Late 19th Century Sculptures

Jean-Baptiste Baujault (1828-1899). Portrait of a Bearded Man, ca. 1880's Cast bronze on bronze base. Measures 12.75 x 5.25 x 4.5 inches. Created by the Ferdinand Barbedienne foun...

Raphaël Nannini (Italian, 1852-1925) Napoleon Bust, Late 19th Century Bronze on marble base Signed on back 17 x 11 x 8 inches Raphael Nannini was born in Florence. He exhibited at t...

Italian, Late 19th Century Finely Finished Bust of Renaissance Lady White marble, garment in veined buff colored marble on fitted green marble pedestal Bust: 22 x 18 x 9 inches Pedes...

Arthur Waagen Memel 1833 – 1898 Paris John L. Sullivan vs. James J. Corbett Two painted metal sculptures, ca. 1895 Height with black wooden base: 69/67 x 33.5 x 19.3 cm Each signed...

horse. 19th century bronze sculpture measurements with the base are 37.5 x 17.5 x 31 cm

Pair of Thai gilded bronze temple birds (Hong/Hamsa) with bells. Thailand, 19th century. 24 x 10 x h 53.5 cm each, base included. The hong — the sacred bird of Thai Buddhist tradit...

Outstanding Jerusalem Cross, or Stations of the Cross, crafted with an olive wood core and adorned with carved mother-of-pearl pieces, dating from the late 19th century. At its cente...

M. Russell depicts a stagecoach pulled by six powerful stallions and reigned by two drivers, rushing across a rocky terrain. Russell pulled from his personal experience as a cowboy t...

Anton Nelson (i.e. Antoine Joseph van den Kerckhoven) (1849 Brussels - after 1910 ibid.), Bust of a young woman, c. 1890. Patinated bronze on cast base, 30 cm (total height) x 20 cm ...

An incredible antique 19th century French bronze of Cupid seated on a gilt ormolu marble column, cupid shown feeding rose to a butterfly (L'Amour Prenant un Papillon) after Antoine-D...

Antique Bronze Dog Sculpture Chihuahua "La Petite Belle Lydie" Charles Valton (French, 1851-1918) Circa 15 1/2 x 10 1/4 x 7 Lydie is a Chihuahua making her a very rare image from ...

German manufacture (late 19th century) - Madame Juliette Récamier reclining on a chaise longue. 13 x 7.5 x h 17 cm. Polychrome porcelain group depicting Madame Juliette Récamier se...

Here for your consideration is a beautiful vintage Austin sculpture John Cutrone 1987 "Waiting in the Wings" ballet slippers. Signed " Austin Prod Inc 19...

A fine late 19th century antique French bronze sculpture group, of a pair of race horses & jockeys, by Paul Louis Emile Loiseau-Rousseau, Paris (1861-1927). The bronze circa 1895 de...

Chiurazzi Bronze of the Dancing Faun, Naples, After the Antique Pompeii Original, 32 Inches Description A superb and highly expressive bronze reduction of the celebrated Dancing Faun...

South German woodcarver, circa 1890, Gothic style Jesus, John and Mary Life-size group of saints in 2 parts, carved from lime wood Jesus: 164 x 61 x 97 cm John, Mary: 164 x 53.5 x 8...

Louis-Ernest Barrias (1841-1905) "The Hunt. Impressive bronze sculpture with brown patina, 98 cm tall. Signature "E. Barrias" on the rock; "F. Barbedienne fondeur Paris" and mechanic...

Isadore stands as one of the greatest animaliers of all time and this is a playful and endearing example of his work! Especially going forward, these bronzes make a distinctive and...

Antique Horse Bronze Portrait of a Trotting Stallion Isidore Jules Bonheur (France, 1827-1901) Cast bronze mounted on a rectangular plinth with dark brown patina, Signed: I. BONHEUR 17 x 11 3/4 A brilliant exploration of a stallion in full trot. The patina is a deep, warm walnut brown with honey-colored tones. Isidore Bonheur was best known and the most distinguished of the 19th century French animalier sculptors. Isidore, the younger brother of Rosa Bonheur and older brother of Auguste, began his studies of painting initially with his father, who was friends with Francisco Goya. By 1848 he debuted at the Paris Salon having discontinued animal and landscape painting to concentrate on creating sculptures and in 1849, Bonheur enrolled at the Ecole des Beaux Arts. He won medals at the Paris Salon in 1859 and did so again in 1865 and in 1869. After entering the Exposition Universelle 1855, he won the Gold Medal in 1889. In the 1870s exhibited in the London at the Royal Academy of Arts where he earned great prestige and won the coveted Medaille d’Or. After winning numerous other medals and prizes, Bonheur was awarded the Legion d' Honneur in 1895 and he was Knighted in Portugal, Spain and France. Bonheur continued exhibiting at the Paris Salon until 1899. Many of his bronzes were fabricated at the foundry owned by Hippolyte Peyrol, Bonheur's brother-in-law by marriage to Isidore’s youngest sister Juliette Bonheur. The Peyrol casts for both Rosa and Isidore are exceptionally well executed which suggests a strong working relationship between the founder and sculptor. There is little doubt that Isidore Bonheur was an acute observer of nature; his animals were not anthropomorphized but modelled to catch movement or posture characteristics of the particular species he was sculpting. He achieved this most successfully with his sculptures of horses which are usually depicted as relaxed rather than spirited. These figures are among his most renowned works and his equestrian models became very popular, particularly among the British aristocracy. An acute observer of nature, his sculptures reflect his commitment to the Realist school - with precise detailing of the movements of animals in their natural habitats. Ultimately, His naturalistic studies of animals are now some of the most highly sought after works by any of the animalier. He was possibly inspired by his many visits to the Buffalo Bill Wild West Show...

Italian sculptor (19th-20th century) - Pair of marble pedestal sculptures depicting Poseidon and Amphitrite. 44 x 44 x h 90 cm each. Carved entirely in yellow marble, in Baroque st...

Seated Mercury (Hermes) — Grand Tour Life-Size Bronze Italian School (possibly Naples) Italy, Late 19th–Early 20th Century This commanding life-size Grand Tour bronze depicts Mercury (Hermes) seated in quiet repose upon a rock, rendered with classical authority and exceptional refinement. The youthful god’s finely modeled anatomy, serene, introspective expression, and distinctive winged sandals draw directly from the celebrated ancient prototype, creating a sculpture of enduring presence and balance. Fully restored and ready to place, the bronze presents beautifully for interior display or garden installation, where its patinated surface responds richly to natural light. The composition derives from the renowned Seated Mercury discovered on August 3, 1758, in the peristyle garden of the Villa dei Papiri at Herculaneum. The ancient original—now housed in the Museo Archeologico Nazionale di Napoli—became a touchstone of classical taste and a must-see for Grand Tour travelers of the 18th and 19th centuries, admired for its harmony, restraint, and technical mastery. Cast in richly toned bronze and finished with a nuanced patina, this example exemplifies the Neapolitan tradition of Grand Tour bronzes, prized for archaeological fidelity and sculptural finesse. Its impressive scale and poised silhouette make it a significant focal point in both modern and classical settings—an object that bridges antiquity and the cultivated collecting culture of the Grand Tour. Notable Related Examples: Getty Villa · Kunsthistorisches Museum · Villa San Michele...

Theseus slaying the Minotaur by Antoine-Louis BARYE (1796-1875) A rare bronze group with a nuanced greenish dark brown patina Signed "Barye" on the base Cast by "F. Barbedienne Fon...

A good antique cast bronze sculpture an Egyptian Revival bust "The Queen of Babylon", by the 19th century French sculptor Paul Auguste Gagne, circa 1875. This rare & unusual bronze b...

Well modeled 19th century French bronze of a standing naked woman. Signed Cartinet, this piece is a wonderful example of the skill of a Sculptor. The piece retains all its origina...

A polychrome and gilt plaster statue of the Blessed Virgin Mary. The quality of the original gilding and the handling of the folds in the clothing are exceptional. A wonderful statu...

Allegory of Spring Mathurin Moreau (1822-1912) A Belle Epoque bronze statue depicting an Allegory of Spring with a seated maiden looking over to view two birds as a putto gathers a...

Rare pair of "Tiger and Lion walking" by Antoine-Louis BARYE (1796-1875) A very fine pair of bronze sculptures with a nuanced brown patina each signed "Barye" on the base cast by "F...

Warthog Divining Figure. Kuba, DRC. Late 19th century. Carved wood with palm oil patina, 12.5 incehes (l), 3.25 inches (h), 2 5/8 inches (d). Loss evident at tip of right ear and on snout. Provenance: Ex. collection Martin and Faith-Dorian Wright; J.J. Klegman; Angelo Caggiula-Carulucci, chief magistrate in Belgian Congo for King Leopold...

A pair of Meiji period, late 19th Century Lacquerware (漆器, shikki) miniature cabinets on stands. The decorative panels are of very fine quality. The cabinets are a 'true pair' that i...

Dubucand Alfred 1828-1894 Two Hunting Dogs, Bronze on a Marble Base The Bronze with the monogram 'E.V.' and the number '2958' Two Hunting Dogs, Group Signed Alfred Dubucand, Fren...

Antoine-Louis Barye (1795 - 1875) Lion au serpent n°1 Bronze à patine brune H. : 25 cm; L. : 34,6 cm; P. : 16 cm Signé «BARYE» sur la terrasse Numéroté « 2338 » sur le dessous ...

HENRI-HONORÉ PLÉ French, 1853-1922 Femme de Mequinez An important orientalist polychrome patinated bronze bust sculpture with gilt highlights surmounted on rouge marble. H 26 ...

Horse Clearing an Obstacle (work number 48) Bronze with dark brown green patina bearing the stamp of the signature "Degas", Numbered IV/IX and dated 1998 Posthumous lost wax casting as of 1998. Stamp of Valsuani. Signed Degas The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these Hebrard bronzes...

Pair of engraved metal sculptures depicting two mythological birds, traceable to the French sphere and datable to the late 19th and early 20th centuries. The two sculptures are almos...

Rare child's Windsor chair, ca. 1880s. American antique, crafted in Maine. Original red wash. Seat is 22" from the floor. Originally made for a child. (Does not conform to today's sa...

Grand Tour Marble Bust of a Young Apollo (Late 19th Century) Marble bust on a swivel marble base Unsigned 24 ½" high x 21" wide x 9 1/2 " deep...

French sculptor (19th century) - Bacchanal. 35 x 35 x h 65 cm. Sculptural group in patinated terracotta, modelled in the round. The group depicts two nymphs and a satyr in a danci...

Large, Neapolitan, late 19th Century hardwood sculpture of a camel. Artist unknown. A beautifully patinated hardwood sculpture. The sculpture is extremely charming and having been handled for over a century has a lovely warm and tactile patina. It is particularly nice too see the work of the craftsperson in the adze and chisel marks along the body of the sculpture. The Italians and most notably the area around Naples has a long and storied tradition in the creation of sculptures for Nativity Scenes. This camel is both an endearing item and a piece of social history. A wonderful addition in its own right to the traditional Christmas scene, by tradition this sculpture was used as a maquette for the production of papier-maché models used in Christmas Creches which have such a long tradition in Italy and throughout the world. Wonderfully carved this piece was used to create hollow models out of papier-maché which were more affordable for this Christmas tradition. Hundreds of strips of papier-maché would be layered onto the figure in all directions. Then using a sharp tool the papier-maché was pushed into all the crevices of the sculpture to give it crisp detail. Once the layers of paper were dry the papier-maché was cut at certain points and lifted off the sculpture. Then finally the resulting body parts were glued back together, painted and patinated ready to be placed in the crèche scene. In the Christian tradition, a nativity scene (also known as a manger scene...

The Diorama was in a private collection for more than 20 years and is said to have been exposed at the China Exposition 1902 in Copenhagen.This group of Chinese polychromed-decorate...

Important white marble bust depicting a high society woman, signed "Laure Martin Coutan" and dated 1887. This bust, carved from pure white Carrara marble, depicts a young woman wi...

Signé "Cte du Passage" et numéroté sur le rebord de la terrasse "55", ce bronze est une belle fonte ancienne d'un modèle emblématique du sculpteur Arthur du Passage. Le Cheval à l'...

Bust of a Young woman wearing a tiara by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Sculpture in bronze with a nuanced dark brown patina signed on the shoulder "A. Carrier Belleuse"...

Here for your consideration is a beautiful highly detailed bronze done in the forth quarter of the nineteen century after the work of Jean Boulogne, known as Giambologna. Boulogne’s sculpture was done in marble and was completed between 1579 and 1583. The sculptor of this bronze is Antonin Mercie, a well known French sculptor born in 1845. The bronze represents the Rape of the Sabine Women (Latin: Sabinae raptae), also known as the Abduction of the Sabine Women or the Kidnapping of the Sabine Women, was an incident in Roman mythology in which the men of Rome committed a mass abduction of young women from the other cities in the region. It has been a frequent subject of artists and sculptors, particularly during the Renaissance and post-Renaissance eras. Signed on base “Mercie” for Antonin Mercie.. In very good condition wirh original brown patina. The base which depicts rocks is bronze and has been painted a matt black. Provenance:: A Sarasota estate. Mercié, (Marius Jean Antonin Mercie...

A Monumental Museum Quality Pair of French 19th Century Figural Gilt and Patinated Bronze Rosso Granite Marble Flambeaux Urns, each depicting a pair of standing allegorical and whims...

Signed & dated: Signed C. Meunier and inscribed with Foundry mark B. VERBEY ST. FOUNDEUR BRUXELLES Provenance: Private collection, UK

Antoine-Louis Barye (French, 1795-1875)Aigle - Ails Étendues, Bec Ouvert (An Eagle with Wings Extended and Open Beak) A powerfully detailed sculpture of an eagl...

Urbano Lucchesi 1844 - 1906 Italian La Casta Susanna (The Chaste Susanna) Marble This elegant statue entitled La Casta Susanna depicts the virtuous biblical figure Susanna, exper...

French, 1899 SALUT AU SOLEIL, art medal, in bronze by Georges Dupré, in fine condition, (Dark oxidation spot to right of larger figure, slight surface vertical scratch verso); edge ...

A sensuous and fabulous piece to enjoy in the round as every vantage point is attractive or on a shelf or table. In the 19th century, the Italians and French were in a golden era f...

Fender Guitar Multi Layers Glass Sculpture Artist signed and dated '98, mixed media, layers of multi color dichroic glass, ceramic tiles, aluminum on wooden base. William Wertz was born in 1946 dide in (2021 Los Angeles). American artist, teacher and photographer. Known for his unique assemble layers of glass sculpture. His art can be found in Musee des Decoratifs, Paris, the country of Oman (stained glass dome...

Beautiful Art Nouveau marble. Campagne, Pierre Étienne Daniel French , 19th century , male. Active in Paris. Born 1851 , in Gontaud (Lot-et-Garonne). S...

"Susanna surprised at her bath" by Giovanni Battista LOMBARDI (1822-1880) Sculpture made in white Carrara marble Signed and dated "GB. Lombardi, Roma 1873" Italy 1873 height 91 cm...

Pour cette sculpture, Charles Valton s’est inspiré d’un bas-relief assyrien, conservé au British Museum à Londres. L’œuvre en question date du VIIe siècle avant J.-C. et représente A...

Bronze 72 cm signed Height: 72 cm. Base diameter: approx. 22 cm. Signed "E. Drouot". Stamped "BD Fondeur, Paris". Plaque engraved "Hebe Par Drouot (Hors Concours)". Bronze, cast, ...

Important Louvre Atelier Cast — Faun of Vienne, circa 1870–1890 An important late 19th-century patinated plaster bust representing the celebrated Faun of Vienne, after the antique m...

Tartar warrior stopping his horse by Antoine-Louis BARYE (1796-1875) Bronze group with a nuanced greenish dark brown patina Signed "Barye" on the base Cast by "F. Barbedienne Fonde...

Emile Jespers (1862 Deurne - 1918 Antwerp), Scherzo, circa 1890. Marble bust on marble base with title plaque, 42.5 cm (total height) x 28 cm (width) x 18 cm (depth), signed “E.[mile...

Henri Honoré Plé (1853 Paris - 1922 Paris), The Victorious David, around1890. Red-brown and brown patinated bronze with terrain plinth mounted on a round base. 42 cm (total height) x...

Anonyme, entourage de Christophe Fratin "Le cochon gentilhomme" Bronze à patine brune H. : 13 cm ; L. : 5,5 cm ; P. : 5 cm Au XIXe siècle, la caricature connaît un essor considérabl...

Neptune is the creator of horses and is the god of the sea as well as the owner of a powerful weapon, the Trident. Poseidon is the Greek Neptune and is one of the big three gods Zeus...