Abstract Abstract Photography

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. In another piece created in the “Framed Colored Squares” series, JCW experim...

Unique

Unique

A composition based on horizons and blue color. Blue symbolizes far-away places and eternity. The first images in the series project unfathomable distance, possess an astounding clar...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front.

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front.

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front.

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. In another piece created in the “Framed Colored Squares” series, JCW experim...

Artist: Rachel Lauren Title: All Natural Date: 2019 Medium: Inkjet print Dimensions: 14 x 11 in. Photographer Rachel Lauren invites viewers to become more aware of the way natural beauty has been contorted, packed and sold as a cold, manufactured, cloned and empty product. Are women inherently beautiful, or do they require modifications? Are you seeing your uniquely created reflection through a distorted lens? By imposing a juxtaposition between real and fake through abstract portraiture, Lauren calls attention to these complex ideals in "Distorted Beauty". Lauren is currently an MFA candidate at UMKC and based in Colorado. Since the age of two, she has fostered a love for photography and traveling which have both shaped her understanding of the issues she addresses in her work. Contemporary photography, portrait photography, experimental portraiture, conceptual photography, Steve McCurry, Lisa Kristine...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. In front of the breathtaking backdrop of the baroque Frauenkirche, three monstrous structures similarly tower over the scene. Artifacts of a Syrian artist...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. Nanjing Orphee is a series of works depicting extravagant luxury in China. Na...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. A tower belonging to one of the most successful private real-estate developer...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. The second in a series of images about the extravagant luxury in China. Nanji...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. JCW worked and lived in the “Mega City” of Shanghai, with its population of o...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. Shanghai 2014 – a city, a “mega city”, a metropole endeavors with all its mig...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. Stripes of color placed in relationship to and with each other. The order of ...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. Countless, diverse patches over-lay the initial image of “Framed Color Square...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. Countless, diverse patches over-lay the initial image of “Framed Color Square...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. The exchange between color and form create a deepness of space and becomes th...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. In another piece created in the “Framed Colored Squares” series, JCW experim...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. Romantic strolls – an old castle sits at the foot of a lake with a mirror-lik...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. Wittig's works use photographic techniques i...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. Wittig's works use photographic techniques i...

Anne K Smith Title: Untitled #9 (from Unfocused Series) Medium: Archival Inkjet Print on Museo Silver Rag Size: 10.5 x 16 inches Available in sets of 3 (mix and match) Entire "Unfoc...

Two Polaroid prints (Unique) Signed, titled, and dated in black ink, verso 58 x 22 inches, each print 58 x 44 inches, overall This artwork is offered by ClampArt, located in New Yo...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by Danish photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine...