Untitled (red yellow, orange and blue circles and squiggles)
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Alexander CalderUntitled (red yellow, orange and blue circles and squiggles)1968
1968
About the Item
- Creator:Alexander Calder (1898 - 1976, American)
- Creation Year:1968
- Dimensions:Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA120431stDibs: LU1408462202
Alexander Calder
The American sculptor Alexander Calder is known as the father of the mobile, a moving artwork composed of delicately balanced sculptural forms suspended from the ceiling.
Because Calder's parents, both artists themselves, did not want him to suffer the hardships of trying to make a living in art, they encouraged the young Calder to study mechanical engineering at the Stevens Institute of Technology, in Hoboken, New Jersey. He worked a number of jobs, including as a hydraulic engineer and draftsman for the New York Edison Company, before deciding to pursue an artistic career. He never abandoned his engineering background, however, applying his understanding of gears and moving parts in all his artworks, from mechanical toys like the Cirque Calder (1931) and his revered prints to his free-standing abstract sculptures, called stabiles.
In 1926, Calder moved to Paris and established a studio in the Montparnasse quarter. He began creating the many parts of his famous miniature circus from found materials, such as wire, string, cloth, rubber and cork. Designed to be transportable, Cirque grew to fill five suitcases over the years. Always interested in putting forms in motion, Calder also pioneered a new art form called wire sculptures, which he described as “drawings in space.” Like his famous mobiles, the wire sculptures were suspended so that they turned with any movement of the air, presenting different forms when viewed from different angles.
In the 1950s, Calder returned to his roots in mechanical engineering, creating monumental abstract sculptures that verged on the architectural. He worked from loose gestural drawings like this preparatory sketch for his Man Stabile, from 1966. Throughout his career, he also worked as a set designer for the theater, as well as an illustrator and printmaker, producing vibrant, whimsical drawings for books and journals.
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- Derrier le Miroir, cover, Volume 141By Alexander CalderLocated in Fairlawn, OHDerrier le Miroir, cover, Volume 141 Original color lithograph, 1963 Unsigned and unnumbered (as issued) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Condition: E...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- Terres de Grand Feu, (Land of Great Fire)By Joan MiróLocated in Fairlawn, OHDerriere le miroir, no. 87-88-89. Pages 6-7 Terres de Grand Feu, (Land of Great Fire) Color lithograph, 1956 From: Derriere le Miroir, Volume 87-8...Category
1950s Abstract Abstract Prints
MaterialsLithograph
- The Season's EncounterBy Mark TobeyLocated in Fairlawn, OHThe Season's Encounter Signed, dated and numbered in the lower margin Edition: 20 (16/20) Signed, dated and numbered in the lower margin Condition: Mint, f...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- Derriere Le Miroir-Page 6-7By Alexander CalderLocated in Fairlawn, OHDerriere Le Miroir-Page 6-7 Color lithograph, 1973 Unsigned (as issued) From: Derriere Le Miroir, No. 201, January 1973 Publisher: Maeght Editeur, Paris Printer: L’Imprimerie Arte, Adrien Maeght Edition: Large (unspecified) There is also a deluxe edition of this issue of DLM, signed and numbered on the justification page, edition 150 Condition: Fresh colors a few spots of foxing near the centerfold, appropriate to it's age Sheet/Image size: 15 x 22 inches Derriere le Miroir (Behind the Mirror) The art...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Red MountainBy Louisa ChaseLocated in Fairlawn, OHRed Mountain Three color lithograph, 1986-7 Signed, titled and dated in pencil lower right Annotated "B.A.T." for Bon a Tire lower left corner This example is the printers guide for printing the editon of 40 Printed on BFK Rives paper Printed at Derriere L'Etoile Studios, New York Printer: Maurice Sanchez Condition: Excellent, never framed Image/Sheet size: 45 1/4 x 30 inches Louisa Chase came to prominence in the 1980's as one of the outstandingNeo-Expressionist painters. Her work then was characterized by bold colors and brush strokes, often incorporating natural elements and fragments of the figure. Louisa Chase's works have been featured in gallery and museum shows in Cologne, Nurnberg, Luzem, Switzerland, Toronto, and Tokyo, and various galleries and museums throughout the US. She has also been featured at the American Pavillion at the 1984 Venice Biennale. Also in 1984, the Institute of Contemporary Art in Boston organized as travelling exhibition of her work. In 1997, the Madison Art Center organized a retrospective of her prints, Louisa Chase: Prints, 1981-1996. She has been a featured artist at the University of Wisconsin's Tandem Press and at the Tamarind Press; ahe was also invited to do a print for Lincoln Center in New York City. The recipient of two grants from the National Endowment for the Arts, Chase's works are in the permanent collections of such museum as The Museum of Modern Art, the Metropolitan Museum of Art, The Whitney Museum of American Art (New York), The Brooklyn Museum of Arts, The Corcoran Gallery and The Library of Congress (Washington D.C.), The Walker Art Center (Minneapolis), the Mount Holyoke College Art Museum, the Denver Museum of Art, and the Chazin Museum of Art of the University of Wisconsin, Madsion and the Madison Museum of Contemporary Art (Madison WI). Bibliography: Elizabeth Armstrong, Painters who print (Minnapolis: Walker Art Center, 1984); Ruth S...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Summer in VeniceBy Adja YunkersLocated in Fairlawn, OHSummer in Venice Lithograph printed in colors from five stones on Italian "Pascia" paper, 1966 Signed and dated lower left in pencil (see photo) The Print Club of Cleveland Publicati...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- Descente aux enfers planche 1By George BraqueLocated in Paris, FRLithograph, 1961 Catalog : Vallier171 Mourlot77 32.00 cm. x 25.00 cm. 12.6 in. x 9.84 in. (paper) 23.00 cm. x 19.00 cm. 9.06 in. x 7.48 in. (image) Handsigned by the artist in penc...Category
1960s Abstract Abstract Prints
MaterialsLithograph
Price Upon Request - No titleBy Victor VasarelyLocated in Paris, FRSerigraph, 1970 Edition : 214/275 85.00 cm. x 55.00 cm. 33.46 in. x 21.65 in. (paper) 76.00 cm. x 43.00 cm. 29.92 in. x 16.93 in. (image) Handsigned by the artist in pencil Ref : L...Category
1970s Abstract Abstract Prints
MaterialsLithograph
Price Upon Request - Le Tir à l'arcBy George BraqueLocated in Paris, FRLithograph, 1955 Edition : VIII/X Publisher : Louis Broder (Paris) Printer : Desjobert (Paris) Catalog : Vallier 153 22.00 cm. x 32.00 cm. 8.66 in. x 12.6 in. (paper) 22.00 cm. x 32...Category
1950s Abstract Abstract Prints
MaterialsLithograph
Price Upon Request - Lithograph n°29By Pierre SoulagesLocated in Paris, FRLithograph, 1972 Handsigned by the artist in pencil annotated "Epreuve artiste" Edition : 200 ex. Publisher : Olympia 72, Munich Printer : Mourlot, Paris Catalog : [BNF77] 104.00 cm...Category
1970s Abstract Abstract Prints
MaterialsLithograph
Price Upon Request - Composition grey, red and yellow L27By Serge PoliakoffLocated in Paris, FRLithograph, 1960 Handsigned by the artist in pencil and numbered 70/100 Publisher : Galerie Creuzeveult, Paris Printer : E. Desjobert, Paris Catalog : Schneider 27 LCD4013Category
1960s Abstract Abstract Prints
MaterialsLithograph
Price Upon Request - AugustBy George BraqueLocated in Paris, FREtching and aquatint, 1958 Edition : VIII/X Publisher : Louis BRODER Catalog : VALLIER n°135 page 191 37.00 cm. x 47.50 cm. 14.57 in. x 18.7 in. (paper) 24.50 cm. x 32.00 cm. 9.65 ...Category
1950s Abstract Abstract Prints
MaterialsLithograph
Price Upon Request
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