Car Portrait Photography

Edition of 25 Signed, titled, dated, print date, and numbered. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of 25 36 x 54 in., Edition...

Edition of 25 Signed, titled, dated, print date, and numbered. *Images show print in size 11 x 14 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 i...

Edition of 50 Gelatin silver print Signed by Keith Carter, titled, dated and numbered in pencil on print verso. Paper size: 16 x 20 in., Image size: 15 x 15 in. Printed 2011 Keith C...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Gabriel Wickbold I am light #12, 2019 44 x 64 inches 160 x 110 cm Edition of 5 Archival Pigment Print Framed (Matt Black) Signed on verso + Signature Label Certificate of Authenticity

An unexpected view of the streets of San Francisco at night is captured by Street Photographer Mitchell Funk. From the inside of a taxi cab, we view the driver in profile as he tur...

This is a unique photographic work taken under the direction of Andy Warhol. The photo has Andy Warhol and Peter Wise in a convertible next to the piers on the West Side Highway. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts inventory number written on verso. The work comes with a Certificate of Authenticity from The Andy Warhol Foundation for the Visual Arts. Provenance: Estate of the Artist to The Andy Warhol Foundation for the Visual Arts to Hedges Projects...

Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Sasha Bezzubov uses a lar...

Suprematist Study, 2005 Archival pigment print on heavy rag paper 42 x 67 inches Edition of 7+2AP A study of forms. Forms that are mechanical: cold engineering but designed with flu...

Two men have a conversation and joke-it-up on the steps of a boarded-up store named Nicks Cleaners. The whole scene is awash in dreamy blues and reds. Absorbing the influence of bot...

Street Photographer Mitchell Funk's signature hi-color/design photography merges with photojournalism in this introspective New York City Taxi Portrait. Signed, dated, numbered low...

This listing is for an unframed print. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW Turner and Paul Gauguin. Atlanta-based pho...

This listing is for a framed print. Simple white frame measuring 17 by 23 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW T...

This listing is for a framed print. Simple white frame measuring 17 by 23 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW T...

This listing is for a framed print. A simple white frame measuring 17 by 23 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW...

This listing is for a framed print. A simple white frame measuring 17 by 23 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW...

This listing is for a framed print. Simple white frame measuring 15 by 20 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW T...

This listing is for a framed print. Simple white frame measuring 17 by 23 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW Turner and Paul Gauguin. Atlanta-based photographer Beth Lilly utilizes a variety of photographic styles in her conceptually driven projects that speculate on the interplay of choice, chance and circumstance. Her most recent series, “The Seventh Bardo,” documents interstate-goers, who on their journey from point A to B, seemingly step outside the confines of time and space, getting lost in contemplation and introspection. In Tibetan, the term ‘Bardo’ literally means ‘the space in-between,’ like a liminal space, and usually refers to the state between death and rebirth. She finds a long journey on the interstate to be a kind of bardo, a state rich with opportunity for transformation. The landscapes and the portraits in this series can stand alone, but are intended to relate and inform each other. The landscapes contain both blurred and sharp elements, signaling that these images are not about a specific geographical place but a psychological place. Nondescript features in the landscape repeat themselves endlessly – this is a limbo that extends forever but goes nowhere. Instead, they serve to set the emotional and psychological stage, and foster a sense of a dreamy otherworldliness “We live in a time when individuality is highly praised, and yet many of us have never been so lonely,” states Beth. “Cars travel the interstate side by side, just feet apart, yet the passengers experience complete isolation. Our windowed vehicles create the illusion of privacy and within these small worlds, people tune out the outside world and appear deep in self-reflection or absorbed in the dramas of life playing out within the small world of their car.” Beth’s portraits record these transitional moments of being lost in thought or the brief moment of connection when they curiously look back at her. Beth earned her MFA in Photography from Georgia State...

This listing is for a framed print. A simple white frame measuring 12 by 16 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW...

This listing is for a framed print. A simple white frame measuring 15 by 20 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW...

This listing is for a framed print. A simple white frame measuring 12 by 16 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW...

This listing is for a framed print. A simple white frame measuring 12 by 16 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW...

Archival Pigment Print COA Hand Signed by Michael Grecco

A lonely-looking wide-eyed boxer peers out a car window in anticipation that his owner will return. On closer examination, this is not a photograph of a real Boxer but a cut out of...

A two-inch plastic toy figure of a suited man is placed on top of an extended firetruck ladder. The toy truck and man are placed on the roof of a Brooklyn Heights building and positioned directly in front of the lower Manhattan skyline. At the time, it was the very center of of world commerce. The two-inch toy man raises above the tallest and most important buildings , including the recently finished World Trade Center Twin Towers. Clearly, this man is above it all and this photo is more than child's play. The work is signed, numbered 2/15, dated and titled lr. printed later, unframed, Printed on Hahnemühle Fine Art paper Robert Funk is a pioneer of toy, doll, miniature, plastic thingies and staged photography. He also photographs his own paintings. Most of his work is done on location. He does not use photoshop to strip in images. He doesn’t take photographs he creates photographs and has works dating from 1973. He was widely published in the 1970's and early 1980's. As an undergrad in painting, he studied with first-generation abstract expressionist Robert Richenburg...

David Drebin – Limited Edition Chromogenic Print (Framed) Available Sizes: 30 x 45 inches (Edition of 10) 40 x 60 inches (Edition of 7) Discover the cinematic brilliance of intern...

David Drebin – Limited Edition Chromogenic Print (Framed) Available Sizes: 30 x 45 inches (Edition of 10) 40 x 60 inches (Edition of 7) Discover the cinematic brilliance of intern...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Born in Liverpool, England, Julian Lennon began his artistic trajectory at a young age with an inherent talent for playing musical instruments. Those talents would soon broaden into ...

"Hunter S. Thompson" Aspen, Colorado - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x 60" ...

"Diego" Atrani, Italy - 2024 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x 65" Framed Size: 52...

"The Glenturret" Crieff, Scotland - 2024 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x 69" Fra...

DAVID DREBIN Diamond Dust series 39 x 59 inches (100 x 150 cm) Edition of 7 also available in: 31 x 46.5 inches (80 x 120 cm) Edition of 10 Chromogenic Print with Diamond Dust Mo...

DAVID DREBIN Classy and Scandalous, 2021 (Diamond Dust version) 39 x 59 inches (100 x 150 cm) Edition of 7 also available in: 31 x 38 inches (79 x 100 cm) Edition of 10 Chromogen...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial images and surrealistic portraits contain a penchant for explosive color and violent overtones. For the series “Chromatic” (2012), Shields gave models bags of colored powder and then pitted them against each other to create a vibrant war in rainbow hues. Always high energy and full of life, the photographs act as windows into a more glamorous world. PROVOCATEUR series by Tyler Shields Available Sizes: 30 x 30 inches...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial images and surrealistic portraits...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Photograph is hand-signed and editioned by the artist and comes directly from the artist's studio. It is available in additional sizes. It is available framed or unframed. Featured price includes existing framing. Contact us for more information. Girls in the Windows...

1992 Santa Clarita, California - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 67 inches 67 x 95 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. Joe Pytka’s 1992 Pepsi Ad with Cindy Crawford is iconic; indeed, it is probably one of the most celebrated commercials of all time. So much so, that there have been many retakes and parodies. As we all know, it featured a 26-year-old Crawford pulling up to the Halfway Café in a red sports car wearing a white tank top and jean shorts. Two young boys stare as the supermodel buys a Pepsi from a vending machine and drinks it down. For some time I had yearned to do my own interpretation of the advert with a still photograph and I secured Cindy’s involvement, who in turn secured Pepsi’s approval (given the implicit tribute, why would Pepsi say “no”?). The Halfway House...

5PTZ Boogie by street art photographer boogieREZ - REZ ONES, layered photography A layered portrait photograph of a graffiti writer (BOOGIErez aka Riiisa Boogie) standing perpendicu...

'Mick Jagger' SIGNED, LIMITED EDITION Portrait of Mick Jagger. Photograph by Gered Mankowitz of Mick Jagger & Aston Martin DB6, London 1966. All Prints are Signed and Limited Edition Printed later 2020 EXTRA LARGE 40 x 40" inches/ 101 X 101 cm Edition size 50 only GERED MANKOWITZ BIOGRAPHY: Gered Mankowitz was born in London, England, on 3rd August 1946. The first of four sons of the late author, playwright and film writer Wolf Mankowitz and his wife, the Jungian psychotherapist Ann Mankowitz. After an education of sorts at several London co-educational “progressive” schools, he left at 15, avoiding all exams and completed his education devoid of any formal qualifications. Having displayed a natural ‘eye’ for photography whilst on a school trip to Holland and having been inspired to take up photography by the actor Peter Sellers, his photographs were seen by the legendary photographer Tom Blau, who offered Gered an apprenticeship at his famous photo agency, Camera Press Ltd., in London. Over a period of several months Gered worked in all the various departments that made up Camera Press, finally moving to the studio and going on various assignments in and around London. In 1962, Gered went to Barbados with his family and began taking photographs professionally, producing a range of work from architectural studies for the island’s top architect to the first Boeing 707 landing at Bridgetown airport for British West Indian Airways. On returning to London, Gered was offered a chance to go to Paris for the collections, working for the fashion photographer Alec Murray. In spite of the glamour and exciting atmosphere, it was clear that this particular area of work was not for him, and on returning to London he went to work for the ‘show-biz’ portraitist, Jeff Vickers. Gered had already photographed the Bristol Old Vic production of the American musical play “Fiorello” and his photos had been used for the front of theatre display when the show transferred to London’s Piccadilly Theatre. This made him the youngest photographer to have his pictures used in this way; so working for Jeff Vickers gave him an opportunity to develop his ‘show-biz’ contacts and to broaden his experience in the studio, taking portraits of many actors and other personalities. During 1963, Gered met and photographed the singing duo Chad and Jeremy, who had just signed with Ember records. One of these photos was used as the cover of the duo’s first album, “Yesterday’s Gone”, and Gered found himself working in the music industry at a time when it desperately needed new, mould breaking images. He began to work with a new generation of producers like John Barry, Shel Talmy and Chris Blackwell photographing artists who were of his own age group and who felt at ease with him in a way that had not been possible with other photographers. At the end of 1963 Gered opened his first studio, at 9 Masons Yard in the heart of London’s West End. On one side was the infamous disco “The Scotch of St.James”, hangout of the pop glitterati of the time, and on the other the art gallery “Indica”, partly financed by The Beatles and where John Lennon met Yoko Ono. Within a few months Gered had already begun to make a name for himself, and he was approached to photograph Marianne Faithful, who had just had a big hit with “As Tears Go By”. Working closely with Marianne he got to know her manager and producer Andrew Loog Oldham. In early 1965, Oldham asked him to photograph the Rolling Stones, who he also managed and produced. This was a major turning point in Gered’s career, because from this first session came the cover for “Out of Our Heads” (U.S. title “December’s Children”), and as a result he was asked by the Stones to go to America with them on their record breaking 1965 autumn tour. During this 9 week (48 city) tour of the U.S. Gered photographed the Stones on stage and off, and got particularly close to Keith and Charlie. There were many adventures as Gered found himself on the road with the greatest Rock band in the world at the peak of their original success. Gered continued working with the Stones as their ‘official’ photographer, producing photos for albums (“Between the Buttons”; “Got Live If You Want It”; “Big Hits”; and several others), press and publicity, taken at home, in the recording studio, on stage and behind the scenes until 1967, when the band broke off with their manager, Oldham. Through the 60’s, Gered continued in the music world working with Oldham at his famous Immediate label, and with many other major artists including Jimi Hendrix, Free, Traffic, The Yardbirds, The Small Faces...

Anne St. Marie, Pushing Man in Cab, 1958 - Jerry Schatzberg Signed on reverse Silver gelatin print 8 x 10 inches, edition of 25 + 5 APs - $3,000 11 x 14 inches, edition of 25 + 5 APs...

Ted Williams Martin Luther King Motorcade, 1964 Silver gelatin print 20 x 24 inches Estate stamped and numbered edition with certificate of authent...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition 3/12 Framed Size: 48 x 69 inches Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. "It was always my intent to shoot somewhere on Sunset Boulevard as part of our American Road trip series. It is such an iconic stretch of road that has played host to Hollywood stars and their cars for generations. The stretch heading west from Chateau Marmont...

David Drebin Taxi Lovers, Hong Kong, 2009

Artist : Helen Graham Title : Concentrated Materials : Archival Pigment Print Date : 2019 Unframed Photography has always been a way for Helen Graham to express her emotions in a silent way. Through her photos she intends on stirring your imagination and touch your heart. Helen Graham also will show you things that sometimes in our busy world we miss seeing. She intensely focuses on capturing a specific moment while never losing her natural sense for composition. Contemporary Photography, contemporary photographers, still life, still life photography, color photography, cinematography, cinematic, scenic, photography, interior, interior photographs, human from, figurative photography, documentary photography, portrait, hair salon, Cindy Sherman, Hiroshi Sugimoto, Andreas Gursky, Alec Soth, Gregory Crewdson, Rinko Kawauchi, Michael Wolf, Robert Adams, Wolfgang Tillmans, Tina Barney, Richard Mosse, Julie Blackmon, Ren Hang.

"My dad thinks it's a good idea to take all the leaves off the tree and take up the yard. I think he is crazy." Edition of 15 Signed, numbered, and artist stamp...

Chromogenic print Signed, verso 20 x 24 inches, sheet 15 x 22 inches, image This photograph is offered by ClampArt, located in New York City.

Gelatin silver print Signed in pencil, verso This artwork is offered by ClampArt, located in New York City. Larry Clark first made a name for himself when he revolutionized documentary photography in his classic book “Tulsa,” released in 1971, in which he presented straightforward, autobiographical images of violence, drug use, and adolescent sexuality. While Tulsa earned Clark a grant from the National Endowment for the Arts for use toward his next project, that work was delayed over a decade by the artist’s heroin addiction and a stretch in Oklahoma’s McAlester Penitentiary. Eventually, Clark completed his second and equally innovative body of work titled “Teenage Lust...