Pigment Black and White Photography

This is the original test print for selection to the 1998 Pirelli Calendar, shot by Bruce Weber. It's a very rare as it shows Elaine Irwin in her natural beauty before any retouching...

'Lily No.3' Cotton canvas print from limited edition of 5. (Does not come with streatch bars, only canvas print) Monocolour analogue floral photography. Made using a large format...

'Ramunes' 2024 Cotton canvas print from limited edition of 5. (Does not come with streatch bars, only canvas print) Black and white floral film photography. Made using a large fo...

'Dahlia on Ink' 2024 Cotton canvas print from limited edition of 5. (Does not come with streatch bars, only canvas print) Black and white floral film photography combination with...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. In a text devoted to him, evoking these seemingly silent photos of Krichbaum, one critic used the term "din" to define the flow of thoughts and feelings that escaped from it. In this too quick glimpse of Paris, the artist creates a dialogue between the white glass balls of a hotel chandelier with two ostrich eggs in the window of a fashionable decorator, while the fashion models, scattered at will shops and seasons, endless stories are exchanged. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This is a Minimalist framing & presentation of the artwork : T...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative ...

"Removal of Self #70" Photography 22" x 14.5" inch Edition 1/1 by Ben Cope Medium: Photo on deconstructed paper Ben Cope is a Georgia native graduating from Columbus State Univers...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative ...

"Untitled: Centerfold" (FRAMED) Nude Photography 29"x35"inch 1/1 by Ben Cope 2018 Photo on deconstructed paper Comes in white frame and plexiglass Ben Cope is a Georgia native gr...

"Removal of Self #73" Photography 20" x 16" inch Edition 1/1 by Ben Cope 2011 Photo on deconstructed paper 20” x 16” inch Ben Cope is a Georgia native graduating from Columbus Sta...

"Removal of Self #56" Photography 16" x 20" inch Edition 1/1 by Ben Cope 2011 Photo on deconstructed paper 16” x 20” inch Ben Cope is a Georgia native graduating from Columbus Sta...

Pigment ink on Fine Art Hahnemühle paper Edition 1/5 Hand-signed on the back by the artist “We are such stuff as dreams are made on, and our little life is rounded with a sleep.” Th...

Pigment ink on Fine Art Hahnemühle paper Edition 1/5 Hand-signed on the back by the artist “We are such stuff as dreams are made on, and our little life is rounded with a sleep.” Th...

"Removal of Self #52" Photography 20" x 16" inch Edition 1/1 by Ben Cope 2011 Photo on deconstructed paper 20” x 16” inch Ben Cope is a Georgia native graduating from Columbus Sta...

"Divine Touch (The Touch of God)" 49" X 146" in Photography Ed. 1/1 by Ben Cope 2021 Photo on deconstructed paper 49.5” x 145.5” inch Comes in white frame and plexiglass Ben Cope...

"Removal of Self #60" Photography 16" x 20" inch Edition 1/1 by Ben Cope 2011 Photo on deconstructed paper 16” x 20” inch Ben Cope is a Georgia native graduating from Columbus Sta...

"Removal 93" (FRAMED) Unique Mixed Media Photography 47" x 47" inch by Ben Cope 2013 Photo on deconstructed paper with oils and paint pigments Comes in a white frame Size: 47” X 4...

Print is also available in a Medium size: 50'' x 40'' and is priced at $13,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set...

Print is also available in a Medium size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...

Print is also available in a large size: 63'' x 50'' and is priced at: $16,000 Each work is a one-of-a-kind, unique piece that is hand punctured. The work also comes with a black floating frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in ...

A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. Print is also available in large size: 63'' x 50'' and i...

In "WEST The American Cowboy", Anouk revisits this enduring iconic symbol of America's pioneering spirit. The new series inspire with a fresh and contemporary perspective of the Amer...