5 cm

Conditions : Very good overall Conditions with minor retouching under UV light (as seen on pictures). Slight invisible crack in the canvas. Original Victorian frame in excellent con...

Portrait of a Military General Fine 19th C European, Neo -Classical half-length portrait of a Military General, a handsome man wearing military regali...

Antique Floral Still Life with Tulips and Irises in Gouache on Paper Finely detailed still life by Charlotte Siemers (19th Century). Several flowers are shown in a lush bouquet. Flo...

19th Century Dutch

A very fine Victorian portrait in oil, showing a woman in half mourning. The sitter is wearing a black mourning dress with white lace collar and cuffs a...

A striking mid 19th Century full length portrait of a young woman in a red dress and blue bonnet, sitting on a hay bail with a basket at her feet, The painting is unsigned and has be...

Henry Barraud British, (1811-1874) Horses & grooms at Mount Mascal Oil on canvas, signed Image size: 15.25 inches x 29.25 inches Size including frame: 21.25 inches x 35.25 inches ...

GILBERT Pierre-Julien (1783-1860) Marines - Boats are Leaving for Fishing in Brittany Two Oils on wood panels in pair signed both low right Old frames re-gilded with leaves Dim wood ...

A very fine study of two King Charles Spaniels resting on a plush red velvet armchair. Each with a blue ribbon around their necks that the artist has captured with fine detail. Well ...

Constant Troyon (French, 1810-1865) Vache en prairie Oil on canvas Canvas: 19 x 15 inches (48.3 x 38.1 cm) Framed: 28.75 x 24.75 x 3 Inches Artist's estate stamp lower right: Vente /...

Attributed Paul Von Franken (1818-1884), famous Gemany a genre and landscape painter, signed bottom right. Fertile scenery coastal town with castle, mosque, minaret, large travelers ...

Conradijn Cunaeus ( Dendermonde 1828-1895 Nieuwer-Amstel ), Two friends. Oil on canvas cm 100 x 118 signed lower right.

The work is inspired by the painting "Samuel Reports to Eli the Judgment of God Over His House" by the hand of J.S. Copley, preserved in the Wadsworth Atheneum in Hartford and dated ...

Antique American painting from the mid 19th century. Framework oil on canvas, on the first canvas, depicting a countryside landscape with a co...

Realist still life painting depicting light orange peonies and various flowers native to France. Framed in a gold antique frame. Signed by artist at the bottom left. Dimensions Without Frame: H 14.375 in. x W 21.25 in. Artist Biography: Diaz was born to Spanish parents, but following their early deaths was raised by a protestant minister near Paris. In 1823 he worked in the same porcelain factory as Jules-Louis Dupré...

James Stark 1794-1859, was an English landscape painter, exhibited at the Royal Academy, the British Institution, and the Norwich School of Artists. Stark studied under John Crome, ...

A truly unique and eye catching 19th Century portrait, showing a striking woman in a vibrant red shawl and elaborate lace bonnet. The rich tapestry on the sleeves of her shawl, the d...

Unknown Russian Artist Russian Orthodox Church, Middle 19th century Unsigned Illuminated in red, yellow blue and green pigments and gold leaf on paper An Illuminated manuscript folio...

As the sun casts its final golden rays across the vast expanse of the desert, Victor Huguet’s Arab Camp at Desert captures a tranquil yet dynamic moment in a nomadic encampment. The ...

This beautiful oil-on-panel painting of a tranquil waterfront farm that is over 120 years old is by the Belgian painter Louis Dubois (1830–1880). Dubois...

"Young Lady Sewing on Rocking Chair" by an 1860s American School artist is a charming watercolor painting that captures a traditionally domestic moment...

William Huggins (1820 - 1884) A lion and a lioness in a landscape Oil on panel  Signed and dated, lower right: 'Huggins 1847' With gallery and exhibition labels, verso Provenance: ...

Sir William Blake Richmond KCB, RA, PPRBSA 1842 - 1921 The Shepherd Egg tempera on wooden panel, signed with initials bottom left Image size: 8 ¼ x 5 ½ inches Period gilt oak frame A newly discovered work by the artist. Sir William Blake Richmond KCB, RA, PPRBSA was an English portrait painter, sculptor and a designer of stained glass and mosaic. He is best known for his portrait work and decorative mosaics in St Paul's Cathedral in London. He was the son of the portraitist George Richmond RA and studied at the Royal Academy Schools in the early 1860s. Influenced by his father and by Sir John Everett Millais, he is best known for his mosaic decorations below the dome and in the apse of St Paul's Cathedral in London. His father, George Richmond, was one of 'the Ancients' who were a group of artists who formed around the visionary artist and poet William Blake. Samuel Palmer was an other of the ancients and a close friend of the family. Our painting could have been inspired by George Richmond’s engraving 'The Shepherd', 1827, but in our panel the shepherd is turned round facing away, and is playing a flute instead of resting on a staff. But the sheep and other elements are there. It is also suggestive of Welby Sherman's engraving after Samuel Palmer of the same name and date, but here the shepherd is sitting but like ours turned away. William Blake's is an altogether happier image given the figure is playing to his sheep. Our painting is playing with some of the same ideas and feels like the same sort of period, and the ‘fresco’ like chalk ground is interesting, as is the pen and ink finishing on the tempera. All three are strongly influenced by Blake's illustrations to Thornton's 'Virgil'. The shepherd and his flock are clearly based on Thenot and his sheep in the Frontispiece to Thornton. Blake Richmond wrote:"If there be the least value in my pictures, it is due to such lovely early impressions derived from the sweet poetic work of many of my father's contemporaries, Calvert, Blake and others, whose shadows are substance still to me" [Sir William Blake Richmond, letter to his father, 50 years after the death of William Blake, from Stirling op. cit p. 28]. Richmond was given private art lessons by John Ruskin before attending the Royal Academy for three years. After that he spent a number of years in Italy, where an encounter with a shepherd called Beppino, 'a splendid speciman of a Sabine Shepherd', could also have gave him the inspiration for the painting we show here. Richmond recalls how he met Beppino on the hillside, and was invited to share the shade of the shepherd's capanna, a wooden hut. 'What a place! In an instant of time I was back into the age of kings, and I knew Romulus had lived and am sure that he lived in a hut exactly like this one'. That night Richmond dined at Beppino's hut 'on roast kid, hard bread dipped in Roman wine, goat's cream and white ricotta'. The shepherd had such an impression on Richmond that he sought him out on a return visit to Italy some years later, but was saddened to hear that Beppino 'had joined his fore-fathers in the shades'. He was moved to write the following, which perfectly expresses the mood of this painting and his tribute to a fleeting companion: 'Little events of this kind unite past times with present, create and emphasis continuity of human instincts, which seem to defy time and make travel so intensely interesting and invigorating to a citizen of this world. One need not go to the palace, far otherwise, or to cities and towns to discover the kernal of enduring civilisations. One finds it, if one wills to do so, in the backbone of the world, an ancient peasantry who have watched and still watch the progress of the stars'. Richmond was influential in the early stages of the Arts and Crafts Movement in his selection of bold colours and materials for the mosaics in St. Paul's Cathedral and in his collaboration with James Powell and Sons...

Jacob THOMPSON (1806 – 1879) Deer by the Banks of a Lake 1842 oil on canvas 18.9 x 27.6 inches; 22.5 x 31 inches Inc. frame Jacob Thompson (1806–1879) was an English landscape-pa...

This accomplished allegorical scene depicts the story in Anacreon’s Ode where Cupid is captured by the Muses. Entwined in a chain of flowers, the Muses lead cupid to captivity, where...

Louis-Camille d'Olivier, A painter of history and portraits, he returned to the Ecole des Beaux-Arts in 1850 and appeared at the Salon de Paris between ...

A truly unique and engaging piece of European Folk Art from the mid 19th Century. This vibrant and crisp scene shows two smartly dressed peasants standing in an expansive, beautiful Swiss mountain...

Joseph Meganck 1807 – Aalst – 1891 Belgian Painter 'Together in Prayer' Signature: signed lower right and dated 1845 'Meganck 45'
 Medium: oil on panel
 Dimensions: image 46 x 37 c...

Unknown Artist (English or American, nineteenth century) William Shakespeare Oil on canvas, mounted on board; 9 x 7 1/4 inches FRAMED: 14 1/2 x 13 inches (approx.) This work depicts...