Face Portrait Photography

Unknown Photographer. SIGNED ORIGINAL PHOTOGRAPH OF ORSON WELLES. Photographer not known, no date, but circa 1937/8. Silver Gelatin Photograph, 7 x 5 i...

Fanny Ardant, Paris, France, 1990 by Jean-Michel Voge is a contemporary color portrait of the internationally-known and stunning actress Fanny Ardant (b. ...

Black and white photograph of a nude Marilyn Monroe taken by Tom Kelly in 1949. The work was distributed as calender art and one was featured in an issue of Playboy magazine in 1953. The photograph is not framed. Artist Biography: Kelley was born in Philadelphia, Pennsylvania. He learned photography as an apprentice in a New York photo studio, and then worked for the Associated Press and Town & Country magazine. After coming to California in 1935, Kelley established a photography studio in Hollywood and produced promotional photographs of motion picture stars. David O. Selznick and Samuel Goldwyn retained Kelley to take promotional photos of their stars and starlets for magazine covers and advertising. Later, Kelley's business shifted to commercial and advertising photography. Some of Kelley's most famous photo subjects have included Gary Cooper, Greta Garbo, James Cagney, Clark Gable, Winston Churchill, Bob Hope, Marlene Dietrich, Joan Crawford, Jack Benny, David Bowie, John F. Kennedy, Dwight D. Eisenhower, Franklin D. Roosevelt, Yma Sumac and, of course, Marilyn Monroe, with and without clothes. Tom Kelley had a way of making his subjects feel comfortable behind the camera. He would bring his wife with him to his shoots to create a more soothing and relaxed atmosphere. Kelley served on the panel of judges at the Miss Universe...

Unique black and white candid capture of actress Rita Hayworth posed in a bikini, doing a handstand, all while feeding a dog Rita Hayworth was an American actress, dancer, and pin-u...

Artist: Man Ray (American born, 1890 - 1976) Title: VISAGES OF WOMAN, UNDATED Date Of Negative: 1920 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Pri...

Black and white candid capture of actress Brigitte Bardot smiling while hugging a large dog. Brigitte Bardot is a French former actress, singer, and model as well as an animal righ...

Girl with Green Shawl 2002 C-Prints printed on FujiFlex Crystal Archive Super Gloss Paper 24 x 20 inches Signed and numbered edition of 44 of 60 with cert...

Linda Blair starred in the 1973 horror film The Exorcist, one of the highest-grossing films of all time, when she was fifteen years old, and was nominated ...

Divine Nude No.22 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It...

Black and white portrait of Audrey Hepburn posed in the sutdio, holding a Yorkie in her arms. Audrey Hepburn was a British actress. Hepburn had a successful career in Hollywood and ...

11 x 14" vintage silver gelatin photograph of New York City Ballet dancers Peter Martins and Peter Schaufuss, 1975. Signed by Jack Mitchell on the...

This selection is an intimate grouping of portraits of celebrities and tastemakers in the burgeoning cannabis industry. I’ve paired these with select portraits evoking the feeling of...

An iconic 20th Century fashion later photograph Girl in the Light, 1967 by Ormond Gigli is a c-print. Available in color and B&W. This color version is in an edition of 10. 38" x 38" image size, 44" x 44" paper size. The print is signed, titled, and numbered on recto (front of photo) by the photographer. Provenance: Gigli Estate *** Artist’s Bio: Ormond Gigli (1925-2019) published in the top magazines, such as LIFE, Time, and Paris Match. Assignments took the photographer around the globe. Gigli's celebrity portraits included Sophia Loren (at age 21), Anita Ekberg, Marcel Duchamp, John F. Kennedy, Halston, Gina Lollobrigida, Diana Vreeland, Marlene Dietrich, Judy Garland, among others. The most famous of Gigli's favorite photographs were self-assigned, such as one of the legendary fashion photographs of the 20th century, Girls in the Windows. *** Available at 99Prints...

Steve McCurry has been one of the most iconic voices in contemporary photography for more than 30 years, with scores of magazine and book covers, over a dozen books, and countless ex...

Total Edition of 15 signed and numbered Also available in: 100 x 100 cm / 39.4 x 39.4 in Black and white portrait of Supermodel Naomi Campbell in Paris...

Stunning and glamorous image of Lucille Ball in fur.Lucille Ball was an American actress, comedian, model, film-studio executive, and producer. She was the star of the self-produced ...

About the Collection Terry O’Neill’s “lost photoshoot”. Terry shot these for Globe Photos almost half a century ago, but they remained lost until recently uncovered in our archives....

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 14" x 11" gelatin silver print signed by the photographer on verso (back of photo). Provenance: Freed estate LITERATURE: W. A. Ewin...

Marshal Josip Broz Tito, President of Yugoslavia-  Vintage Photo is a black-and-white photograph, realized in 1968. In the Photo: Marshal Josip Broz T...

Bob Dylan - Jerry Schatzberg (Portrait Photography) Signed and numbered on reverse Modern silver gelatin print Printed on 24 x 20 inch paper From an edition of twenty Jerry Schatzbe...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

Greta Garbo in Susan Lenox (Her Fall And Rise) - Photograph by Clarence Sinclair Bull A black and white photograph by Clarence Sinclair Bull (American, 1896-1979), matte finish, double-weight paper, depicting a 1931 shot of Swedish/American actress Greta Garbo (Swedish, 1905-1990) on the set of the film Susan Lenox (Her Fall And Rise) directed by Robert Z. Leonard. Greta Garbo poses in a hat, her hand resting on her face, while gazing into the camera. Printed decades later from the original negative, penciled in the lower left corner "A.P.," Estate stamped and blind embossed in the lower right corner "Clarence Sinclair Bull," further blind embossed in same corner "The Kobal / Collection," on verso with the photographer's black ink credit stamp and with "Edward Weston" black ink credit stamps dated "1981" and "1992," originally from the John Kobal Collection. Greta Garbo was a Swedish-American actress. Regarded as one of the greatest screen actresses of all time, she was known for her melancholic, somber persona, her film portrayals of tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. Clarence Sinclair Bull was born in Sun River, Montana, in 1896. His career began when Samuel Goldwyn hired him in 1920 to photograph publicity stills of the Metro-Goldwyn-Mayer film studio's stars. He is most famous for his photographs of Greta Garbo, taken between 1926 and 1941. Bull's first portrait of Garbo was a costume study for the silent romantic drama film Flesh and the Devil in September 1926. Bull was able to study with the great Western painter...

Gelatin silver print Signed, dated, and numbered, verso 20 x 16 inches, sheet 15 x 15 inches, image (Edition of 30) From the series, "Primitive Behavior" This artwork is offered by...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of the young Barbara Streisand...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

'3498' London, United Kingdom 2022 From limited edition of 20. The photograph is signed front bottom right corner and comes with a certificate of authenticity, signed date of prin...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of Actor, Bodybuilder an...

Black and white capture of star actor James Dean candid and smiling. James Dean was an American actor with a career that lasted five years. His roles typified the teenage disillusio...

Unique black and white capture of actress Audrey Hepburn smiling while holding a pet Yorkie. Audrey Hepburn was a British actress. Hepburn had a successful career in Hollywood and w...

Sleeping Beauties (Till Death do us Part) - 2005, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate....

Shot of Mick Jagger. Custom smoke white acrylic paint. Hand pulled enamel screen print and diamond dust on linen. Stretched on black frame. About the Artist: Russell Young curr...

Sabine Weiss Alberto Giacometti dans son Atelier, 1954 (Giacometti in his studio), ca. 1970 Gelatin silver print mounted on paper Signed in graphite by Sabine Weiss on the mount directly underneath the photograph Frame Included This now iconic photograph of Alberto Giacometti in his studio was taken in 1954 by the celebrated photographer Sabine Weiss, who at the time, had unparalleled access to the artist. It was printed ca. 1970 and signed on the mount directly underneath the photograph in a limited edition of an undisclosed size. Highly collectible. Elegantly matted and framed in a museum quality wood frame with UV plexiglass. Measurements: Framed 18 x 14.5 x 1.25 inches Photograph 12.5 x 8.75 inches Sabine Weiss biography: For over sixty years, Sabine Weiss’s name has been synonymous with the seminal era of French Humanist photography. A living legend, Weiss’s images from 1950s Paris speak of a postwar time when a feeling of hope and joie de vivre could be felt in the people populating the city’s cafes, squares, streets, and in all corners throughout Paris. Weiss would photograph individuals going about their daily lives capturing their emotions and creating a style that combined spontaneity and informality, backed by photographer’s intuition and knack for seeing and celebrating the simple joys of life. As she said, “I take photographs to hold on to the ephemeral, capture chance, keep an image of something that will disappear: gestures, attitudes, objects that are reminders of our brief lives. The camera picks them up and freezes them at the very moment that they disappear. I love this constant dialogue between myself, my camera and my subject, which is what differentiates me from certain other photographers, who don’t seek this dialogue and prefer to distance themselves from their subject.” Originally from Switzerland, Weiss moved to Paris in 1946 where she first assisted fashion photographer Willy...

Black and white promo photo of Marilyn Monroe posed for her role in "Gentlemen Prefer Blondes", circa 1953. -- One-of-a-kind original vintage press print from the Celebrity Vault ar...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of American retired fil...

David Bowie, Aladdin Eyes Open, 1973 by Brian Duffy. This photograph was taken during the photo shoot for the album cover for Aladdin Sane, January 1973, London. This is an exquisite FRAMED* Archival Pigment print. *Note delivery includes secure art crating & shipping. Framed in black wood with glass and matt Stamped by The Duffy Archive, UK. Supplied with certificate of authenticity. Gorgeous print measuring 115 x 115 x 3 cm (framed). The image area is 95 x 95 cm. Produced utilising the original contact sheet. We ship regularly using Fedex Express services and ship to all international locations. About these images : “It wasn’t until we saw the contact sheets the next day I remember thinking, God this is spectacular. You just knew you had cracked it, boy, did you know it.” Celia Philo DAVID BOWIE: FIVE SESSIONS PHOTOGRAPHS BY DUFFY Brian Duffy photographed David Bowie over five sessions between August 1972 and April 1980, and made the iconic Aladdin Sane album cover image. January 1973–Session two–Aladdin Sane. It has been called ‘The Mona Lisa of Pop’. Who could have imagined that the moment he clicked the shutter on the Hasselblad in early 1973 that one of those images would become known as a cultural icon? – Chris Duffy Some background to the shoot. The background stories to the Aladdin Sane shoot are told in rich detail in the book Bowie Duffy – Five Sessions. In particular it is a delight to read Duffy’s (a self confessed Marxist anarchist) analysis and compare that with the measured tone of Tony Defries. If you don’t have a copy of the book, here’s a flavour of their respective views – which amount to much the same thing – just expressed in different ways. First up, Tony Defries: “I was looking for an iconic cover image and artwork that would help me to persuade RCA that Bowie was sufficiently important to warrant megastar treatment and funding in order to propel him to exactly that status. Engaging a master, world-class photographer to shoot the project /brand and to design the artwork was the best way to send that message. Brian had the ability to make the mundane image interesting and the interesting image fascinating.” Then Duffy: “Tony wanted to make the most expensive cover he could possibly get a record company to pay for, because he realised that if it cost fifty quid, well, so what – but if it cost £5,000 the record company were now having to pay attention. He said “Can you make it expensive?“and I said “No problem old love.” I proposed– One: A Dye-transfer. A genius method of being able to spend the most amount of money to get a reproduction from a colour transparency onto a piece of paper. Two: Get the plates made, where? Switzerland. Then employ me to design it and create it – even better and more wasteful.” The Aladdin Sane session was a real team effort. The location was Duffy’s studio at 151a King Henry’s Road in Primrose Hill, London, which had been the setting for the Ziggy Stardust session the previous August. Duffy had agreed with Tony Defries that his design agency, Duffy Design Concepts, which he ran with Celia Philo, would design the sleeve. Present in Primrose Hill on that January day in 1973 were Duffy, David Bowie, Celia Philo, Tony Defries, French make-up artist Pierre Laroche, and Duffy’s studio manager Francis Newman, who also acted as his assistant that day. Follow-up work on the detailed airbrushing required to create the final artwork was carried out by Philip Castle. What about that lightning bolt flash and the liquid pool? The idea for the lightning bolt came from David Bowie. The realisation of that lighting bolt into the form that appeared on the sleeve was down to Duffy. Its source is believed to be a rice cooker that was in Duffy’s studio – and which had a small logo with a red and blue flash. Francis Newman remembers, “Pierre stared to apply this tiny little flash on his face and when Duffy saw that he said, “No, not like that, like this” and literally drew it right across his face and said to Pierre, “Now, fill that in.”” The red colour was lipstick. Adding the pool of liquid to the collarbone was Duffy’s idea, and this was brilliantly airbrushed in as part of the post-production work by Philip Castle. David Bowie explained the background to Rolling Stone magazine, that it was a “Lightning bolt. An electric kind of thing. Instead of, like, the flame of a lamp, I thought he would probably be cracked by lightning. Sort of an obvious-type thing, as he was sort of an electric boy. But the teardrop was Brian Duffy’s. He put that on afterward, just popped it in there. I thought it was rather sweet.” DAVID BOWIE David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/ BOH-ee),[2] was an English singer-songwriter and actor. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century, acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world's best-selling music artists. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Born in Brixton, South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity" became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted radically towards a sound he characterised as "plastic soul", initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He reached his commercial peak in 1983 with Let's Dance; the album's title track topped both UK and US charts. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla...

Awesome black and white capture of film actress Marilyn Monroe smiling while riding an elephant. -- One-of-a-kind original vintage press print from the Celebrity Vault archives. Ow...

Queen Elizabeth II wears a tassel is a vintage b/w photograph realized in the 1958. Good conditions. Stamped on the rear.

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of famous actor Al Pacino smoking. From personality portraits and advertising campaig...

Rare, signed artist proof print of David Bowie and Elizabeth Taylor by Terry O'Neill David Bowie and actress Elizabeth Taylor meet for the first time at George Cukor’s house in Beve...

Passionate, sensitive and an eye for detail, light and color, this is the working method of Dutch photographer Ursula van de Bunte (1969). She is a perfectionist, enthusiastic and di...

Omnia Vanitas No.6 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It is available in one size: *60...

Toned gelatin silver print, 8 x 12 in. Signed and titled in pencil on mount margin by Bank Langmore Framing not included. Western photographer, Bank Langmore, traveled extensively with cattle drives...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of British-American sta...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of famous American sing...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of American actress Gena Rowlands...

Black and white candid capture of actress Jane Fonda posed in a fur hat, circa 1972. Jane Fonda is an American actress and activist. Recognized as a film icon, Fonda's work spans se...

Harlem, 1954 by Leonard Freed, is a 14” x 11” photograph from the photographer's Black in White America book (p. 91). The gelatin silver print from the estate is stamped verso (back ...

Divine Nude No.21 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It...

Color capture of Grace Kelly outdoors, posed in a knit sweater, circa 1962. Grace Kelly was an American actress and Princess of Monaco as the wife of Prince Rainier III from their m...

This listing is for an unframed print. Tokie Rome-Taylor is inspired by the works of Harmonia Rosales, Kehinde Wiley, Tawny Chatmon, Ayana V. Jackson, Omar Victor Diop, Deborah Roberts...

This black candid black and white portrait features Debbie Reynolds sitting at home in her kitchen, smiling as she talks on the telephone. Debbie Reynolds was an American actress, s...

Jimi Hendrix poses with a cigarette, 1967 — Signed Limited Edition Print by Gered Mankowitz Legendary guitarist Jimi Hendrix is pictured head-on during a session at Mankowitz's st...

Pink Bardot Triptych - Oversize by Batik Stunning artwork on exquisite vivid Hahnemühle art paper. Limited Edition to 3 only this size. A beautifully cr...

Marianne Faithfull poses for a portrait backstage at Aston Studios during the filming of Thank Your Lucky Stars TV show in May 1965 in Birmingham, United Kingdom. Image is part of David Redfern...

Classic black and white promotional still of Adam West for his role as Batman, and Yvonne Joyce Craig for her role as Batgirl, circa 1967. Batman is an American live-action televisi...

Black and white portrait of actress Ann Miller posed in a witch costume, circa 1946. Ann Miller was an American actress and dancer. She is best remembered for her work in the classi...

Fear (Stage of Consciousness) - 2007 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No. 7...

Dolly Parton in Joelton, Tennessee, 1997. 17x22" Archival pigment print on baryta 315 gsm, acid-free, 100% cotton-fiber paper. Edition 75 Signed on recto by photographer Jim Herrin...