Late 20th Century Black and White Photography

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Signed on a label and a certificate of authenticity Black and white portrait of Singer and Songwriter David Bowie...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Caroline ‘ Signed by Ian Sanderson lo...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

© Michael Putland The Who Pete Townshend Pete Townshend of The Who leaping on stage during 1981 UK Tour Pete Townshend is the innovative guitarist an...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

16 x 20" vintage silver gelatin photograph, multiple exposure male nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Arch...

Double male model portrait study in silhouette, LGBT+ Pride, 1972. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes directly from ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Roman was asked to photograph a very old vineyard in California by the Nature Conservancy before they removed this old plantation. The result is powerfu...

Paul McCartney and John Lennon of The Beatles pictured during the recording of their annual Christmas message to the groups’ fan club at the Marquee St...

Open and Limited Edition Silver Gelatin Prints Hand Signed by Bob Gruen 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x 24" U...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

This is a unique photographic work taken by Andy Warhol of an unknown man. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visu...

Limited Edition 25 More sizes on request The photographic work of the internationally well-known Austrian photographer Andreas H. Bitesnich is captivating by its beauty and aestheti...

Signed and numbered on the front of the mount. Stamped titled and dated on the back of the mount. This piece comes framed in a beautiful silver plated wood with black detail. It is s...

LORNA SIMPSON Recall, from the Exit Art/The First World Portfolio, 1998 Silkscreen on Felt 30 × 22 inches Hand signed and numbered 17/50 on the front Unframed This impressive silkscr...

16 x 20" vintage silver gelatin photograph, multiple exposure male nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Arch...

Sophie - Signed limited edition archival pigment print - Edition of 10 A classical approach, sensual not sexual This image was captured on film in 1995. The negative was scanned ...

A black and white self portrait of Mark Morrisroe masturbating, Untitled (Self Portrait) 1984/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 3...

Total Edition of 15 signed and numbered Also available in: 90 x 120 cm / 35.4 x 47.2 in 120 x 160 cm / 47.2 x 63 in Thierry Le Gouès, born in Britta...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of famous singer and songwriter Michael Jackson. From personality portraits and adverti...

Comedian Robin Williams cries like his new baby son Zachary for Jack Mitchell's camera, photographed in 1984. This is a vintage gelatin silver print, selenium toned, 11 x 14" made by...

Groom with the White Arabian, CA, Black and White Nude Male with Horse Tress 1996 Signed, titled, dated, and numbered in ink, recto Gelatin silver print (Edition of 50) 14.75 x 1...

16 x 20" vintage silver gelatin photograph, multiple exposure male nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Arch...

'Priscilla, 1970' by Joseph Szabo Gelatin silver print, printed later Edition 68/75 from the 16" x 20" SOLD OUT edition Signed, titled, and numbered '68/75' in the margin, recto Sig...

14" x 18" sight size. 24.5 x 28 mat size. Ryan Weideman NYC taxi cab driver street photography (the good old fashioned days of yellow cabs pre Uber and Lyft). Ryan Weideman graduated with an MFA from the California College of Arts & Crafts, In 1980 he moved to New York to pursue street photography. Influenced by the other photographers of the period including Lee Friedlander and Mark Cohen...

11 x 14" vintage silver gelatin photograph of Adagio dancers Luis Villanueve and Zinaida Yeviko, 1975, signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitch...

Actor Robert La Tourneaux, "Cowboy" from "Boys in the Band" on Broadway, and in the motion picture, photographed nude in 1970 for After Dark magazi...

Special limited edition series produced for the David Bowie Worldwide Fan Convention. This iconic image of David Bowie as The Thin White Duke was taken by renowned Rock photographer...

Title: Stevie Nicks #6 Artist: Richard E. Aaron Estate Edition: Hand numbered with estate chop mark in the margin, signature stamp on verso, archival pigm...

11 x 14" vintage silver gelatin photograph of Bejart Ballet dancer Yann Le Gac as the Angel Motorcyclist, 1979. Signed on the print verso by Jack Mitchell. Comes directly from the Ja...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel ...

Jack Mitchell (September 13, 1925 – November 7, 2013) was an American photographer. He photographed American artists, dancers, film and theatre performers, musicians and writers.[1] His portraiture, lighting skill, and ability to capture dancers in what he termed "moving stills" made him one of the most important dance photographers of the 20th century. He photographed the Alvin Ailey American Dance Theater for three decades, producing a body of work that includes over ten thousand images. He was the official photographer of the American Ballet Theatre for a decade and also photographed dancers for other top ballet companies in the US and Canada. His work appeared in major newspapers and on the cover of major magazines, including over 160 covers of Dance Magazine. Arts Magazine called him the first photographer to treat creative individuals as characters outside of their works. Smithsonian called him the benchmark by which other dance photographers assessed their own work. Early life Mitchell was born in Key West in 1925, and he was raised there and in New Smyrna Beach, Florida, where his family moved in 1931.[2][3] His father worked for the railroad.[2] He became interested in photography, and when he was twelve his parents bought him a Kodak Baby Brownie for $54.[2][3][4] Career By age 15 he had met Florida's licensing standards to obtain a press pass, by age 16 he was working as a commercial photographer,[1][5] and his first published photograph was of Veronica Lake, who was visiting Florida while on a war bonds tour.[2] Mitchell was an Army photographer during World War II, working in Italy.[2] In 1946, after returning home from the army, he set up his first studio in New Smyrna Beach.[1] In 1949, when he was 24, at the invitation of Ted Shawn, he visited Jacob's Pillow Dance and became interested in dance photography, which became a specialty.[2][5] He moved his studio to New York City in 1950.[6] He was the American Ballet Theatre's official photographer.[2] Starting in the 1961 he spent decades photographing the Alvin Ailey American Dance Theater, producing over 10,000 images of the company;[2][5] Ailey's biographer Jennifer Dunning credited Mitchell's work for "help[ing] to sell the company early on".[5] Mitchell also photographed dancers of the Boston Ballet, Les Grands Ballets Canadiens, Pennsylvania Ballet, Houston Ballet, and San Francisco Ballet.[6] Mitchell shot over 160 covers for Dance Magazine;[2] his 168th cover was published in July 2003.[4] His term for what he was attempting to capture with dance photography was "moving stills."[5] He was known as a lighting expert.[2][5] Mitchell also photographed other artists, entertainers, musicians, and writers, including John Lennon and Yoko Ono just a month before Lennon was murdered.[2] Other subjects included Leonard Bernstein, David Byrne, Truman Capote, Anthony Quinn, Jack Nicholson, Patti LuPone, Keith Haring, Neil Simon, Angela Lansbury, Twyla Tharp, Ned Rorem, Leontyne Price, Alfred Hitchcock, Spalding Gray, Ann Reinking, Andy Warhol, and Natalie Wood.[2] He spent a decade photographing Gloria Swanson.[5] His work appeared in The New York Times, Elle, Harper's Bazaar, Life, Newsweek, People, Rolling Stone, Time, Vanity Fair and Vogue, among others.[2][4][6] Mitchell was the subject of a 2006 documentary, My Life is Black and White, directed by Craig Highberger.[2] His books include Icons & Idols (1998), for which Edward Albee wrote the foreword,[2][4] and a book of his Alvin Ailey photography...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 9 x 12 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Dentist chair - Signed limited edition archival pigment print Edition of 10 This image was captured on film in 1986. This print that is being offered is a high-quality Archival P...

Gelatin silver print Signed, titled, dated, and numbered, verso 14 x 11 inches, sheet size (Edition of 5 + 2 APs) 20 x 16 inches, sheet size (Edition of 5 + 2 APs) From the series "A Tale of Two Cities...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Al Pacino is smoking a cigar, a s...

This is a unique photographic work taken by Andy Warhol. Ulrik Trojaborg was a dancer with the New York City Ballet in the 1980s and among Andy Warhol's circle of dancer friends, which included Heather Watts...

Beautiful black & white landscape photograph of forest trees and stream in the woods of Alaska, by Anchorage-based nature photographer George Provost (American, 20th Century). Hand signed and dated "George Provost 1989" lower right. Photograph is hand made from an 8x10 camera negative in a traditional "wet" darkroom, by the photographer. Mounted on white mat board. Unframed. Image size: 19"H x 15"W. Born in California, Provost grew up in the Bay Area. He has lived and worked in Alaska since 1987, specializing in large format, fine art, black and white photography. His work has been exhibited in over 60 exhibitions, received numerous awards, and is included in hundreds of collections, both public and private. George Provost was an Isle Royale...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

'Karl Lagerfeld' by Daniel Simon Karl Lagerfeld, fashion legend & designer of Chloe In France On April 02, 1979. Beautiful mint condition Open Edition Silver Gelatin Resin Print ...

Signed limited edition silver gelatin print of Morrissey by Kevin Cummins, taken standing in front of a sign reading ‘Penis Mightier Than The Sword’ during the Japanese leg of his ‘K...

Man Ray (Emmanuel Radnitsky, called) Hollywood : Mr and Mrs Woodman, 1970 Original gelatin silver print Handsigned on the back Authenticated with the artist stamp "Epreuve originale...

Hand printed silver gelatin photograph by artist. Signed in pencil lower right recto by artist. Very rare size. Framed in black wood and Conservation Clear Glass Frame dimension ...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 ...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

Signed limited edition fine art print of The Cure on the road in Holland and Belgium during their 1980 'Seventeen Seconds' tour. Signed and numbered by Jill Furmanovsky in pencil an...

The beauty of nature's rhythm is captured in this black and white landscape photograph of a forest of Aspen trees by American photographer and film maker, John Henry Johnson (America...

Title: Bob Marley #7 Artist: Richard E. Aaron Estate Edition: Hand numbered with estate chop mark in the margin, signature stamp on verso, archival pigment print on Hahnemühle Photo ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Caroline ‘ Signed by Ian Sanderson lo...

The Beatles, John Lennon, Paul McCartney, George Harrison and Ringo Starr at the President Hotel, Russell Square, London, 12 September 1963 by Norman Pa...

© Michael Putland Bob Marley Bob Marley at the Island Records office, London, July 1975. Bob Marley was a legendary Jamaican singer, songwriter, and global icon known for populari...

Elton John in a soccer match, Watford FC Shirts, 1973

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of famous actress Meryl Streep. From personality portrait...

Palm Springs Palm Trees (Californication) - 2023 20x20cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Drawn to street photography for her early work, Roberta Fineberg shot black-and-white film with a held-held 35mm camera in natural lighting in New York, Paris, and Moscow. Jazz City, New York, 1990 by Roberta Fineberg is a 10" x 8" black-and-white photograph of musicians...

11 x 14" vintage silver gelatin photograph of Artist/Warhol Superstar Ultra Violet, with friends Jason McCoy and Ron Caran, 1971, nude, photographed in 1971 in New York City. Comes d...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...