Bride Portrait Paintings

"My Help Has Come" is a captivating fabric collage painting created by the talented artist Agwunwa Theophilus. The artwork depicts a lady looking upward with a sense of gratitude, he...

In creating this piece, I delved deep into the fusion of realism and surrealism; I wanted to capture the raw essence of the subject while wrapping it in a dreamlike aura. Pastels, pe...

'Woman in Front of the Mirror', oil on canvas, by Vincent Tailhardat (circa 1990s). A nude woman seated in front of a mirror grooms herself while en...

Portrait of the Marquise de Maintenon Attributed to Henri Gascar (Paris, 1635 – Rome, 1701) Oil on canvas, oval shape. Dimensions: h. 60 cm, w. 47 cm (23.62 inch x 18.50 inch) Carved...

Collections: Robert Gallon (1845-1925); Private Collection, UK. Oil on canvas laid down on panel Framed dimensions: 11.5 x 10 inches This highly engaging, previously unpublished portrait by Johan...

Portrait of a Monkey with Wine Jug Zacharias Noterman (Belgium & France 1824-1890) Initialed "Z N" l.r. Oil on board 8 x 6 inches PROVENANCE: Galerie Tamenaga, Paris (label verso); Louvre des Antiquaires, Paris; Berman Swarttz, Los Angeles, California, Marcella Swarttz, Beverly Hills, California     8 x 6 inches Zacharias Notermann (1820 in Ghent – 1890 in Paris) was a Belgian painter and printmaker who specialized in scenes with monkeys engaging in human activities (the so-called singeries), as well as in paintings of dogs. He also produced images and scenes of traveling circuses. Zacharias Noterman was born in Ghent in the family as the son of an artist-decorator. He was originally trained by his older brother Emmanuel Noterman, genre and animal painter active in Antwerp. Noterman continued his art education at the Academy of fine arts Antwerp. Zacharie Noterman...

Set of Five late 19th century Italian or French portraits of Putti or Angels A unique set of five oils on board depicting either Cherubs or Putti, ...

A beautiful 1930's English impressionist oil on canvas depicting a nude lady seated on a chaise longue. Very good quality portrait of the lady which is presented in a fine carved wo...

Nicole Kidman (Moulin Rouge) by Liz London, British contemporary signed acrylic on canvas, framed framed: 46 x 36 inches canvas: 39 x 30 inches provenance: private collection, UK Pre...

The Orchestra Simone Forge 1930's French Impressionist oil on board unframed board: 16 x 13 inches Provenance: private collection, France Condition: great condition For more any ...

Hendrick van Balen (Antwerp 1575 - 1632) workshop Possible Jan van Balen (Antwerp 1611 - 1654) Madonna and Child with Three Angels Oil on panel 65 x 50 cm....

Miniature Portrait French School, late 18th/ early 19th century framed: 5.5 x 5.5 inches board: 2 x 2 inches provenance: private collection, France condition: very good and sound c...

A finely detailed silhouette of a Victorian lady, unusuallly depicted wearing an elaborate hat with lace brim and plume. Circle of Hinton Gibbs (1783-1839) Portrait of a lady, bust ...

BUCKLEY MACGURRIN "ALEXANDRIA" OIL ON CANVAS, SIGNED, TITLED AMERICAN, DATED 1949 EXHIBITED: DALZELL-HATFIELD GALLERY 14 X 20 INCHES Buckley MacGurrin 1896 –1971 Buckley MacG...

Modernist portrait and landscape oil painting. Framed. Oil on canvas. Signed. Image size, 18H by 14L.

In this artwork, I've interwoven realism and surrealism with expressionistic strokes to bring to life a profound narrative. Using the tactile qualities of pastel, colored pencil, and...

Cain & The Death Of Abel, 18th Century School of William Blake (1757-1827) Circa 1790 English School depiction of Cain and the Death Of Abel, oil on canvas. Rare biblical depiction...

Huguette Ginet-Lasnier (French 1927-2020) inscribed verso oil painting on textured canvas 18 x 15 inches. All the paintings we have for sale by this artist have come from the artist...

This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...

Fabio Fabbi, born in Italy in 1861, stands as an acclaimed Orientalist painter renowned for his devotion to capturing the exotic allure of the Orie...

Laura M. GREENWOOD (1897-1951). Portrait of Woman in Head Shawl Oil on canvas, 8 x 10 inches. Signed upper stretcher verso. Excellent condition. Would benefit from a cleaning. O...

Oil on canvas mounted on board, realized by Francesco Settimj in 1930s. Good condition.

Portrait Of A Bride, circa 1900 circle of George CLAUSEN (1852-1944) Circa 1900 Impressionist portrait of a young bride with a French landscape b...

Sunday in Recife, 2020-2021 by Ramonn Vieitez Oil, acrylic, 24k gold leaf and pink Dutch leaf on canvas Size: 39.3 H x 26.7 W in. Unique Signed on the back by the artist ___ Ramonn...

Antoine Emile Plassan (1817-1903), a French painter of genre works, portraits and landscapes, was born in Bordeaux. He exhibited frequently at the Salon and was awarded medals in 185...

Renowned portraitist Frank West Benson paints a young woman by the fireplace reclining in a chair in his artwork entitled, “Firelight.”

French school around 1850 Oil on oil 41 x 33 cm (54 x 47 cm with frame) Inscription on the back “Lefevre” Based on the model's hairstyle, the portrait can be dated around 1850. The ...

Antique Flemish Baroque painting, 17th century, portrait, Medici. Oil on canvas. The painting is probably attributed to the Flemish painter Justus Sustermns. Pictured is most likel...

Gaspard Netscher (Heidelberg, 1639 - The Hague, 1684) Guitar Player Oil on canvas 39 x 31 cm. - Framed 55 x 45 cm. With expertise by Prof. Ferdinando Arisi Outside a patrician palace, a woman is portrayed seated while delighting in playing a baroque guitar...

French School circa 1645 Portrait of Cardinal Mazarin - Sketch Oil on canvas H. 41.5 cm; W. 27 cm Provenance: Collection of the Reverend Georges Downing Bowles (1789-1863) Would ...

Florentine painter, 17th-18th century Equestrian portrait of Pietro Strozzi (Florence, 1511 - Thionville, 1558) Oil on canvas 79 x 115 cm. - Framed cm. 92 x 127 A valiant knight, p...

A pair of beautiful oil paintings by Fritz Zuber-Buhler, titled "The New Arrival" and "After Bath," exemplify his dedication to academic traditions in the ...

By Martha Ochoa Oil on Canvas Canvas Size: 48" x 32" Framed Size: 55.5" x 40.5" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays the Virgen del Carmen...

Presenting an original oil on canvas by Belgian artist Karel VonBelle. "Fleurs", is an original oil on canvas, signed, dated 1935, beautifully framed.

Giovanni Battista Paggi (Genoa 1554 – Genoa 1627) Venus, Bacchus and Ceres (Parallel title: ‘Sine Cerere et Baccho, friget Venus’) Oil on canvas 103 x 78 cm. - Framed 125 x 100 cm. ...

Vincenzo De Stefani (Verona, 1859 – Venice, 1937) - Portrait of a woman. 61.5 x 37.5 cm without frame, 67 x 43 cm with frame. Ancient oil painting on wood, in wooden frame. - Prov...

Title: Peking opera actress Medium: Oil on canvas Size: 15.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note:...

Artist/ School: French School, mid 20th century, indistinctly signed lower corner Title: Portrait of a Nude Lady Medium: signed oil painting on canvas, unframed canvas: 18 x 21.75...

Gazing at Lebanese American artist Sally K's floral portrait is consuming and empowering. Inspired by strong, feminine women, she creates pop-realistic paintin...

Portrait of Marie Camille (nee de Beer), Countess de Lalaing and her dog, 18th Century - married to Charles II Joseph, count de Lalaing, 11th Viscount of Audenaerde and Count of Thildoncq school of Alexander ROSLIN...

Danny McCaw's (US based) "Figure with Textures" is an oil painting with impasto brushstrokes that depicts an abstracted figure in an interior with a grey and red background. Bio/ar...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute ...

Portrait of a Dancing Women French artist, mid 20th century signed oil on canvas, framed in original 'Montparnasse' style frame framed: 30 x 25.5 inches canvas: 22 x 18 inches Prove...

Mother & Daughter French artist, late 19th century signed oil on board, framed framed: 22.5 x 18.5 inches board: 20 x 15 inches provenance: private collection, France condition: very...

Baroque, Rocco style portrait of a married couple in red attire "1720," a painting from the Matrimony Series by Lauren Hamilton, completed in 2023 oil on canvas 72 x 72 inches This ...

Ferdinand Fagerlin (1825-1907) Sweden Portrait of Alice Ritter, The Artists Wife oil on canvas signed with monogram painted 1862 canvas size 27.95...

Portrait Of A Lady, Stilte Family, 17th Century by Jan Cornelisz VERSPRONCK (1597-1662) Large 17th Century Dutch Golden Age portrait of a lady identified as a member of the Stilte family, oil on cradled panel. Excellent quality and condition portrait of the lady wearing a ruff and cap with elaborate lace work and a gilded embroided dress...

Circle of Cornelius Johnson (1593-1661), a 17th century portrait of a lady, bust-length oval, wearing an ivory silk gown with blue silk bows and lace c...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Alexandre François CAMINADE (1789-1862) Portrait of a Lady Oil on wood signed low right Old frame gilded with leaves Wood size : 22 X 15 cm Frame size : 40 X 30 cm Alexandre-Françoi...

Gustave de Jonghe An Afternoon Visit Oil on panel Image Size: 32.8 x 25 inches Framed Dimensions: 41.7 x 33.5 Hand signed in lower left corner

Art: 30" x 24" Frame: 36.50" x 30.50" Oil on canvas signed and dated lower right.

This charming portrait is a statement piece for any space. The two elegantly handsome sitters are brother and sister and are accompanied by their loyal dog. With 18th and 19th centu...

Portrait of a Country Lady English artist, mid 19th century oil on canvas, unframed canvas: 30 x 25 inches provenance: private collection, UK condition: some former restoration and s...

By Martha Ochoa Oil on Canvas Canvas Size: 48" x 36" Framed Size: 56" x 34" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays Mary the Virgin and Baby Jesus surrounded by angels celebrating the immaculate conception. About the Artist: Martha Ochoa, born in Cusco, Peru, studied at Santa Ana School, the Cusco School of Fine Arts, and San Antonio Abad University, focusing on design, architecture, and restoration. She is the granddaughter of renowned Peruvian artists Francisco Olazo, a founder of the Cusco School of Fine Arts, and Ernesto Olazo, a famous sculptor. Influenced by the Cusco School, she transformed religious themes into decorative renditions of Archangels and Madonnas with Peruvian colonial...

Small limited edition run of 49 and 6 E.A."s (Edition of the artist). Each canvas reproduction is crafted by a skilled printer under the supervision of the artist. Román Francés has...

Studying the Maps Italian School, late 19th century signed lower corner watercolour on board, framed framed: 24.5 x 17.5 inches painting: 20.5 x 14 inches provenance: private collect...