Animal Color Photography

An amusing colour photographic print of cows sunbathing on a sandy beach in Tarifa, Southern Spain. C Type Colour Print Fuji Professional Matt Paper Limited Edition Print ...

I lived in London for about 3.5 years but I never made my way to Scotland. The minute I photographed my highland cow I instantly regretted it. They all have long hair but this guy wa...

Archival pigment print on Fine Art paper 305g (Matt Appearance). Limited edition of 7 for all print Sizes. Title : " Bleus Refuges" (EN : Blue Shelters) Artist : Johann Fournier (FR)...

From the "Lost series". An aerial photography that was not manipulated or color corrected.

Anna Archinger The Far Away Princess (Equine Art, Horse, Marwari, India, Rare Breed) Archival Pigment Print on Canson® Infinity Platine Fibre Rag Year: 2025 Image Size: 11.7 x 8.3 x ...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

David Burdeny Elephant Mother and Calf, Amboseli, 2020 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and...

Signed and numbered on label, verso Archival pigment print Please note that prices increase as editions sell. This artwork is offered by ClampArt, located in New York City.

'Palm Springs Riders' A group of riders among Washingtonia palms in Andreas Canyon, Palm Springs, southern California, January 1970. 40 x 30" inches /...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Sandersonia Dragonfly Butterfly X-Ray Photography Lambda Print on Dibond Nature - Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific background, being an engineer and physicist, and his passion and love for flora and fauna. His focus is on the essence of nature. This process takes a sense of beauty, but also technical knowledge and insight. The animals (found dead) he uses, are placed in an optimal position together with plants and other crops. This setup, called a Biorama, is placed for a X-ray and by radiation fixated on film. For this work van ’t Riet received a special permit. Because he is specialised in working with this equipment he is able to make a picture in just one take. This is complicated because, for example, a thin leaf needs another approach than a fat...

Edition of 6 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 31 x 36 in. Image: 24 x 30 in...

Boy with Calf, 1996 by Jean-Michell Voge, is a contemporary color print 19" x 13" of a nomadic tribal child from the Surma tribe, painted from head to toe, posing with a calf with mu...

Flora 25 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edition of 6. Culatto's new series 'Flora' features a selection of plant lif...

Oscar - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Named Oscar the time to photograph it, this lobster returned to live in the sea... No animals were mistreated during the photoshoot. Signed + numbered by artist with certificate of authenticity, unframed Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Available sizes ( Image size , the white margin is not counted): 39 x 35 cm / 15,35" x 13,77" - Edition of 5 60 x 67 cm / 23,62" x 26,38" - Edition of 5 ( 4 available ) 102 x 91 cm / 40,15" x 35,82" - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. Ian produced images over a 35 year career. For most he worked as both a Commercial and Fine Art photographer; during his last years concentrated on his personal archive. Ian and his partner have worked for many years with alternative printing techniques, Platinum Palladium, Silver Gelatin, Lith or Gum Bichromate. This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. Platinum Palladium printing is a traditional photographic technique which precedes silver gelatin prints technique. Many photographers have worked with it in the past as Irvin Penn, Manuel Alvarez Bravo, Robert Mapplethorpe, Sebastiao Salgado o Ormond Gigli with its Platinum with gold leaf print 'Girls in the Windows'. For this type of print, the original Platinum Palladium technique is more advanced by adding another precious metal that only a handful of artists in the world have the expertise to practice it today. Ian Sanderson Studio works with silver or gold leafs depending on the desired rendering. These precious metals bring longevity and rarity to the print but also a tonal range and depth unmatched by digital printers which are valued by collectors. Ian Sanderson studio continues to create rare and personalised pieces thanks to the work of Ian's life partner. Styles: Colour photography, 21st century, Archival print, Long room, kitchen decorative...

In this series, Zilberberg creates animal montages as an expression of self-therapy, drawing attention to mindfulness and nature conservation. As an urbanite, functioning day-to-day ...

'Bernardini' (March 23, 2003 – July 30, 2021) was a champion American Thoroughbred racehorse who won the 2006 Preakness Stakes and Travers Stakes. Series: Studio Portraits, 'Bernardini', 2009 by John Reardon...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Cape Cross, 2009 by John Reardon Archival Pigment Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of (after) Whistlejacket - Contemporar...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Anna Archinger A Modern Princess (of India) (Equine Art, Horse, Marwari, Rare Breed) Archival Pigment Print on Canson® Infinity Platine Fibre Rag Year: 2025 Image Size: 11.7 x 8.3 x ...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Edition of 6 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 31 x 36 in., Image size: 24 x...

From Brad Wilson's Affinity Series Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environme...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Will Adler's studio in Santa Barbara. Will Adler Malibu, 2009 16 x 24 inch archival pigment print Edition 3 of 8 Signed on adhesive certificate Other sizes are available from the same edition. 30" wide, 40" wide, and 50" wide. Please inquire for pricing. Artist Biography - Will Adler is a 38 year old west coast photographer known for his distinctive take on the surf world. Adler's laid back, light infused images, (as often of women surfers as men) convey the spirit and atmosphere of place as much as the action of the sport and have earned him a cult following in surfing and photography circles. For his summer show at Danziger Gallery, Adler is showing pictures from Hawaii, California, and Montauk shot for himself and for magazines such as Juxtapoz, Neon, Surfer, WAX, and The New Yorker, His commercial clients have included Quiksilver, Patagonia, Nike, and Hixsept. The 2014 summer show at Danziger Gallery was curated by Tom Adler...

David Burdeny - Cheetah Profile (Africa) Archival Pigment Print Signature Label Ask us for framing options.

In this hyper-detailed archival pigment print on watercolor paper, a green moth with white spots is dramatic against a solid white background. Edition of 12. Signed, dated and numb...

Benson, Arizona by David Graham is a 20 x 24 in C print, available in an edition of 25. This photograph features a giant dinosaur statue in front of a ...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Crane Walking Along Shore, Color Nature Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and n...

Edition of 7 "Benchwork" is part of Wegman's artistic exploration of photography and staged scenes. The artwork is representative of Wegman's distinctive approach to photography, wh...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

2015, pigment print, mounted: 30 x 24 inches, edition of 7 Edition of 7 "Figured Base" is part of Wegman's artistic exploration of photography and staged scenes. The artwork is rep...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 25 x 20 in., Image size: 20 x...

Mitchell Funk displays an unparalleled ability to translate a drab street scene into a dimensional and compelling image. A Red Eye Pigeon is captured against a facade illuminated wi...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Art of Dying' is a stunning C-Type print by contemporary British photographer...

Edition of 10 archival pigment print mounted with plexiglass

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 21 x 24 in., Image size: 16 ...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow Signed, titled, dated, and print type in pencil on print verso by Cheryl Medow Paper size...

From the transformative to the ephemeral, the birth and death of a butterfly is reimagined in Roberta Fineberg's photo series inspired by the poetry of the 13th Century Persian poet...

Edition of 5 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 42 x 34 1/2 in., Image: 40 x 3...

Edition of 6 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 32 x 26 in., Image size: 25 7/...

In this hyper-detailed archival pigment print on watercolor paper, a moth with yellow, pink and black markings on its wings and a long proboscis is dramatic against a solid white bac...

In this hyper-detailed archival pigment print on watercolor paper, a brown moth with a luminous, golden shade of olive green markings on its upper wings is dramatic against a solid w...

Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He also finished second in the 2002 Belmont Stakes, the Breeders' Cup Classic in both 2002 and 2003, and the 2004 Dubai World Cup. Since retiring to stud, he has become an excellent stallion whose progeny include 2009 Horse of the Year Rachel Alexandra, two-time champion filly Songbird and two-time Hong Kong Horse of the Year Golden Sixty. Medaglia d'Oro - 'Whiskers' by John Reardon...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 21 x 24 in., Image size: 16 ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and...

Warhol superstar Candy Darling photographed as 'Donna Bella Beads' in the hit play "Vain Victory: the Vicissitudes of the Damned" in 1971. One of Mitchell'...

This beautiful color photography was taken in the Galilee region in Israel. It was not filtered, manipulated or color corrected, but a straight shot. It comes print only, but can als...

This photograph of a Black African American cowboy in the urban city of Philadelphia pictured against the city's iconic row homes is part of artist Ron Tarver's long-term, ongoing project, "The Long Ride Home: The Black Cowboy...

Peacocks roam freely in the streets around Coconut Grove in Miami. Arguably, they are one of nature's most exquisite works of art. They are adorned wit...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...