Shoreline Color Photography

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

Trip to Little Bay 1992 by Slim Aarons Slim Aarons Limited Estate Edition A group of holidaymakers snorkelling in Little Bay, on the island of Anguilla in the West Indies, January...

La Fonteline 1989 by Slim Aarons Slim Aarons Limited Estate Edition Aerial view of sunbathers and parasols at La Fonteline beach, at the base of the Faraglioni rocks on the island...

Hotel Taormina 1975 by Slim Aarons Slim Aarons Limited Estate Edition The seaside swimming pool at the Hotel Taormina in Taormina, Sicily, August 1975. unframed c type print pri...

Exuma Holiday 1964 by Slim Aarons Slim Aarons Limited Estate Edition A yachting holiday on Exuma in the Bahamas, April 1964. unframed c type print pr...

Stocking Island, Bahamas 1964 by Slim Aarons Slim Aarons Limited Estate Edition A high angle view of people swimming next to the ketch ‘Traveler II’ , Stocking Island, Bahamas, 19...

Conca dei Marini 1984 by Slim Aarons Slim Aarons Limited Estate Edition A bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984 unframed c type print printed 2023 24...

Capri Bay 1958 by Slim Aarons Slim Aarons Limited Estate Edition araglioni Rocks on the Italian island of Capri, circa 1958. unframed c type print printed 2023 20 x 24" - paper...

Cavallo 1984 by Slim Aarons Slim Aarons Limited Estate Edition Holidaymakers’ yachts find a quiet haven off the Mediterranean island of Cavallo, Corsica. unframed c type print p...

Roquebrune-Cap-Martin 1970 by Slim Aarons Slim Aarons Limited Estate Edition A view from a hillside in Roquebrune-Cap-Martin, southeastern France, looking toward Monaco, August 19...

Porto Ercole Beach 1991 by Slim Aarons Slim Aarons Limited Estate Edition A quiet stretch of coastline in Porto Ercole, Tuscany, July 1991. unframed c type print printed 2023 16×...

Portofino Villa 1977 by Slim Aarons Slim Aarons Limited Estate Edition Guests by the pool at Klaus Pudel’s villa, the Casa Montefino, overlooking Portofino harbour, Portofino, Ita...

Caleta Beach, Acapulco 1968 by Slim Aarons Slim Aarons Limited Estate Edition A couple walk on Caleta Beach holding hands, Acapulco, Mexico, 1968. unframed c type print printed 2...

Cavallo Coast 1984 by Slim Aarons Slim Aarons Limited Estate Edition August 1984: A fleet of yachts at anchor off the sunny Mediterranean island of Cavallo, Corsica. unframed c t...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Cameron Parish, limited edition photograph, archival ink, signed and numbered I have spent seven years photographing visual clues that tell of the beauty, complexity and destructio...

ABOUT THIS PIECE: SHORELINE PROJECT LAGUNA BEACH CALIFORNIA 2 In 2019, ArtStar proposed to ET Projects an opportunity to create fine art, limited edition prints which would capture t...

ABOUT THIS PIECE: SHORELINE PROJECT LAGUNA BEACH CALIFORNIA 2 In 2019, ArtStar proposed to ET Projects an opportunity to create fine art, limited edition prints which would capture t...

'Jules and Jim X' (Renée's Dream) from the 29 Palms, CA series - 2007 20x20cm, Edition 10/10. Archival C-Print based on the Polaroid. Certificate an...

'Porto Ercole Beach' A quiet stretch of coastline in Porto Ercole, Tuscany, July 1991. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo ...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

These images represent the beginnings of a new, as-yet-untitled body of work. I’m gradually moving in more geometric, minimal direction with these pieces – in particular I’m looking to data representations, man-made systems and networks for ideas. The starting point for the glow necklaces image, for instance, was the New York subway map...

A busy bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

"Ocean Escape" This best-selling image features a lone white horse running across the volcanic black sand beach of Iceland. Set against Iceland’s ico...

"Into the Blue" A surfer excitedly runs into the whitewater lapping the shores on Oahu in search of the perfect wave. The print series Swell: Endless Blue takes you on a sweeping y...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Il Canille 1978 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: Sunbathers lounge on the white-painted terrace of Il ...

Digital Chromogenic print

Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Title: Deadman Cove - 0811.1949, 2021 Size: 24 x 32 in. Medium: Archival Pigment on Canson Rag Edition: 2 of 6 Signed: Verso Print: $2700 unframed Walnut frame available From the se...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...

This is the unframed price listed. Inquire about our framing. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening recep...

"Beach Wood" is a black and white fine art photograph of Michael Götze. It is an Edition 150 (2/150), a 25 x25cm Giclée Print on Hahnemühle paper in a 40 x 40 cm Passe-Partout, frame...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Slim Aarons Faraglioni Rocks, Capri, 1974, Printed Later Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. ...

A morning scene of the Atlantic Ocean in South St. Augustine Florida. I visited this scene a few times before the sunrise was right and then experimented with various shutter speeds...

This is the unframed price. The print is made on metal called a dye sublimation print. Please inquire about framing in all three sizes available. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...

Slim Aarons Faraglioni Rocks, Capri, 1974 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Faraglioni Rock...

Hotel Taormina, 1975 Chromogenic Lambda Print Estate edition of 150 The seaside swimming pool at the Hotel Taormina in Taormina, Sicily, August 1975. Estate stamped and hand numbe...

Conca dei Marini A bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984. 40x30” / 76x101 cm - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aa...

Roquebrune-Cap-Martin A view from a hillside in Roquebrune-Cap-Martin, southeastern France, looking toward Monaco, August 1970. 40x30” / 76x101 cm - paper size Estate Stamped Col...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. Th...

Newport Scenes 1962 Children wander on the beach at Newport Rhode Island, USA, 1962. by Toni Frissell 20 x 30" inches / 51 x 76 cm paper size Archival pigment print unframed (f...

Newport Scenes 1962 A speedboat races across the sea, Newport Rhode Island, USA, 1962. by Toni Frissell 20 x 30" inches / 51 x 76 cm paper size Archival pigment print unframed ...

Beachgoers In Bermuda 1960 Beachgoers stroll on the beach in Bermuda, 1960. by Toni Frissell 12 x 16" inches / 30 x 41 cm paper size Archival pigment print unframed (framing...

Swimmers In Capri 1959 Swimmers and boaters enjoy the waters of Capri, Italy, 1959. by Toni Frissell 40 x 30" inches / 101 x 76" cm paper size Archival pigment print unframed ...

Newport Scenes 1962 Children wander on the beach at Newport Rhode Island, USA, 1962. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed ...

Newport Scenes 1962 A speedboat races across the sea, Newport Rhode Island, USA, 1962. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed...

Slim Aarons Peter Island 1973 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A high angle view of the co...

Available UNFRAMED or FRAMED. Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. Price is subject to availability. The Robin Rice Gallery reserves the right t...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz and Edward Burtynsky. Born in India with deep roots in Sri Lanka, Boaz moved from Chennai to the United States. He studied Psychology at Rutgers University, but it was there that he also took his first photography class. After graduation, he ran a successful recording studio in Soho. Then, as he returned to photography, he took multiple courses including digital printmaking at the International Center of Photography. In May 2019, Boaz was announced as the winner of the National Geographic Adventure photography contest for his piece “All The People”. Landscape, Ocean, Water, Sea, Color, Aerial, Israel, Dead Sea...