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Late 19th Century Art

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Period: Late 19th Century
Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category

French School Late 19th Century Art

Materials

Laid Paper, Etching, Drypoint

Eclipses. Antique Astronomy science print
Located in Melbourne, Victoria
Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...
Category

Victorian Late 19th Century Art

Materials

Lithograph

At the Black Cat
Located in Fort Washington, PA
Medium: Pen and Ink Over Graphite on Board Signature: Signed "C. D. Gibson" in lower left "At the Black Cat." Illustration for About Paris by Richard Harding Davis (New Yorker: Harp...
Category

Late 19th Century Art

Materials

Ink, Board, Pen

Original 'Le Rapide Grande Journal Quotidien; art nouveau vintage poster
Located in Spokane, WA
Original “Le Rapide, Grand Journal Quotidien” art nouveau vintage poster. Conservation linen backed and ready to frame. Year: 1892 Artist: Jules Cheret, referred to as the father of the poster. Le Rapide, Grand Journal Quotidien. Jules Cheret (French, 1836-1932) is a well-listed draftsman, printmaker, and designer is best known as a fin de siecle poster designer. Arguably, he is the best-known French poster designer of his age. Figure no 126; No 568; Posters of Jules Cheret. Most people overlook the fact that she is still writing for Le Rapide using a quill instead of an ink pen. Yes, this poster is over 130 years old and still presents itself well. There are telegraph wires in the sky background. The last time this poster was sold in the big NYC poster...
Category

Art Nouveau Late 19th Century Art

Materials

Lithograph

Farmhouse in Newlyn
Located in Boston, MA
Signed lower right: 'C.E.L. Green'. Two labels verso: 'Brockton Art Center/Fuller Memorial/Cat. #19/C.E.L. Green:/Shore and Landscape/Painter of Lynn and Newlyn/Sept.9-Nov.1, 1980'; ...
Category

American Impressionist Late 19th Century Art

Materials

Oil, Panel

French Fabric Design - Etoffe Francais, antique French chromolithograph print
Located in Melbourne, Victoria
'Les Arts Décoratifs - Etoffe de Genes' Depicts fabric from the 17th century. From 'Les Arts Decoratifs a toutes les epoques', printed by Lemercier & Cie, Paris. 300mm by 200mm (i...
Category

Victorian Late 19th Century Art

Materials

Lithograph

(Untitled) A Woman of Consequence
Located in San Francisco, CA
The realist portrait is of a no-nonsense woman. A mystery woman, one accustomed to being respected. By her subdued costume, not selected to flatter her, as well as by her analytical ...
Category

Realist Late 19th Century Art

Materials

Canvas, Oil

India Miniature Painting Pahari School Late 19th Century Forest Mythology Scene
Located in Norfolk, GB
Paper Size: 24.5 x 18.3 cm Mount Size: 35.8 x 27.8 cm More details to follow
Category

Other Art Style Late 19th Century Art

Materials

Paper, Watercolor, Pigment

River Landscape Painting of Scottish Highlands by 19th Century British Artist
Located in Preston, GB
River Landscape Painting of the Scottish Highlands by 19th Century British Artist, Alfred De Breanski Snr, (1852 - 1928). Signed on the front (l...
Category

Realist Late 19th Century Art

Materials

Canvas, Oil, Linen, Wood, Cotton Canvas

J J A Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil painting
Located in Paris, FR
Jean-Jules-Antoine Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil study oil on canvas 34 x 19.5 cm In good condition, a few small inpaintings visible under UV lights Stamp of the Estate sale in Toulouse on the stretcher In a modern frame : 40 x 25 cm Provenance : Estate of the artist and family of the artist by descent Estate sale in Toulouse 22 June 1999 This very interesting oil study was part of a set kept by the artist. He had studied fragments of anatomy both to use them as models in large compositions but probably also because he represented so many fragments. It is clear that this fragment of anatomy has a power of suggestion and serves as a relay to the imagination of the viewer, who is led to imagine the rest of the body taken as a model. We can speak of metonymy in painting and it is clear that the artist had this in mind when he kept such studies with him. Jean-Jules-Antoine Lecomte du Nouÿ was born on 10 June 1842 in Paris. Originally of a Piedmontese origin, his family had been settled in France since the fourteenth century and by the time of his birth had reached the status of nobility He was an Orientalist French painter and sculptor. He was strongly influenced by the works and teachings of Charles Gleyre and Jean-Léon Gérôme. Lecomte du Nouÿ found inspiration for his art through extensive travels to Greece, Turkey, Egypt, Romania and Italy. The thematic content of Lecomte du Nouÿ's work was mainly figural, but also spanned over a vast range of imagery throughout his career, including classical, historical and religious. Lecomte du Nouÿ is known for remaining faithful to his detailed, realistic style throughout the extent of his career, despite the onset of the Impressionist, Fauvist and Constructivist artistic movements during his lifetime. His work is said to have contributed significantly to the establishment of an iconic repertoire representing the Orient in the nineteenth century.A Parisian street was named after him in 1932.  Lecomte du Nouÿ showed a strong attachment to visual art from a young age and was reported to have painted portraits of his father and uncle by the age of 6. In 1861, at 19 years of age, the artistic talents of young Jean-Jules-Antoine Lecomte du Nouÿ prompted him to become a pupil at the atelier of Swiss artist, Charles Gleyre. Under Gleyre's guidance Jean-Jules-Antoine learned the significance of individualistic style and gained the foundations of creative visual presentation. Later, Lecomte du Nouy further perfected his knowledge of the artistic form under the mentorship of Jean-Léon Gérôme, who was a renowned painter of the Academicism movement. It was at this time that Jean-Jules-Antoine learned the precision required to depict "la belle nature" —a style of illustration that aims to create the most beautiful representations of the natural form. This later became one of the main techniques employed in Lecomte du Nouÿ's signature artwork. In 1865, Du Nouÿ accompanied fellow artist, Félix Auguste Clément...
Category

Romantic Late 19th Century Art

Materials

Oil

Gerlach's Allegorien Plate #89: "Bookplate Spring" Lithograph
Located in Chicago, IL
Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category

Vienna Secession Late 19th Century Art

Materials

Lithograph

Rare Antique Floral Oil Painting by Southern artist Hal Morrison (1852-1927)
Located in Baltimore, MD
Hal Alexander Courtney Morrison was born in the Canadian province of Prince Edward Island in 1852. Part of British North America at the time, PEI was quite rural and in order to pu...
Category

Realist Late 19th Century Art

Materials

Oil

Cow and Chickens in Stable /// Thomas Sidney Cooper British Farm Animal Painting
Located in Saint Augustine, FL
Artist: Thomas Sidney Cooper (English, 1803-1902) Title: "Cow and Chickens in Stable" *Signed and dated by Cooper lower left Year: 1871 Medium: Original Oil Painting on Wood Panel Fr...
Category

Victorian Late 19th Century Art

Materials

Paint, Oil, Panel, Wood Panel, Board, Wood

Le Roi Peste (The Plague Kings) - Etching by James Ensor - 1895
Located in Roma, IT
The Plague Kings is an original etching on the Japanese paper, realized by James Ensor in 1895, signed on the plate and dated, unique state, with the second signature on the reverse ...
Category

Surrealist Late 19th Century Art

Materials

Etching

View of the Roman Forum - "Colonna di Foca" - Original Watercolor 1885 ca.
By Settimio Giampietri
Located in Roma, IT
Hand Signed. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 50 years ago by an artist who has died requires a licence for export re...
Category

Realist Late 19th Century Art

Materials

Paint, Watercolor

Spotted Dead Nettle, English antique flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Spotted Dead Nettle' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor o...
Category

Naturalistic Late 19th Century Art

Materials

Lithograph

Very Large Full length portrait of a young lady with a posy of flowers
Located in Harkstead, GB
A very engaging portrait of a pretty young girl holding a posy of flowers. On a large scale, this impressive piece would add grandeur to a hall or drawing room. William Edwards Mill...
Category

Victorian Late 19th Century Art

Materials

Canvas, Oil

"On the Seine near Rouen" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in 1882 for the "A Group of Etchers" portfolio and published in New York. Plate size: 6 3/4 x 8 3/4 inches (170 x ...
Category

Late 19th Century Art

Materials

Etching

Victorian English 19th century Summer River with horses in a landscape
Located in Woodbury, CT
Wonderful English Victorian River Landscape during the Summer with horses, fields , trees etc Thomas O Hume was an English landscape painter who exhibit...
Category

Victorian Late 19th Century Art

Materials

Oil, Wood Panel

Late 19th Century Tonalist Landscape -- Afternoon by the Pond
Located in Soquel, CA
Gorgeous tonalist oil painting woman walking in field by pond with home in background by Willis Seaver Adams (American, 1844-1921), circa 1880. Trees and an amazing sky in the background add depth and interest to this beautiful piece. Signed "W. S. Adams" lower right corner. Condition: Previous restoration includes relining of canvas. Frame is vintage gilt molded and wood frame and shows previous repair of molding losses. Image size: 20"H x 24"W. Auctions records for the artist exceed $6,000. Willis Seaver Adams was known for his landscapes of the Connecticut River Valley. A relative recluse for much of his artistic life, his loneliness can be seen in much of his works. Oil miniatures were the focus for almost all of his later works. He is credited with over 425 oils, watercolors, and drawings. Willis Seaver was born in 1844 on a farm in Suffield, near the Connecticut River. He intermittently attended the Suffield Academy, and always wanted to be a painter. A wealthy doctor became his patron, and financed his studies in 1868 at the Royal Academy in Antwerp. When the doctor passed away, Adams returned home and struggled to make a living painting. After working for a photographer for three years, he opened his own studio. Adams helped organize Cleveland's first watercolor exhibit in 1876. Soon thereafter, he completed a portrait of Rutherford B. Hayes, then governor of Ohio, prior to his becoming President of the United States. This portrait enhanced Adams notoriety. In 1878, Adams traveled to Italy where he opened a studio in Venice, and became friendly with neighbor James Whistler. Prior to returning to Springfield, Adams lived in Florence, Italy for three years. He returned to became an instructor for the Springfield Art Association, and began to exhibit his works at the galleries of James D. Gill. His first one-man exhibit was held there in 1894. Other successful exhibitions took place in Chicago, New York, and Boston. Although his works garnered respectable prices and reflected his success, Adams felt he was due more recognition. In 1906, he moved to Greenfield, Massachusetts and converted a barn into a studio. There, he fell into relative obscurity, accompanied mainly by his dog, Collie. In 1921, Adams passed away. Examples of Willis Adams works can be seen at the Kent Memorial Library, the Wadsworth Atheneum, and the Suffield Academy. Several Suffield residents are thought to own Adams paintings.
Category

Hudson River School Late 19th Century Art

Materials

Linen, Oil

Les Baigneuses - Impressionist Figurative Landscape Oil by Jean Louis Forain
Located in Marlow, Buckinghamshire
Signed impressionist figurative oil on canvas circa 1890 by sought after French impressionist painter Jean Louis Forain. The piece depicts bathers in a dark landscape. Signature: Signed lower right Dimensions: Framed: 32"x37" Unframed: 24"x29" Provenance: Private French collection Jean Forain was the son of a painter and decorator and was apprenticed to a visiting card engraver. He studied briefly under Gérôme and Carpeaux at the École des Beaux-Arts in Paris and regularly visited the Louvre, where he copied works by the masters. It is said that for a time he made a precarious living by selling small drawings in the style of Grévin. He went on to collaborate on various publications as a draughtsman and columnist, starting in 1876 on La Cravache and then collaborating on the newspapers Le Journal Amusant, Le Figaro and L'Écho de Paris. This introduced him to the diverse worlds of Paris society - the world of the theatre, of shows, and of literature - where he wryly noted the habits and shortcomings particular to each. This led him to follow a route very characteristic of this period, already seen in the work of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue...
Category

Impressionist Late 19th Century Art

Materials

Canvas, Oil

Human and Animal Locomotion. Plate 693.
Located in New York, NY
Human and Animal Locomotion. Plate 693. Elk; galloping. 14 x 20 inch original vintage collotype print from 1887 Image size 9 1/4 x 12 1/8 inches Muybridge copyright imprint below i...
Category

Late 19th Century Art

Materials

Photographic Paper

Sanjûroku Kase... - Woodcut by Mizuno Toshikata - 1893
Located in Roma, IT
Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...
Category

Modern Late 19th Century Art

Materials

Woodcut

1880s Large American Gilt Antique Frame
Located in Jacksonville, FL
1880s Large American Gilt Antique Frame Frame Size: Wight: 54.50″ X Height: 69″ Thickness: 10″ Picture Size: Wight: 36.60″...
Category

Late 19th Century Art

Materials

Wood

Otto Von Thoren, Pastoral Landscape With Farmer Crossing A Ford
Located in Cheltenham, GB
This late 19th-century oil painting by Austrian artist Otto von Thoren (1828-1889) depicts three horses pulling a cart across a shallow ford. Von Thoren was a celebrated painter of l...
Category

Late 19th Century Art

Materials

Oil, Canvas

Amazing 19th Century Dutch Skating Woman Winter Landscape Signed Oil Painting
Located in Buffalo, NY
A powerful 19th century landscape and portrait painting. A young dutch woman lacing up her skates. Really rare and well painted. Oil on canvas, lain to board. Housed in a beautif...
Category

Realist Late 19th Century Art

Materials

Canvas, Oil

Horses and stagecoach winter/snow scene, oil painting, by John Richard Worsdale
Located in York, GB
A fine antique oil painting of horses pulling a stagecoach in snow , by John richard Worsdale (1869-1947) The artist portrays this powerful scene with an extensive view, featuring the stagecoach pulled by 4 horses and a village scene behind with buildings and peopla with another coach behind. oil on canvas, signed lower left, housed in a gilt frame. The size of the painting is approx 74 cms x 49 cms, whilst framed size is 90cm x 67cm. The painting is in very good condition, relined, with only some minor craquelure to the skyline, The frame appears original and is also in good condition with only minor age wear. Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire. Eric W. Towler was a remarkable man. He was born in 1900 and left school at the age of 12 to work in a Yorkshire pit and through a lifetime of hard work, self-improvement, luck and a refusal to limit his horizons achieved many of his aspirations. As a Yorkshireman through and through, he believed in ‘spending the brass in his pocket’ and over time he was successful enough to acquire enough ‘brass’ to enable his purchase of Glympton Park and furnish it as a traditional country house with all the trappings – in his case collections of antique furniture...
Category

Old Masters Late 19th Century Art

Materials

Oil

Turkish Horse
Located in PARIS, FR
"Turkish Horse" by Antoine-Louis Barye (1796-1875) Bronze with nuanced dark brown patina cast by BARBEDIENNE France circa 1880 height 28 cm length 31,5 cm This is the biggest size...
Category

French School Late 19th Century Art

Materials

Bronze

Large-Leaved Saxifrage, English antique flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Large-Leaved Saxifrage' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professo...
Category

Naturalistic Late 19th Century Art

Materials

Lithograph

The Master Smith
Located in Storrs, CT

The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.

Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.

Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...

Category

Impressionist Late 19th Century Art

Materials

Lithograph

Lady at the Flower Market
Located in Saint-Ouen, FR
LEBAS Léonie (19th-20th) "Lady at the Flower Market in Paris" Oil on wood panel signed low right Old Frame regilded with gold leaves Dim panel : 16 X...
Category

Academic Late 19th Century Art

Materials

Oil

Fallen Rider - Etching by Max Klinger - 1881
Located in Roma, IT
Fallen Rider  is a modern artwork realized by Max Klinger in 1881. The artwork belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroef...
Category

Symbolist Late 19th Century Art

Materials

Etching

Alfred Émile Léopold Stevens Period Watercolour Picture Portrait
Located in Roma, IT
Beautiful painting in gouache technique depicting a distinguished young lady. The noblewoman presents a pose of rare elegance, with one hand resting on a planter and the other holdin...
Category

Romantic Late 19th Century Art

Materials

Tempera, Paper

Portrait of Emma Woods - British Victorian art oil painting noted female artist
Located in London, GB
This stunning British Victorian portrait oil painting is by noted female artist Annie Louisa Swynnerton. The sitter is Emma Woods, nee King (1806-1896). Emma was the wife of Samuel ...
Category

Victorian Late 19th Century Art

Materials

Oil

"DUCK HUNT" MERGANSERS, DUCK CALL, SHOTGUN DATED 1889 FRAME 43 X 35 NEWCOMB
Located in San Antonio, TX
Edward Chalmers Leavitt (1842 - 1904) Rhode Island Artist Image Size: 36 x 28 Frame Size: 42.5 x 34.5 Newcomb Macklin Frame. Medium: Oil Dated 1889 "Duck Hunt" Mergansers Edward Chalmers Leavitt (1842 - 1904) Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower. Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life. He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace. Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan. Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896. Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town. Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces. He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts. Sources: Michael David Zellman, 300 Years of American Art Peter Hastings Falk, Editor, Who Was Who in American Art Biography from Roger King Fine Art Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting. While Lewin branched out into other types of painting, Leavitt remained devoted to the art of the still life. His paintings are sharply focused, realistic, and carefully finished. Ornate objects such as urns, ewers, platters, cut glassware...
Category

Realist Late 19th Century Art

Materials

Oil

1896 original poster by Armand Rassenfosse Salon des cent
Located in PARIS, FR
In the heart of 19th-century Paris, the art scene flourished with an unparalleled vibrancy, attracting connoisseurs and creators from around the globe. One pivotal event that capture...
Category

Art Nouveau Late 19th Century Art

Materials

Paper, Lithograph, Linen

La rentrée du Berger by Camille Pissarro - Etching
Located in London, GB
La rentrée du Berger by Camille Pissarro (1830-1903) Etching 7.6 x 10.9 cm (3 x 4 ¹/₄ inches) Stamped with initials C.P. lower left, and numbered 13/18 lower right This work was crea...
Category

Impressionist Late 19th Century Art

Materials

Etching

Grand-mere (effet de lumiere)
Located in New York, NY
Camille Pissarro (1830-1903), Grand-mere (effet de lumiere), etching and drypoint, 1889, signed in pencil lower right, titled lower left, inscribed “No 3 – ...
Category

Impressionist Late 19th Century Art

Materials

Drypoint, Etching

19th century English Boats on a river with sailing, rowing and a paddle boat
Located in Woodbury, CT
Very pretty English 19th century River landscape with sailboats, a Paddle Steamer, and a crew rowing. Possibly a view on the Thames in London, this piece ...
Category

Victorian Late 19th Century Art

Materials

Canvas, Oil

Garden with Blooming Chestnut Trees, France
Located in Stockholm, SE
Viggo Loos lists the painting under works from 1875 as a "Skåne farmstead," but this is likely incorrect. Skånberg was in France at that time. In this composition, he incorporates a ...
Category

Post-Impressionist Late 19th Century Art

Materials

Canvas, Oil

Begonias, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Seedling tuberous Rooted Begonias' Antique English flower botanical chromolithograph.
Category

Naturalistic Late 19th Century Art

Materials

Lithograph

Antique Italian Realist Oil Painting Portrait of Two Children in a Landscape
Located in Buffalo, NY
A rare antique Italian portrait of two children posed inside a villa against a landscape. This unsigned but beautiful work comes house in contemporary frame added to the work to e...
Category

Realist Late 19th Century Art

Materials

Canvas, Oil

Striving Hard to Reach the Wreck, British Seascape, Sinking Ship, Rescue
Located in Grand Rapids, MI
Thomas Rose Miles (British, 1844-1916) Signed: T R Miles (Canvas Verso) " Striving Hard to Reach the Wreck " Oil on Canvas 22" x 34" Housed in a 3 1/4" Fr...
Category

Late 19th Century Art

Materials

Canvas, Oil

"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912). This is the r...
Category

French School Late 19th Century Art

Materials

Ink, Rice Paper, Woodcut

Budapest, Hungary. Antique Map City Plan Chromolithograph, circa 1901.
Located in Melbourne, Victoria
'Budapest' Colour lithograph. 1901. 305mm by 240mm (sheet). Late 19th century German lithograph plan of Budapest, Hungary. Central horizontal fold.
Category

Victorian Late 19th Century Art

Materials

Lithograph

[Mount Washington Winter Scene]
By Samuel Griggs
Located in Boston, MA
Signed and dated lower left: "SW Griggs 73". In fine condition.
Category

Hudson River School Late 19th Century Art

Materials

Canvas, Oil

Academic Study (Male Nude)
Located in London, GB
Charcoal on paper, signed by the artist (upper right), and RA visitor L. Alma Tadema, RA., and dated (lower left), 76cm x 57cm, (64cm x 88cm framed). Olivier studied at the Royal Academy Schools from 1881, where this extraordinary display of drafting took place. Olivier exhibited extensively, including the Royal Academy starting in 1883, and the Paris Salon. He exhibited at the Fine Art Society in the 1880s and at the Grafton Galleries in 1908. An official war artist in the Great War, his work is included in the collection of the Imperial War Museum. It is also contained in many regional art galleries. Drawings of the nude, called academic studies...
Category

Victorian Late 19th Century Art

Materials

Charcoal, Paper

'The Speaker', Vanity Fair portrait of The Rt. Hon. Arthur Wellesley Peel
Located in Melbourne, Victoria
'The Speaker' Chromolithograph, 1887. Vanity Fair portrait of The Rt. Hon. Arthur Wellesley Peel PC (1829 - 1912), who was a British Liberal politician who sat in the House of Com...
Category

Victorian Late 19th Century Art

Materials

Lithograph

Jeune femme ajustant son corset - Pierre Carrier-Belleuse, french, large, pastel
Located in London, GB
Pierre Carrier-Belleuse (1851-1932) Jeune femme ajustant son corset 1893 pastel on canvas 133.4 x 92.7 cm signed and dated 'Pierre Carrier-Belleuse 1893' (upper right) Price: £34,00...
Category

Other Art Style Late 19th Century Art

Materials

Canvas, Pastel

British School 1882 Oil - Portrait of a Gentleman
Located in Corsham, GB
A charming study of a gentleman in his finery. Signed illegibly and dated '1882' to the lower right. On canvas.
Category

Late 19th Century Art

Materials

Oil

Framed Late 19th Century Oil - A Distinguished Lady
Located in Corsham, GB
A fine 19th century Continental School portrait depicting a distinguished lady, set against a dark background with a floral arrangement adding colour and depth. The portrait is beaut...
Category

Late 19th Century Art

Materials

Oil

Original cover for Alphonse Mucha's Le Pater, Symbolist letterpress, 1899
Located in Chicago, IL
“Humankind rests safely in the hand of an androgynous God, dreamlike and powerful; Mucha’s Byzantine tresses are replaced here with hair personifying the wind of the vast cosmos, unf...
Category

Art Nouveau Late 19th Century Art

Materials

Paper, Ink

Portrait of an Old Lady, 1886
Located in Stockholm, SE
This small and delicate watercolor is believed to depict Madame Papillon, a subject also portrayed by Hanna Pauli in an oil painting dated 1886. The portrait was created during the s...
Category

Late 19th Century Art

Materials

Watercolor

1896 Original poster - Les Maîtres de l'affiche Pl. 38 - La revue Blanche
Located in PARIS, FR
Pierre Bonnard's "La revue Blanche" poster, created in 1896, is considered a masterpiece of poster art. It is part of the "Maîtres de l'Affiche" collection, edited by Jules Chéret, a...
Category

Art Nouveau Late 19th Century Art

Materials

Lithograph, Paper

Paul Lecomte (1842-1920) A Flowerbed, signed watercolor
Located in Paris, FR
Paul Lecomte (1842-1920) A Flowerbed signed lower left Watercolor on paper, 15.5 x 23.5 cm Framed : 25.5 x 33 cm This is a particularly original work by Paul Lecomte. It shows his ...
Category

Impressionist Late 19th Century Art

Materials

Watercolor

Pommiers à Auvers
Located in Middletown, NY
New York: Dodd, Mead, 1884. Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...
Category

French School Late 19th Century Art

Materials

Laid Paper, Engraving, Aquatint

Elegant Lady with a Fan
Located in Paris, Île-de-France
Gérald Laffitte (19th–20th century) Elegant Lady with a Fan Watercolor on paper, 28 x 22 cm Provenance: Private collection Little is known about the life and career of Gérald Laff...
Category

Impressionist Late 19th Century Art

Materials

Watercolor

Aries-The Ram
Located in Fairlawn, OH
Signed with the artist's initials lower left From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters...
Category

Art Nouveau Late 19th Century Art

Materials

Lithograph

The Amiddalees - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Art

Materials

Lithograph

"A Reverie During The Ball", 19th Century Oil on Canvas by Rogelio Egusquiza
Located in Madrid, ES
ROGELIO DE EGUSQUIZA Spanish, 1845 - 1915 A REVERIE DURING THE BALL signed and dated "Rogelio Egusquiza, 1879" (lower right) oil on canvas 21-3/4 X 3...
Category

Symbolist Late 19th Century Art

Materials

Canvas, Oil

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