Road Landscape Photography

Dark with luminous lines. Abstract in nature. Excellent Condition framed in frosted walnut metal plexiglass.

Price for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year...

Burritos, Tahoka, Texas by Peter Brown depicts a red brick building on a street corner, with "BURRITOS" painted in white above the white door. Edition of 25 Signed and numbered in black ink on print margin. Paper size: 20 x 24 in., Image size: 16 x 20 in. Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Views of Osaka is a lot of four hand-inked Albumen print with aniline applied on a single cardboard. Very good conditions. Cardboard cm 26 x 34; Print cm 9 x 13.5 Yokohama School p...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

Views of Spina di Borgo is a lot of two vintage single-coated photographic prints. On the back a violet stamp "Fotovedo Roma..." and some hand-written notes in lapis reporting the da...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

Slim Aarons Estate Print - Hotel Krone Lech Traffic passing by the Hotel Krone in Lech, Austria, 1960 Paper size 40 x 40 inches / 101 x 101 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 Limited to 150 prints only (regardless of paper size) Hand-numbered in ink on the front Blind embossed...

Carmine 2011 Signed, titled, dated, and numbered, verso Archival pigment print 38 x 27 inches (Edition of 9) $2800.00 22 x 17 inches (Edition of 15) $1400.00 Please note that pri...

Charles Street 2007 Signed, titled, dated, and numbered, verso Archival pigment print 22 x 17 inches, sheet (Edition of 15) $2500.00 17 x 11 inches,...

Milano is an original photograph realized by Roberto Baccarini. Hand signed and titled in pencil on the lower right margin.

"Country Road" Color Nature Photography by Alexandra Steedman Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered ...

This beautiful color photography was taken in the Tuscany in Italy Roy Dagan is known for his mesmerizing landscape photos. This panoramic view of one of the...

Liquor Store by Alain Le Garsmeur Exterior of a drive-in liquor store in downtown Cheyenne, Wyoming, USA, 1979. Paper size 20 x 24 inches / 50 x 60 cm Pr...

Piccadilly Lights by Alain Le Garsmeur Neon advertisements shining behind the Eros Statue in Piccadilly, London, England, 1972. Paper size 30 x 40 inches / 76 x 101 cm Printed in ...

Palm Beach Street Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. 40 x 40" inches / 101 x 101 cm paper size Estate Stamped Collection Edition to 150 Pho...

Slim Aarons Kloisters 1963 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Skiers pass by the Hotel Chesa Grischuna in ...

Slim Aarons Kloisters 1963 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Skiers pass by the Hotel Chesa Grischuna in K...

Steve McCurry Moonrise in Mumbai, 1994 Printed Later C-print 20x24 inches Edition of 30 Also available in 30x40 edition of 15 40x60 edition of 10

Palm Beach Street Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition Produced utilis...

Palm Beach Street Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition Produced utilis...

Katharine Hepburn American film star Katharine Hepburn driving along the waterfront with Irene Mayer Selznick at Montego Bay, Jamaica. Slim Aarons Chromogenic C print Printed La...

View From My Grandfather’s Shop Paterson, NJ 2014 Signed and numbered, verso Archival pigment print 20 x 24 inches (Edition of 15) $2,500 32 x 40 inches (Edition of 8) $4,500 Th...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

Slim Aarons The Checkered Flag 1963 (printed later) Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authent...

John Conn, Cuba 159, limited edition Color Photograph taken in Cuba in 2016. It is a photograph, printed on 13x19 archival paper. Signed and Numbered. This is currently unframed. Edition of 15. This gold toned photograph is filled with a vintage car, people and the Cuban cityscape and buildings. John Conn got his start as a Marine Combat photographer, and later earned his BFA at the School of Visual Arts in New York. As a freelance photographer and writer, he has captured a range of subjects photojournalism delving into political and social issues, nature and landscapes, architecture, and underwater images. His work has appeared in: New York Times Sunday Magazine; Time/Life Books; IMAX Films; Village Voice; Human Rights Magazine; Shutterbug Magazine; Hasseleblad Magazine; American Photographer; RangeFinder Magazine; LensWork Magazine; Ocean Realm; Dive Travel Magazine; Picture Magazine; Discover Diving Magazine; Picture Magazine; Popular Photography; Nikon World; Black & White Photography; B&W Magazine; Studio Photography, to name a few. Starting in 1970, John travelled to South Africa capturing images of the people and social divide of Aparteid. His iconic Subway series shot between 1970 and 1982 in New York City is part of the permanent collection of the Museum of the City of New York, The New York Historical Society and Hoboken Historical Museum. In 2010, John Conn spent 45 days in Antarctica and Patagonia, traveling and hiking to capture the land and seascapes. He spent over 20 days journeying over 3,200 nautical miles in Antarctica before heading to Patagonia for the second part of his expedition. In 2014 John began a series of treks across the US photographing Americans, similar to what Robert Frank did in the late 1950’s. In 2015/16, he spent a month in Cuba photographing...

Poolside In Kenya, 1958 Chromogenic Lambda Print Estate edition of 150 A signpost indicating various ski slopes and toboggan tracks in the resort of St Moritz, Switzerland, March 19...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...

New York Lights 1953 Slim Aarons Estate Stamped Edition A set of traffic lights on Park Avenue in New York City. Produced from the original transparency Certificate of authenticit...

'Palm Beach Street' 1953 Slim Aarons Limited Estate Edition Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. (Photo by Slim Aarons) C Print Produced from the ...

Klaus Leidorf was born on June 5th 1956 in Bonn (Germany. After a few years working as research assistant at the University of Marburg and employee at the Bavarian State Office for t...

This silver gelatin print is signed, titled, dated, numbered and stamped on the front of the mount. Printed in 2022.

Stunning photograph of Dubrovnik which was captured by the well known contemporary photographer. Hand printed photograph Gifted by the artist

The Race Across Crystal Beach, 2016 Chromogenic print 40 x 60 inches (diptych) Edition of 5 Leandros Pigates (°1971, New York) creates mixed media artworks, paintings and media art....

Cette photo à été prise lors d'un des voyages de l'artiste au Costa Rica, un magnifique pays avec une nature resplendissante.

"Scotland 0031" Landscape Photography 44" x 36" Edition of 12 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic ...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 22 inches, sheet (Edition of 15) $1400.00 27 x 38 inches, sheet (Edition of 9) $2800.00 38 x 54.5 inches, sh...

Digital C-print Signed and numbered, verso 24 x 30 inches (Edition of 10 + 2 APs) 30 x 40 inches (Edition of 3 + 2 APs) This photograph is offered by ClampArt, located in New York...

Digital C-print Signed and dated on label, verso 14 x 11 inches (Edition of 5) 24 x 20 inches (Edition of 5) 40 x 30 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. “There are these two worlds vying for my attention at all times. In one of them this diagnosis has metastasized to the brain and I am no longer able to care for my children. The bank takes over the house and I become an albatross in hands not fully formed. . . In the other world, noise shuts down for a very split second and the smallest fragment of light becomes a pathway to immortality. Color is no longer a placeholder and language no longer a tool. . . You can read this as small moments of clarity or large chunks of confusion. Either way, they mix with the noise and become gaps I long to posses.” — Joshua Lutz The images and text accompanying Joshua Lutz's series, "Mind the Gap...

Archival pigment print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offer...

Archival pigment print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offer...

Gelatin silver print Signed and numbered, verso 32 x 40 inches (Edition of 3) 20 x 24 inches (Edition of 15) 11 x 14 inches (Edition of 5) This photograph is offered by ClampArt,...

Archival pigment print Signed, titled, and dated, recto 32 x 32 inches (Edition of 20) 21 x 21 inches (Edition of 30) This artwork is offered by ClampArt, located in New York City...

"Southern Red Oak #1, Atlanta, GA" is a nocturne photograph of an urban tree featuring hues of blue, green, orange and yellow. This listing is for a framed print. Additional unframed...

Edition of 45 Signed, dated and numbered in pencil on mount margin recto by Michael Kenna Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...

"Nuts4Nuts" is a colorful abstract photograph using analogue photography by Greek-American artist & photographer MK Semos. It is sized 24x30 inches / 61x76 cm, and has a French cleat...

Jay Mark Johnson Eva Kein Auto Hamburg, Germany, 2008 Durst Lambda print, film, aluminum 40” x 105” Edition 2/3 $28,500

Steam Train Press, Wyoming, 1954 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed la...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

30"x40" edition of 5, signed and editioned on reverse. This photograph was taken at the site of the former Maharishi Mahesh Yogi’s Ashram in Rish...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

This large-scale photograph is an archival inkjet print on 100% cotton paper mounted to Dibond. Edition of 8. Additional sizes available. Beth Lilly is inspired by the work of Thom...

East 42nd Street glows with a deep red from the afterglow of Manhattanhenge. One-point perspective adds drama with converging lines culminating at a vanishing point at the Hudson Ri...

The gallery has the most extensive art photography of New York City, due to our abiding love for the city. We present the work of different photographers, some of whom are emerging t...

'Black Top Ahead' is a black and white landscape photograph. This print is edition 1 of 20. This listing is for a framed print measuring 14 by 35 inches. Chris Little is inspired by the work of Ernest Hass, Jay Maisel...

"SF DRIVE 0007" Landscape Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic ...