Window Black and White Photography

Café - Signed limited edition archival pigment print, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...

Café - Signed limited edition archival pigment print, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...

Unique silver gelatin contact print Provenance: The Estate of Dora Maar

Tirage 50x70cm, dont 5cm de marge blanche (photo 40*60cm). Série limitée à 5 exemplaires dans ce format, avec gaufrage à sec et certificat d'authenticité. Certains lieux laissés à l...

Robin Rice is a successful gallerist and photographer having spent the past 40 years living and working in New York City and Bridgehampton. While still the owner of the Robin Rice Ga...

Shadows cast shepherd's hooks over three crosses at El Santuario de Chimayó, the church of miracles in Chimayó, New Mexico. This beautiful fine art photograph is a standout in a...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will be after December 31st. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. ABOUT The idyllic and playful world of The Peconic Bay in Southampton, NY dances to life in Luciana Pampalone’s first solo exhibition. Each location was scouted by Pampalone and transformed into a vintage 1930s setting by the use of her models and props. A Graphlex camera, aviator goggles, parasols, retro bathing suits and games of croquet, (just to name a few) subtly tamper with the past, breathing life back into the 1930s. Moment by moment, Pampalone encapsulates the ephemeral quality of life, bending and blending human subjects within the natural landscape. Never has a world of black and white looked so colorful. In the gallery installation, a red accent wall will emphasize the spirit and energy evoked by Pampalone’s black and white photographs. The strong compositions and delicate imagery of each photograph come together to transport us into a world of amusement and joy. “Smile”, the invitational image, let us in on the surreptitious but not-so-secret powers of Pampalone as director. The woman wielding the artist’s personal ‘30s Graphlex camera confronts the male model, embodying strength, poise and an engaging sense of playfulness. Her commanding presence draws him in until he is physically leaning towards her and becomes her subject. Strong and confident, the heroine radiates the eternal spirit of adventure. Pampalone’s love of photography started at the age of 16. She was inspired by the great artists, Helmut Newton and Deborah Tuberville...

Handcrafted in the Photographers Darkroom Exhibition Quality Fibre Print Signed, dated and inscribed with title and stamped with photographers ink stamp reverso with the edition numb...

A photograph of a reflection of a ferry which produced an abstract image printed on mettalic paper :: Photograph :: Black & White :: This piece comes with an official certificate of ...

VDK VI, Mosca, 2015 C Print 120 x 150 cm edition of 5 unmounted shipping included

Stamped with artist’s estate ink stamp and numbered 1/5 on reverse Modern silver gelatin print Printed on 15 3/4 x 11 3/4 inch paper From an edition of 5 Pr...

This image is from Sarah Hadley's series Lost Venice. Each photograph is hand printed on Canson Baryta Paper, and is signed and editioned by the artist. Sarah Hadley is a Los Angel...

"Certains lieux laissés à l’abandon suscitent parfois un certain intérêt dans notre imaginaire. Notamment pour ce qu’ils peuvent charrier de mystères. Ils nous intriguent, excitent notre curiosité. Comme s’ils avaient encore quelque chose à nous dire d’eux. À nous dire de nous. Chargés d’un passé aujourd’hui devenu leur présent, de singulières atmosphères règnent en de tels endroits et nous enjoignent parfois à y pénétrer avec prudence, s’offrant ainsi à quelque visiteur opportun." Basile Ducournau Tirage numérique sur papier Etching Hahnemühle 350g, format 40x60cm, édition sur /10. Possibilité de venir récupérer le tirage directement à la galerie. Le prix...

This is a unique photographic work taken by Andy Warhol while visiting Catherine Guinness' English Estate in Gloucestershire in 1986. Work comes with a Certificate of Provenance iss...

Unique silver gelatin contact print Provenance: The Estate of Dora Maar

Stamped with Odette Arnaud and Cecil Beaton stamps on the reverse Silver gelatin print, printed circa 1950

Born in Liverpool, England, Julian Lennon began his artistic trajectory at a young age with an inherent talent for playing musical instruments. Those talents would soon broaden into ...

Gelatin silver print 11 x 14 inches; signed in pencil on recto

Window View, Chateau D'Haroue, Lorraine, France, 2013 - Michael Kenna signed, dated and numbered on mount signed, dated, inscribed with title and stamped with photographer's copyrig...

Gelatin silver print Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. Over the course of more than two decades, Bruce Crats...

Gelatin silver print Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. Over the course of more than two decades, Bruce Cratsley (1944-1998) produced a personal and highly poetic body of work with the dominant theme being the mysteries of light and shadow. Cratsley's images of inanimate objects, urban street scenes, and portraits of his friends and lovers, possess a metaphysical peculiarity reminiscent of Eugène Atget, André Kertész, or Cratsley's mentor and friend, Lisette Model. Cratsley's work is in numerous public and private collections, including the Metropolitan Museum...

Wynn Bullock (1902 – 1975) was born in Chicago and raised in South Pasadena, California. His early career was as a singer, and following high school he moved to New York where he performed in the chorus of Irving Berlin’s Music Box Revue and later with the show’s Road Company. During the mid-1920s, while performing in Europe, he became fascinated with artworks by Cezanne, Man Ray, and Lazlo Moholy-Nagy. Bullock once wrote, “My first ambition was to become a concert singer….But interpreting others’ creative work did not satisfy my own creative impulses and so I turned to photography.” Bullock bought a simple box camera and launched into amateur picture making. In 1938 Bullock enrolled at the Los Angeles Art Center School. Three years later, his work was showcased in one of the Los Angeles County Museum of Art's early solo photography exhibitions. During the 1940s, he conducted pioneering research to control the effect of solarization (a darkroom process for altering an image) and was awarded patents in the U.S., Canada, and Great Britain for a “Photographic Process for Producing Line Image.” Bullock was deeply inspired by fellow photographer Edward Weston, who he met in 1948, and Weston’s work motivated him to investigate straight photography. Throughout the 1950s, Bullock clarified his unique point of view, establishing a deep, direct connection with nature. A lifelong learner, he also read widely in the areas of physics, general semantics, philosophy, psychology, Eastern religion, and art. Bullock came into the public spotlight when Museum of Modern Art curator Edward Steichen chose two of his photographs for the 1955 Family of Man exhibition. When the exhibition was shown at the Corcoran Gallery in Washington, D.C., his photograph Let There Be Light, was voted most popular. The second, Child in Forest, became one of the exhibition’s most memorable images. By the end of that decade, his work was widely exhibited and published worldwide and in 1957, he was honored with a medal from the Salon of International Photography. During the early 1960s, Bullock departed from the black-and-white imagery for which he was known and produced a major body of work, Color Light Abstractions, which expressed his belief that light is a great force at the heart of all being. Further image-making innovation included alternative approaches including extended time exposures, photograms, and negative printing. During the 1960s and 1970s Bullock expanded his influence through other roles. In 1968, he became a trustee and chairman of the exhibition committee during formative years at Friends of Photography in Carmel, California. He taught advanced photography courses at Chicago’s Institute of Design during Aaron Siskind’s sabbatical and at San Francisco State College at John Gutmann’s invitation. In the last decades of his life, he lectured widely, participated in many photographic seminars and symposia, and was a guest instructor for the Ansel Adams Yosemite...

Gelatin Silver Print

Skylight, limited edition, archival pigment ink print, signed and number Storytelling comes naturally for photographer Keith Carter whose East Texas roots have greatly influenced hi...

signed, dated and numbered on mount signed, dated, inscribed with title and stamped with photographer's copyright ink stamp on reverse sepia toned silver gelatin print, printed 2013 ...

Lace Factories, Study 5, Calais, France, 1998 - Michael Kenna (Black and White) signed, dated and numbered on mount signed, dated, inscribed with title and stamped with photographer'...

Signed on front of the mount. Edition number and date on back of the mount. Edition of 50. May be available in various sizes. Please contact the gallery as prices and availability ar...