Late 19th Century Art
French School Late 19th Century Art
Laid Paper, Etching, Drypoint
Victorian Late 19th Century Art
Lithograph
Late 19th Century Art
Ink, Board, Pen
Art Nouveau Late 19th Century Art
Lithograph
American Impressionist Late 19th Century Art
Oil, Panel
Victorian Late 19th Century Art
Lithograph
Realist Late 19th Century Art
Canvas, Oil
Other Art Style Late 19th Century Art
Paper, Watercolor, Pigment
Realist Late 19th Century Art
Canvas, Oil, Linen, Wood, Cotton Canvas
Romantic Late 19th Century Art
Oil
Vienna Secession Late 19th Century Art
Lithograph
Realist Late 19th Century Art
Oil
Victorian Late 19th Century Art
Paint, Oil, Panel, Wood Panel, Board, Wood
Surrealist Late 19th Century Art
Etching
Realist Late 19th Century Art
Paint, Watercolor
Naturalistic Late 19th Century Art
Lithograph
Victorian Late 19th Century Art
Canvas, Oil
Late 19th Century Art
Etching
Victorian Late 19th Century Art
Oil, Wood Panel
Hudson River School Late 19th Century Art
Linen, Oil
Impressionist Late 19th Century Art
Canvas, Oil
Late 19th Century Art
Photographic Paper
Modern Late 19th Century Art
Woodcut
Late 19th Century Art
Wood
Late 19th Century Art
Oil, Canvas
Realist Late 19th Century Art
Canvas, Oil
Old Masters Late 19th Century Art
Oil
French School Late 19th Century Art
Bronze
Naturalistic Late 19th Century Art
Lithograph
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Impressionist Late 19th Century Art
Lithograph
Academic Late 19th Century Art
Oil
Symbolist Late 19th Century Art
Etching
Romantic Late 19th Century Art
Tempera, Paper
Victorian Late 19th Century Art
Oil
Realist Late 19th Century Art
Oil
Art Nouveau Late 19th Century Art
Paper, Lithograph, Linen
Impressionist Late 19th Century Art
Etching
Impressionist Late 19th Century Art
Drypoint, Etching
Victorian Late 19th Century Art
Canvas, Oil
Post-Impressionist Late 19th Century Art
Canvas, Oil
Naturalistic Late 19th Century Art
Lithograph
Realist Late 19th Century Art
Canvas, Oil
Late 19th Century Art
Canvas, Oil
French School Late 19th Century Art
Ink, Rice Paper, Woodcut
Victorian Late 19th Century Art
Lithograph
Hudson River School Late 19th Century Art
Canvas, Oil
Victorian Late 19th Century Art
Charcoal, Paper
Victorian Late 19th Century Art
Lithograph
Other Art Style Late 19th Century Art
Canvas, Pastel
Late 19th Century Art
Oil
Late 19th Century Art
Oil
Art Nouveau Late 19th Century Art
Paper, Ink
Late 19th Century Art
Watercolor
Art Nouveau Late 19th Century Art
Lithograph, Paper
Impressionist Late 19th Century Art
Watercolor
French School Late 19th Century Art
Laid Paper, Engraving, Aquatint
Impressionist Late 19th Century Art
Watercolor
Art Nouveau Late 19th Century Art
Lithograph
Modern Late 19th Century Art
Lithograph
Symbolist Late 19th Century Art
Canvas, Oil