Portrait Paintings

Lawrence G. Low (American, 1912 - 1992) Signed: L. G. Low (Lower, Center, Right) " My Wife Myrtle with Palette & Brush ", 1938 (Signed and Dated on Canvas Verso) Oil on Canvas 3...

Portrait of Dave Winfield Edward Avedisian 20 x 14 inches, acrylic on stretched canvas Armenian-American artist, Avedisian was best known for his work made in New York City during the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. He was largely recognized for a series of Beach Ball paintings that emerged in the early 1960's and into the later 1960's the artist began painting larger horizontal paintings, featuring vertically intersecting beacon-like stripes that highlighted characteristics from both the Post-Painterly and Color Field movements. In this portrait, Avedisian using his signature use of color, combining bright rusty reds and oranges against a metallic green gold backdrop. A major work from Avedesian's color-stripe series was featured on the cover of Artforum's January 1969 issue (pictured here). Also pictured are photographs of the artist c. 1970 in his studio in New York City and catalog pages from Avedisian's inclusion in the American Painting Now Expo at the Institute of Contemporary Art in Boston, MA in Dec 1967 - Jan 1968. The exhibition, organized by art critic Alan Solomon, featured one of Avedisian's signature Beach Ball paintings alongside large works by Robert Motherwell and Jim Rosenquist. About the subject: Dave Winifield is American former Major League Baseball right fielder born in 1951 and who played for six teams (San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians) during his 22 year long career. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves. Winfield retired in 1996 and was elected to the Baseball Hall of Fame in 2001, in his first year of eligibility. About the Artist: In the 1960’s, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting. Shown first at Ivan Karp and Dick Bellamy’s Hansa Gallery and then at Robert Elkon, Avedisian’s insouciant mix of pop playfulness, color field cool and high formalist style put his art in a unique, and at the time generously rewarded, position. Paintings made it onto the cover of Artforum, were purchased by all the major museums, were among the few abstract works shown as representative of America’s post-war achievement at Expo 67 in Montreal and comprised a cornerstone in histories of the period written by Barbara Rose, among others. The artist was largely influenced by his Color-Field predecessors, Mark Rothko and Barnett Newman. Throughout the 1960's and into the mid 1970's the artist was celebrated in the Manhattan art scene, contributing to the Post-Painterly Abstraction movements with contemporaries Helen Frankenthaler, Andy Warhol, Jules Olitski, and Larry Poons. Museum Collections: Albright-Knox Art Gallery, Buffalo, New York Brooklyn Museum, New York Chrysler Art Museum, Norfolk, Virginia Denver Art Museum, Colorado Flint Institute of Arts, Michigan Jack S. Blanton Museum of Art, Austin, Texas The Larry Aldrich Museum, Ridgefield, Connecticut Metropolitan Museum of Art, New York Minneapolis Institute of Arts Minneapolis Society of Fine Arts Neuberger Museum of Art, State University of New York, Purchase Los Angeles County Museum, California Neuberger Museum, SUNY, Purchase, New York Parrish Art Museum, Water Mill, New York Solomon R. Guggenheim Museum *above description text is supported by Alexandra C. Anderson's article on Edward Avedesian in Artforum's January 1969 issue. NY Times Obituary, published Aug 23, 2007 by Roberta Smith: Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. A frequent motif was a cluster of bright seedlike orbs corralled at the center of a vibrant monochrome field by larger rings of color, creating an image that could resemble a buoyant cross-section of some unknown fruit. Mr. Avedisian was born in Lowell, Mass., in 1936 and studied art at the Boston Museum School. By the late 1950s he was living in New York, part of a generation of promising young painters that included Frank Stella, Larry Poons and Darby Bannard. From 1958 to 1963 Mr. Avedisian had six solo shows in New York galleries, including two at the Robert Elkon Gallery, where he continued to show almost every year until 1975. By the early 1960s Mr. Avedisian was a rising star. During that decade, his work appeared on the cover of Artforum, in “The Responsive Eye” exhibition of Op Art at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought by collectors and acquired by major museums in New York and elsewhere. In the mid-1970s Mr. Avedisian moved to Hudson and became less visible. His paintings soon began shifting toward representation; he took to calling his abstract paintings “a period style.” But he continued to be well served by his feeling for color, scale and surface. His landscapes described his surroundings in blunt, flat shapes and singing hues reminiscent of those of Marsden Hartley and Paula Modersohn...

Giovanni Maria Butteri (Florence, Italy, 1540 - 1606) Title: Portrait of Francesco I Medium: Oil on panel Dimensions: without frame cm. 47.7 x 39 - with frame cm. 55.2 x 46.5 Expertise by Carlo Falciani, art historian Fairs: The International Biennial of Antiques in Florence 2024 (BIAF, Biennale Internazionale dell’Antiquariato di Firenze) Publications: From Sacro to Profano, the Giorgio Baratti art collection from Milan, exhibition catalogue curated by Daiva Mitrulevičiūtė, Giovanni Matteo Guidetti and Ileana Maniscalco, (16 February – 27 September 2020), Vilnius, National Museum - Palace of the Grand Dukes of Lithuania, pp. 566-569. This valuable portrait, by the painter Giovanni Maria Butteri, an exponent of Mannerism and active mainly in Florence, portrays Francesco I de' Medici (1541 - 1587) eldest son of the Grand Duke of Tuscany...

Work on canvas

Follower of Pierre Gobert 18th century French The Duke and Duchess of Burgundy Oil on canvas Refinement and intricacy characterize these royal portra...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

"Invocation," is an original oil painting by Christopher Remmers. It is framed and ready-to-hang.

Portrait with Piercing eyes

This charming portrait is a statement piece for any space. The two elegantly handsome sitters are brother and sister and are accompanied by their loyal dog. With 18th and 19th century British portraiture, it's the sitters' attractiveness that makes a painting desirable and drives price. There are lively brush strokes with impasto in the trees The nameplate identifies the sitters as Robert & Marianne Lawrence-Townsend - The Family of Lawrence-Townsend were originally descendants of the Lawrence Family of Wiltshire who inherited the name Townsend along with an estate, Steanbridge House near Stroud in Gloucestershire. Robert would appear to be the son born in 1797, educated at Eton and Christ Church, Oxford, former Captain in the British Army and who became a Magistrate for Gloucester. Condition is good with some old repairs. painting beckons with vibrancy. Presents very well and is best viewed with a top key light. Private collection and perhaps Phillips Auctioneers New York 1995 per letter. Framed Size 66 x 43.5 x 4 W.R. Peddigrew, Western Cardiff, South Wales Provenance: The Estate of Mrs. Eleanor Goddard Daniels, Worcester, Massachusetts. Sotheby Parke-Bernet, New York, June 1981 The uploaded video on 1stDibs is coming up a bit off color. Refer to the still images for more accurate color Originally this work was attributed to Sir William Beechey...

Ronald Mugabe's 2024 painting Stand for the True encapsulates his unwavering commitment to authenticity and justice. Born in 1992 in Kampala, Uganda, Mugabe's early life as a homeles...

Alexander Sharpe Ross - or Alex Ross. This work is a perfect artistic statement with every formal element in perfect harmony. It's a masterf...

Realistic mid century portrait of a boy playing with an antique toy car by Ralph Joosten (American, 1928-2009). Signed "R. Joosten" in the lower left ...

TOM QUINN Born of IRISH PARENTS in 1918, Tom W. Quinn was indeed fortunate as he was one of the last generations of students at the Camberwell School of Art to study under such great tutors as Lawrence Gowing, Victor Passmore...

Teofimo was painted over several days in the artist studio in Florence, Italy. The painting measures 16 x 12 with a handmade frame from Italy. This is oil on a linen panel which mos...

Beautiful Balanise Portrait of a girl with garlands of flowers in her hair by DULLAH (1919-1996). Dullah was an Indonesian artist who painted many portraits and is in all museums. ...

A characterful copy of Fred Barnard's illustration, Bill Sikes and Bullseye from the Charles Dickens novel 'The Adventures of Oliver Twist'. Much like Barnards character study, this ...

Important Victorian painting depicting Alexander Smith. It has a fantastic frame and is in excellent condition. Written Alex Smith (...) on the letter.

Portrait Of Lucas Cranach The Elder (1472-1553), 16th Century German Renaissance School Large 16th Century German School portrait identified as Lucas Cranach The Elder, oil on canv...

This acrylic painting, part of Natasha Lelenco’s You Are the One series, features a vivid and surreal portrait of a central woman figure with a bright blue face, framed by sleek black hair, set against a luminous yellow background. The subject’s green lips add a bold contrast, drawing attention to the artwork’s vibrant color palette. Surrounding the figure, playful blue flowers and abstract shapes evoke an expressive, almost whimsical narrative, blending surrealist and naïve art styles. The canvas is characterized by its flat, saturated colors and dynamic floral patterns, which add depth and movement to the composition. This unique piece integrates elements of both figurative and decorative art, offering a lively exploration of identity and expression. The fluorescent quality of the colors creates a striking effect, although slight variations may appear in digital reproductions compared to the original work. Technical Details: Medium: Acrylic on canvas Dimensions: 55x55cm Year: 2024 Style: Surrealist, naïve, contemporary About the Series: You Are the One is Natasha Lelenco’s latest exploration of individuality and collective identity through vivid, surreal portraits. Each painting in the series incorporates bold colors, playful motifs, and flat compositions inspired by naïve art and folk traditions. The series is designed to function as standalone pieces or within multi-panel arrangements, allowing for installations tailored to various spaces and collections. Additional Information: This artwork is ideal for collectors seeking colorful, thought-provoking pieces that bring both energy and sophistication to their spaces. Special discounts are available for purchasing multiple works from the You Are the One series. Natasha Lelenco also accepts commissions, offering clients the opportunity to co-create personalized artworks. Keywords: surreal portrait, blue face painting...

George Herbert Buckingham Holland was born in Northampton, the son of a grocer. He studied at Leicester School of Art. He made his living painting portraits of Northampton dignitarie...

A rich merchant is an original old master artwork realized in the 18th Century. Mixed colored oil painting on canvas depicting a merchant looking at a coin in his left hand. Provena...

Karen Offutt approaches Britany the Contender 20" x 16" oval , oil on panel with an atmospheric sensitivity combining shape, tone line, and color. Brittany shows the strength in the...

In this cinema noir series of original oil and acrylic painting on wood panels, Myron Stephens realistically recreates images of people and often mundane objects that are masterfully...

This mid-19th-century oil painting by British artist John Robert Wildman (1788-1843) depicts a gentleman wearing a dark brown frock coat with waistcoat, white shirt and cravat. He be...

Study of man is an original artwork realized in the late 19th Century and attributed to the painter Marcello Dragonetti. Mixed colored oil paintig on canvas. Titled and signature ...

Mid-Century Modern portrait of a man by California artist Genevieve Rogers (American, 1904-1984). The abstracted background has texture created with d...

Hollywood regency portrait painting of a young woman by Francis Kughler (American 1901-1970). Oil on canvas board. Circa 1932. Unframed. Born in New York City in 1901, Francis Vandeveer Kughler attended Cooper Union, the Mechanics' Institute, and the National Academy of Design School of Art where he met Charlotte Livingston, an artist, whom he was later to marry. During this period he was the winner of a Tiffany scholarship, which provided him a summer of landscape painting at the Louis Comfort Tiffany estate at Oyster Bay, L.I. In the 1940s, Kughler became the President of the Salmagundi Club, a well-known art club in Washington Square in New York City.Well-known as a muralist, society portrait painter and lithographer, he was a prolific painter who made cityscapes, landscapes, and nudes. He and his wife, Charlotte Livingston, lived and worked in Bronx, New York. mid century modern wpa impressionist...

(early 19th century) unsigned English School Portrait of a Young Gentleman, with Riding Crop and Dog The reverse stamped T Brown, High Holborn, Linen, oil on canvas, The size overall being 104 cm x 84 cm whilst the painting is 89cm x 70cm A charming portrait in overall very good condition housed in a gilt frame The painting has been cleaned recently . There is some old restoration in the form of a small patch to the rear,barely visible to the front. some texturization to top right in certain light Certainly does not detract from this charming painting SHIPPING Free uk delivery Delivery usually within 14 working days.Fully insured delivery. please provide telephone/email details for courier. We ship worldwide for free. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...

Artist: Jack Graves III (American, 1988-) Title: "Kate Moss Icon IV" Series: Icon *Signed, titled, and dated by Graves on verso Year: 2018 Medium: Original Acrylic Painting on Canvas Canvas size: 48" x 36" Condition: The stretched canvas was custom built by the artist himself. In mint condition Shipping: This painting will be shipped canvas...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

Baby Abby, 2020

The portrait depicts a girl of such perfect natural beauty that the work goes beyond the portrait of a specific person and represents an archetypal generalized image of femininity as...

A fine Russian School portrait from the mid 20th Century showing a handsome young man in military cadet attire. He has a shock of auburn hair sticking out f...

Giovanni Bernardo Carbone (Genoa, 1616 - 1683), workshop Portrait of a gentleman in armor with battle scene in the background Oil on oval canvas (117 x 105 cm. - In gilded frame 124...

Firmado en la parte inferior por el autor y fechado del año 1959 En la parte trasera, va nuevamente firmado y fechado del año 1959 Estado de conservación aceptable Se presenta enm...

**This artwork is on exhibition and if purchased will be available to ship after June 15, 2025 A young man faces forward, staring longingly and contemplatively in a manner which bot...

Suchitra Bhosle's "Edge of Desire" is an original, handmade oil painting that depicts a woman closing her eyes as her long dark hair curtains her face ...

A charming oil portrait featuring a richly detailed figure set against a warm, rustic background. The artist's expressive brushwork and earthy palette bring depth and character to th...

“Sistas” is a portrait collection of strong, intelligent women who look capable of taking on and managing whatever life has to hand them. That they are visually beautiful is actually beside the point for Henry has managed to capture in paint their inner beauty flowing from their eyes and features. Henry has sensitively revealed each individual’s personality. These are women you want to know and from whom you want to feel their power. Henry says that, “Painting is like breathing for me. I do so daily and appreciate my gift and ability. Perfection drives me as I create each piece. It must be unique. It must stand out, and is not complete until that special quality is achieved in my eyes.” Being able to create is an essential part of my life. It is an extension of my innermost thoughts and imagination. My primary focus of art is realism--using oils and acrylics. Occasionally, I switch mediums and design and build three dimensional pieces. Working mixed mediums, I use various wood, metal and paint, thus allowing me to achieve the visual effects I am looking for. Many of my pieces have been derived from my attraction to Art Deco and Ethnic designs. I am not satisfied until each piece, regardless of the medium or size, has reached the highest possible level of aesthetic quality and craftsmanship I can give it. I have enjoyed creating art since childhood. While a student at Martin Luther King Jr. high school in Detroit, I created and presented a portrait to then Mayor Coleman A. Young. A scholarship from Center for Creative Studies now the College for Creative Studies afforded me the opportunity to work towards and receive a BA in Fine Arts. Faculty and graduates of CCS include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), John Louis Krieger (American Modern), William Girard (American Modern), and Charles Culver. Mr. Heading understands the joy found in art and how it affects a young person's heart. He has shared his love for art as a mentor/teacher at the Virgil L. Carr Center in Detroit, Michigan. Students not only grew in their art experience, but also exhibited at the Ann Arbor Art Fair. Winning the 2013 MI Great Artist Competition was an honor for Mr. Heading. He is thankful to Park West Gallery owner Albert Scaglione and Oakland County Executive L. Brooks Patterson for the opportunity. Mr. Heading has been featured on ASPIRE TV, shows at the Charles H. Wright Museum of African American History, the National Conference of Artists and other numerous galleries. In addition, he is a book illustrator. His murals create a beautiful focal point and conversation piece on the walls of homes, churches and health care facilities. His art and furniture is enjoyed and treasured by collectors across the United States and Canada. Kohei Suzuki, the former Mayor of Toyota City, Japan has a box designed by Henry. Mr. Heading's work is part of the major TCF Convention Center's permanent collection located in the downtown business district in Detroit, Michigan. His first attempt at mosaic tile was creating a Tiger sculpture to benefit the Detroit Tigers...

Outstanding oil on canvas portrait depicting a child, Toribio de Velasco y Viguri, whose name appears written in gold letters in the upper right corner against the dark background of...

This charming British Victorian portrait oil painting is by noted artist Charles Sillem Lidderdale. Painted in 1872 it is a half length portrait of a beautiful young woman leaning he...

The Christ Child as Redeemer of the World Oil on Canvas, 69.3 x 49.7 cm Provenance Private Collection, Belgium The present painting is known in different versions. One of them is ...

This surrealist figurative portrait on canvas merges traditional painting techniques with symbolic elements of contemporary art. Executed in acrylic on board, the piece measures 60 x...

Lombard School of the 17th century St. Joseph with Flower Stick Oil on oval canvas 92 x 70 cm. In antique frame 106 x 85 cm. The work shows us an intense image of St. Joseph, portrayed according to the classical iconography that sees him as a mature man holding in his hands a staff from which lilies bloom, symbol of the Virgin's purity. This iconographic attribute also alludes to his figure as God's chosen one as Mary's future husband. According to the apocryphal gospels, the Virgin had grown up in the Temple of Jerusalem, following a monastic lifestyle, and when she reached marriageable age, each of the suitors was given a dry branch...

Closeup lips and pink

A portrait of a man wearing a blue polka-dot bow tie sat against a blue background. Presented in a substantial painted and distressed frame with a linen slip. Signed to the lower-lef...

Wonderful mid century portrait of Carmel artist Doris Estelle Rohr by listed California artist Abel George (Buck) Warshawsky (American, 1883-1962). Signed "A.G. Warshawsky Dec. 22 52...

Charming portrait of a young girl with red hair wearing a typical mid-century frilly dress and high-cut bangs, by an unknown artist (American,...

Portrait Of King Henry VIII (1491-1547), 17th Century English School Royal Court Portrait Large 17th Century English Royal Court Portrait of King Henry VIII Of England, oil on canv...

A charismatic portrait depicting a young woman wearing a traditional Dutch lace cap. In her hands, she clasps a teacup close to her chest. The artist captures the girl in a loose sty...

This oil painting by Kris Knight is offered by CLAMP in New York City. Signed, titled, and dated, verso

Antoine VESTIER, attributed to (Avallon, 1740 - Paris, 1824) Portrait of a man under the Revolution Oil on canvas H. 46 cm; L. 37 cm Circa 1793-95 This beautiful unsigned portrait i...

John Dalziel Kenworthy portrait of a gentleman . Fine, large and imposing oil on canvas housed in a gilt frame. The sitter is unidentified, he has an aristocratic and characterful lo...

On the Streets of Paris by Lu Haskew Watercolor ​30x22" image size, archivally matted and framed behind glass. A young musician plays their violin wi...

Herbert Gustave Schmalz Anyone for Croquet, circa 1898 Signed lower right Oil on canvas 47 5/8 x 31 3/4 inches Provenance Anthony Mitchell, Nottingham Burlington Gallery Ltd., Londo...

Unsigned but attributed to acknowledged master Francois-Xavier Fabre (François-Xavier Fabre, 1766 – 1837), French painter of historical subjects. Stylish and perfect portrait of beau...

Mid Century portrait of a grey haired woman wearing a sun hat by Jon Blanchette (American, 1908-1987). Rendered his signature style, this...

This young shepherd clearly didn't want to pose for the artist, but something caught his attention, and in this expression and look, the artist masterfully depicted the whole range o...

Oil Painting by Herbert Bland Sparks "Happy Families" 1813 - 1901 Son of London maritime Painter and engraver, he exhibited at the Royal Academy and in Liverpool Oil on canvas. Signe...