Archival Paper Color Photography

'Yellow Poppies' ('Mono No Aware' Series) Limited edition archival photograph. Unframed, hand signed and numbered _________________ Buds, blooms, and the fading glories of Icelandic ...

large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK I...

Confrontación de Ideales, 2002 From The series Guerreros Unique Photo-collage Sheet size: 27.5 in H x 39.5 in W Unframed Signed, titled and dated by the artist The root of these un...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works exploring the botanical ...

This is a new limited edition fine art release of a scene from the 1935 movie short, Three Little Beers featuring the legendary comedy team, the Three Stooges. This classic image has...

From a series of large scale abstract photographs of muted color monochromatic water surfaces SEASCAPE IV by Frank Schott available in two edition sizes ...

Nastasia with Gun (High Desert) - 2019 Edition 1/10, 50x50cm, Digital C-Print, based on the Polaroid. Signature label and Certificate. Not mounted. Stefanie Schneider: A German...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Boat to Nowhere - 2019 20x20 cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid, Not mounted. Signed on the back and with certificate. Artist invento...

A Young Bride Swinging - 2020 60 x 50 cm, Edition of 10 + 2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on the original reclaimed Fuji Instant Fi...

Radha Mind Screen (29 Palms, CA) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

Persephone III by Erik Pawassar 24 x 19 inches (61 x 48cm) signed edition of 25 40 x 31 inches (102 x 79cm) signed edition of 25 62 x 48 inches (157 x 122cm) signed editio...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

Plane ghost - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4638. Not mounted. ...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

"Iridian is a living masterpiece. His extraordinary colors—unique among all ducks—symbolize a centuries-old tale of love and fidelity. Originating in East Asia, mandarin ducks are re...

Troubled Henry (Stay) with Ryan Gosling - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 5091. Not...

Fair Weather (Till Death Do Us Part) - 2005, 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Josefa ‘ who was captured on film in 19...

'Compliments of the May Morning' 60 x 40" Master Edition Limited edition (1 of 5) archival photograph, hand signed and numbered. Unframed _________________...

"Blood and Milk III" charts new territory in contemporary underwater fine art photography. Set against a mesmerizing crimson background that evokes molten lava, the image captures a ...

Candid closeup of "The King" Elvis Presley blowing a kiss at the camera in 1957. Elvis was an American singer, musician, and actor. He is regarded as one of the most significant cu...

Erik at Fifteen - 2019 - 20x25cm, Edition of 10, plus 2 Artist Proofs. Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not...

Wheels by Frank Schott 48 x 60 inches / 122cm x 152cm edition of 7 signed 32 x 40 inches / 76cm x 102cm edition of 25 signed archival quality fine art pigment print limited art ed...

Color fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limit...

'Notre Dame 9' - Editions 1, 2, 3 of 10 + 2AP, archival Pigment Print, Photographed with a super-large Polaroid 20x24 camera in Paris in 2015, 90x58cm, not mounted, Signed, embossed ...

'Figure study in black and white I' 2016, Edition 2/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist invent...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism Topiary I...

Blue House (29 Palms, CA) - 1999 20x20cm each, 20x68cm installed with gaps, Edition of 10, plus 2 Artist Proofs. 3 Archival C-Prints, based on the 3 original Polaroids. Signature...

Last Dance 3 - Signed limited edition archival pigment print, 2011 - Edition of 5 Formula 1 , Preseason test, 2011 , Barcelona, Spain. Michael Schumacher's last appearance in th...

Even with my eyes closed - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL20...

Marco Pittori has always worked with photography. He uses either his own or licensed photographs, such as photographs from the renowned Los Angeles photographer Brad Elterman. "Brad’s photos provide a rare, often raunchy glimpse into a rock and roll history where it seems Brad is always at the right place at the right time, camera ready.” Pittori collects and edits the images, adding additional points of interest throughout the photograph. Marco Pittori was born 1978. He lives and works in Switzerland and has been exhibiting internationally since 1999. This artwork is a colorful depiction of the palm-lined streets of Los Angeles. This mixed media artwork has been created through a combination of screen printing and painting. Convenient local Los Angeles shipping and affordable international shipping also available. A certificate of authenticity issued by Artspace Warehouse is included. Pittori's work has been collected and exhibited internationally since 1999. Some of his public collectors include the Ramones Museum in Berlin, the Bank of Baselland, and the Gunter Sachs Collection. Public Works / Collections 2013 Sammlung Basellandschaftliche Kantonalbank, Liestal 2013 Sammlung Migros Bank, Base 2012 Ramones Museum, Berlin 2012 Sammlung Arthur Cohn 2011 Nachlass Sammlung Gunter Sachs 2008 / 2010 Rist management, Switzerland 2006 Gruner AG, Basel 2006 Psychiaterische services, Liestal, Switzerland 2005 Bank of Baselland, Liestal, Switzerland 2004 / 2007 Birshof clinic, Münchenstein, Switzerland 2003/2004/2005 Kantonalbank Baselland, Liestal, Switzerland 2002 / 2004 Cantonal Hospital, Liestal, Switzerland Solo Exhibitions (selection) 2012 Sichtbar Hamburg, kuratiert von Cosma Shiva Hagen 2011 Arlesheim Apartments 2010 Galerie Eulenspiegel "Cafe Dallas", Basel, Switzerland 2007 Galerie Louise Grossenbach, Winterthur, Switzerland 2004 / 2006 Coop, Muttenz, Switzerland 2002 / 2004 Cantonal Hospital, Liestal, Switzerland 2002 Castle fields estate, Basel, Switzerland 1999 Pathologie, Basel, Switzerland Group Exhibitions (selection) 2013 Gallery Lumas, Zurich, Vienna, Munich 2013 Cultural Association Muttenz, Switzerland 2013 Peach Editions, New York 2013 Galerie Hamburg Kennedy, New York 2012 Galerie Eulenspiegel "Nude Hollywood", Basel, Switzerland 2011 Galerie Zero, Art Plan-B Project, Berlin, Germany 2011 Kunst und Stadthalle Zug, "Pop Art in Zug", Switzerland 2011 Galerie Ohne Titel, Winterthur, Switzerland 2011 Artspace Warehouse, Basel Junction L.A., Los Angeles 2010 Gallery Lumas, New York 2010 Kunstwarenhaus, Zurich, Switzerland 2010 Workshop Wolfensberger, Atelier Exhibition with Dominique Lämmli, Celcile Wick, Samuel Burri, Switzerland 2010 International Symposium on lithography, Tidaholm, Sweden 2010 "pop art train" with Sam Shaw...

Immaculate Springs Set with Jacinda Barrett - 1998 Edition of 10, plus 2 Artist Proofs. 20x20cm, Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist i...

The Red Room (The Last Picture Show) - 2005 20x20cm. Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and Signature label. Artist Invent...

This beautiful color image features Marilyn Monroe in her starring role for 'Seven Year Itch'. The Seven Year Itch is a 1955 American romantic comedy film based on a 1952 three-ac...

Lap Dance with Light - 2018, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival Print, based on the original Polaroid. Signature label and certificate. Artist inventory PL201...

Nymph - 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1059. Not mounted...

Color capture of Muhammad Ali training in a boxing ring. Muhammad Ali was an American professional boxer and activist. Nicknamed "the Greatest", he is regarded as one of the most si...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 1/15 *Should you wish the photograph to be printed ...

FLORA lI by Christian Stoll from a series of colorful floral explosions, flower power and liquid clouds captured in water 48 x 71.5 inches (122 x 182cm) signed edition of 7 27 x 40...

Renée's Dream XV (Days of Heaven) Part of the 29 Palms, CA project. - 2006 Edition of 10, 20x20cm, Archival C-Print, based on the Polaroid. Signature label and certificate. Artis...

Somewhere in Australia, 1995 - 46x20cm, Edition of 10, digital C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

This ethereal underwater fine art photograph captures a figure suspended above submerged pool steps, rendered in soft aquamarine and pearl tones. The crystalline water creates a drea...

Many Fairytales (The Princess and her Lover) - 2007 Edition of 10, 20x20cm. Archival C-Print based on the Polaroid, not mounted, Signature label and Certificate. Artist Inventory...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Tug of War - 2021 - 40x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid, Signature label with certificate. A Artist inventory PL2021-10...

Gold, 2019 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019 - 742. ...

Shine - 2020 - 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label and certificate. Artist inventory PL2020-1005. Not ...

An underwater photo of a naked young woman wrapped in air bubbles. The photograph depicts only her body, the face is not visible. A very bright eye catching artwork. The pool was f...

"OG10LMR Triptych" Figurative Photography Edition 3/8 by Giuliano Bekor Odyssey Series Title of artwork: OG10LMR Triptych Year: 2011 Printed on a high-quality museum-grade archival ...

"Shannon", Edition 1/10, 20x30cm, 2017, digital Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Published in Tao Ruspoli's Mon...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

large scape photograph of mesmerizing water and cloudscape SEASCAPE IX by Frank Schott 58 x 58 inches ( 147 x 147cm ) edition of 7 signed 48 x 48 inches ( 122 x 122cm ) edition of...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O l by Erik ...

Groundwork 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019-762...

Every silver lining - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-980. N...

Nomad Princesses, 1996 by Jean-Michel (JM) Voge, is a contemporary color photograph 19" x 13" of two bare-breasted women with painted faces, enlarged ears, and tribal jewelry from th...

Untitled (Crimson) 40 x 40 inches / 102cm 102cm signed edition of 25 58 x 58 inches / 147cm x 147cm signed edition of 7 archival quality fine art pigment print limited art edit...

East of Eden 2019, 24x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019 -...

Ever present - 2021 80x80cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2021-1077. N...