Late 19th Century Art

A charming late 19th Century watercolour view of St Mark's Basilica in Venice. A gondola drifts past in the foreground. The artist has signed to the lower right corner and the painti...

Eugene Lanceray, Cast by N. Shtange After the Model by Eugene Lanceray, Russian (1875 - 1946) - Troika, Year: Late 19th Century, Medium: Bronze Sculpture, Cyrillic signature and fo...

Signed and dated oil on canvas landscape by French impressionist painter Victor Alfred Paul Vignon. The piece depicts a view of scenery in Oise, a department in the north of France, ...

Double Portrait: Grand Griffon Vendéen Hunting Dogs Jules Chardigny (France, 1842-1892) circa 1870 Oil on canvas, signed 21 3/4 x 18 1/4 (29 1/8 x 25 frame) inches Though pairs of G...

William Merritt Chase Portrait of Louis Prang, 1884 Signed center right "WM M Chase" Oil on canvas 41 1/2 x 30 1/2 inches Provenance The artist Louis Prang Gift from the sitter to R...

Hans Buchner (German, 1856 - 1941) Signed: Hans Buchner (Lower, Left) Location: Müchen (Lower, Left) " The Love Letter ", circa 1880s Oil on Mahogany Panel 19 1/2" x 11 1/2" Hou...

"Lake Landscape at Dusk with a Rowboat" is a captivating oil painting by the Swedish artist Erik Abrahamsson. Created in 1896, this work masterfully captures the tranquil beauty of a...

Fine original watercolour by the Dutch painter Louis Van Staaten, also known as Hermanus II Koekkoek (1836-1909). Signed lower right. Presented in a smart silver coloured frame with ...

Peaceful pastoral landscape by Abraham Hulk, the Younger (1844-1922), renowned for his landscape paintings with Dutch and English training. With his Dutch father as an artist, Hulk l...

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...

This tender scene by German artist Georg Buchner captures a quiet, intimate moment: a young girl carefully watering a potted plant on a windowsill. The warm light gently illuminates ...

Portrait of a Pekingese Dog English artist, late 19th century Watercolour drawing on board, unframed drawing: 7.25 x 5 inches Provenance: Private collection, UK Condition: This paint...

Artist/ School: signed French School, Bouchet (19th-20th Century) Title: Portrait of a bearded man Medium: oil on board Size: 11 x 8.5 inches Provenance: private collection, Fran...

Antique American Hudson River School coastal seascape. Most likely a view of Maine. Oil on board. Image size, 8 by 12 inches.

OLD MASTER OIL PAINTING High Quality 19th CENTURY Cram Seas GGF Description OLD MASTER LARGE OIL PAINTING 19th Century NEW COLLECTION Of RARE PIECES OF ENGLISH HISTORY “Very Goo...

Signed and dated oil on canvas figures in interior by French impressionist painter Louis Abel Truchet. The piece depicts revellers at a French cabaret Montmartre. Signature: Signed ...

A beautiful 19th century French oil on panel portrait of a lady wearing a red hat. Finely painted and unusual portrait, presented in its original ornate frame. Artist: French School...

Vincenzo Colleoni (Active in Venice in the second half of the 19th century) - Interior scene with masked characters. 110 x 160 cm without frame, 145 x 194 cm with frame. Antique oi...

French late 19th century Impressionist oil on board landscape. To the other side of the board is a further river landscape (see separate listing LU1430216208672) A moody and atmosph...

Colour lithograph, 1890. 210mm by 285mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

This scene sets place on the land of a small farm in late summer. In the foreground an angler casts his line into the river running between the small farm house and the wheat field. ...

Alphonse MUCHA (1860-1939) "The Seasons" Variante 3 Rare original lithograph Each Season is signed at the lower part of the plate "Mucha". This lithograph is rare, since it was neve...

Fue miembro del grupo pictórico de Sitges. En 1888 formó parte del jurado de la Exposición Universal de Barcelona. Comenzó su formación en la Escuela de Bellas Artes de Barcelona, do...

This lovely British Victorian still life oil painting is by noted still life Birmingham artist George Clare. Painted circa1870 the composition is one of his favourites, a bird's nest...

The Family Group German School, late 19th/ early 20th century oil on board board: 17.5 x 13 inches provenance: private collection condition: sound condition but with various surface ...

Vanity Fair portrait of General Sir Francis Grenfell KCB Chromolithograph, 1889. Field Marshal Francis Wallace Grenfell, 1st Baron Grenfell, GCB, GCMG, PC was a British Army offic...

Work on canvas

Wooded Sand Dune Oil on panel, 12 x 18 1/8 inches Framed dimensions: 17 1/2 x 23 1/2 inches Estate stamp lower right: RSwain Gifford Provenance The artist; By descent in the family ...

Realistic early German portrait painting of Johann Ludwig-Mosley wearing his various military awards. The back features further documentation about the man's life and service. Curren...

'Forstinsekten II Kafer' (Forest Insects - Beetles) German chromolithograph, circa 1895. 245mm by 155mm (sheet)

Edgar Longstaffe (1852–1933) Children Playing by a Lakeside landscape , oil on canvas, circa 1890 This serene and luminous landscape by Edgar Longstaffe, painted circa 1890, capture...

Colour lithograph, 1890. 210mm by 285mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Portrait of a Young Man French School, late 19th century indistinctly signed top right, 'Valadon'? oil on canvas, framed framed: 30 x 28 inches canvas: 26 x 21 inches private collect...

The Woodland Path circle of George Turner (English 1841-1910) oil painting on canvas, framed framed: 19 x 25.5 inches canvas: 14 x 21.5 inches condition: very good provenance: privat...

Unknown Artist, Late 19th Century Signed: L.H. (Lower, Right) Along a Winter Path, c. 1880s Oil on Canvas 22" x 36" Housed in a 4" Ornamented Frame Overall Size: 30" x 44" An ...

Well presented in a gilt effect frame. Signed illegibly. On paper.

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 1/4 inches (230 x 310 mm). Signed in the p...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 3/8 inches (228 x 315 mm). Signed in the p...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 1/4 inches (230 x 310 mm). Signed in the p...

Signed and dated neo-impressionist landscape oil on canvas by French painter Leo Marie Gausson. Gausson painted this picturesque view of then fields above Triel-sur-Seine, a small to...

Signed lower right, 'H. Dearth' for Henry Golden Dearth (American, 1864-1918) and dated 1892. Provenance: Collection of George A. Hearn. Exhibite...

This evocative autumnal scene, painted in 1885, coincided with Schultzberg’s breakthrough at the Royal Academy’s Spring Exhibition. At only 23 years old, he garnered the attention of...

Frank C. Penfold New York - France, 1849-1927 Waiting for Him 1880 Oil on canvas 31 5/8 x 22 inches (80.3 x 55.9 cm) Framed: 41 x 31 inches (104.1 x 78.7 cm) Signed and dated lower l...

Original Cycles Omnium antique vintage French bicycle poster from the late 1880s-1890s. Printer: N. Weill, Paris, France. Archival linen backed and ready to frame. There was an area in the right-hand sky (creamish yellow) top area that had had some restoration. Touched up the border in the upper right corner. The poster was folded in half, with the fold mark restored during linen backing. Artist is: F. Capelli. Printer: Imp. N. Weill, Paris The image of a couple with their child on a bicycle ride out in the countryside of France, all in art nouveau clothing...

The Terrier and the Rabbit by ROBERT CLEMINSON (1864-1903) signed oil on canvas, framed framed: 24 x 32 inches canvas: 16 x 24 inches provenance: private collection, England conditi...

Artist: Frederick Goodall (English, 1822-1904) Title: "Susannah (Without the Elders)" *Monogram signed and dated by Goodall lower left Year: 1885 Med...

A charming rural landscape by the British artist Edward Matthews, depicting cattle drinking from a stream on Sheen Common. In the background sits a cattle farmer on horseback with a ...

Blanche et Noire, de l'album «Toulouse-Lautrec, douze lithographies» 52,2 x 35,9 cm

Raja Ravi Varma - Laxmi, 14.5 x 10.1 inches Oleograph, Circa (Framed & Delivered) Raja Ravi Varma (29 April 1848 – 2 October 1906) was an Indian painter and artist. He is considered...

Nicely painted 1880s European impressionist beach scene oil painting. Oil on canvas. Framed. Signed. Very finely painted and impressive in person. Excellent ready to hang condit...

The 1896 original poster by Privat-Livemont for Absinthe Robette stands as one of the most iconic examples of the Art Nouveau movement and a testament to the golden age of advertising art. Included in the prestigious series Les Maîtres de l'Affiche as Plate 104, this poster epitomizes the elegance, fluidity, and ornamental style that defined turn-of-the-century commercial design. Designed by Privat-Livemont, a Belgian artist renowned for his contributions to Art Nouveau, the Absinthe Robette poster was created to advertise the popular absinthe drink of the late 19th century. Absinthe, often referred to as the "Green Fairy," was a fashionable and somewhat controversial beverage, celebrated for its intoxicating allure and inspiration among artists, writers, and bohemians of the period. Privat-Livemont was celebrated for his ability to combine decorative elegance with commercial purpose. His work for Absinthe Robette reflects the signature traits of Art Nouveau: graceful lines, flowing forms, and a harmonious blend of nature-inspired motifs. Posters like this were not merely advertisements but works of art in their own right, often displayed in cafes, bars, and public spaces, capturing the imagination of passersby. Les Maîtres de l'Affiche (The Masters of the Poster) was a renowned collection of lithographic works, published between 1895 and 1900, that brought together the finest poster art from the greatest artists of the time. Curated by Jules Chéret, the series highlighted the artistic mastery of advertising and included works by notable artists such as Toulouse-Lautrec, Alphonse Mucha, and Privat-Livemont. Plate 104, featuring Absinthe Robette, is a shining example of the beauty and sophistication celebrated within this series. The late 19th century saw posters emerge as a powerful medium for both art and commerce, revolutionizing the visual landscape of cities. In this golden era, artists like Privat-Livemont elevated the status of posters from functional advertisements to celebrated works of art. Through their ornate designs and expressive use of color and composition, these posters reflected the aesthetic and cultural trends of the time. Today, the Absinthe Robette poster remains an enduring symbol of the Art Nouveau movement and a treasured piece of history. As part of Les Maîtres de l'Affiche, it holds significant cultural and artistic value, appealing to collectors, historians, and admirers of vintage advertising art...

Waiting for their Master by Robert Cleminson (British 1864-1903) signed oil painting on canvas, unframed painting: 30 x 50 inches Lovely British sporting art oil painting on canvas...

Jules Chéret Musée Grévin : Dancer Lifting Her Skirt, 1895 Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 41 of "L...

Equestrian Louis of Orleans by Emmanuel FREMIET (1824-1910) A very fine bronze equestrian group with a gilded patina Signed " E. Fremiet " on the base Cast by " F. Barbedienne Fond...

Marie Madeleine Amélie LOISEAU, born DUMONT (Paris, 1860 - ?) Portrait of a worldly woman Oil on canvas Signed and dated lower left 117 x 89 cm 1881 Exhibition: Salon de Pontoise of 1881 or 1882 under number 292 Marie Madeleine Amélie Dumont was born in Paris on January 23, 1860. She married on June 10, 1883 in Paris Mr. François Paul Raoul Loiseau, lawyer at the Paris Court of Appeal. Three children were born from this union, two girls and a boy. Marie Loiseau was a student of Mademoiselle Espérance Langlois (active between 1860 and 1890) and Pierre Dupuis...

A compelling late 19th century oil portrait of an elderly gentleman by the artist E.B. Griffin, whose work is held by the Museum of Fine Arts Ghent. Through skilled brushwork and int...

Two Actors - Japanese Woodblock by Toyohara Chikanobu (豊原周延, 1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延). Colorful and expressive court scene. Two actors...

This is a framed hand-colored woodcut engraving entitled "Sicilian and Italian Fisherman's Dock - San Francisco", created by Henry François Farny ...

Erotic Scene is a gouache and China ink original painting on silk, realized probably in the second half of XIX century by an anonymous Japanese artist of XIX century, From a collection of twelve Japanese erotic silk paintings, wrongly titled "Shunga", mounted under a yellow cardboard Passepartout, cm 37 x 26.8, this modern artwork of little dimensions, but of extraordinary quality represents an erotic scene between two young Japanese lovers portrayed in their intimate situation and with their sophisticated traditional costumes and hairstyle. Without ever being vulgar or too explicit but with extreme elegance, our ancient Japanese artwork...

Canvas size: 57 3/4 x 45 1/2 inches A striking and impressive French Academic painting in a high quality Italian style gold leaf frame. Gorguet was an Academic French artist who was trained by Boulanger, Gerome, Bonnat and Morot. His academic training was so strong that he was asked by the Opera House to illustrate many of their posters and he made his living illustrating many books of the time. In the market today this is most of what circulates and comes to light by the artist. He was ultimately made a professor of Drawings at L’Institut. However, Gorguet was also a Symbolist artist and did works aligned with the Art Nouveau movement. Many of these works are quite impressive but rarely have surfaced in the art market. Jupiter and Mercury Received by Philemon and Baucis is more of an Allegorical work and Gorguet switched gears to do a painting which would garner International attention at the important Concourse du Prix de Rome competition. 1891 was a year where the competition would be stiff and he knew he had to do an impressive painting with a compelling historical or allegorical content. In this painting, Gorguet is depicting their Jupiter and Mercury’s arrival at their home and the indication that Philemon and Baucis will share what they have with them despite their poverty-stricken means. The technical execution of this work is exceptional as the figurative work is done masterfully and any small detail within the canvas demonstrates tremendous attention of subtlety of tone and modeling. An example is the strand of cloth that crosses Jupiters chest and the delicate shades of pink and gray and how it is modeled. More than ever, the academic artists of this period are to be appreciated for the quality and creativeness of their work. And the timelessness of these classical allegories are still applicable to our lives today. So we predict a turn back toward work like this as qualitatively we know it will never be done again. Story of Jupiter and Mercury Visiting Philemon and Baucis (one interpretation) According to ancient Roman mythology and Ovid's Metamorphoses (8.631, 8.720.), Philemon and Baucis had lived out their long lives nobly, but in poverty. Jupiter, the Roman king of the gods, had heard of the virtuous couple, but based on all his previous experiences with humans, he had serious doubts as to their goodness. Jupiter was about to destroy mankind but was willing to give it one final chance before starting over again. So, in the company of his son Mercury, the wing-footed messenger god, Jupiter went about, disguised as a worn and weary traveler, from house to house among the neighbors of Philemon and Baucis. As Jupiter feared and expected, the neighbors turned him and Mercury away rudely. Then the two gods went to the last house...