Teen Color Photography

Total edition of 7 Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “Sailboats and Swans” is a series of portraits of prisoners in Russia ...

The Rolling Stones drummer, Charlie in the dressing room before a show in San Francisco. July 26th, 1966 Signed limited edition, signed and numbered by Bill Wyman and featuring the ...

'Looking Out' by Alain Le Grasmeur Limited Edition Archival Pigment Print Young women in Isletas banana plantation small town, Honduras, 1981. Paper size : 40x30 inches / 101 x...

Because I Am (29 Palms, CA) - 2008 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6795 Not mounted. Stefa...

Savannah Strike by Alain Le Garsmeur Group of men having fun playing baseball in the street in downtown Savannah, Georgia, USA, 1983. Paper size 16 x 20 inches / 40 x 50 cm Printed...

Desolate (Haley and the Birds) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #16951 Not mounted. S...

Signed limited edition 30x40" print of Kurt Cobain of Nirvana by photographer Kirk Weddle. Limited edition of 15 prints.

'New England Skiing' Two women recline on improvised sunbeds in Cranmore Mountain, New Hampshire, circa 1955 Paper size 20 x 20 inches / 51 x 51 cm Estate Stamped Collection Ed...

' We Are Family ' Limited Edition Archival Pigment Print Mennonite brothers and sister from Spanish Lookout settlement, Belize, Central America, June 1985. Note all prints are li...

from the exhibition: SURVIVING THE PANDEMIC, Nohra Haime Gallery 2020 satirical self-portrait

A woman shelters under a parasol on a beach on the Costa Smeralda, Sardinia, 1967. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim...

'On The Slopes Of Sugarbush' 1960 Slim Aarons Limited Estate Edition Print A group of people relaxing at the chalet of stockbroker A Albert Sack Jr, at the Sugarbush Mountain ski r...

Archival pigment print Signed and numbered, verso 24 x 30 inches (Edition of 6) 30 x 40 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. Plea...

Slim Aarons Estate Print - Party At The Playboy Mansion V Guests of American publisher Hugh Hefner enjoying themselves at a party being held at the Playboy Mansion, Chicago, 1961. ...

Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “The Black Eye” continues Michal Chelbin’s exploration of the world of athletes and perfor...

Traces of Time II (The Girl Behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13371. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Traces of Time (The Girl Behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13370. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

2nd Thoughts (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist invento...

'Model Friend' 1952: New York model, Jean Adams and friend share a drink on the beach at Acapulco. Paper Size 24x20 inches / 60 x 50 cm Estate Stampe...

Wallflower (29 Palms, CA) - 1999 58x56cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate,...

Anna Karenina is an original photograph realized by Angelo Cricchi in 2011. Digital print from negative film, 6x6. Dated and hand-signed by the artist o...

'Life In The Bahamas' 1967 Slim Aarons Limited Estate Edition Print A woman sitting in a hanging chair while having a drink in a bar in the Bahamas, in April 1967. A group of drink...

Family Snapper 1959 Babe Paley (Mrs William Paley) by the pool. Her husband, William Paley is snapping the photographer at their cottage, Round Hill...

Lake Tahoe Couple A couple at a swimming pool near Lake Tahoe, California, 1959. The line on the bottom of the pool marks the state line between Nevada and California. Paper size ...

'Skiing Holiday' American political novelist William F Buckley Jnr takes a break from skiing near Gstaad with Canadian-born economist John Kenneth Gal...

Inculcator (Haley and the Birds) - 2013 40x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

Lake Tahoe Couple A couple at a swimming pool near Lake Tahoe, California, 1959. The line on the bottom of the pool marks the state line between Nevada and California. Gorgeous pri...

Last Memory (Haley and the Birds) - 2013 40x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Sanctuary (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #...

Neal Slavin (American, b. 1941) The Wheelman, Swarthmore, PA Bicycle Riding Club. Antique Highwheeler Penny Farthing Bike club riders. Vintage C-print [Chromogenic development print; Ektacolor prints] Hand signed and numbered by the photographer 48/75 Photos made with 2.25 X 2.25 Hasselblad camera and 4 X 5 Calumet camera Contact printed on Kodak Ektacolor 74 RC-N paper Mat is 100% rag archival board Print measuring about 14 x 11 inches (33x26.7 cm.) or slightly smaller. image size varies a bit. Mat measures 18 X 14 In the 1970's, Neal Slavin captured a potpourri of various and sundry American groups of people: hobby groups, hot dog vendors, religious groups, social clubs, meetings, professional unions, and others. Neal Slavin (born 1941) is an American photographer and television/film director. He is the author of Portugal (1971), When Two or More are Gathered Together (1976) and Britons (1986). He directed and produced the film Focus (2001). Slavin was born in Brooklyn, New York. He graduated from the Cooper Union School of Art and Architecture in New York, where he obtained a Bachelor of Fine Arts degree. He was awarded an exchange student scholarship at Lincoln College, Oxford in the UK. Britons is a series of photographs of people from Britain, commissioned by the National Museum of Photography, Film and Television in the UK. It was published as a book in 1986 and exhibited at the International Center of Photography (ICP) in New York and at the National Museum of Photography, Film and Television that same year. His photography has been seen in publications and magazines, including The Sunday Times magazine, Stern, Town & Country, Esquire, The New York Times magazine, Life, House & Garden, and Geo Magazine. His photographs can be found in the Museum of Contemporary Photography in Chicago, USA. His work encompasses a professional career of over 40 years, during which he has photographed a myriad of subjects including such celebrities as Steven Spielberg, Harrison Ford, Barbra Streisand, and Phil Collins. He is most known for his group portraits, which have been a significant focus throughout his career. He recently created a group portrait for T Magazine of film celebrities that have their roots in NYC, which includes Willem Dafoe, Glenn Close, LaTanya Richardson, Ed Harris, and Loretta Devine, among others. Slavin has received a number of grants and awards. He was one of the first Fulbright Fellows in Photography. He received US National Endowment for the Arts grants and a number of awards from Communication Arts Magazine. In 1986, he was named as the Corporate Photographer of the Year by the American Society of Magazine Photographers. He was also awarded the 1988 Augustus Saint-Gaudens Medal and the 2005 President's Citation by his alma mater, the Cooper Union. He is among the first generation of photographers, along with William Eggleston, Stephen Shore, Richard Misrach...

Russian River, 1992 Edition 2/10, 29.5x37cm including white frame, 25x33cm (image area). Analog C-Print, hand-printed by the Artist, based on the original Polaroid. Certificate a...

'Tennis In San Diego' A man and a woman playing tennis on a court surrounded by palm trees, San Diego, California, October 1956. The elegant pair dressed in tennis whites, save for the striped shirt of the young lady, enjoy a game of tennis, in the heat of the Californian sunshine...

Untitled (Fairytales) - 2006 49x48cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Certif...

'Backgammon Hood' 1984 by Alain Le Garsmeur Limited Edition Archival Pigment Print Friends playing backgammon on the hood of a car during a break at a polo match, Kentucky, USA, 1984. Paper size : 40x30 inches / 101 x 76 cm Limited edition Edition Size 5 only this paper size Printed 2021 certificate of authenticity provided All prints are on archival photographic papers and limited edition per paper size offered. Total editions per image 100 only. 10x12 inches edition size 25 12x16 inches edition size 20 20x16 inches edition size 20 20x24 inches edition size 15 30x20 inches edition size 8 40x30 inches edition size 5 60x40 inches edition size 5 72x48 inches edition size 2 Alain Le Garsmeur was born in France in 1943 and after assisting the likes of Helmut Newton, Guy Bourdin and Donald Silverstein became a prolific editorial documentary photographer for publications which included Fiagaro Magazine, The Independent, Newsweek and the The Observer as well as The Sunday Times. See photo Bio for more details. 1980s 1980 80s car city bumper picnic grass blanket friends youth retro girls fashion...

Archival pigment print 20 x 16 inches (Edition of 8) 29 x 24 inches (Edition of 8) This photograph is offered by ClampArt, located in New York City. During the 2012 football seas...

Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. These images were taken in Matador Schools and Military Boarding Schools over the course o...

The Letter (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

The Letter (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

This listing is for the unframed photograph. The Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a few newcomers...

Archival pigment print 20 x 16 inches (Edition of 8) 29 x 24 inches (Edition of 8) This photograph is offered by ClampArt, located in New York City. During the 2012 football seas...

Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “The Black Eye” continues Michal Chelbin’s exploration of the world of athletes and perfor...

Archival pigment print 20 x 16 inches (Edition of 8) 29 x 24 inches (Edition of 8) This photograph is offered by ClampArt, located in New York City. During the 2012 football seas...

Stefanie Schneider's Mini Margarita (Till Death Do Us Part) - 2005 featuring Austin Tate signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid siz...

Archival pigment print (Edition of 12) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Mariette Pathy Allen has been photographing the tra...

This late 1980s winter landscape photograph, captured by society photographer Slim Aarons, features people ice skating at the Palace Hotel, St. Moritz, Switzerland, 1989. This is an...

This late 1940s portrait photograph, captured by society photographer Slim Aarons, features a young woman modelling for a Saks Fifth Avenue catalog shoot. This is an estate stamped ...

The Sphere (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature ...

Space Angel (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 48x60cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature...

Archival pigment print Signed and numbered, verso 12 x 12 inches (Edition of 10) 25 x 25 inches (Edition of 10) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Evžen Sobek...

Archival pigment print (Edition of 10 + 2 APs) Signed, titled, dated, and numbered, verso 17 x 22 inches, sheet size 12 x 18 inches, image size From the series "A Tale of Two Cities: Disco Era Bushwick" This artwork is offered by ClampArt, located in New York City. Meryl Meisler...

Slim Aarons, 'Adriatic Sailors' 1956 Young holidaymakers from Milan enjoy a sail on the Adriatic, 1956. Estate stamped and hand numbered edition of 150 with certificate of authenti...

circa 1955: Film star Joan Collins in a pink and white bedroom with an accessory pink poodle. Estate stamped and hand numbered edition of 150 with certificate of authenticity from ...

Outback (Till Death do us Part) - 2016 40x40cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 9305 Not mounte...

Digital C-print Signed and numbered, verso 11 x 14 inches (Edition of 20) 16 x 20 inches (Edition of 10) This photograph is offered by ClampArt, located in New York City. Please n...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

'To the Wonder' (The Girl behind the White Picket Fence), 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid Certificate and Signature label artist Inventory Nr. 126...

Digital C-print Signed and numbered, verso 11 x 14 inches, sheet (Edition of 20) 16 x 20 inches, sheet (Edition of 10) This photograph is offered by ClampArt, located in New York ...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

Archival pigment print Signed, titled, dated, and numbered on label, verso 11 x 11 inches (Edition of 7) 15 x 15 inches (Edition of 5) This photograph is offered by ClampArt, locat...

'Are you gonna leave me?' (Till Death do us Part) - 2008 20x24cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory ...