1970s Black and White Photography

11 x 14" vintage silver gelatin photograph of Richard Lane and Stephen Kockser photographed nude for After Dark magazine, 1972. Comes directly from the Ja...

Stevie Wonder V1 by Al Satterwhite is a black and white portrait of the famous American singer, songwriter, musician and record producer. Archival Pigment Print 20 x 24 in. Ed. of 2...

Andy with SX-70 and Konica, 1986 by Christopher Makos is an 8 x 10in vintage gelatin silver print on fiber paper of the celebrity artist Andy Warhol. The photograph is stamped (black ink) on verso (photo back). Provenance: Private Collector *** Artist’s Bio: Christopher Makos (1948- ) is an American photographer and visual artist. He studied architecture in Paris and was an apprentice to Man Ray. Andy Warhol was Makos' good friend and frequent portrait subject. His photographs of Andy Warhol have been exhibited in galleries and museums, including the Guggenheim Museum in Bilbao,Tate Modern in London, Whitney Museum of American Art in New York, IVAM in Valencia (Spain), Reina Sofia Museum in Madrid, among others. Makos’ pictures have appeared in publications, including Paris Match and the Wall Street Journal. The visual artist is the author of numerous books, such as Warhol/Makos In Context (2007), Andy Warhol China...

Title: Led Zeppelin John Bonham #7 Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on Hahnemühle Photo Rag Pearl, 100% cotton...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Title: Bob Marley #7 Artist: Richard E. Aaron Estate Edition: Hand numbered with estate chop mark in the margin, signature stamp on verso, archival pigment print on Hahnemühle Photo ...

Richard Harris – Malta, 1973 Born in 1930 in Limerick, Ireland, Harris made his screen debut in the 1958 film Alive and Kicking. This was followed by solid supporting roles in films such as Shake Hands with the Devil (1959), The Guns of Navarone (1961) and Mutiny on the Bounty (1962). But he jumped to the top of Hollywood’s list of leading men in 1963 following his performance as young coal miner turned professional rugby player in This Sporting Life which earned him an Oscar nomination. Once a notorious drinker and hell-raiser to rival Oliver Reed, his work during the Seventies and Eighties isn’t widely revered, but in 1990 he once again earned an Oscar nomination for Best Actor for his role in The Field. Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no further prints are produced once sold Paper size - 34 x 24 " / 86 x 61 cm Limited to 30 only this size All prints are bespoke and printed to order stamped and numbered by the Estate Copyright: © David Steen / The David Steen Archive David Steen’s introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career. David’s reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman’s Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica’s Best Pictures of the Year Award for his sequence of ‘Birth of a Baby’, the progress of a young woman delivering her own baby under hypnosis. He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives’ refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim ‘every picture tells a story’ he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives. David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer. Asked by aspiring photographers for his best advice, his stock reply is: ‘Get up early.’ David Steen † 1936 – 2015 Tags: richard harris, actor, movies, hollywood, film, writer, irish, 1970s, 70s, film director, this sporting life, king arthur, camelot, a man called horse, unforgiven, gladiator, harry potter and the chamber of secrets, harry potter and the sorcerer’s stone

Three Wait on Dock, Cherry Grove, Fire Island, NY 1978 Signed, titled, dated, and numbered, verso Gelatin silver print (Edition of 5 + 2 APs) 20 x 16 inches (Edition of 5 + 2 APs)...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

David Bailey Patti Smith, 1978 Archival Inkjet on paper Edition of 15 Signed by the artist, on verso Image: 36.83 x 47.76 cm Sheet: 42 x 59.4 cm

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine...

Policeman with Puppet and Gun, New York City, USA 1979 by Leonard Freed is a black and white limited edition photograph from Freed's Policework series. The photograph, 13" x 19" is an archival pigment print with the photographer's copyright stamp and estate signature by the photographer's widow, Brigitte Freed. The print is in an edition of 10. Available: 1/10, 10/10. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

The original Star Wars trilogy, formerly marketed as the Star Wars Trilogy (and colloquially referred to as the 'original trilogy'), is the first set of three films produced in the S...

"Bob Marley" by Michael Ochs Archives Bob Marley Los Angeles 1979. Unframed Paper Size: 16"x 12'' (inches) Printed 2022 Silver Gelatin Fibre Print

Andy Warhol Hammer & Sickle, 1976 Acetate negative acquired directly from Chromacomp, inc. Andy Warhol's printer in the 1970s. accompanied by a signed letter of provenance from the r...

16 x 20" vintage silver gelatin photograph of Warhol Superstar Ultra Violet with friends Jason McCoy and Ron Caran, multiple exposure nude for After Dark magazine, 1971. It is signed...

Gelatin silver print Signed and numbered, verso 10 x 8 inches, sheet (Open Edition, Unsigned) $1400.00 20 x 16 inches, sheet (Edition of 25) $3500.00 30 x 30 inches, sheet (Edition of 5) $12,000.00 This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry in its heyday, as well as the rough-and-tumble dive bars...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Fisher Ross. Untitled, ca. 1975-80. Gelatin Silver print, sheet measures 8 x 10 inches; 17 x 21 inches framed. Artist studio stamp on verso. Excellent cond...

Victor Arimondi (1942-2001). Portrait of Tom Petchlsig, ca. 1975. Period print measures 8 x 10 inches; 16 x 20 inches frames. Artist studio stamp on ve...

Harkness Ballet Principal Dancer Zane Wilson, nude, 1972. Vintage silver gelatin exhibition photograph made by Jack Mitchell. American photograp...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

8 x 10" vintage silver gelatin photograph, Dancers Silhouette, 1971. It is signed on the print verso in pencil by Jack Mitchell. This is a print that was published by a newspaper or ...

11 x 14" vintage silver gelatin photograph of Photographer Richard Avedon planning his exhibition on August 27, 1975. Comes directly from the Jack Mitchell Archives with a certifica...

Dancer, nude study for 'After Dark' magazine, 1971. Vintage silver gelatin exhibition photograph made by Jack Mitchell. Signed by Jack Mitchell on the reverse. American photographer...

Adult film star Cal Culver (AKA Casey Donovan) 'After Dark' magazine iconic nude study, photographed in 1972. LGBTQ+ Pride This is a vintage gelatin silver print, selenium toned, mad...

David Bailey Elton John, 1971 Archival Inkjet on paper, framed Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Edition of 12 + 3AP

Patti Smith New York City, 1976 by Fernando Natalici: This classic rock image was captured at the historic, New York Palladium show headlined by Patti Smith, John Cale, and Television. Digital C print on Kodak lustre. 16 x 20 inches Hand signed, dated and numbered on the reverse from an edition of 20. Excellent overall condition. Acquired directly from Natalici New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). Recent Publications & Exhibits Jim Jarmusch: Music, Words & Noise (2015) Another Magazine (London, 2014) Black Book (2014) Curbed NY (2014) The Museum of The Moving Image (New York, 2015) The Hole Gallery NYC (New York, 2014) The Chelsea Hotel (New York 2013) New York University Tisch School of The Arts (2013) A perfect compliment to your Robert Mapplethorpe, Roberta Bayley...

Kenn Duncan (1928-1986). Portrait of Tommy Hawkins with Python, 1973. Photographic period print measuring 11 x 14 inches. Titled and dated on verso by the ...

Elton John, Bette Midler, Cher, and Flip Wilson in a group portrait, 1978. What's included: - Limited Edition Archival Print - Numbered Certificate of Aut...

Signed and dated on the front of the mount. Limited edition of 35. Number 17 of 35. From the “Twenty Photographs, 1970-1977” Portfolio.

"Naughty But Nice" by Christopher Simon Sykes Guitarist Keith Richards looks elegantly wasted during the Rolling Stones Tour of the Americas, 1975. ...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Archival Inkjet Print. Dimensions: 11 x 14 inches (full fr...

Lifetime prints are the last remaining prints available, signed by Terry O’Neill and obtained from the Terry O’Neill Archive in London. Signed limited edition, silver gelatin print ...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

11 x 14" vintage silver gelatin photograph of Grammy Award-winning Singer Songwriter Carly Simon, photographed in 1971 signed by Jack Mitchell on the print...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Warhol Superstar 'Trash' star, and model Jane Forth, 'After Dark' nude cover shot for the April 1970 issue, photographed in 1970. This is a vintage gelatin silver print, selenium ton...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine at that time. Today they swarm like bees to place their own hot ads in gay publications. I had been photographing on assignment for Dance Magazine well before After Dark was created. Being a friend of William (Bill) Como, the Editor, and being gay, I was called into service, for the life of the publication, to photograph many of the handsome young men and women, who were featured in After Dark. Needless to say, this was enjoyable work for me, Because, mixed in with the hot-looking young guys and gals sent to my studio were some famed performers like Debbie Reynolds, Giancarlo Giannini, Arnold Schwarzenegger, Natalie Wood, Placido Domingo, Sergio Franco...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Newcastle ‘ who was captured on film in...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

11 x 14" vintage silver gelatin photograph of Poet/Photographer and Andy Warhol assistant Gerard Malanga photographed in Manhattan in 1970. Signed by Jack Mitchell on the recto. Come...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

'Karl Lagerfeld' by Daniel Simon Karl Lagerfeld, fashion legend & designer of Chloe In France On April 02, 1979. Beautiful mint condition Open Edition Silver Gelatin Resin Print ...

Keith Richards swimming at the Villa Nellcote Taken by the late photographer Michael Cooper. Edition of 25 Estate Stamped

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

11 x 14" vintage silver gelatin photograph of British figure skater, Olympic and World Champion John Curry, 1976, signed by Jack Mitchell on the print ve...

© Michael Putland The Who Pete Townshend Pete Townshend of The Who,Madison Square Garden, New York 1979 Pete Townshend is the innovative guitarist an...

Offset lithograph, signed in pencil by Newton. Acquired from a private collection, Paris, France.

Pete Townshend of the Who Madison Square Garden New York 1979 Large Oversize limited Estate edition (ed size 15 only this size) silver gelatin print. numbered and signed by the Estate on reverse stamped with blond embossed Archive stamp on front paper size 40x30" inches / 101 x 76 cm Certificate of authenticity supplied. unframed Framing available on request Ships securely from London England OTHER SIZES AVAILABLE pls enquire About Michael Putland the photographer : Born in 1947, Michael grew up in Harrow where he took his first pictures at the age of nine before leaving school at sixteen to work as an assistant to various photographers including Time-Life photographer, Walter Curtain and the legendary motor racing photographer, Louis Klemantaski. In 1969 he set up his own studio and by 1971, he was the official photographer for the British music magazine Disc & Music Echo. His first assignment for them that year was to photograph Mick Jagger in London. From the editorial work for Disc and Music Echo, Sounds and later Smash Hits & Q magazine amongst others, to the 1973 tour with The Rolling Stones that led to a long-standing relationship working with the band, Michael has shot prodigiously including for major record labels including CBS, Warner, Elektra, Polydor, Columbia Records and EMI. Relocating to New York in 1977, it was here that Michael founded the photo agency, Retna. It has been said that Michael photographed everyone from Abba to Zappa … when looking at his archive this is actually true. Now living in East Sussex, recent 2016 exhibitions include “Off The Record” at The Lucy Bell Gallery in Hastings showing images both on and off stage including previously unseen contact sheets; whilst Ono Arte in Bologna, Italy is hosting a David Bowie show. Autumn 2014 saw Michael’s 50 year retrospective at the Getty Gallery in London: “A life in Music, 50 Years On The Road”. Snap Gallery in London’s Piccadilly Arcade regularly have a selection of Michael’s work on show. Michael continues to shoot the artists he most admires – likely to be jazz, classical and world musicians, who have always provided an alternative narrative to his rock music portfolio. “It has been a fantastic ride through an incredible period of music history, which combined my two great loves … music and photography. Little did I appreciate, when my Uncle Alan encouraged my photography back in the 1950s, that this would lead me to photographing nearly all of my heroes … and thrilled to be still finding new ones. A great never ending journey.” Michael Putland About The Who : Few rock & roll bands were riddled with as many contradictions as the Who. All four members had wildly different personalities, as their notorious live performances demonstrated: Keith Moon fell over his drum kit while Pete Townshend leaped into the air with his guitar, spinning his right hand in exaggerated windmills. Vocalist Roger Daltrey prowled the stage as bassist John...

11 x 14" vintage silver gelatin photograph of photographer Richard Avedon planning his Marlborough Gallery exhibition in 1975. Comes directly from ...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Madonna - signed limited edition print Early photograph of Madonna, 1980. (photo Mick Rock) paper size : 24x20 inches / 51 x 61 cm Stamped and numbered by the Estate. Archival ...

Intended for Andy Warhol Marcel Proust, ca. 1976 Acetate positive acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Derivative on acetate, based on a photo by Otto Wegener...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...