English School Paintings

Oil on canvas, signed Image size: 20 x 24 inches Framed New English Art Club label to the back and his address for Herne Hill, London

Oil on canvas Image size: 17 3/4 x 13 inches (45 x 33 cm) Contemporary hand made frame and oval mount The Artist Joan Fairfax Whiteside was a prodigious artist and illustrator. Bor...

Oil on canvas on board Image size: 7 x 5¼ inches (18 x 13.5 cm) Framed This portrait of Thomas Gotch is by his lifelong friend and confidante, Jane Ross, whom he met at Heatherley’s...

Sailor Smoking a Pipe Arthur David McCormick Oil on canvas Image size: 19 x 25 1/2 inches (48 x 65 cm) Contemporary frame Arthur David McCormick (1860–1943) was a notable British illustrator and painter, renowned for his landscapes, historical scenes, naval subjects, and genre scenes. Born in Coleraine, County Londonderry, he pursued his education at the Royal College of Art in London from 1883 to 1886. McCormick’s career was marked by his contributions to various illustrated magazines, including the English Illustrated Magazine and the Illustrated London News. He participated in significant expeditions, such as Sir Martin Conway’s journey to the Karakoram Himalayas in 1892 and Clinton T. Dent’s expedition to the Caucasus Mountains in 1895. His illustrations from these travels were featured in Conway’s book “Climbing and Exploration in the Karakoram-Himalayas” (1894) and his own publication “An Artist in the Himalayas” (1895). Throughout his career, McCormick illustrated nearly thirty books, focusing on travel and adventure themes. Some of his notable works include illustrations for Edgar Allan Poe’s “Tales of Mystery and Imagination” (1905) and Henry Newbolt’s “Drake’s Drum and Other Songs of the Sea” (1914). He was also a regular exhibitor at the Royal Academy from 1889 to 1938. Navy Cut Sailor Work...

Preparing to Sail C. Rex James Oil on canvas on board Image size: 17 1/4 x 21 1/2 inches ( 54.5 x 43.5 cm) Original frame This painting by James captures a serene scene of several y...

Oil on canvas, monogrammed lower left and inscribed on reverse Image size: 20 x 24 inches (51 x 61 cm) Original gilt frame Provenance Mrs. Georgina Gale (Artists Widow) Bristol, Bristol Art Gallery, A collection of paintings by William Gale, January 1914, no. 12 Private collection William Gale exhibited a number of charming genre scene's in the Pre-Raphaelite style, of which the present is an exquisite example. This work has a strong nautical theme as suggested by the title. Through the small window at the back of this interior room we glimpse the sea, seemingly calm and peaceful. Despite its appearance, the threat of sea is reminded to us with the poster over the bed inscribed with the phrase 'Man Overboard'. This is cleverly echoed by the toy sail boat that lies at an angle, tipped to one side on the bedcovers. As we examine this image of boy and mother one can also identify a picture mounted on the wall of a man in a sailors uniform...

Oil on board, unsigned Image size: 5 1/2 x 4 1/2 inches (14 x 11.5 cm) Original 19th century oval mount and frame Provenance; With Richard Naworth, Blackburn William Edward Frost (September 1810 – 4 June 1877) was an English painter of the Victorian era. Virtually alone among English artists in the middle Victorian period, he devoted his practice to the portrayal of the female nude. Specialising in portraiture from about 1830, Frost painted more than 300 portraits during a 15-year period, and showed some as his first exhibits from 1836. William Edward Frost was born in Wandsworth, then in Surrey, in September 1810. He showed artistic talent from an early age, and was encouraged in this by his father: first by his arranging drawing lessons with a Miss Evatt, a neighbouring amateur, and then, in 1825, by his introducing him to William Etty, who became his mentor. On Etty’s recommendation, he entered Henry Sass’s School for Drawing and Painting at 6 Charlotte Street, in 1826, and spent three years there, while also studying at the British Museum each winter. Frost was educated in the schools of the Royal Academy, beginning in 1829; he established a reputation as a portrait painter before branching into historical and mythological subjects, including the subgenre of fairy painting...

Oil on canvas Image size: 29 x 24 inches Contemporary frame James Arden Grant RP was born in Liverpool in 1887 and studied at the School of Art there, where he also later taught. He...

Cyril Walduck Edwards RI RBA Scene Near London Bridge 1902-1982 Oil on canvas, signed lower left, titled on verso Image size: 23 1/2 x 30 3/4 inches (60 x 78 cm) Original frame Exh...

British School Oil on Canvas Image Size: 31 inches x 25 3/4 inches (79 x 65.5 cm) Original gilt frame Gathered along a riverside are two fishermen turned in conversation, one of who...

Portrait of Lady Mansfield of Ringwood Oil on Canvas Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame POA Provenance Descended through the Family Estate Born in Poland in 1760 to the 2nd Earl of Mansfield and his wife, Elizabeth Mary Murray would later come under the care of her uncle, William Murray (1st Earl of Mansfield) at Kenwood House in Hampstead. David Murray (2nd Earl of Mansfield) was set to inherit the title and full wealth of his uncle, including Kenwood House. Lady Mansfield’s second cousin would soon join her at Kenwood, where they would be raised together and featured in multiple portraits of the time. Her younger sister, Henrietta, is seen in a separate portrait done by Thomas Hudson as well. At the age of 25 she married George Finch-Hatton, an English aristocrat and politician who sat in the House of Commons from 1772-1784. Gazing out at the viewer, Lady Mansfield wears a decorated dress, with an abundance of pearls and lace, and a transparent gold lined veil surrounding her right shoulder. The excess of luxurious fabric matches another Hudson portrait of another Lady Mansfield, with the lace detailing and complementary bodice. The depiction of this Lady Mansfield epitomizes the style of portraiture in the 18th century, such as the styles Hudson’s pupils Joshua Reynolds, Joseph Wright, and Peter Toms. From Hudson’s travels to the Low Countries and Italy, he no doubt brought back artistic inspiration from the international pieces he encountered. Thomas Hudson Hudson was a celebrated 18th century portrait painter. Born in Devon in 1701 he studied under the artist Jonathan Richardson and married his daughter, against Richardson’s wishes. He had many artistic friends including William Hogarth and Francis Hayman and travelled with them in Europe in 1748. He also visited Italy with the sculptor Louis-François Roubiliac in 1752. Hudson’s style of portraiture proved so successful that for a decade from 1745 to 1755 he was London’s most popular portrait painter and made a fortune painting the cream of London society and members of the Royal Family. He was also a talented teacher, perhaps too good, as subsequently a number of his former assistants overtook him in popularity including the artist Joshua Reynolds. Hudson retired in the late 1750’s and died in Twickenham in 1779. His most notable works include portraits of King George II and George Friedrich Handel and his “Portrait of a Nobleman in Van Dyck dress.” Many of Hudson’s works may be seen in art galleries. These include the National Portrait Gallery, the National Maritime Museum, the Tate Gallery, the Foundling Museum and the Bristol City Museum and Art Gallery. His works are also in Museums across the world...

Portrait of Lady Mansfield of Ringwood Oil on Canvas Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame POA Provenance Descended through the Family Estate The y...

After Robert Walker 1599 - 1658 Portrait of Oliver Cromwell (1599-1658), bust-length, in armour Oil on canvas Image size: 24 x 29 inches (61 x 73 cm) Original carved gilt frame This...

The Andalusia John Frederick Herring (English, 1795-1865) Signed Lower Right 14 x 18 inches 18 x 22 inches with frame Provenance: Frost &Reed, Ltd., London 1984 Herring, born in London in 1795, was the son of a London merchant of Dutch parentage, who had been born overseas in America. The first eighteen years of Herring's life were spent in London, where his greatest interests were drawing and horses.[2] In the year 1814, at the age of 18, he moved to Doncaster in the north of England, arriving in time to witness the Duke of Hamilton's "William" win the St. Leger Stakes horserace. By 1815, Herring had married Ann Harris; his sons John Frederick Herring Jr., Charles Herring, and Benjamin Herring were all to become artists, while his two daughters, Ann and Emma, both married painters. When she was barely of age in 1845 Ann married Harrison Weir. In Doncaster, England, Herring was employed as a painter of inn...