Wildlife Color Photography

Edition 15 More sizes on request For several days I went out with these baby elephants of the David Sheldrick Wildlife Trust to the bush in Tsavo East, Kenya. Together with their ke...

Listing includes framing with UV Plexi, free shipping to the continental US, and a 14-day return policy. This is also available for local pick up at our New York City location. Kr...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

" Leopard #4 ” - Signed limited edition archival pigment print - Edition of 3 A series of studio portraits of a panther, or black leopard. Panthers are more commonly known these...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Kissing' is a stunning C-Type print by contemporary British photographer Tim ...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. All print prices include VAT. 'Axolotl' is a stunning C-Type print by contemporary British photographer Tim Flach. Edition 3/10. Flach has mainly become renown for his highly stylized animal portraits, which are far removed from traditional wildlife photography...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Rupee' is a stunning C-Type print by contemporary British photographer Tim Flach available in this size in Edition 6/10. Flach has mainly become renown for his highly stylized animal portraits, which are far removed from traditional wildlife photography...

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

" Leopard #4 ” - Signed limited edition archival pigment print - Edition of 10 A series of studio portraits of a panther, or black leopard. Panthers are more commonly known thes...

Listing includes framing with non-glare UV plexiglas and a 14 day return policy. Also available for local pick up at our Los Angeles gallery. Shipping services available worldwide at a discounted rate. Friends in Need, Juna Mahal, Dungarpur Palace, 2020 48 x 60 inches (52 x 64 x 2.5 inches framed) Archival pigment print Edition 4 of 5 (last edition available) Signed on separate artist certificate Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Djala' is a stunning C-Type print by contemporary British photographer Tim Fl...

Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, distu...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Listing includes framing with UV Plexi, free shipping, and a 14 day return policy. Becoming Arihanta, Sahastrabahu Temple, Gwailor (2012) by Karen Knorr 24 x 30 inches (27 x 33 inches framed) Archival pigment print Edition 3 of 5 - Last edition available at this price Signed on artist certificate and acquired directly from the artist. Karen Knorr Artist Biography While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Color wildlife photograph from 1991 by photojournalist Thomas Mangelsen. The work features a herd of zebras gathered around a watering hole. Signed, dated, and editioned 33/950 along lower from margin. Currently hung a complementary black frame with a cream matting. Dimensions Without Frame: H 24.5 in. x W 35 in. Artist Biography: A Nebraska native, Mangelsen’s love of nature, his life outdoors and business success were heavily influenced by his father. An avid sportsman, Harold Mangelsen took his sons to favorite blinds along the Platte River in Nebraska to observe the great flocks of ducks, geese and cranes that migrate through the valley. From these adventures, Mangelsen learned important lessons for photographing in the field, most notably patience and understanding animal behavior. In 1965, Mangelsen began studying business at the University of Nebraska. In 1967, Tom transferred to Doane College in Crete, Nebraska, where he changed his major and graduated with a bachelor’s degree in biology. Tom continued postgraduate study in zoology and wildlife biology at the University of Nebraska and Colorado State University. In 1970 Mangelsen moved to Nederland, Colorado. He spent two years living in the Rocky Mountains in an old mining shack without electricity or running water with his English setter, black lab and raccoon. Tom continued to work on his photography and studied arctic alpine ecology at the University of Colorado’s Mountain Research Station near Nederland. There he met Bert Kempers, a CU film producer, who later hired Tom as cinematographer and film editor for his company Westwind Productions, making educational and nature documentaries. Tom longed to make a documentary about the Platte River and its great wildlife resource. He returned to the Platte each spring to film the great crane migration. These experiences led to Tom traveling to the cranes’ nesting grounds in Alaska and their wintering areas in Texas. National Geographic television wanted to produce a documentary, which would chronicle the plight of the endangered whooping crane...

Leopard #2 - Signed limited edition archival pigment print - Edition of 10 A series of studio portraits of a panther, or black leopard. Panthers are more commonly known these d...

Leopard #2 - Signed limited edition archival pigment print - Edition of 3 Large scale A series of studio portraits of a panther, or black leopard. Panthers are more commonly k...

Leopard #3 - Signed limited edition archival pigment print - Edition of 3 A series of studio portraits of a panther, or black leopard. Panthers are more commonly known these d...

David Burdeny Elephant Mother and Calf, Amboseli, 2020 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Frog Python Water Lily Sarracenia X-Ray Photography on Dibond Lambda Print Nature - Perspex Front UV Resistant The photography of Arie van ’t Riet is ...

David Burdeny - Cheetah Profile (Africa) Archival Pigment Print Signature Label Ask us for framing options.

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Will Adler's studio in Santa Barbara. Will Adler Malibu, 2009 16 x 24 inch archival pigment print Edition 3 of 8 Signed on adhesive certificate Other sizes are available from the same edition. 30" wide, 40" wide, and 50" wide. Please inquire for pricing. Artist Biography - Will Adler is a 38 year old west coast photographer known for his distinctive take on the surf world. Adler's laid back, light infused images, (as often of women surfers as men) convey the spirit and atmosphere of place as much as the action of the sport and have earned him a cult following in surfing and photography circles. For his summer show at Danziger Gallery, Adler is showing pictures from Hawaii, California, and Montauk shot for himself and for magazines such as Juxtapoz, Neon, Surfer, WAX, and The New Yorker, His commercial clients have included Quiksilver, Patagonia, Nike, and Hixsept. The 2014 summer show at Danziger Gallery was curated by Tom Adler...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Family Group' is a stunning C-Type print by contemporary British photographer...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Fang Bats' is a stunning C-Type print by contemporary British photographer Ti...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper *please note this artwork can be printed at any size so long as the ratio remains the same...

Capuchin 1 - Signed limited edition archival pigment print - Edition of 3 A series of three portrait images of a Capuchin monkey in a stylised painterly style. This portraits are inspired by my fascination with animal intelligence. The Capuchin monkey is instantly recognised due to its distinctive two tone colouring which of course also led to the Italian word Cappuccino. The word itself originally derives from the Order of Friars Minor Capuchin, an offshoot from the Franciscans, who wear brown robes with large hoods. Considered the most intelligent monkeys, the Capuchin has learnt to use stones...

Listing includes framing with UV Plexi ($1,250 value), free shipping to the continental US and a 14-day return policy. Offering local pick up from our Los Angeles location. This is one of the last remaining editions from one of the most popular images from Karen Knorr's acclaimed "India Song" series. The Return of the Hunter, Chandra Mahal, Jaipur, 2010 31.5 x 39.5 inches, 34 x 42 x 2 inches framed Archival pigment print Edition 1 of 5 Karen Knorr Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Edition of 25 signed and numbered by the artist Peppa was the bishop's pig in Ghana. The sun shines into the stable and makes her ears light up. JJK is a pseudonym for one of the w...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Edition 3/20. 'Opera Bat' is a stunning C-Type print by contemporary British ...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Egyptian Bat' is a stunning C-Type print by contemporary British photographer...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Golden Tabby Tiger' is a stunning C-Type print by contemporary British photog...

"Rhinoceros" is a signed photograph For millions of years, early humans evolved alongside all other wildlife in a completely analog world, sharing the same natural environments in v...

It's a wild wild Life - 2016, Edition of 7 plus 2 Artist Proof. Archival Print, Based on the Polaroid, Not mounted. Signed on the back and with certific...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

From Brad Wilson's Affinity Series Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environme...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Kanja Shaking' is a stunning C-Type print by contemporary British photographe...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Monkey Eyes' is a stunning C-Type print by contemporary British photographer ...

Signed and numbered limited edition photograph of a polar bear by Thomas Mangelsen (American, b. 1945). Signed "Thomas Mangelsen" in the lower right corner and numbered "794/950" in the lower left corner. This particular image is no longer produced. Presented in a double mat of light grey and tan, in a wood frame. Image size: approx. 21"H x 31"W Renowned American nature and wildlife photographer Thomas D. Mangelsen (American, b. 1945) has traveled throughout the natural world for over 40 years observing and photographing the Earth’s last great wild places. A Nebraska native, Mangelsen’s love of nature, his life outdoors and business success were heavily influenced by his father. An avid sportsman, Harold Mangelsen took his sons to favorite blinds along the Platte River in Nebraska to observe the great flocks of ducks, geese and cranes that migrate through the valley. From these adventures, Mangelsen learned important lessons for photographing in the field, most notably patience and understanding animal behavior. In 1965, Mangelsen began studying business at the University of Nebraska. In 1967, Tom transferred to Doane College in Crete, Nebraska, where he changed his major and graduated with a bachelor’s degree in biology. Tom continued postgraduate study in zoology and wildlife biology at the University of Nebraska and Colorado State University. In 1970 Mangelsen moved to Nederland, Colorado. He spent two years living in the Rocky Mountains in an old mining shack without electricity or running water with his English setter, black lab and raccoon. Tom continued to work on his photography and studied arctic alpine ecology at the University of Colorado’s Mountain Research Station near Nederland. There he met Bert Kempers, a CU film producer, who later hired Tom as cinematographer and film editor for his company Westwind Productions, making educational and nature documentaries. Tom longed...

ABOUT THIS ARTIST: Erin Summer is an artist and graphic designer from Toronto, Canada. Her passion is creating colourful and whimsical images that communicate visual optimism, regard...

In this series, Zilberberg creates animal montages as an expression of self-therapy, drawing attention to mindfulness and nature conservation. As an urbanite, functioning day-to-day ...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Da Vinci Bat' is a stunning C-Type print by contemporary British photographer...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, an...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

From the start, there was something immensely challenging and inspiring about working with animals. Up to that point, I had spent my career photographing subjects I largely controlle...

From Brad Wilson's Affinity Series Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environme...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

From the start, there was something immensely challenging and inspiring about working with animals. Up to that point, I had spent my career photographing subjects I largely controlle...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...