Early 2000s Black and White Photography

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of...

"Gardenia" is a black & white framed archival pigment print (photograph) of a flower w/ vines & leaves in landscape from artist Jenny Lynn's "Little Rituals" series. It is the last r...

Messages (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Signature label and Certificate. Archival C-Print, bas...

The Games we played (Till Death do us Part) - 2005 60x60cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label, a...

Her Eyes, the Color of the Sky (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inven...

Untitled (Cathy and Shannon) - 2004 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Cara 2 ‘. Signed by Ian Sanderson lo...

England - Limited edition pigment print - Limited Editions of 5 Pebble beach in England with a single summer visitor under his umbrella, 2005 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 50 x 33.3 cm / 19,68 x 12.99 in. - Edition of 5 75 x 50 cm / 29,52 x 19.68 in. - Edition of 5 101.6 x 67.6 cm/ 40 x 26.37 in. - Edition of 5 A custom size is possible, it will be included in the nearest edition of 5 Sam Thomas...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Outtake (Wastelands) - 2003 Edition of 5, 128x125cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, Artist inventory Number 819.01, complete with certificate and signature label Not mounted For sale is a piece from the Wastelands series. purchase the 2nd edition and have it unmounted. Exhibited: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007) Published in: WASTELANDS published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph) Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had regis- tered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pic- tures. Happiness brimmed in that wild terrain. Maybe things were begin- ning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abol- ish concepts that orient us, cause and effect, time, plot, and story line, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end-result, as posited in this book, will show how she bursts open our apparatus of perception and acknowl- edges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other- worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

Quiet - Limited edition pigment print - Limited Editions of 8 Field under the snow, peaceful landscape with only one tree , rural France, 2006 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 30 x 65 cm / 11,81" x 25.59" - Edition of 8 48 x 101.6 cm / 18.89" x 40” - Edition of 8 A custom size is possible, it will be included in the nearest edition of 8 Sam Thomas...

Flower 1- Limited edition pigment print - Limited Editions of 15 Close-up on a round flower on an round background, unframed. This is an Archival Pigment print on fiber based pap...

Mint Condition Hand Printed Photograph by artist Book not available with print. Originally sold as a book and print set. Edition 43/75

The Games we played (Till Death do us Part) - 2005 50x50cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9273. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till...

Flower 1- Limited edition pigment print - Limited Editions of 15 Close-up on a round flower on an round background, unframed. This is an Archival Pigment print on fiber based pap...

Moving image taken in the central valley, California. Hand printed photograph by artist.

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but h...

A Stunning image of the famous Catholic Church in Carmel California. Phil is known for his incredible printing style. This particular image was taken w...

Playground - Signed limited edition archival pigment print, 2005 - Edition of 10 Paris, France This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes : 40 x 27 cm / 15,75 x 10,63 in - Edition of 10 60 x 40 cm / 23,62 x 15,75 in. - Edition of 5 Laurent Campus is an Italian freelance producer and photographer. In addition to an academic training in international trade, he has forged a solid musical, pictorial and cinematographic culture which led him gradually and naturally to the photography he has been practicing for more than twenty years full-time professionally. Its customers are brands that have supported the film industry for many years ( L'Oréal, Renault, DIOR, GENERAL MOTORS, FranckProvost, FranceTV, Canal +, EPSON, CANON, FESTIVAL DE CANNES, HFPA, VUELING, CARL F. BUCHERER , IWC, ParisMatch,…) as artists (filmmakers, actors, musicians) or producers and distributors. He has gravitated for more than 20 years at the heart of French and international cinema. Cinema photographer and reporter, making of : “Cannes Film Festival official” photographer "Official Golden Globes ceremony” photographer SONY Spain Photo...

Excellent Condition Gifted By Artist

The key - Signed limited edition monochrome pigment print - Edition: 2 of 5 Brighton, UK, 2002 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested. Available sizes: 52 x 31 cm / 20,74 x 12,20 in. - Edition of 5 75 x 45 cm / 29,53 x 17,72 in. - Edition of 5 117 x 70 cm / 46,06 x 27,56 in. - Edition of 5 Geoff Halpin...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Archival pigment print (Edition of 50) Signed and numbered, verso 20 x 16 inches, sheet From the series, "Shelter Dogs" This photograph is offered by ClampArt, located in New York ...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Archival Black and White Pigment print, from an Analogue Negative. Image is 19*19" on 20*24 paper and framed in a white wood frame. ABOUT THE ARTIST Nicolas Auvray was born in Fra...

Archival Pigment Print 26 1/2 x 40 inches

This epic Dobrowner is a silver gelatin hand printed photograph. NOT A PIGMENT PRINT. Beautifully framed in museum glass.

Louise - Signed limited edition archival pigment print , Louise Bourgoin french actress, 2006 Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Phot...

Excellent Condition Purchased From Artist One of Roman's most famous images.

Concorde - Limited edition pigment print - Limited Editions of 5 Paris under the snow, France, 2005 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Free delivery Archival pigment print available sizes ( Image size , the white margin is not counted) : 33.3 x 50 cm / 12.99 x 19.68 in. - Edition of 5 50 x 75 cm / 19.68 x 29.53 in. - Edition of 5 67.7 x 101.60 cm / 26,373 x 40 in. - Edition of 5 Sam...

Unique photograph gifted by artist. Rare and collectable. Both photographs are in great condition. Valley Oaks In Fog would be the recommended front piece to be displayed. Quite t...

Michael Childers Andy Warhol in New York, 1976, 2007 Photographic print Signed and numbered 8/60 on the front in black felt tip marker Frame included ...

Edition of 5 Toned gelatin silver print 54 3/4 x 46 3/4 in. Frame Included. Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his...

Negative Date 2004 Print Date 2004 Edition 7/50 Hand printed silver gelatin photograph by artist. Mint Condition.

Archival Black and White Pigment print, from an Analogue Negative ABOUT THE ARTIST Nicolas Auvray was born in France. After several years living in various countries around the wor...

Doug and Mike Starn Sno6-016 (sno blanket), 2006-07 Archival inkjet print on Gampi paper with varnish and acrylic paint 32.5 x 25 inches (sheet) 40 x 32 inc...

Archival Black and White Pigment print, from an Analogue Negative ABOUT THE ARTIST Nicolas Auvray was born in France. After several years living in various countries around the wor...

Hand printed photograph by artist Print Date 2005 Mint Condition

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Ariane Signed by Ian Sanderson lower ri...

Limited Edition Black and White Photograph, Inner Workings #2 20 x 24 This image is Untitled #2 in the Inner Working series. I grew up in an environment of invention and engineeri...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

The Lonely Hearts DJ (The Girl behind the White Picket Fence) - 2016 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 17050.01. Offered is a piece from the movie: The Girl behind the White Picket Fence - A tale told with blemished and expired Polaroid film about the hopes and dreams of an newly orphaned girl after loosing her parents who lived in Californian desert in an vintage Spartan travel-trailer . -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose 10 acre property in Morongo is dotted with vintage trailers. They surround her midcentury home, and serve as sets for her photo shoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004, when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck, if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell...

Negative Date 2005 Print Date 2015 Edition 26/50 Excellent Condition Purchased From Artist

Marion - Signed limited edition archival pigment print , France, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 g...

The Games we played (Till Death do us Part) - 2005 50x50cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label, a...

Limited Edition Black and White Still Life Photograph Water Stones #3 This image is Untitled #3 in the Water Stones series. I have been intrigued by the phenomenon of stacked sto...

'Bitchin', bold monochrome typographic photograph from Richard Heeps 'Man's Ruin' series, taken at the Hemsby Rock 'n' Roll Weekender. This artwork is a limited edition of 25 gloss ...

Blow my Mind (Till Death do us Part) - 2005, 20x20cm, Edition 3/10, digital C-Print print, based on a Polaroid, Certificate and Signature label. Artist Inventory No. 9571.03. Not...

The Elder (Joshua Tree) - 2022 20x20cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signed on back with Certificate. Not mounted. Erin Doughert...

Sentinel (Joshua Tree) - 2022 20x20cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signed on back with Certificate. Not mounted. Erin Dougherty...

Limited Edition Black and White Still Life Photograph, Inner Workings #3 20 x 24 I grew up in an environment of invention and engineering, which led me to create photographs using g...

Excellent Condition Framed in high quality frame Edition 14/40

Sentinel (Joshua Tree) - 2022 20x20cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signed on back with Certificate. Not mounted. Erin Dougherty...

Art Deco ott.b, 2009 by Luca Artioli From the series "Miami Skin" A detail of the Delano Hotel Archival Pigment Print Image size 45 in. H x 70 in. W. Edition of 5 Unframed Miami Sk...

Magnificent gorgeous hand printed photograph by artist. Framed beautifully in dusk grey metal with high grade plexi glass. Edition 14/40

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...