1980s Color Photography

Slim Aarons - Cortina d'Ampezzo - Estate Stamped Edition Snowboarding in Cortina d’Ampezzo, March 1988 (Photo by Slim Aarons). This photograph epitomises the travel style and gl...

Giacomo and Stefania Mantegazza welcome guests arriving by boat at their villa, La Casinella, on Lake Como, 1983. Brilliant green trees contrast with the vivid orange, reds and turquoise of the architecture. Four boats can are afloat on the deep blue of the lake. Slim Aarons Giacomo Montegazza, Villa La Casinella, Lake Como Slim Aarons Estate Edition Stamped and hand numbered by the Slim Aarons Estate. Chromogenic Lambda print from the original transparency Printed Later Certificate of Authenticity included Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Now in his 70s, Giacomo Mantegazza...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

'Catherine Wilke' 1980 Slim Aarons Limited Estate Edition Print Catherine Wilke joins the topless sunbathers at the Hotel Punta Tragara on the island of Capri, Italy, 1980. Slim Aa...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

Edition of 25 Signed and numbered by Peter Brown. On The Plains (1999) Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University...

Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

Eva Maria Lopez 1989 C-print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Eva Maria Lopez takes...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel...

Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of...

Romantic Couple - Signed limited edition archival pigment print 1988, Edition of 10 Paris,Montmartre This image was captured on film in Paris in...

Holidaymakers in Armacao dos Buzios, Brazil, January 1983. On a sparkling day, Slim Aarons captures a glamorous scene of vintage sunbathers relaxing...

A lone man carrying plastic shopping bags stands defiantly in front of a column of tanks during the Tiananmen Square Massacre, Beijing, China, June 4th 1989. TITLE: Tiananmen Square 1989 PHOTO: Stuart Franklin / Magnum Photos...

Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of...

Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of...

Joan Jett - Limited Edition Mick Rock Estate Print Joan Jett, I Love Rock’n’Roll album cover photograph, 1981. (photo Mick Rock). All prints are numbered...

Hubcap, subtle interior photography from the Richard Heeps series Ordinary Places, photographing Britain on the brink of change. It was Richard's first colour collection and was shot...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 prints as follows: 18X24, Edition 70 24X32, Edition 30 LOS ANGELES, CA - FEBRUARY 14: Roger Taylor...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 ...

Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of...

'Clifftop Pool' 1985 Slim Aarons Limited Estate Edition Print Guests around the clifftop pool at Warren Avis' villa 'La Barranca', Las Brisas, Acapulco, Mexico, January 1971. Sli...

Historic portrait photography of the first man to fly untethered in space. Above the earth in 1984, NASA Astronaut Bruce McCandless and his Manned Maneuvering Unit (MMU). Crewmembers aboard the space shuttle Challenger nearby used a 70mm camera to photograph McCandless through windows on the flight deck. This is an 8" x 10" vintage chromogenic print on RC paper, numbered in red type on recto: NASA (S84-27017) in upper left margin with the "A Kodak Paper" watermarks on verso (photo back). Provenance: Private Collector The “red number” NASA prints...

Robert Fichter Title: Jonah Date: 1980 Original Polaroid Large Format Print (Photo-Internal dye diffusion transfer) Location: Cambridge Massachusetts United States Dimensions: Image: 27 1/2 x 20 1/2 in. (69.9 x 52.1 cm), Paper: 29 1/4 x 21 1/2 in. (74.3 x 54.6 cm) This depicts a large mouth fish with a toy soldier and Asian art (tattoo art?) in an abstract assemblage collage. From "Five Still Lifes" New York: Paradox Editions, Ltd., 1980. 5 original Polaroid color prints. Each hand signed, titled, dated and numbered 37/40 in ink in the margin. Each approximately 24 x 20in (image size). Each is on original as there are no negatives in this process. The photographers included: Robert Cumming, Robert Fichter, Betty Hahn, Victor Schrager...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 ...

Slim Aarons Estate Print - Portofino - Oversize 1985, The most exclusive fishing village in Italy, Portofino, on Italy’s Ligurian coast. Slim Aarons Chromogenic C print Printed L...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 ...

Title: Linda Ronstadt #7 Concert Photo Artist: Richard E. Aaron Estate Edition: Hand numbered with estate chop mark in the margin, signature stamp on ve...

Betty Hahn Title: Belladonna Date: 1980 Original Polaroid Large Format Print (Photo-Internal dye diffusion transfer) Location: Cambridge Massachusetts United States Dimensions: Image: 27 1/2 x 20 1/2 in. (69.9 x 52.1 cm), Paper: 29 1/4 x 21 1/2 in. (74.3 x 54.6 cm) This depicts a still life of a flower with an old botanical drawing print plate. From "Five Still Lifes" New York: Paradox Editions, Ltd., 1980. 5 original Polaroid color prints. Each hand signed, titled, dated and numbered 37/40 in ink in the margin. Each approximately 24 x 20in (image size). Each is on original as there are no negatives in this process. The photographers included: Robert Cumming, Robert Fichter, Betty Hahn, Victor Schrager and William Wegman. The photos were produced in the Polaroid Corporation’s 20×24 studio in Cambridge, Massachusetts. This is an internal Dye Diffusion print (large format) Polaroid print. These are exceedingly rare now. This format was used by many of the leading photographers of the second half of the 20th century, among them Peter Beard, Chuck Close, David Levinthal, Robert Frank, David Hockney, Lucas Samaras, Andy Warhol, Robert Mapplethorpe and, perhaps most significantly, Ansel Adams More recently Ellen Carey has created large abstract masterpieces using this format. Betty Hahn (born 1940) is an American photographer known for working in alternative and early photographic processes. She completed both her BFA (1963) and MFA (1966) at Indiana University. Initially, Hahn worked in other two-dimensional art mediums before focusing on photography in graduate school. She is well-recognized due to her experimentation with experimental photographic methods which incorporate different forms of media. By transcending traditional concepts of photography, Hahn challenges the viewer not only to assess the content of the image, but also to contemplate the photographic object itself. Betty Hahn was born on October 11, 1940 in Chicago, Illinois where she also grew up. At the age of ten, Hahn was given her first camera by an aunt. Hahn later on went to graduate from Scecina Memorial Catholic High School. Soon after, she enrolled at Indiana University with a full scholarship where she furthered her studies in Fine Arts, receiving both her BFA (1963) and her MFA (1966). Throughout her undergraduate years, she concentrated in drawing and painting; however, as she entered graduate study, she worked in photography. During this important developmental period, Hahn studied under one of the most well-known photography teachers of the time, Henry Holmes Smith, who encouraged Hahn's work in alternative processes. Once she graduated, Hahn moved to Rochester where she taught at the Rochester Institute of Technology until 1975. Hahn then relocated to Albuquerque where she was professor at University of New Mexico until her retirement in 1997. Hahn is best known for her explorations of alternative processes in photography, using both older methods of darkroom developing such as gum-bichromate and cyanotypes, with other art mediums, including hand-painting and even embroidery. She is noted as one of the first photographers to successfully integrate such a variety of art mediums. Hahn encourages the viewer to think more deeply through not only the use of different physical processes in her artwork, but also through the multiplicity of meanings in her photographs. In most of her work, Hahn integrates humor and irony as she explores the meanings generated by formal combinations. Some of her prints include the sprocket holes of the 35mm negative, which allude to its 35mm film origins: but by hand coloring with bright paints, she draws attention to the mixture of craft with industrial mediums. Once she started experimenting with the gum-bichromate process, Hahn started stitching into her photographs. Printing onto canvas and other fabrics allowed her to use thread to highlight certain aspects of the photograph. In combining her photographs with conventional practices, Hahn successfully intertwines formal and conceptual aspects. Not only does she speak to the mundane tasks of everyday life, but also about routine and normativity. In highlighting the ordinary in her work, Hahn elevates and revives that which has been lost in the practice of daily life. Embroidery references femininity, as Hahn underlines the feminist issue of the anonymity of women's handicraft. Her embroidery often emphasized flowers with its three-dimensionality, furthering the idea of femininity; she later on pursued this as a symbol and incorporated it in several of her other series. In her work, Hahn delivers a powerful feminist message in regards to women and embroidery. It is quite evident through time that women's labor is needlework, and that their labor is frequently undervalued as craft both when dissimilar and alike to men's work. In a time period where men overshadowed women in the traditional art, such as painting and sculpture, women oftentimes reverted to other mediums like textiles. It has been suggested that women's work, especially in embroidery, is of little value in the art field since it is considered a craft. Since "arts and crafts" are more often than not paired together, it is obvious they are in the same category; however, there is a clear distinction. For 300 years, women have been taught needlework through practice and tradition, and in inadvertently, promoted obedience and household effeminate behavior. As a result, instead of regarding stitching as an art, many viewed it as a thoughtless skill, lacking originality. On the contrary, however, it is far more than evident that the hand of woman is more than a mindless and conforming thing, it is one of sensitivity, thought, patience, perseverance, and strength. By incorporating embroidery and stitching, Betty Hahn pushes the audience to acknowledge the work of women not as craft or tradition, but as meticulous, creative and unique. Exhibitions The Division of Photographic History at the Smithsonian Institution exhibited Hahn's work in a group exhibit in the 1960s as a part of a developing series of displaying the works of women photographers. Afterwards her work was featured in multiple thematic exhibitions at the Smithsonian. Hahn's first solo show exhibiting her work was in 1973 at the Witkin Gallery in New York City. Thereafter, she received several grants from the National Endowment for the Arts in 1974, 1978, and 1983 to continue her work in explorative photography. Hahn's art has been exhibited throughout the country and worldwide featured in museums highlighting historical processes in Baltimore, Maryland (1972) and nature photography exhibitions in Osaka, Japan (1990). Her work has been displayed at the Albuquerque Museum of Art and Art History (2017), Phoenix Art Museum (2015), and the George Eastman House (2012, 2016). Hahn's work is held in private collectors, galleries, and in permanent museum collections, including the San Francisco Museum of Modern Art, Center for Creative Photography and the Museum of Modern Art. Exhibitions 1996 – George Eastman House International Museum of Photography and film, Rochester, New York 1997 – A History of Women Photographers, Akron Art Museum 1997 – Eye of the Beholder, Photographs of the Avon Collection, International Center of Photography, Midtown, New York City 1998 – Passing Shots: A Travel Series, University of New Mexico Art Museum, Albuquerque, New Mexico 1998 – The City Series, Taos, Albuquerque, Santa Fe, Cedar Rapids Museum of Art, Cedar Rapids, IA 1999 – Photography Or Maybe Not, a Betty Hahn traveling retrospective, Mikhailovsky Palace, St. Petersburg, Russia 2000 – 20/20 Twentieth Century Photographic Acquisitions by 20 leading patrons, Museum of New Mexico, Museum of Fine Arts 2000 – Photography Or Maybe Not, a Betty Hahn traveling retrospective, Santa Fe de Granada, Spain 2001 – In the Eyes of the Beholder: Ten Photographers View Albuquerque, The University of New Mexico Hospital, Albuquerque, NM 2002 – Sun Works Contemporary Alternative Photography, The Art Institute of Boston 2002 – Flowers from the Permanent Collection, The Albuquerque Museum, Albuquerque, New Mexico 2004 – 30th Anniversary Permanent Collection Exhibition, New Mexico State, University Art Gallery, Las Cruces, New Mexico 2005 – New Mexico State University Art Gallery, Las Cruces, New Mexico 2005 – Ace in the Hole, the legacy of Peter Walch, University Art Museum, University of New Mexico, Albuquerque, NM 2006 – The collectible moment, Norton Simon museum, Pasadena, California 2006 – The Social Lens, University of Virginia Art Museum, Charlottesville, Virginia 2007 – Seeing Ourselves: Masterpieces of American Photography, A Traveling 2007 – Exhibition, George Eastman House, Rochester, New York 2008 – Flower Power: a Subversive Botanical, New Mexico Museum of Art, Santa Fe, NM 2008 – Bernalillo County Arts Board Gallery, One Civic Plaza NW, Albuquerque, NM 2008 – Giving Shelter 516 Arts Albuquerque, NM (A Sister Exhibition to the Cradle Project) 2008 – Betty Hahn, Joyce Neimanas, and Judith Golden, Harwood Art Center Albuquerque, NM 2009 – Through the Lens: Creating Santa Fe, Palace of the Governors, The New Mexico History Museum, Santa Fe, 2009 – Altered Land: Photography in the 1970s, Sheldon Museum of Art, University of Nebraska, Lincoln, Nebraska 2010 – Sole Mates Cowboy Boots & Art, New Mexico Museum of Art 2010 – Rock Scissors Paper, Anderson Contemporary Arts, Albuquerque, NM 2010 – Recollection 2010, Works from the Colorado Photographic Arts Center, The Central Library, Vida Ellison Gallery, 2012 – 60 From the 60's (an exhibit of influential photos from the 1960s) George Eastman House, Rochester, New York 2012 – Albuquerque Now-Fall and Albuquerque Now-Winter, The Albuquerque Museum of Art and History, 2013 – It's About Time: 14,000 Years of Art in New Mexico, The New Mexico Museum of Art, Albuquerque, NM 2014 – Alternative Lineage – Honoring Betty Hahn; 5 Decades of Mentoring 2014 – Alternative Photographic Processes, Center for Photographic Art Carmel, California 2014 – Alternative Lineage, Northlight Gallery, Arizona State University, Tempe, Arizona 2014 – Transformational Imagemaking, Handmade Photography Since 1960 2014 – An Exhibition Curated by Robert Hirsch, CEPA Gallery, Buffalo, NY 2014 – Museum Project, dnj Gallery, Santa Monica, California 2014 – American Heritage Center and Art Museum, University of Wyoming, Laramie, Wyoming 2014 – Hubbard Museum of the American West, Ruidoso, New Mexico 2015 - One-Of-A-Kind, unique photographic objects from the Center of Creative Photography, University of Arizona, 2015 – Unconfined – Empowering Women Through Art, African American Performing Arts Center, New Mexico Expo, 2015 – Visualizing Albuquerque: Art of Central New Mexico, Albuquerque Museum, Albuquerque, NM 2015 – Healing ... For the Time Being, A mixed media exhibition in conjunction with On the Map: Albuquerque Art and Design, Jonathan Abrams MD 2015 – The AIPAD Photography Show, Represented by Joseph Bellows Gallery, New York, New York 2016 – Transformational Imagemaking, traveling exhibition March-16- April 16; Muhlenberg College, Allentown, Pa. 2016 – Fall-Rochester Institute of Technology, Bevier Gallery, Rochester, NY 2016 – 60 from the 60's: Selections from the George Eastman Museum, At the Hyde Collection, Glens Falls, New York (The featured artists included were Harry Callahan, Benedict J. Fernandez, Hollis Frampton...

U2 On Tour By Martyn Goddard Signed Limited Edition U2 in their tour van at Leeds University 1980 All prints are signed and numbered by the artist. Paper size 16x20 inches pri...

Neo-Classical Pool Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman’s parents in Palm Beach, Florida, 1985. Pho...

Victor Schrager Title: Olympia Date: 1980 Original Polaroid Large Format Print (Photo-Internal dye diffusion transfer) Location: Cambridge Massachusett...

Slim Aarons Porto Ercole 1980 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A jetty juts out from a rocky shoreline in...

Prison Visit by Alain Le Garsmeur A prisoner with his visiting children in Tegucigalpa main prison, Honduras, Central America, 1981. Paper size 30 x 20 inches / 76 x 50 cm Printed ...

'Sunbathing On Capri' 1980 Slim Aarons Limited Estate Edition Catherine Wilke joins the topless sunbathers - along with Elisabetta Catalano, Charlotte Ticken and Pamela Grupas - on ...

Isletas Family by Alain Le Garsmeur Banana plantation workers outside their homes, Isletas banana plantation, Honduras, Central America, 1981. Paper size 20 x 24 inches / 50 x 60 cm Printed in 2022 - produced from the original transparency Archival Pigment Print and limited edition per paper size offered. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Galerie Prints is proud to share with you this extraordinary body of Alain Le Garsmeur's insightful and beautifully captured photographic work, from the late 1970s and early 80s. Alain Le Garsmeur (1943 - ) is an award-winning editorial documentary photographer for publications which included Figaro Magazine,
The Independent, Newsweek, and The Observer
as well as The Sunday Times. Born in France, he later moved to London where he studied at The Ealing College of Art Photography School. He soon became an assistant to great photographers such as Helmut Newton, Guy Bourdin, and Donald Silverstein, working in both Paris...

Slim Aarons Alison Cain in Capri 1989 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. US fashion model Alison Cain with ...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Abaco Islander Author Chester Thompson at work in his coconut grove on the Abaco Islands of the Bahamas, March 1986. His ancester Wyannie Malone settled on the islands in 1783, foun...

Polo Prince 1985 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. August 1985, Charles, Prince of Wales, a...

Plantation Cocoyer People relaxing in the bar at Plantation Cocoyer, Cocoyer Beach, Haiti, February 1981. Photo by Slim Aarons Paper size 20 x 30 inches / 51 x 76 cm Slim Aarons...

'Porto Ercole' 1980 Slim Aarons Limited Estate Edition Print A jetty juts out from a rocky shoreline in Porto Ercole, Tuscany, August 1980. Slim Aarons Chromogenic C print Print...

Slim Aarons' Pool at Porto Rotundo, an Estate Edition photograph, is a vintage scene of pleasure yachts moored in a sandy cove at Porto Rotondo, Sardinia, July 1990. Visual Description: Yachts moored in a turquoise cove offset by deeper blue sea, surrounded by the dramatic cliffs of a rocky shore. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Saint-Tropez, France is a glamorous vacation destination west of Nice and east of Marseille in the Var department of the Provence-Alpes-Côte d'Azur region, Southern France. The adjacent narrow body of water is the Gulf of Saint-Tropez. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Saint-Tropez Beach Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Collector will get the next number in the edition 72 x 48 inches $4900 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons Poolside Photography, Porto Rotondo, Vintage Seascape, Vintage Sardinia, Vintage Yachts...

Church Congregation by Alain Le Garsmeur A congregation outside the Independent Presbyterian Church, Savannah, Georgia, USA, 1983. Paper size 20 x 16 inches / 50 x 40 cm Printed in...

In 1986 African-American musician Dee Dee Bridgewater left the United States and moved to Paris, France where she lived for the next fifteen years with her family, two daughters and ...

Neo-Classical Pool Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman’s parents in Palm Beach, Florida, 1985. Sli...

Slim Aarons Pool At Porto Rotondo 1982 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A sw...

A marquee for an Art Deco Movie theater in Denton, Texas is photographed with meticulous precision by street photographer Mitchell Funk. Funk's approach...

SLAVES WE WERE, 1982, color photograph, signed and dated and titled in ink, numbered 3/50, sheet 12 x 16”. Hand signed, titled and has the edition number on the recto. Gerard Allon, photographer, born 1949, Casablanca, Morocco. Immigrated to Israel in 1974. In 1985 Allon left Israel and established himself in Canada. He became interested in holography and developed a patent for the "holoposter" .Gérard Allon (Moroccan, Israeli) was born in 1949 in Morocco, grew up in Algiers, then in France. He learned French literature at the Lille University and worked as director assistant for the cinema and the French television. At age 24 he went to Israel and made a movie on the first Jewish settlement on the Golan Heights. From 1975 he has developed an Artist photographer career. The transformation of the camera arts in Israel began in the summer of 1975 with a juried exhibition in Tel Aviv entitled Through the Lens of Immigrant Photographers. Held under the auspices of the Ministry Of Education and Culture, the exhibition included six artists selected by a jury: one of them, the then-unknown Gérard Allon. To include him was an act of almost prophetic clairvoyance, since both as an artist and a photographer, Allon was destined to play a most important role in the renewal of the art in Israel, above all in the field of commercial and fashion photography. Together with a handful of other young photographers active at the time (among them the immigrants Yosaif Cohain and Neil Folberg, and Israelis educated abroad, such as Hanan Laskin, Avi Ganor, and Micha Kirshner), Allon was instrumental in bringing much-needed foreign influences into the insular bubble of local photography. He belongs to the younger generation of camera artists who have established new standards and have brought Israel Photography...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Miranda‘ who was captured on film in 198...

Slim Aarons Porto Ercole Harbour 1980 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Yachts moored to a pontoon in Port...

Kenneth Snelson (American, 1927-2016). Photograph depicting a panorama of the Seine river and bridges in Paris, France Hand signed, dated 1985, numbe...

Isletas Homes by Alain Le Garsmeur Banana plantation workers outside their homes, Isletas banana plantation, Honduras, Central America, 1981. Paper size 16 x 20 inches / 40 x 50 cm ...

Isletas Ice by Alain Le Garsmeur People wait by an ice cream cart in Isletas near Isletas banana plantation, Honduras, Central America, 1981. Paper siz...

Kentucky Thoroughbred by Alain Le Garsmeur A thoroughbred horse on the Calumet horse farm, Blue grass country, Lexington, Kentucky, USA, 1984. Paper size 30 x 40 inches / 76 x 101 c...