Wildlife Color Photography

New York City based wildlife and street photographer Viet Chu, captured this unusual black and white shot of three Zebras in Sayari Camp, Serengeti, Asilia Africa. Chu’s emphasis is to give us a glimpse of an everyday life in the wild, to inspire us with the strength, grace and necessary protection of wildlife. As a world traveler for photographic assignments, Viet Chu finds beauty in life’s special moments in time, capturing each in his photographs. His work is a reflection of his journey’s and experiences. In his approach to capture an image, he utilizes traditional and non-traditional means of lighting and infuse it with an intuitive sensibility, which is then converged with emotional intelligence to create a simple net composition of shadows and light, of subject and background, of space and inter-space, all with the goal of stopping a moment of time that tells a story for the rest of time. Limited Edition of this print, numbered and signed by Viet Chu are available in the sizes below. We ship world-wide and shipping is free. Your choice of one or many artworks will be given the highest standard care and delivery. Limited Edition print orders, due to risk of damage, value and high shipping and insurance costs are not framed. All limited-edition prints are professionally packaged and shipped in sturdy tubes. Animal Wall Art...

From Brad Wilson's Affinity Series Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environme...

From Brad Wilson's Affinity Series Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environme...

From Brad Wilson's Affinity Series Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environme...

From the Still Beating Series Narrative Art refers to visual imagery which tells stories, engages the imagination, and stirs the emotions. These stories transcend culture and are re...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

From the start, there was something immensely challenging and inspiring about working with animals. Up to that point, I had spent my career photographing subjects I largely controlle...

David Burdeny - Elephant mother and calf, Amboseli, Africa (BW Photograph) Archival Pigment Print Signature Label

Tiger Morse in Blue on Elephant, 1962. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper...

"Arctic Ghost" Nunavut, Canada, 1997. 24 x 36 in / 61 x 91.4 cm / Edition of 20 - $3,500 Also available: 31 x 46.5 in / 78.7 x 118.1 cm / Edition of 15 - $7,500 40 × 60 in / 101.6 ...

Spirit of the Rainforest British Columbia, Canada, 2010. 24 x 36 in / 61 x 91.4 cm / Edition of 20 - $3,500 31 x 46.5 in / 78.7 x 118.1 cm / Edition of 15 40 × 60 in / 101.6 x 152.4...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

The Waiting Game British Columbia, Canada, 2010. 24 x 36 in / 61 x 91.4 cm / Edition of 20 - $3,500 31 x 46.5 in / 78.7 x 118.1 cm / Edition of 15 40 × 60 in / 101.6 x 152.4 cm / Ed...

Uncharted Franz Josef Land, Russia, 2017. 24 x 36 in / 61 x 91.4 cm / Edition of 20 31 x 46.5 in / 78.7 x 118.1 cm / Edition of 15 40 × 60 in / 101.6 x 152.4 cm / Edition of 10 60 ×...

Capuchin 3 - Signed limited edition archival pigment print - Edition of 3 A series of three portrait images of a Capuchin monkey in a stylised painterly style. This portraits are...

Limited Edition archival pigment print, no. 1 of 10. This piece is finished in a pure white mat with a custom white frame. Pricing includes the pictured frame. Unframed dimensions a...

In this series, Zilberberg creates animal montages as an expression of self-therapy, drawing attention to mindfulness and nature conservation. As an...

In this series, Zilberberg creates animal montages as an expression of self-therapy, drawing attention to mindfulness and nature conservation. As an...

1 of a series of 3 portraits of Big Boy's ..... Photograph is printed on Hanemühle bright with paper. Print is 120 cm wide and has a border of 10 cm. Edition 8 plus 2 AP's :: Photo...

`Zebra 2` Oslo, 2019- from the series `Residence of Impermanence` 120 x 170 cm Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, ...

90 x 120 cm Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the...

Archival pigment print Signed and titled, verso 18 x 12 inches, image (Edition of 10) This artwork is offered by ClampArt, located in New York City.

Archival inkjet print Signed, titled, dated, and numbered on label, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: In his ...

David Burdeny - Elephant Mother and Calf, Amboseli (Africa) Archival Pigment Print Signature Label Ask us for framing options.

David Burdeny - Resting Elephant, Amboseli, Kenya, Africa (BW Photograph) Archival Pigment Print Signature Label Ask us for framing options.

David Burdeny Zebra Plains, Maasai Mara, Kenya, Africa, 2019 Archival Pigment Print Signature Label Framed. Ask us for framing options.

David Burdeny 12 Giraffes, Maasai Mara, Kenya, Africa, 2019 Archival Pigment Print Signature Label Framed. Ask us for framing options.

New York City based wildlife and street photographer Viet Chu, captured this striking shot of a Giraffe on a dark background. His focus is to inspire us with the beauty and vitality ...

New York City based wildlife and street photographer Viet Chu, captured this unusual black and white shot of three Zebras in Sayari Camp, Serengeti, Asilia Africa. Chu’s emphasis is to give us a glimpse of an everyday life in the wild, to inspire us with the strength, grace and necessary protection of wildlife. As a world traveler for photographic assignments, Viet Chu finds beauty in life’s special moments in time, capturing each in his photographs. His work is a reflection of his journey’s and experiences. In his approach to capture an image, he utilizes traditional and non-traditional means of lighting and infuse it with an intuitive sensibility, which is then converged with emotional intelligence to create a simple net composition of shadows and light, of subject and background, of space and inter-space, all with the goal of stopping a moment of time that tells a story for the rest of time. Limited Edition of this print, numbered and signed by Viet Chu are available in the sizes below. We ship world-wide and shipping is free. Your choice of one or many artworks will be given the highest standard care and delivery. Limited Edition print orders, due to risk of damage, value and high shipping and insurance costs are not framed. All limited-edition prints are professionally packaged and shipped in sturdy tubes. Animal Wall Art...

`Residence of Impermanence` 2017-2019 90x120 cm. Edition 7 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Michael WOLF (1954 – 2019, Germany) Street View: A Series of Unfortunate Events #2, 2011 C–print Sheet 151.9 x 121.4 cm (59 3/4 x 47 3/4 in.) Edition of 3 plus 1 AP; Ed. no. 1/3 Pri...

1 of a series of 3 portraits of Big Boy's ..... Photograph is printed on Hanemühle bright with paper. Print is 120 cm wide and has a border of 10 cm. Edition 8 plus 2 AP's :: Photo...

1 of a series of 3 portraits of Big Boy's ..... Photograph is printed on Hanemühle bright with paper. Print is 120 cm wide and has a border of 10 cm. Edition 8 plus 2 AP's :: Photo...

Overcoming fear.

David Burdeny - Lioness Profile Serengeti Tanzania, Africa (BW Photograph) Archival Pigment Print Signature Label Ask us for framing options.

David Burdeny - Heads Together, Kenya, Africa (BW Photograph) Archival Pigment Print Signature Label Ask us for framing options.

Silhouetted elephants trek across a desolate African landscape are backlit by a soulful sunset. Color photographer Mitchell Funk pushes the boundaries of animal portraiture with a pr...

Tiger Morse in Blue on Elephant, 1962. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. E...

Tiger Morse in Blue on Elephant, 1962. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. E...

Tiger Morse in Blue on Elephant, 1962. Image size is 32" x 48" (for 36" x 52" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. E...

Tiger Morse in Blue on Elephant, 1962. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. E...

David Burdeny - Heads Together, Kenya, Africa (BW Photograph) Archival Pigment Print Signature Label Ask us for framing options.

David Burdeny Lioness in Profile, Serengeti, Tanzania, 2019 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

David Burdeny Zebra Plains, Maasai Mara, Kenya, Africa, 2019 Archival Pigment Print Signature Label Framed. Ask us for framing options.

David Burdeny Lioness in Repose, Maasai Mara, Kenya, Africa, 2019 Archival Pigment Print Signature Label Framed. Ask us for framing options.

David Burdeny Nocturne (Lioness), Maasai Mara, Kenya, Africa, 2019 Archival Pigment Print Signature Label Framed. Ask us for framing options.

Signed dated and numbered lower right, - 3/15 - unframed. printed later. Other sizes available. Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one th...

Done on assignment for Life Magazine, It was photographed outside Tampico Mexico. Elephants were transported to Mexico from for rehab after training in Oregon. The photographer and h...

Beautiful Nature shot of Lion. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing beauty in all its forms—wh...

`Zebra`, Oslo, 2018 Edition 6 of 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature...

Done on assignment for Life Magazine, It was photographed outside Tampico Mexico. Elephants were transported to Mexico from for rehab after training in Oregon. The photographer and ...

A majestic hippo coming out of the water, covered in petals photographed by David Yarrow. All prints are limited edition. Available in multiple sizes. High-end framing on request. ...

From the series Beauty and the Beast for L´Uomo Vogue, woman walking with a monkey, photographed by Michel Comte in 1996. All prints are limited edition. Available in multiple siz...

Black and White Image of a majestic deer photographed by David Yarrow. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done...

Side profile lion, black and white photography, photographed by Tyler Shields in 2018. All prints are limited edition. Available in multiple sizes. High-end framing on request. Al...

"For Your Eyes Only" (Colour) Kanaan Desert, Namibia - 2024 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 20 Available sizes: Standard Image ...