Items Similar to Cream Filled
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Jason DeMarteCream Filled2007
2007
About the Item
Archival inkjet print
Signed, titled, dated, and numbered on label, verso
(Edition of 10)
This photograph is offered by ClampArt, located in New York City.
About the artist:
In his artwork Jason DeMarte explores the use of natural themes in marketing and the influence on consumers. In his series “Utopic,” DeMarte contrasts picturesque portrayals of animals in their natural habitats with overlaid patterns of bold color sampled from advertisements and commercial packaging, awkwardly merging organic and material forms. DeMarte completed his BFA in Photography at Colorado State University (1997) and his MFA in Photography from the University of Oregon (2000). His works are represented in the permanent collections of the Los Angeles Center for Digital Art, Los Angeles; and the Fort Collins Colorado Historical Museum. DeMarte is currently a tenured faculty member at Eastern Michigan University.
- Creator:Jason DeMarte (1973, American)
- Creation Year:2007
- Dimensions:Height: 42 in (106.68 cm)Width: 23 in (58.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93232931611
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2000
1stDibs seller since 2018
236 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Pink PlaceboBy Jason DeMarteLocated in New York, NYArchival inkjet print Signed, titled, dated, and numbered on label, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: In his ...Category
Early 2000s Contemporary Color Photography
MaterialsInkjet
- EagerBy Jason DeMarteLocated in New York, NYArchival inkjet print Signed, titled, dated, and numbered on label, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: In his ...Category
Early 2000s Contemporary Color Photography
MaterialsInkjet
- Rock of Ages #1By Edward BurtynskyLocated in New York, NYGiclée print (Edition of 20) Signed in pencil, verso 9 x 7.5 inches, sheet size 8 x 6.5 inches, image size This artwork is offered by ClampArt, located in New York City. Edward Bu...Category
1990s Contemporary Landscape Photography
MaterialsGiclée
- HeadphonesBy Pipo Nguyen-DuyLocated in New York, NYArchival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...Category
2010s Contemporary Figurative Photography
MaterialsInkjet, Panel
- Blue Models with FlashBy Pipo Nguyen-DuyLocated in New York, NYArchival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...Category
2010s Contemporary Figurative Photography
MaterialsInkjet, Panel
- Light TrailBy Pipo Nguyen-DuyLocated in New York, NYArchival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is of...Category
2010s Contemporary More Prints
MaterialsPanel, Inkjet
You May Also Like
- 'Tulip Awakening' Large Scale Photograph bold flower pastel red orange whiteBy Sophia MilliganLocated in Penzance, GB'Tulip, Awakening' 60 x 40" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching softly,...Category
2010s Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Giclée, Archival Pigment
- 'Youth and the Wise' Contemporary landscape photograph Spring flowers green pinkBy Sophia MilliganLocated in Penzance, GB'Youth and the Wise' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Woven together into richly te...Category
2010s Contemporary Color Photography
MaterialsPhotographic Paper, Archival Ink, Archival Paper, Digital, Giclée, Archi...
- 'Sombras Doradas (5)' Large Scale Photo, Desert Silhouette Sunset Yellow GoldBy Sophia MilliganLocated in Penzance, GB'Sombras Doradas (2)' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Shadows painted on the finca wall: low December sun, golden, luminous, casting soft silhouettes through the aperture of the Eucalyptus leaves. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in the enduring and the effervescent. They are a contemplation of the awareness that everything in existence is temporary, they speak of the ephemeral nature of all things. Moments, feelings, experiences cherished and appreciated in their impermanence, for that is where the beauty comes from. 'I work with time, and the immeasurable spaces of experience within... tangible traces, evidence left behind, records; process in action, stilled'. 40 x 60 inches Limited edition of 25 Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone. Hand signed, titled and numbered to the lower right corner on an approximately 1 inch white border. Each print comes with a Certificate of Authenticity featuring a signature and edition number. Other sizes available, please contact * Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. Framing options are available, please contact. Discounted pricing for multiple artwork purchases, please contact for further information. ________________________________ About The Artist Sophia Milligan...Category
2010s Contemporary Landscape Photography
MaterialsArchival Ink, Archival Paper, Giclée, Archival Pigment
- 'Sombras Doradas (2)' Large Scale Photo, Shadows Silhouette Sunset Yellow GoldBy Sophia MilliganLocated in Penzance, GB'Sombras Doradas (2)' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Shadows painted on the finca wall: low December sun, golden, luminous, casting soft silhouettes through the aperture of the Eucalyptus leaves. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in the enduring and the effervescent. They are a contemplation of the awareness that everything in existence is temporary, they speak of the ephemeral nature of all things. Moments, feelings, experiences cherished and appreciated in their impermanence, for that is where the beauty comes from. 'I work with time, and the immeasurable spaces of experience within... tangible traces, evidence left behind, records; process in action, stilled'. 60 x 40 inches Limited edition of 25 Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone. Hand signed, titled and numbered to the lower right corner on an approximately 1 inch white border. Each print comes with a Certificate of Authenticity featuring a signature and edition number. Other sizes available, please contact * Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. Framing options are available, please contact. Discounted pricing for multiple artwork purchases, please contact for further information. ________________________________ About The Artist Sophia Milligan...Category
2010s Contemporary Photography
MaterialsArchival Ink, Archival Paper, Giclée, Archival Pigment
- 'Sombras Doradas (4)' Large Scale Photo, Desert Silhouette Sunset Yellow GoldBy Sophia MilliganLocated in Penzance, GB'Sombras Doradas (4)' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Shadows painted on the finca wall: low December sun, golden, luminous,...Category
2010s Contemporary Photography
MaterialsArchival Ink, Archival Paper, Giclée, Archival Pigment
- 'Sunday's Tulips (II)' Large Scale Photo bold flower pastel red orange whiteBy Sophia MilliganLocated in Penzance, GB'Sunday's Tulips (II)' 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching sof...Category
2010s Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Giclée, Archival Pigment
Recently Viewed
View AllMore Ways To Browse
Cream Art
Color Sample
Oregon Photography
Fort Collins
Large Beach Photography
Beach Large Photography
Degenerate Art
Book Reading
Birkin Limited Edition
Venice Photography
Beach Photography Color Modern
Photos Of Birds
Hermes History
Delta Delta Delta
S Prince
Fine Art Print Limited Edition Nature
50s Photography
The Young Musician