Face Portrait Photography

Bat For Lashes (Natasha Khan) in Brighton, January 2009 MOJO Magazine feature Photo by Kevin Westenburg Unframed Signed and numbered by the artist. Edition of 3 only at this size OTHER SIZES AVAILABLE : Size 1. 16 x 20" Signed and numbered edition of 25. cost $ 2,500 Size 2. 20 x 24" Signed and numbered edition of 25. cost $ 2,950 Size 3. 24 x 30" Signed and numbered edition of 25. cost $ 3,375 Size 4. 30 x 40" Signed and numbered edition of 10 (+2 a/p). cost $ 5,605 Size 5. 40 x 60" Signed and numbered edition of 3 (1 a/p). cost $ 18,500 About the artist: Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie stars for over 25 years. His technique of lighting, colour and composition has helped to produce his own unique visual style. Shortly after receiving an Architecture degree he moved to London where he’s been based since 1983. Westenberg is self-taught and learned his trade working for the UK inkies “New Musical Express” and “Melody Maker” mainly throughout the late 80’s and 90’s documenting amongst others all the UK ‘Britpop’ bands. The breakthrough came in 1993-1994 with the release of Sting’s Ten Summoner’s Tales and Mary J Blige’s Share My World. These two album covers changed the perception of the work worldwide and thus began a run of 20 years of commissions and choice opportunities. For the last 25 years, his musical heritage includes portraits of Radiohead, Thom Yorke, Coldplay, White Stripes, Jane's Addiction, Sting, Bjork, Nirvana, Jeff Buckley, Luther Vandross, Nine Inch Nails, Stone Roses, The Pixies, Paul Weller, Rufus Wainwright, Michael Stipe, U2, Mary J. Blige, R.E.M., Black Sabbath, Massive Attack, BB King, The Rolling Stones, PJ Harvey, Marilyn Manson, Pete Doherty, Oasis, Soundgarden, Jake Bugg, and Bon Jovi among many others. Also included are 100’s of albums, singles, magazine & book covers from around the world. He’s also been chosen as official photographer for the LIVE 8 Hyde Park event in 2005 and for Led Zeppelin reunion concert at the 02 Arena, London. The work & interest also include a wide range of artists portraits beyond the music world. David Lynch, Paul Auster, The Coen Brothers, Rupert Friend, Sir Tom Stoppard, Orla Kiely...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Jambo' is a stunning C-Type print by contemporary British photographer Tim Fl...

Lonesome (Suburbia) - 2004 40x50cm, Edition of 10, Archival C-Print based on a Polaroid, Signed on verso with Certificate, Artist inventory number: 1742. Not mounted. This pro...

Portrait of Natalia Ginzburg is a vintage black and white photograph realized in the 1960s. Good conditions.

Freddie Mercury of Queen riding on the shoulders of Darth Vader taken by photographer Tom Callins. This famous shot has never been available before and is exclusive to our collecti...

Autographed portrait of Lilo Pulver and Helmut Schmid is a b/w postcard reproducing the photographic portrait of the Austrian actors, famous during the German cinema during the Fifti...

'Hans' from the movie Immaculate Springs - 1998 Edition of 10, 20x30cm, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature Label and Certificate. Artist inve...

Edition of 50. The Rolling Stones is a striking portrait, on fibre paper, from iconic 20th Century photographer David Steen. Steen’s introduction to photog...

David Bowie Backstage - Limited Edition Mick Rock Estate Print David Bowie applying make up, backstage, 1973 (photo Mick Rock). All prints are numbered by the Estate. Edition size...

Point-Aven is a vintage poster realized by Michel Tersiquel in 1972. Black and white colored offset print. The artwork represented a phothograph po...

Galatea 10 is a vibrant C-Type Print on Fujiflex Paper in an Edition of 9 + 2 Artist Proof with Dimensions of 100cm x 150cm. Please bear in mind that all prints are produced to orde...

'Haiti' Edition 2/10, 20x30cm, 2010 printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. We went to Haiti in 2010, and just a few days a...

Coldplay by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie s...

Maggie Taylor (born 1961 in Cleveland, Ohio) is an artist who works with digital images. Her work has been widely exhibited in the United States and Europe and is represented within...

The Beatles having fun at Cliveden House whilst taking a break from filming the 1965 comedy, Help! Taken by Robert Whitaker. All limited edition print...

Signed limited edition print by Ed Caraeff of Dolly Parton taken during the cover session for her album ‘Here You Come Again’ in Los Angeles, CA, US, July ...

Jeff Buckley - Oversize Signed Limited Edition Print American guitarist and songwriter Jeff Buckley (1966-1997), photographed during press for his first ...

A black and white photograph of a woman dressed in costume - goddess of the hunt, the moon, and nature - in mythology, Diana, the huntress a maiden with blond braids and a gold tiara. The mask on the back of the goddess invites us into the spirit world ... the subject photographed at a countryside masked ball in St Martin d'Ardeche, France. Diana the Huntress, France, 1989 by Roberta Fineberg is a signed 14 x 11 gelatin silver print in an edition of 5. Provenance: RF Archive *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art fair (2020), Gallery122 New York pop-up group...

Desert Center (Stranger than Paradise) - 2000 Edition of 10, 20x20cm. Archival Print, based on a Polaroid. Mounted on dibond with matte UV-Protection. Signature label and Certificate. Artist Inventory No. 1986. Published in Stranger than Paradise, Hatje Cantz (monograph) Stefanie Schneider: A Discovery on Polaroid. An essay by Eugen Blume How is it that the photographic works of Stefanie Schneider do not allow anything other than one single association, namely that of America? Because they were taken in America itself? That fact alone would not yet be a compelling argument. Many photographs of America possess a reckless ambivalence which allows even the different country of their own particular creator to seem so similar as to be confused with America itself. Does this ambiguity have something to do with the ongoing, accelerating Americanization of the entire world? Or is it simply connected with our personal clichés which we attribute to a country the size of North America as valid expressions of its very essence, thereupon negligently allowing it not only to dwindle down into any size whatever, but also to expand to a great extent, from Germany by way of Luxembourg right through to Japan? Now it is certainly true that the figures of Thelma and Louise in the desert do not represent an American reality, not even after their resurrection as Radha and Max in the series 29 Palms from 1999. Strangely enough, it is nature which allows this utterly artificial scene to grow into an American verity. The harsh sunlight in the barren landscape establishes the fundamental tone out of which the women emerge in excessive hysteria from beneath their colored wigs. It is inherently absurd to celebrate the feminine aspect in the middle of a mercilessly inhospitable environment. The image of the two women is a monument of resistance, the meaningful assertion of a lifestyle which stands in contradiction to each and every convention. The pictorial structure and the captured movement along the edge of the format are a means of blending the glaring luminosity with the plot in a manner which perhaps functions successfully only in the “simple” instant technique of the Polaroid. Stefanie Schneider’s pictorial narratives are striking in their formal elegance. She utilizes the chemical faults of the Polaroids, their tendency towards overexposure and double-images as a sovereignly controlled means of artistic design. The defects become, as it were, metaphorical levels which plumb depths lying far beneath the surface. The overly bright colors and schlieren seek out the uncanny; they provide a counterweight to a narration that is deliberately kept superficial. They tell of an invisible strand. They illuminate, in the truest sense of the word, underground processes. Although we are familiar with a series featuring American flags which could not indicate the site of its narrations any more clearly, nevertheless there remains a fundamental doubt as to whether the initially described association with America is identical with that which we deem to be America in a geographical sense. Although I have in the meantime been in America several times, in both South and North America, deep down I remain uncertain as to whether the New World actually exists. Columbus’ error of continuing to believe, even when having arrived on land, that he was encountering the India which was the actual goal of his journey has burrowed down deep into the European unconscious as a cultural convention. Peter Bichsel’s amusing story “Amerika gibt es nicht” (There is no America) still remains today an undeniable truth: America’s northern half is a film, not a continent. Everything which signifies the U.S.A. – from the Indians, whose most noble savages were invented in Europe, all the way to September 11th and the subsequent war in Iraq, the aliens and the revival of the dinosaurs, the terminators as governors and presidents as actors and vice versa, the electric chairs, the godfather Marlon...

California Blue Screen (Stranger than Paradise) - 1997 100x136cm, Edition of 1/3. Archival C-Print, based on a Polaroid. Signed on verso with Certificate. Artist Inventory No. 1...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of the singer and actress Grace Jones wearing a cowboy hat. From personality portrait...

Pasolini (Immaculate Springs), 1998, - Starring Jacinda Barrett. Edition of 10, 38x37cm, Archival C-Print, based on a Polaroid. Signature Label and Certificate. Not mounted, St...

John V. Lindsay is a black and white vintage photo, realized in October 25th 1971. The photo depicts J. V. Lindsay, the mayor of New York City from 1966 to 1973and candidate for U.S...

Edition 15 Platinum Palladium Print Sold out in all other editions. Black and white portrait of Supermodel Grace Jones with hat. From personality portraits and advertising campaig...

Slow Days (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory #15720. ...

Sleep Anxiety, 2013, Edition 1/10. 25x30cm. Digital C-Print based on a Polaroid ID-UV. Mounted. The additional photos show this piece mounted at the Bombay Beach Biennale Polaroid M...

Sükan created the ‘La Notte’ series as he was working for international magazines documenting the fashion shows and backstage as well as the social times of the fashion world in Pari...

Stranger than Paradise I (Last Picture Show) - 2005 128 x 125 cm, Edition 4/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, sign...

Les Voiles H 35.5 in. x 27.5 in. W Edition 6 Unframed. Les Voiles Series Uwe Ommer wanted to try a series that revealed less of the body using different we...

Edition of 50. Pete Townsend is a striking portrait, on fibre paper, from iconic 20th Century photographer David Steen. Steen’s introduction to photography was as a 15-year-old scho...

Rocky Horror - Limited Edition Mick Rock Estate Print Little Nell, Patricia Quinn, Tim Curry in The Rocky Horror Picture Show, 1974. (photo Mick Roc...

The Queen 2015 Silver gelatin print Signed and numbered edition of 25 Her Majesty Queen Elizabeth II, photographed in London, May 2015. Greg Brennan is ...

'Teenage Kicks' C-type Limited Edition by Jamie Beeden, personal work. A portrait of a young girl at a club in Tufnell Park, London 2003. Jamie's body of work includes varied maga...

SEAN CONNERY. “007, JAMES BOND: GOLDFINGER” [1964] (Goldfinger), directed by GUY HAMILTON. A great shot of Sean Connery on set as the secret agent - together with the infamous Aston...

Vintage Photo. The English actor David Niven with the American actor Robert Vaughn.

Bette Davis Eyes (1932) Silver Gelatin Fibre Print - Oversized (photo by Pictorial Press / Alamy Archives) 1935, Portrait of actress Bette Davis circa....

Silver gelatin photograph of a close up superimposed portraits by photographer Layet, circa 1950. Original artwork on paper displayed on a white mat with a gold border. Archival pl...

Edition of 10 More sizes available on request. Silhouette of a woman in black and white. Artist Statement: Art is the air that I breathe. I grew up in an artistic family, surround...

Housewife's Chores III (Suburbia) - 2004, 20x24cm, Edition of 10, digital C-Print based on a Polaroid, Not mounted, Certificate and signature label. Artist Inventory No. 1692. ...

The Tears we cried (Till Death do us Part) - 2007, 20x20cm, Edition of 10. Digital C-Print print, based on a Polaroid, Certificate and Signature label. Artist Inventory No. 8583. N...

Einsam (Stage of Consciousness) -2007 20x24cm, Edition of 10, Digital C-Print, based on a Polaroid. Artist Inventory # 8334. Signature label and certificate. Mounted on Dibond with...

Townes Van Zandt, Tennessee, 1996 by Jim Herrington 17x22" Archival pigment print on baryta 315 gsm, acid-free, 100% cotton-fiber paper. Edition 75 ...

Archival pigment print Signed and numbered on label, verso 12 x 18 inches (Edition of 10) 24 x 35.5 inches (Edition of 8) From the series, "Another November" This artwork is offer...

Lullaby (The Girl behind the White Picket Fence) - 2013 - 48x58cm, Edition of 10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory # 15585. Not mounted. Stefanie Schneider's THE GIRL BEHIND THE WHITE PICKET FENCE

 Stefanie Schneider’s taken her artwork to film. With over 10 years in the international art world to support her, ‘The Girl behind the White Picket Fence’ is Schneider’s first feature film. A dedicated Polaroid fan since the mid 1990’s who mastered the analog medium to it’s final dying breath. Since Polaroid stopped making the best film in the world, it’s been Schneider’s goal to buy as much as she could find. Knowing that there will never be another chance to fulfill her lifelong dream to make a movie, using her own original artwork style. Schneider scoured the Internet for Polaroid film. Trucks deliver boxes upon boxes of expired Polaroid film. Testing the randomly working film takes days, turning to years. Years of buying film, script writing, prop production, actor contracts, all done in little bits. Shooting film in California and compiling in Berlin, Germany, back and forth with each season. This film is the result of a dream that started with friends she loved such a long time ago. It’s dedicated to them. They know who they are. 
An artists world of movie stills, ‘The Girl Behind the White Picket Fence’ is a succession of Polaroid film stills. One after another, this film takes this to the limit and still delivers. Sometimes quickly, sometimes slowly, flowing with the rhythm of the music or in the energy the film portrays. The gaps keeps the viewer paying close attention but after a little time, you no longer notice. All photographs are real analog Polaroid film so this is a one off, never to be replicated, a complete window into an artists mind as she sees the world. Sunny, hot, in love, open spaces evoking freedom but also banishment. This project was that each actor would write their own story about love and Schneider would piece them together to make some sense of fate. Ultimately, this work is the vision of Stefanie Schneider. As with any dream, the finished result came about not as originally planned but it happened and will never happen again. This film is about old fashioned analog beauty, combining love, choices of life. It’s a film about searching, about truth and sometimes where that truth takes us. 
This film started out with a vision of grand collectiveness with all participants coming from Schneider’s time in Hollywood ranging from directors to actors, producers to agents and writers to weirdos. The American dream was alive and well in this motley group who fell in love with Schneider’s idea to capture a story about love on Polaroid film. Funding started with Schneider procuring film from all over the world, creating a interactive website for the artists to collaborate on together and collecting material for the script. Shooting locations were scouted and life size props built. Caroline Haertel from ‘micafilm’ based in Berlin Germany joined Schneider who then brought in Kirsten Niehaus from ‘Medienboard Berlin-Brandenburg’ and Barbara Haebe from Arte TV in Germany. Both of whom have been very supportive. 
The concept began to take shape. The realization of how to actually make the film became apparent with each tested Polaroid first taken, scanned, and then finally sequenced to about 4000 frames from over 5,000 actual Polaroid photographs. Each requiring about 30 minutes of work. 
The center of this story is the ‘Lonely Hearts Radio Station’ DJ, played by Steve Marshall who talks to the searching broken hearted in the southern Californian desert. A sad young girl calls in to better understand what is going on which results in an unexpected chain of events. Through dreams, memories and even mystics, Heather finds that you never know with whom, love finds you. There are signs if you only listen. If only, you’re aware. 
Main characters: Hans, the mystic played by the veteran actor Udo Kier. Heather’s a young girl who’s lost her parents played by Heather Megan Christie...

Francisco by Mikael Kenta From the "Ibiza" Series Archival Pigment Print with a 1.57-inch white border. Image size: 47.2 in H x 35.4 in W Frame size: 51.5 in H x 41.5 in W Edition o...

Everything is built on shifting sands (The Girl behind the White Picket Fence) - 2013 - 20x24cm, Edition of 10, digital C-Print, based on a Polaroid, Certificate and Signature labe...

Tabboo! Wigstock, NYC, 1992 by Michael James O’Brien Printed on Hahnemuhle fine art photo rag paper Image size: 36 in. H x 24 in. W Edition of 7 + 2AP Unframed _________________ ...

Vintage Portrait of Betsy Drake, realized in 1950s.

This black and white portrait features American film and television actress Joan Crawford. Known best for her roles in films such as Possessed, Sudden Fear, and Whatever Happened to Baby Jane...

Edition of 7 Group Portrait. Surma ethnic group, Ethiopia. To my mind this photo has it all: it’s a striking display of the colorful face- and body-paint and elaborate orna- ments ...

New release July 2022. The Protector in black and white. Museum quality fine art print of David Bowie by photographer Markus Klinko, from his celebrated c...

Sylva Koscina - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions. Sylva Koscina is considered one of the be...

Kanariepiet (Odd Stories) 2/25, 2014 digital print mounted on mdf (15x11cm - 0,8 mm), matt coating hand signed by the artist on the back. -- Part of Carmen De Vos' solo show Odd St...

Freddie Mercury - Limited Edition Mick Rock Estate Print Freddie Mercury in a white tunic, 1974 (photo Mick Rock). All prints are numbered by the Estate. ...

Stunning and sexy capture of Sophia Loren in her role for the 1963 film "Yesterday, Today, and Tomorrow". Yesterday, Today and Tomorrow is a 1963 comedy anthology film by Italian di...

David Bowie - Limited Edition Mick Rock Estate Print Portrait of David Bowie, 1973 (photo Mick Rock). All prints are numbered by the Estate. Edition size varies according to print...

James Dean by Paloma Castello 47.2 x 33 inches Edition of 1/3 + 1AP Digital photographs on glossy pearlescent paper 2018 All Prices are quoted as "initial price". Please note that ...

Archival Pigment print 36 x 24 in. Ed of 10 Unframed Channeling the energy of “water-signs” in astrology, he captures these mysterious men through a romantic lens. The bosom of the ...