English School Interior Paintings

Yellow Glads by Lu Haskew ​Oil on Canvas Floral Still Life 16x24" Image Size, 22x30" Framed ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

"The Shape of Trumpets" by Lu Haskew Oil 28x22" framed, 24x18" image size Signed lower right, a still life of tulips and daffodil with porcelain and lemons below ABOUT THE ARTIST: ...

"Nightstand" by Lu Haskew Oil 24x20" framed, 20x16" image size A colorful antique oil lamp is accompanied by some fresh cut flowers and a lace drape cascades over the table in this r...

Mostly White by Lu Haskew Floral Still Life Oil painting 24x20" image size 28x24" framed size Shipping price includes the custom packing necessary for safe transport of fine art. ...

Red Grapes by Lu Haskew ​Oil Still Life of Grapes against a stucco wall 24x16" image size, 30x22" framed Shipping price includes the custom packing necessary for safe transport of f...

Morston Constantine Ream (American, 1840-1898) Grapes Oil on canvas, 10 x 12 inches Framed: 22 x 24 inches (approx.) Signed at lower right: “Morston Ream” The still-life painter Mor...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Edwin Hughes Signed and dated 1875 Framed oil on canvas Picture Size: 14 x 20" (36 x 51) Framed Size: 20 x 26" (51 x 66cm) Exhibited 1875 – 1895 Figure and portrait painter Edwin H...

The Duel by Alcide Joseph LORENTZ (French 1813-1891) signed and dated 1857 oil painting on canvas, framed framed size: 30 x 25 inches canvas: 25 x 20.5 inches condition: very good an...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism George Pearse Ennis (American, 1884-1936) "Forging a Gun Tube #1...

Alfred Provis British, (1818-1890) By the Fireside Oil on canvas, signed & dated 1869 Image size: 10.5 inches x 15.5 inches Size including frame: 21.5 inches x 26.5 inches This charming cottage scene by Alfred Provis features a woman preparing supper by a fire with her young daughter. As the mother peels the turnips and places them in the pot, the girl’s attention is drawn to the kitten feeding from a saucer. The dress and hat of the woman bears a similarity to those found Provis’s other scenes of Welsh cottage interiors. The artist was known to have visited North Wales around the time this painting was produced. In 1869, he exhibited a work entitled ‘Interior of a Welsh Farmhouse’ at the Royal Society of British Artists. Given the level of detail in the painting and the fact that it is in such an impressive original frame, it is possible this is the same painting as the one exhibited. Alfred Provis was a genre painter born on 18 February, 1818 in Chippenham, Wiltshire. He was the son of John Provis, a timber merchant and his second wife Ann Banks. He spent time in London being tutored by the historical and portrait artist John Wood (1801-1870) before returning to Chippenham. He began exhibiting at the Royal Society of British Artists in 1843, continuing to exhibit there regularly until 1886. He made his debut at the Royal Academy in 1846 with a work entitled ‘A Cottage Door...