Zhou Peng

"Seen and Unseen #3798" - Contemporary Still Life Photography - Zao Wou-Ki

2018

This largescale work features hues of blue, green, purple and yellow. This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 ...

This work features hues of blue, green, purple and yellow. This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 of 1. Frame...

This largescale work features hues of blue, green, purple and yellow. This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 ...

This work features hues of pink, purple, green and yellow. This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 of 1. Frame...

This work features hues of pink, purple, green and yellow. This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 of 1. Frame...

This work features hues of pink, purple, green and yellow. This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 of 1. Frame...

'Marshmallow Building' by Stuart Möller A building appears to be strangely warped in this contemporary image. An effect caused by a double reflection of the building opposite in...

Modern Art Etc presents this series of abstract classical forms in balck and white archival pigment prints. The photographer was trained at the Centr...

Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...

Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...

Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...

Ancient Parlor floor door converted into a contemporary light box. The door opens to the viewer a unique point of view. Images from the series Gentrification were shown at: Brooklyn Historical Society Museum, Brooklyn NY, U.S.A
 during 2017 AT the show: "Shifting Perspectives". A sculpture from the project GENTRIFICATION (Part II) reflects my personal story. I lived in Bushwick through the course of a decade, from poor immigrant art...