English School Paintings

Title: Historic Miniature Watercolor of Wine Street Looking to Corn Street in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

Sweet Dreams - Oil on canvas painting, Eugenio De Blasi, Italy, 2011 Gold leaf gilded wooden frame cm. 134x94 The painting by Eugenio De Blasi is inspired by the painting "Sweet Dreams" by John William Godward, a neoclassical Victorian painter...

English Countryside Oil Painting with Thatched Cottage, River & Cows Grazing by British Artist Art measures 24 x 18 inches Frame meas...

Cottage in a Lush Garden with Hens in the English Countryside by 20th Century British Artist, Terry Heath (1943-2011) Art measures 20 x 16 inches Frame measures 26 x 22 inches S...

Moonlit tonal seascape with sailboat, calm waters, and sepia elegance - Vintage Oil by British Artist, David James. Dramatic skies and beautiful reflections are a feature of this lan...

The Highland Loch British School, early 20th century signed with initials lower left corner oil on artists board, unframed board: 7 x 10 inches provenance: private collection, UK con...

L.W.Fraser English, mid 20th century The Scottish Terrier Original pastel drawing signed on artist paper Framed: 20.5 x 14 inches Glass covering Provenance: private collection, UK ...

‘Piazza San Marco from the Palazzo’ by Edward Pritchett RWS (1807-1876). The painting – which depicts St. Mark’s Square and the Campanile seen from the Porto della Carta entrance to...

Title: Miniature Watercolor of Scene in Corn Street Bristol Featuring The Nails by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements:...

Twentieth Century Marine Oil on Panel depicting the iconic Cutty Sark Tall Sailing Ship in dry dock at Greenwich by one of the undisputed masters of the Mid Twentieth Century. Belov...

Thatched Cottages with Wild Flowers & Village Church in the English Countryside by British Artist Art measures 24 x 18 inches Frame measures 29 x 23 inches This exquisite original ...

The Logging Team by John Falconar Slater (British, 1857-1937) signed oil on canvas, framed framed: 25 x 32 inches canvas: 20 x 27 inches Provenance: private collection, UK Condition...

‘The Golden Egg’ by Richard Morton Paye F.S.A. (1750-1820). The painting – which depicts the moment the young lovers in Thomas Dibdin’s Georgian pantomime discover the solid gold eg...

Title: Miniature Watercolor of Avon Gorge with Clifton Suspension Bridge and Ship by Jack Grunwell, 20th century British artist Medium: Wate...

"Touch it if you dare!" English artist, signed and dated 1927 oil on canvas, framed framed: 25 x 31 inches canvas: 18 x 24 inches provenance: private collection, England condition: v...

"Snowy" English School, 20th century signed oil on board, framed framed: 15.5 x 19.5 inches board: 12.5 x 16 inches Provenance: private collection, UK Condition: very good condition ...

This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...

The Farmyard Friends English School, early 1900's signed oil on canvas, framed framed : 13 x 17 inches canvas: 10 x 14 inches Provenance: private collection, England Condition: very...

Travellers in Landscape English artist, early 19th century oil on canvas, framed framed: 22 x 24 inches canvas: 15 x 15.5 inches provenance: private collection, England condition: ve...

The Royal Sovereign by D. Cadman, British maritime artist, 2014 signed and dated oil painting on canvas, framed framed: 38 x 46 inches canvas: 32 x 40 inches condition: very good p...

Title: Architectural Miniature Watercolor of Bath Abbey from the West Front by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.7...

A Day on The Green St. Andrews Golf Course, Scotland by R. Todd, Scottish late 20th century signed oil on board, framed framed: 20 x 24 inches board: 17 x 21 inches inscribed verso p...

‘The British Fleet with a Vice-Admiral of the Red off Dover’ by Dominic Serres R.A. (1722-1793). French-born Dominic Serres didn’t just paint the drama of...

Title: Historic Miniature Watercolor of Wine Street Looking to Corn Street in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

Title: Historic Bristol Church and Cathedral Collection of Four Watercolors by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 5 i...

Portrait of Lydia Clifton, aged 5 years, 6 months and dated January 31st 1841 watercolour on artist paper with wood panel backing, framed framed: 16 x 12 inches painting : 13.5 x 9.5...

Title: Historic Miniature Watercolor of Bootham Bar and York Minster in York by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3....

The Barrister (the sitter is James Guy Baker, the artists brother). by Gladys Marguerite Baker (British, 1889-1959) signed oil painting on canvas, framed framed: 146cm x 101cm canva...

"Barron" Portrait of a Boxer Dog English artist, mid 20th century oil on board, framed Framed: 18 x 14 inches Board: 16 x 12 inches Provenance: private collection, England Condition:...

Title: Historic Miniature Watercolor of Church of Holy Trinity & St Edmund in Hatfield by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

The Thatched Cottages by Eva Walbourn (active 1880-1930) Eva was the wife of the late 19th/ early 20th century English artist, Ernest Walbourn. oil on board, framed framed: 14.5 x ...

Sailing on Choppy Seas by Jean Laurent (French 1898-1988) signed oil on board, framed framed: 22.5 x 27 inches board: 18 x 21 inches provenance: private collection, UK condition: ove...

English School landscape painting of two horses pulling a cart of woodland logs by 19th century artist Henry Harris. Artist’s signature lower left. Henry Harris is known for large oil paintings of local landscapes with sweeping skies. He paints. Figures, horses, grazing animals in rural, pastoral settings. Lovely woodland scenery in green and autumn tones, the trees are crisp and detailed along the roadway. A woman sits atop the tree trunks as a man adjusts the reins before guiding the horses onward. In the distance, visible from a cut between trees, lies a village with a picturesque white steeple and animals grazing. This painting sight is 26” high and 40” wide with a linen inset and traditional frame. With the frame the painting is 32” by 46” In overall very good condition with no noted faults. Slight scuffs on the old frame, but still highly presentable. This is a large period painting...

Title: Historic Miniature Watercolor of The Matthew at Bristol and Suspension Bridge by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3 inches (height) x 3.75 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This exquisite watercolor by Jack Grunwell captures The Matthew, a faithful replica of the historic ship sailed by John Cabot in 1497, set against the picturesque backdrop of Bristol’s Floating Harbour and the Clifton Suspension Bridge...

Portrait of a Lady (could be straight out of a Jane Austen novel!) English School (very early 19th Century, circa 1800-1820) oil on canvas, framed in an antique gilt frame with shell...

On offer is a jewel of an artwork, a watercolor done with the delicacy of exquisite enamel work. The scene is set on a colonnaded terrace with a commanding view of a mountain lake or...

Head Portraits of Cavalier Spaniel Dogs by Henry Percy, British early 20th century signed oil on board, framed framed: 7 x 9 inches board: 5 x 7 inches provenance: private collection...

Portrait of a Country Lady, depicted Seated wearing a silk glove and with a Quill Pen English artist, circa 1820's, unsigned oil on canvas, unframed canvas: 35 x 29 inches provenance...

King Henry VIII English artist, circa 1840's oil on paper laid on board, framed framed: 10.5 x 10inches board: 8 x 7.5 inches inscribed verso provenance: private collection, UK cond...

Portrait of Mrs Bonne Wilson (nee Boileau 1749 - 1818) English School, late 18th century oil on canvas, framed framed: 22.5 x 18.5 inches canvas : 18 x 14 inches Provenance: private ...

This exceedingly charming mid-18th-century English oil painting depicts a girl wearing a red gown with a train over a white petticoat. She’s holding a posy or nosegay. Evidently once commissioned for an English country house, the identity of this young lady remains a mystery. Her gown appears to be inspired by the popular ‘robe à la française...

Title: Historic Miniature Watercolor Paintings of St Michael Archangel Church by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 inches (height) x 3 inches (width) Condition: Very good and highly presentable Provenance: from a large private collection of this artists work in Bristol, England. Description: This beautifully detailed watercolor by Jack Grunwell captures St Michael the Archangel...

The Woodland Path circle of George Turner (English 1841-1910) oil painting on canvas, framed framed: 19 x 25.5 inches canvas: 14 x 21.5 inches condition: very good provenance: privat...

Title: Historic Miniature Watercolor of Christmas Steps and St Bartholomew’s Hospital by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

Portrait of a Red Setter/Spaniel English school, mid 20th century oil on canvas, unframed Canvas: 14 x 12 inches Provenance: private collection Condition: stretcher bar marks showing...

Catherine of Braganza (1638–1705), Circle of Sir Peter Lely (1618–1680) Queen consort of England, Scotland, and Ireland, married to King Charles...

Title: Historic Miniature Watercolor of St John the Baptist Church Chipping Sodbury by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measureme...

Viewing the delicacy and grace of this portrait, one can appreciate that British artist Rosa Koberwein (1876–1903) was well recognized during her career for producing excellent portr...

Picturesque scene of two children by a thatched cottage, pasture with sheep, pond and hills is signed W. Williams, attributed to a prominent 19th century artist in a family of Britis...

The English Gentleman and his Country House English artist, circa 1800-1820 period Fine Georgian period portrait of a young English gentleman, seated with distant view of his country...

Still Life of Fruit within a Wicker Basket Jonny Gaston, British 20th century signed and dated/ inscribed oil on board, framed framed: 15 x 23 inches board: 10 x 18 inches provenance...

Vice-Admiral Lord Horatio Nelson by John Edwards (British. 1940 - 2020) signed oil on canvas with board backing, unframed canvas : 30 x 24 inches Provenance: private collection, UK C...

Charles Cooper Henderson (English, 1803-1877) Windsor Mail Coach Oil on canvas With chalk inscriptions verso Property of a gentleman From the collection of Peter Roe Dimensions: (F...

Botanical Watercolour watercolour drawing on artist paper, unframed drawing: 9.75 x 7.5 inches Provenance: Private collection Condition: Great condition Description: This beautiful...

Circle of George Stubbs (1724-1806). English 18th century portrait of a water spaniel standing in a wooded landscape. This charming painting is a wonderful example of the style of English dog painting made popular by artists such as George Stubbs and other sporting artists working in England in the 18th century who painted the dogs and horses of the aristocracy and wealthier classes. It follows in the ancient tradition of celebrating and commemorating our faithful canine companions through portraiture. Oil on canvas in a giltwood frame Provenance: Private collection, Somerset George Stubbs (1724-1806) was classified in his lifetime as a sporting painter, and as such was excluded from full membership of the Royal Academy. He is best remembered for his paintings of horses and his conversation pieces. Having studied anatomy, Stubbs's pictures of horses are among the most accurate ever painted. Stubbs was born in Liverpool, the son of a leather worker...

Thomas Spencer (British, active c. 1740-1756) A Portrait of Flying Childers Oil on canvas With an incorrect label "a racehorse second at new market by John Wotton” With an indistinct...

Drinking from the Pool European artist, 20th century signed oil painting on canvas, framed framed: 36 x 30 inches canvas: 30 x 24.5 inches condition: very good provenance: private co...

Title: Historic Miniature Watercolor of Lord Mayors Chapel in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.75 inch...

Title: Historic Miniature Watercolor of Hanham Court and St. George’s Church by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 inches (height) x 4.25 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: Jack Grunwell’s charming architectural watercolor captures Hanham Court & St. George’s Church, a historic medieval estate and chapel in South Gloucestershire, England. Hanham Court is depicted with its Gothic-style stonework, towering chimneys, and lush surrounding gardens. St. George’s Church, with its classic medieval English architecture, stands in the foreground, framed by mature trees and a winding countryside path. Grunwell’s signature soft washes and delicate detailing create a scene that feels timeless and tranquil. The contrast between the grey stone and the vibrant greenery adds depth and warmth to the painting, making it a perfect addition to any collection of English countryside art...

Title: Miniature Watercolor of Bristol Looking Toward Clifton Suspension Bridge by Jack Grunwell, 20th century British artist Medium: Waterc...