Mid-20th Century Portrait Paintings

Mid Century Modern Portrait of a Man in a Suit in Oil on Masonite Mid Century Modern portrait of an older man by Honora Berg (American, 1897-1985). This portrait is made of layers o...

Mid-century city life is captured in this Clyde Singer portrait, Standing Figure, where he depicts a woman posing in 1954. An accomplished American Scene painter, Singer successful...

Signed lower right: "S. Simkhovitch". Estate stamp on backing board verso.

George Herbert Buckingham Holland was born in Northampton, the son of a grocer. He studied at Leicester School of Art. He made his living painting portraits of Northampton dignitarie...

Wonderful 60's chic is on full display in this beach scene. It's masterfully designed. The beautiful model horizontally fills the center space while supporting players fill background spaces. The style is very flat with lots of gray muting the colors and defining the artist's palette. Fuch's was a giant talent who is overlooked by today's art world participants. His style could be described as a post-post impressionist. This particular work is so deftly designed and exhibits the most intriguing positive and negative spaces. The model is rendered with loose, quick and authoritative brush strokes which give an air of chic confidence. Most of all, it's her dreamy blue eyes that truly captivate the viewer. All parts of the eye ( Iris, Pupil, Sclera ) are composed of a soft robin's egg blue which is in counterpoint the pink day-glow color on her lips. She looks at you. You look back and the process is repeated and repeated. Fuch's not just a great painter, designer, academic artist but a brilliant and innovative colorist as well. To demonstrate how great this simple work is, out of a world population of 7.2 billion people, as a betting man, I would say there may be no other artist who could render a scene this good. An artist such as Peter Doig, who does nice and beautiful work, may come close to the talent of Fuchs. Bernard Fuchs American, 1932 - 2009 Girl at the Beach...

Signed lower right, Archivally Matted to 17.75 x 16.75 inches. A noble portrait of Ike as President is depicted against a ringing Liberty Bell. In the...

Francois Gall 1912-1987 French artist. BENEZIT LISTED. GALL WAS THE RECIPIENT OF THE MEDAILLE d'ORE At the Paris Salon of 1947. 10 ½ x 18 oil on canvas, signed lower right. This ca...

ARTIST: John Dalzell Kenworthy ARCA (1958-1954) British TITLE: "The Head Gardener" SIGNED: lower right corner MEDIUM: oil on canvas SIZE: 52cm x 41cm inc frame DETAIL: A most interesting unuusal and characterful mid Century portrait of a man mowing the lawn. The painting initialled lower right for Kenwrothy. John Dalzell Kenworthy ARCA (5 Nov 1858 - 4 Mar 1954) was an internationally acclaimed artist, sculptor and writer who was born at Whitehaven into a prominent West Cumbrian family. JD Kenworthy was a noted Cumberland artist, who lived at Seacroft House, St Bees, a coastal village south of Whitehaven. He painted both portraits and landscapes, in oil and watercolour in the 50 years centred on the turn of the twentieth century. He was an associate of the Royal Cambrian Academy (1914) and he exhibited at the Royal Academy in London, as well as at galleries across Manchester, Leeds and Liverpool. He travelled to paint in Scotland and France, where he became particularly well known. He also was a keen angler, and wrote a book in 1933 called 'Fisherman's Philosophy', in which he discusses Scottish salmon and loch trout, and fishing on the French Mediterranean coast. Kenworthy's works are held in the public collections of the Beacon Museum and Helena Thompson Museum. JD Kenworthy's portraits include two of 1st World War veterans, AJ Wandless a Master Mariner and Whitehaven war hero Abraham Acton. He also painted portraits of other notable people, including the Mayor of Whitehaven, Reverend Rees Keene, Dr James Irving Lace,[6] Justices of the Peace James Gibson Dees and Alderman Joseph Braithwaite and one of the aero chocolate...

"Girl Thinking" is a painting by Philadelphia born Expressionist painter Bernard Harmon. The 40" x 30" oil on board portrait of a young woman is painted in a vibrant color palette. The painting is framed in a new, black wood frame and signed "B Harmon" on verso. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke...

'Mexicain' Georges Lambert, French mid 20th century signed oil on canvas, unframed Canvas : 36 x 24 inches Inscribed verso Provenance: private collection, France Condition: very good...

Lady Portrait by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 24 x 18 inches Colors: Grey colors, pink, red, blue, brown and c...

“Graduation Day” is emblematic of mid-century American Illustration. But the real story of this storytelling work is that it embodies the lost art of portrait painting and graphic design. Alex Ross borrows on the classical tradition and flaunts his skills as a narrative painter. In “Graduation Day”, he paints a complex composition involving at least thirteen portraits. The subjects are beautifully rendered and lit. They are set against a dark grey background and jump off the surface at the viewer. The composition is complexly designed. The future graduate in the red jacket engaging with a girl photographer is a compositional device that leads the viewer's eye to the main subject - a father congratulating his son on graduating from medical school. Creating art that relies on facial expressions and body gestures is a talent absent in contemporary art. Why? It’s very hard to do and takes years and training and practice to get it right. Despite Alex Ross's folksy subject matter, this work is a high example of naturalism and representation by an important member of the Golden Age of American Illustration. Signed lower right Born in the town of Dunfermline, Scotland, Alexander Sharpe Ross (1908-1990) moved with his family to Pittsburgh, Pennsylvania in 1911. After attending Carnegie Tech (now Carnegie Mellon University), Ross moved to New York and joined the Charles E. Cooper Studio, where he worked among such notable illustrators as Ward Brackett, Stevan Dohanos, J. Frederick Smith...

Signed lower right, 'Caswell' for Helen Rayburn Caswell (American, 1923-2018) and painted circa 1955. A substantial, mid-century figural oil by this listed California woman artist who showed her talent at an early age. In Saratoga, Caswell began a successful career as an artist and portrait painter, displaying in galleries in Carmel and teaching artist workshops. In addition to her work as a fine artist and portrait painter, Helen wrote and illustrated over 30 books for children and adults. In 1981, Helen moved to Occidental in Sonoma County where, in addition to continuing to paint and teach, she designed stained glass windows for the Sebastopol United Methodist Church. She was also commissioned to paint numerous murals including at St. Ignatius Church in San Francisco and for the Elizabeth Seton Center in Menlo Park.

A delightful oil study by the artist George Weissbort (1928-2013). Signed and dated to the lower right. (Provenance: Studio Sale, George Weissbort). On board.

"New Hat" is a figurative, interior portrait painting by Philadelphia born Expressionist painter Bernard Harmon from 195. The 20" x 16" oil on board portrait features a young African...

A Charming, 1950s Modern Portrait of a Young Woman in a Red Sweater by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork size: 8” x 6”, Oil on Masonite (Framed size: 11...

A Charming, 1950s Expressionist Portrait of a Young Girl by Noted Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A Wonderful and intimate Mid-Century studio portrait of a yo...

Meticulously rendered account of three prospectors trying to rustle up some water before they can dig up some gold. Magazine Illustration of the Old West, American West, Cowboys Casein on board, Western / Frontier Art...

Francois Gerome French, 1895 Parisian Lady with a Poodle Oil on canvas 9 by 12 in, w/ frame 15 by 18 in Signed lower left Francois Gerome was born in Budapest in 1895. He attended ...

Large Mid Century French Fauvist oil on canvas portrait by Bourgault. The painting is signed bottom left and signed, located and titled to the top back stretcher. The location is mar...

Anita Roy Chowdhury - Untitled Charcoal on Paper 11.5 x 14 inches, 1960 (Framed & Delivered) In this tender charcoal drawing, she beautifully portrays a quiet moment between mother ...

A Charming, 1950s Modern Portrait of a Girl in White Dress by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork size: 6 1/2” x 5 3/4”. Oil on Masonite. (Framed size: 1...

Girl with Cat (1935) Oil on canvas 38" x 26" 42 ½" x 30 ½" x 3 ½" framed Signed and dated "1935 H Burkhardt" lower right. Signed, dated and inscribed verso. About this artist: Hans ...

Dorothea Stefula was born in Hamburg, Germany in 1914 and studied at the art academy in Hamburg. Stefula illustrated numerous children's books, designed postage stamps, painted fresc...

A Wonderful, 1950s Mid-Century Modern Portrait Painting of a Boy with a Trumpet by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork size: 8 3/4” x 6 1/4” (Framed size...

Large magnificent colorful Ruth Schloss oil painting of a child with a wagon with a doll or a baby in a carriage stroller.. Signed in Hebrew size measures 31x43 with frame , 23x35.25 without the frame. (this is being sold unframed). Ruth Schloss (22 November 1922 – 2013) was an Israeli painter and illustrator who mainly depicted neglected scenes such as Arabs, transition camps, children and women at eye-level as egalitarian, socialist view via social realism style painting and drawing. Schloss became Israeli painting’s sensitive, conscious, remembering eye. Ruth Schloss was born on 22 November 1922, in Nuremberg, Germany, to Ludwig and Dian Schloss, as the second of three daughters of bourgeois assimilationist Jewish family well-integrated into German culture. As the Nazis came into power in 1933, her family immigrated to Israel in 1937, and settled in Kfar Shmaryahu, then an agricultural settlement. Schloss studied at the Department of Schloss graphic design at "Bezalel" from 1938 to 1942 alongside Friedel Stern and Joseph Hirsch. She was a realistic painter who focused on disadvantaged people in the society and social matters as an egalitarian. Her realism was thus an “inevitable realism,” motivated by an inner necessity: the need to observe reality as it is. Her painting repeatedly addressed the door pulled from its frame, employing drawing’s unique ability to stop time and prolong the image’s persistence in the retina, she repeatedly committed to paper - in a matter-of-fact, non-evasive manner devoid of mystery – man’s tendency to generate chaos, suffering and pain. Throughout her life, Schloss remained minimalist. Painting about human fate was the main subject of her artworks. Her natural inclination was to describe the darker aspect of human existence. 1930s The Schloss household was characterized by open, liberal spirit, in keeping with the parents’ progressive views. It deeply influenced Ruth’s mental development, as she learned to tie culture and art with sensitivity towards the weak and underprivileged. In Jerusalem, she joined a commune of Hashomer Hatzair in which she shaped her socialist views, which she maintained throughout her long career. 1940s In this period she mainly depicted landscapes of kibbutz and wretched women living hard life, children in huger, older people, refugees. After completing her art studies, Schloss joined a training group at Kibbutz Merhavia in 1942, and after two years moved to Karkur region, the nucleus established Kibutz Lehavot Habashan in the Upper Galilee. Through this time, she fell in love with the surroundings and drew landscapes. They are simple and direct with fresh, lucid lines. These paintings were selected as the main works of her first exhibition in 1949. In early 1945, Schloss started to draw illustrations in the children’s magazine Mishmar Leyeladim, and designed the logo of Al Hamishmar, the paper’s new name in 1948. In 1948, upon the founding of Mapam (United Workers’ Party), she designed her party’s emblem, which became a well-known icon. She kept working as an illustrator for Mishmar Layeladim until 1949. "Mor the Monkey" project yielded financial profits and this income was used for a study trip to Paris for two years. She was succesfull as illustrator however, she had inner conflicts of her identity as witnessed painter toward neglected class in Israeli society. First Exhibition at Mikra-Studio Gallery, 1949 She presented forty drawings on paper in her first solo exhibition, representing a selection of the themes of kibbutz landscape, its lifestyle. Schloss confidently proposed her direction through simplicity without using colors in her drawings. 1950s Between 1949 and 1951, she studied at the Académie de la Grande Chaumière in Paris. She began working in oils, with which she continued throughout the 1960s. The exhibition “Back from Paris” opened in November 1951 at Mikra-Studio Gallery . In 1951 she married Benjamin Cohen, who served as chairman of the national leadership of Hashomer Hatzair Workers Party in Tel Aviv. He was a theoretician and a man of principle, highly esteemed by its leaders who became a professor of history at Tel Aviv University. In 1953, following the Mordechai Oren affair and the publication of Moshe Sneh 's followers from Kibbutz Artzi, she and her husband left the kibbutz and moved to the agricultural farm, Kfar Shmaryahu, where she lived until her death. At a certain point in Israeli history, segments of the socialist movement felt that Israel should become part of the Communist bloc, rather than seek the support of the western world. Because the Schloss couple support of Moshe Sneh’s left-wing party, they had to leave the kibbutz. She loved to depict ordinary women as figurative on her painting without hiding or making up anything. The poet Natan Zach wrote about her works in 1955: “Her motto remains that which has been all these years: life as it is, without bluffing." Schloss’s “Pietà” (1953) became a universal cry expressing the pain of mothers on either side of the divide. In the late 1950s, she was the mother of two daughters. When she drew her daughters, unlike the universal babies she depicted, naked and with clenched fists, the painting of her children employed babyish sweetness to the full in a quiet, peaceful and heart-stirring filling rather than urgency. She also painted children in the transition camp and Jaffa in the 1950s and 1960s. 1960s-1980s – The period of Studio in Jaffa Schloss painted at a studio in Jaffa from 1962 till 1983. In this time, she turned her interest to people around her more than kibbutz – the children, mothers, and poor workers, the alleys and houses. She opened the space to the street and its dwellings, built interactions around it, and was nurtured by the presence of the outside in her work. 1960s Schloss familiarized to an Arab woman, Nabava, lived in poor. Schloss returned to painting images of old people later, and she called her painting figurative elderly people in the old age homes “waiting”. In the late 1960s, Ruth discovered acrylic paint and never turn back to oil painting. In 1965 Schloss devoted a series “Area 9 (1965)”, dedicated to the demolition of Israeli-Arab houses and the expropriation of the land, and carried a definite socio-political messages. The series was exhibited at Beit Zvi, Ramat Gan, in 1966. She was the only artist who addressed the result of the Six-Day War immediately afterward. In 1968, Schloss and Gansser-Markus presented “Drawing of War” in Zurich gallery. She expressed the war as an ultimate expression of destruction and ruin, regardless of victors and vanquished. 1970s In late 1970s Schloss began printing the selected photograph directly on the canvas, posterior reworking it in acrylic. She decided to print her work at Har-El Printers in Jaffa, and these became the surface of her painting. This technique was mainly adopted in two large series: Anne Frank (1979-1980) and Borders (1982). Through this technique she placed the figure of elder Frank next to that of the famous young Frank, and released it at the exhibition at Bet Ariela Cultural Center, Tel Aviv, in 1981. The series touched upon the Nazi Holocaust. 1980s The Lebanon War raised the question of “The Good Fence” and the effect of the war. She dedicated a large series Boarders, one of the most powerful image linked to the series is the figure of Yemenite woman raising her hand. She was the first to raise the Black Panthers demonstration to the level of a social icon. In the 1980s and again in 2000, the Intifada uprisings also led Schloss to the easel to render a good number of representational and symbolic works that in their way denounced Israel's political and military actions. 1990s – 2000s Ruth Schloss never had an exhibition in a major Israeli museum. Her works were presented in private galleries and small museums. The main museums, the Tel Aviv Museum of Art and the Israel Museum, included her works only in group exhibitions, and only in 1991 was her retrospective exhibited at the Herzliya Museum. In the 2000s, Schloss’s metaphors turned into animal kingdom and Bedouins in the south. A huge rhinoceros, birds of prey, and other "bad animals," as Cohen Evron, daughter of Ruth, calls them and "I connected this to the Nazis," said Schloss. Schloss' work after she didn't find human expression able to transmit the endless cruelty she saw in Israel's political mentality. Schloss also continued to follow and collect documentary photographs of destructions of houses from the war, the Intifada, the sequence of her work about ruin from 1949 to 2005, was a cumulative testimony about the painful history of Israel and Palestine. In 2006, a large retrospective exhibition of her work was presented at the Museum of Art in Ein Harod, curated by Tali Tamir. Education 1938-41 Bezalel Art Academy, Jerusalem, with Mordecai Ardon 1946 painting course for Kibbutz Artzi artists with Yohanan Simon and Marcel Janco 1949-51 Académie de la Grande Chaumière, Paris Awards and recognition 1965 Silver Medal, International exhibition in Leipzig, Germany 1977 Artist-in-Residence, The Cité Internationale Universitaire de Paris Selected solo exhibitions 2004 “Micha...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 40.00" x 30.00", Framed 47.00" x 37.00" Cover of the Saturday Evening Post, April 1, 1933.

Burlesque Clown Bert Lahr is dipicted in a bowler hat with a wry grin. Lahr shined in the role of The Cowardly Lion in the Wizard of OZ. Here he is de...

Sylvia Bernstein (1918-1990). Portrait of a Young Woman, ca. 1960. Gouache on paper, image measures 9.5 inch h.., 10 inches w. ; 17 x 17 inches framed measurement. Signed lower right. Excellent condition. Born : New York City Education : National Academy of Design Exhibits (group) Juried Shows at : Allied Artists; Audubon Artists; National Society of Painters in Casein; Hudson River Museum; Butler Institute of American Art; Portland Summer Art Festival; Columbia Painting Biennial; Columbia Museum; Riverside Museum; Brick Store Museum; First National Exhibition of American Art, Chautauqua, New York; New York City Center; Pennsylvania Academy of Fine Arts; Philadelphia Watercolor Annual; Brooklyn Museum International Watercolor Exhibition; Art-USA; J & M Ringling Museum; 9th Annual American Watercolor Traveling Show; Whitney Museum of American Art; Parrish Museum; American Academy of Arts and Letters; Wadsworth Atheneum. Solo Exhibits 1956 Ruth White Gallery; 1959 Ruth White Gallery; 1959 Silvermine Guild of Artists; 1960 Ruth White Gallery. Awards : National Association of Women Artists, 1954, 1957; New York City Center 1956; 1957 Honorable Mention National Arts Club, Allied Artists, Jane C. Stanley Memorial Award, Grumbacher Award in Watercolor at New England Painting...

A delightful oil study by the artist George Weissbort (1928-2013). Signed and dated to the lower right. (Provenance: Studio Sale, George Weissbort). On board.

French School, circa 1950's indistinctly signed French landscape near Pontoise (northern France) oil on canvas, framed framed: 21 x 30 inches canvas: 15 x 24 inches provenance: priv...

In a warm room a man leans against a bar whilst gazing over his shoulder with curiosity and smoking on his impressive-looking pipe. He has a calm expression on his face, which is env...

The Nude Man with a Moustache by Louise Alix (French, 1888-1980) *see notes below atelier stamped verso oil painting on canvas unframed measures: 20.5 inches high by 22.5 inches wide...

This portrait captures the pensive gaze of a young girl, illustrating a remarkable emotional depth. The artist subtly uses watercolors to create a vaporous effect, accentuating the s...

Long-necked, elegant, slender fingers and spellbinding eyes define a quintessential Latin beauty. The painting is has a simple, architectonic composition of vertical and horizontal e...

The art world today does not value traditional academic skills in portrait painting. If it did, this portrait would replace the childlike student-level art that is now achieving two...

A simple palette of red and flesh colors defines this noir portrait by Coby Whitmore, Seductive Femme Fatale Kim Novak Look-a-like Illustration in Red It's a...

A Charming, 1960s Mid-Century Modern Portrait of a Young Man by Francis Chapin (Am. 1899-1965). With wonderful expressionist brushwork and a vibrant palette, the painting most like...

Eric Johansson's "Woman with Red Bow" (1940) We are delighted to present for sale the evocative portrait “Woman with Red Bow” by the distinguished artist Eric Johansson, painted in ...

Rendered with the casual elegance of a mid-century society woman’s portrait slated for her Palm Beach master suite, the subject in this work is instead a young man. The artist's sign...

Portrait of Dwight D. Eisenhower, oil on board, signed Girardet, French School (circa 1950s). A compelling vintage oil portrait of General Dwight D. Eisenhower, one of the most influ...

5183 Vintage painting of a vailed dark haired exotic woman Set in a modernist gilt frame Image size 19.5x15.5"

"Femme Rousse Sur Fond Bleu" is an original oil on canvas impressionistic portrait of a woman by Albert Bertalan. A red-headed lady sits with her hand pressed upon her cheek thoughtfully thinking in front of a blue background. The painting is framed with an ornate gold frame. From the late 19th century until World War Two, Paris was the center of the art world. Artists and intellectuals from around the globe descended on Paris, drawn by the atmosphere of creative freedom established by the French Impressionists. Because of the Impressionists’ innovations the direction of art had changed forever, the times were ripe for another Renaissance. The School of Paris, as this broad-based group of artists are referred to embodied the spirit of modernism. Albert Bertalan was born on September 21, 1899 in Jaszbereny, Hungary. He is known for painting compositions of figures in unique environments, including women by the sea, among other similar subject matters. He studied at the Nagybanyai Art School under some of the most important Hungarian artists, including Ivànyi Grünwald...

Image dimensions: 26cm x 34cm Framed dimensions: 44.4cm x 52.7cm Signed lower right. Henri Bouvrie is celebrated for his masterful watercolours, which are of universal appeal. The ...

Illustration celebrating important women throughout history, published in McCall's magazine, May 1959. This large canvas by Stanley Meltzoff presents a compelling tribute to influen...

THE CHILDREN Size: 36.5 x 66 cm (including frame) Oil on board A richly textured and endearing mid century modernist style figurative portrait, painted in oil onto board. Rendered ...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

PAUL Size: 58.5 x 53 cm (including frame) Oil on canvas A striking and expressive mid-century portrait painting, executed in oil onto canvas. The composition depicts a male figure ...

Oil on plywood realized by Martin Bradley in 1974.  Hand signed and dated in top right corner; hand signed and titled on rear. Very good condition.

Spanish Beauty (Portrait of the Artist's Wife) Oil on canvas, c. 1940's Signed upper right "A.G. Warshawsky" (see photo) According to the daughter-in-law of the artist, this painting...

Margaret Morrison Roeth (American, Born 1894) Signed: Margaret Roeth (Lower, Right) " Portrait of a Boy ", July 1950 Oil on Board 15 7/8" x 14" Housed in its original, 2 1/4" A...

Jean-Gabriel DOMERGUE (1889-1962) Maria, Nude on Blue Background, c. 1950 Oil on hardboard Signed lower left On hardboard, 55 x 46 cm (c. 22 x 18 in) Presented in a 74 x 64 cm (c. 3...

Elegant and graphic study of a figure of undetermined gender. It's executed with quick and confident brush strokes in the artist's signature color scheme of black and red. It's a fla...

One of the hallmarks of great art is recognizing the artist's style instantly. This is the case with Richard Erdoes. His highly stylized comic figures are expressive and communicate the story delightfully and joyfully. Even though this work is rendered in flat, minimalistic two colors, the inventive shape relationships and positive and negative areas convey a very high level of artistic skill. The present work was done on assignment for the prestigious Standard Oil ( Exxon's predecessor ) corporation's company magazine, The Lamp. Although not a newstand magazine, The Lamp had the highest editional and artistic content. Work is unsigned and unframed. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian...

Oil on board realized by Sirio Pellegrini in 1969. Good condition except for some minor scratches and losses of colors on edges. Sirio Pellegrini, born in Rome on March 1, 1922, of...

Date: 1956 Medium: Oil and Pencil on Paperboard Dimensions: 18.00" x 15.00" Signature: Signed with the Artist's Initials 'N/R' Lower Right Pan American World Airways advertising campaign Exhibitions West Stockbridge, Massachusetts, Norman Rockwell Museum...

Portrait of a Lady French Modernist artist, mid 20th century S.Ascher signed oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, Paris condition: very good...

Medium: Oil on Canvas Signature: Signed Lower Right In the Timken War Bond campaign, JC Leyendecker completed more than a dozen paintings that were rep...

"The Polo Player" Pierre Bosco, (1909-1993) Oil n canvas Signed lower right 15 x 12 inches Pierre Bosco showed an interest in art at an early age. His commitment and dedication to ...

Jean Jansem (Hovhannes Semerdjian) 1920-2013 Hand signed upper left corner Dimensions: 14 X 9.5 Framed 21 X 16.75 Jean Jansem (Hovhannes Semerdjian) 1920-2013 Bursa, Ottoman Turki...