Abstract Abstract Photography

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Untitled (Visual Candy) Photo collage, c. 2008 Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 8 1/8 x 5 7/8 inches Support Sheet size: 17 x 14 inches Pet...

In past, many people who made cameraless photographs made them inside the controlled atmosphere of the darkroom. For the last 20 years, my cameraless pictures have been made directly...

Edition: 2/3 Work can be hung with either the WallCleat system (support bar supplied) or the screw-eye system if it needs support from wire or above. Available in 4-5 weeks turnaro...

Abstract Dancers, Dark Blue 6, 2019 Archival Pigment Print in this size of 50cm x 50cm in an edition of 15 Please contact the gallery for further details on the oversize print of 1...

"A part" is a black & white framed archival pigment print (photograph) from a hand-etched photogram from artist Jenny Lynn's "Personal Myths" series. Includes images of nudes, glove...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Eroded Rock, Point Lobos Gelatin silver print, 1929 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward Editi...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

New York City is renowned as a center of world-class Museums and tastemaker Art Galleries. However, some of the greatest art is street art mad...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 2/3. ...

The idea behind was a 10 KG Dictionary from 1991 which nobody wanted. According to me a special piece. At the present when AI is to be a subject of discussion I wanted to point out t...

Shipping should be around $1000. This is the quintessential image of a bygone era. Old Las Vegas is captured with glowing neon signs set against a dramatic desert sunset. Signed and ...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...

'Window' Detail of Christ Church by architect John Peter Darvall. 2023 Printed on 30 x 30cm Hahnemühle Photo Rag fine art paper. Photograph is signed front and back and comes wi...

"JM Basquiat-GB1" Photography (FRAMED) 50" x 40" inch Ed. of 8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat s...

An abstract view of the classic Las Vegas Neon signs on Fremont Street at sunset. Bold reds, pinks, and blues work with the dramatic Nevada sunset. Th...

"JM Basquiat-GB3" Photography (FRAMED) 48" x 48" inch Ed. 1/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat se...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Untitled #58 (Abstract Photography) C print - Unframed. "Edition of 5 + 2AP, next 1/5 Richard Caldicott is most well known for this earlier work series which used Tupperware contain...

Paeonia Red Charm by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, please conta...

This is the first print (#1) in a limited edition of 10 signed, titled, and numbered photographs titled "The Sight," by artist Tokie Rome-Taylor. The photograph itself measures 24" x...

A flock of birds at sunset in East Hampton is captured by color photographer Mitchell Funk. The overall composition without a central point of focus is not unlike the work of East H...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...

Henry and the Jelly Fish'(Stay) with Ryan Gosling - 2006 48x46cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Ar...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Rodolfo Choperena Chacras 13, 2016 Digital print on metal 6 x 96 in (15.24h x 243.84w cm) 1/3

This surprising abstract photo of a natural landscape, has picked by the well known Italian photographer Giorgio Baroni. The white reflections are look...

Alstroemeria Striped Bird by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, plea...

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

Laurent Lamarche’s objects strike a scientific chord in contrast to an art world overwrought with digital spectacles and ominous critique. Lamarche’s work bares a rigorous formalism ...

Abstract Dancers, Dark Blue 1, 2019 Archival Pigment Print in this size of 50cm x 50cm in an edition of 15 Please contact the gallery for further details on the oversize print of 1...

Abstract Dancers, Dark Blue 3, 2019 Archival Pigment Print in this size of 50cm x 50cm in an edition of 15 Please contact the gallery for further details on the oversize print of 1...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

'That Was Just A Dream Some Of Us Had' Original Artwork From a body of work titled 'Elemental', in which Sophia employs her unique method of working using the four elements of eart...

Lost in a sea of rich saturation of dark and light blue colors, a feminine form gracefully traverses the expanse of the water. Alex Sher’s “Anesthesia” invites us into an abstracted ...

'Ramunės no. 2' London, United Kingdom 2022 Limited edition of 20. Photograph printed on heavyweight fine art paper. COA Included.

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Blue abstract photograph from Richard Heeps' series Trading Paint. Richard Heeps has a history of photographing Drag Racing in the UK, America and Europe. Trading Paint is a term tha...

"Echoes No.11" Photography 40" x 40" inch Edition of 20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Printed on fujiflex mou...

Spencer Sloan is a mixed-media artist whose recent work, digitally manipulating paparazzi photographs into abstraction using a series of image-corrupting applications, stems from his...

Rhododendron Denny Hybrid by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, plea...

Osteospermum Sunny by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, please cont...

Hemerocallis by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, please contact th...

Hemerocallis Teenie Weenie by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, ple...

Echinacea Purpurea Purple Cone Flower by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are ava...

Papaver Rhoeas The Corn Poppy by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, ...

Bleed # 202391 (Abstract painting) Chromogenic Print Face-mounted 3mm Matte Plexiglas — Unframed. Backed with extruded polystyrene, concrete, acrylic, enamel and pigments (8 cm / 3...

Old cars parked in front of vintage Wigwam Motel off U.S. Route 66 in Holbrook, Arizona. This archival color photograph by fine art photographer Mitche...

Franco Fontana (Italian, born 1933) Title: Los Angeles, California 1979 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 29.25. Sight 13 x 19.5 Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

“No Focus, No Object” L1 Creator: Hatice Besun Creation year: 2021 Dimension: 40 x 40” External Dimension( with white border) : 40.8 x 40.8” Condition: New Certified In Edition of ...