Plastic Color Photography
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Medium: Plastic
IRIS V - unique abstraction of colors in circular glass frame (45" diameter)
By Frank Schott
Located in San Francisco, CA
a mesmerizing sea of abstract grey blue and aqua water color tones, from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's un...
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Film, Archival Ink, Archival Paper, Photographi...
Clouds 18
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 17
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 16
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 15
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
IMMORTELLES TRIPTYCH - Large scale (36 x 58 ") on Dibond under Acrylic glass
Located in East Patchogue, NY
This is a large scale Triptych of 36 x 58 " / 91 x 147 cm
Limited Edition of 7, signed by the artist, numbered, with a Certificate of authenticit...
Category
2010s Contemporary Plastic Color Photography
Materials
Archival Pigment, Plexiglass, Photographic Paper, Digital Pigment
CALICES TRIPTYCH - Large scale ( 58 x 67.5 ") on Dibond under Acrylic glass
Located in East Patchogue, NY
This a large scale Triptych : 58 x 67.5 " / 147 x 170 cm
Limited Edition of 7 signed by the artist, numbered, with a certificate of authenticit...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment
RED DOT TRIPTYCH - Large scale (66x 57"), on Dibond under Acrylic glass
Located in East Patchogue, NY
This is a large scale Triptych of 3 x (66 x 18.3 "), total 66 x 57 " / 167 x 144 cm
Limited Edition of 7, signed by the artist, numbered , with a Certificate of authenticity.
Print...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment
Clouds 12
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 14
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 13
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
BLUE SOL ( on Dibond under Acrylic glass)
Located in East Patchogue, NY
Limited Edition of 7, signed by the artist, numbered , with a Certificate of Authenticity
Printed on Kodak Pro Endura, Mounted on aluminium Dibond, under acrylic glass
Slim case fram...
Category
2010s Contemporary Plastic Color Photography
Materials
Archival Pigment, Plexiglass, Photographic Paper, Digital Pigment
RED ANEMONUS TRIPTYCH, large scale (66 x 48.5 ") on Dibond under Acrylic glass
Located in East Patchogue, NY
This is a large scale Triptych of 3 x (66 x 15.6 "), total 66 x 48.5" / 167 x 123 cm
Limited Edition of 7, signed by the artist, numbered, with a ...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment
CHERRY BLOSSOM TRIPTYCH, large scale (66 x 59 ") on Dibond under Acrylic glass
Located in East Patchogue, NY
This is a large scale Triptych of 3 x (66 x 19 "), total 66 x 59 " / 167 x 150 cm
Limited Edition of 7, signed by the artist, numbered, with a cer...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment
POPPING KLEIN TRIPTYCH- large scale (66 x 55"), on Dibond under Acrylic glass
Located in East Patchogue, NY
This is a Triptych : 3 x ( 66 x 16 "), total 66 x 50 "
Limited Edition of 7, signed by the artist, numbered, with a certificate of authenticity
Printed on Kodak Pro Endura,
Mounted ...
Category
2010s Contemporary Plastic Color Photography
Materials
Archival Pigment, Plexiglass, Photographic Paper, Digital Pigment
CLEMATITES I - ( on Dibond under Acrylic glass )
Located in East Patchogue, NY
Limited Edition of 7
Printed on Kodak Pro Endura,
Mounted on aluminium Dibond, under acrylic glass
Slim case framing, Aluminium braces at the back.
From the Series "Designed by Nat...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment
POPPING POPPIES TRIPTYCH - large scale 66 x 57 ", on Dibond under Acrylic glass
Located in East Patchogue, NY
This is a large scale Triptych : 3 x (66 x 18.3 ")
Limited Edition of 7, signed by the artist, numbered, with a Certificate of autenticity
Printed on Kodak Pro Endura,
Mounted on a...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment
Honey Perfume Rose Wall Flower
Located in Brooklyn, NY
"Honey Perfume" by James Chadwick from his Wall Flower series is inspired by the deeply saturated images of Bertram Park from the 1930's and 40's. Includi...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass
RED DOT SOL II TRIPTYCH- Large scale ( 66 x 56 ") on Dibond under Acrylic glass
Located in East Patchogue, NY
This is a large scale Triptych 3 x (66 x 18 ")
Limited Edition of 7, signed by the artist, numbered, with a Certificate of Authenticity
Printed on Kodak Pro Endura,
Mounted on alumi...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment, Photographic Paper, Digital Pigment
TULIP TRIPTYCH - Large scale ( 66 x 56 " ) on Dibond under Acrylic glass
Located in East Patchogue, NY
This is a large scale Triptych : 3 x (66 x 18 "), total : 66 x 56 " / 167 x 142 cm
Limited Edition of 7, signed by the artist, numbered , with a Certificate of authenticity
Printed o...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment
Gathering, Limited Edition Photograph, Plexifacemount, Trees, Blue, Green
Located in Riverdale, NY
Gathering is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 20". It is filled with Blues and Green colors. It is $1,650. This is an edition of 30. It was originally photographed in 2012.
Nancy C. Woodward is an award winning photographic and mixed media artist.
Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view.
Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Paper, Archival Pigment
First of May, Limited Edition Photograph, Plexifacemount, Trees, Blue, Green
Located in Riverdale, NY
First of May is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 24". It is filled with Blues and Green colors. It is $1,850. This is an edition of 30. It was originally photographed in 2012.
Nancy C. Woodward is an award winning photographic and mixed media artist.
Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view.
Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Paper, Archival Pigment
CHERRY BLOSSOM ( on Dibond under Acrylic glass )
Located in East Patchogue, NY
Limited Edition of 7, signed by the artist, numbered, with a certificate of authenticity
Printed on Kodak Pro Endura,
Mounted on aluminium Dibond, under acrylic glass
Slim case fram...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment
Lost 3 - Aerial photography
Located in New York, NY
Aerial photography that was not stages, manipulated or color corrected by Klaus Leidorf.
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
The girl in the mirror
Located in Milano, IT
THE GIRL IN THE MIRROR
2022
From “Art Beyond Imagination” project
Print run 9+2PA
Digital Photography Fine art print on Fineart Hahnemule photo Luster 260GSM, Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm
Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition (9 + 2PA), signed and certificated by the artist
More sizes within the edition 9 + 2PA:
CM 60X80
CM 30X40
Art Beyond Imagination is a project that creates a bridge, a dialectic between ancient and contemporary art by opening up to new visions and perspectives that expresses creativity that leaves nothing to chance and which at the same time manages to be free. It is a peculiar research by Monica Silva...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Digital, Digital Pigment
Clouds 11
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 10
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Do androids dream of electric sheep?
Located in Milano, IT
DO ANDROIDS DREAM OF ELECTRIC SHEEP?
2022
From “Art Beyond Imagination” project
Print run 9+2PA
Digital Photography Fine art print on Fineart Hahnemule photo Luster 260GSM, Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm
Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition (9 + 2PA), signed and certificated by the artist
More sizes within the edition 9 + 2PA:
CM 60X80
CM 30X40
Art Beyond Imagination is a project that creates a bridge, a dialectic between ancient and contemporary art by opening up to new visions and perspectives that expresses creativity that leaves nothing to chance and which at the same time manages to be free. It is a peculiar research by Monica Silva...
Category
2010s Pop Art Plastic Color Photography
Materials
Digital, Digital Pigment, Plexiglass
Clouds
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 3
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Juicy vision
Located in Milano, IT
JUICY VISION
2019
From “Sexy pop fruits” project
CM 120X90
Print run 2/7+2PA
Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm
Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition
(7 + 2PA), signed and certificated by the artist
More sizes within the edition 7 + 2PA:
CM 80x60 (plexiglass on alluminium dbond 3mm)
CM 40X30 (unframed, in design folder)
Sexy Golden Fruit celebrates the classic symbolism linked to food in a gold version and transforms the art of good food into pop art. The images of the Sexy Golden Fruit project are inspired by classic art with pop-style interpretations of fresh fruit and vegetables painted in gold. The classic iconography of the “natura morta” has always been a stratagem to deal with the sexual and sentimental sphere: in fact, since the Middle Ages, we have numerous examples in history of the erotic life through the use of food which, today as then, is an element of everyday life. Catullus also wrote innumerable poems on food as a metaphor for the sexual sphere. A perfect cultural liaison: elements of the artistic and culinary tradition, intrinsic to a latent and profoundly pulsating feeling in living within each one of us "."Sexy Golden Fruit Series", where "the iconographic references are a mere starting point for a desecration practised paradoxically by painting the fruits in gold, with an overbearing allusion to the sexual metaphor that belongs since antiquity to the painting genre. Once again, if photography often wearily insists on a pleonastic exercise of hyper-realism that is inherent to the medium, it applies a sort of hyper-anti-naturalism. These fruits are above all thought-provoking, bold icons”. “Monica Silva...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital, Digital Pigment
Clouds 2
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 6
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 7
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Archival Pigment, Plexiglass
Time Lapse Christopher Street, NYC - Last Piece
Located in East Patchogue, NY
!!! LAST EDITION OF "CHRISTOPHER STREET " AVAILABLE IN ALL SIZES !!!
Printed on Kodak Endura Pro mounted on Dibond aluminium, under .24" acrylic glass, framed in a silver slim case...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 18
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Glow Words no. 1, Cotton Candy, Fine Art Photography, Mounted in Plexiglass
Located in Armonk, NY
Glow Words no. 1, Cotton Candy is a fine art photograph mounted in plexiglass. Allyson sees the world through a unique lens, her work ranges from urban graffiti to capturing differen...
Category
2010s Other Art Style Plastic Color Photography
Materials
Plexiglass
Renaissance - Revival 16
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 17
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Candy Warhol By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Renaissance - Revival 14
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Belles Demoiselle By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Candy Warhol By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Plastic Fantastic By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Renaissance - Revival 15
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Love Addiction TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
The Adoration Of The Magi By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Spirit Rider By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
The Adoration Of The Magi By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Love Addiction TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Angels & Demons By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Like A Painting By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
The Parable Of The Blind By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Belle Demoiselle By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Candy Warhol By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Welcome To Wonderland By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
The Last Warrior By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Spirit Rider By TOMAAS
By TOMAAS
Located in PARIS, FR
All prints are Museum-quality glossy paper placed under a 4mm Crystal Clear High-End acrylic glass that delivers an unbelievable depth and the most accurate, vivid and vibrant colors...
Category
2010s Pop Art Plastic Color Photography
Materials
Plexiglass, Digital
Plastic color photography for sale on 1stDibs.
Find a wide variety of authentic Plastic color photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add color photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink, purple, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Paul-Émile Rioux, Stefanie Schneider, Allyson Monson, and Tyler Shields. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plastic color photography, so small editions measuring 0.1 inches across are also available
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