Small Abstract Prints

Friedrich Geiler Untitled from Constructive Landscapes II (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen on PVC Year: 1987 Signed, dated, numbered or inscri...

Print without matte is 19" X 13". Michael Knigin was born in 1942 in Brooklyn, NY. He attended and graduated from Tyler School of Art, Temple University. He received a Ford Founda...

Artist: After Jean-Michel Basquiat (1960-1988) Title: Chateau la Coste Year: 2019 Medium: Offset lithograph exhibition poster on wove paper Size: 23.75 x 15.75 inches Condition: Exce...

Composition VIII is a wonderful color lithograph on paper, realized in 1974 by the Spanish master Joan Miro for the second volume of his catalog "Mirò Lithographe". This plate is fro...

Hayal Pozanti 8 million tons of plastic that go into the sea each year (18-311), 2018 Three-Color Lithograph on Bisque Revere Suede Hand signed, numbered...

This artwork titled "Centre Noeuds" plate #1, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #5, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

Artist: Karel Appel Title: Salto Sobre La Cabeza Year: 1988 Medium: Etching with aquatint Signed and dated '88, numbered 5/60 in pencil Dimensions: 19.25" x 4.5" Provenance: Gallery ...

Georg Baselitz (German, b. 1938) Serpentine (Green), 2022 Medium: Etching with sugar lift aquatint on wove paper Dimensions: 53 × 39 cm (20 9/10 × 15 2/5 in) Edition of 50: Hand-sign...

Etching, 1951 Handsigned by the artist in pencil and numbered 50/50 Publisher : L'Oeuvre gravée (Zurich) Printer : Atelier Georges Leblanc (Paris) Catalog : [Moestrup 66] 55.50 cm. x...

Les Squales is an artwork realized by Jean Dubuffet in 1959. Sheet 9 for the portfolio "Eaux, Pierres, Sable". Lithograph. Artist Proof. Signed, dated and titled. On buff BFK Riv...

This abstract limited edition print by Elwood Howell features a cool, unique palette. Shapes that resemble thick foliage form a loose horizon line, with deep blue, violet, green, and specks of pink forming the bottom area of the piece. Above is a muted color that transitions out toward the edges to form the aesthetic of a glowing blue sky. An edition of 100, the limited edition giclee it is printed on canvas, and framed in a warm silver floater frame ready to hang. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist's signature and edition number will be added to the giclee electronically when created. Each print comes with a Certificate of Authenticity containing all information and retail price. Also, this framed giclee ships for free. Other floater frame options are available in silver, black, gold, and walnut. For additional sizes and alternate frame options or rolled, please contact us. Artist Statement and CV: Of his work, artist Elwood Howell says, "The greater body of my work is primary landscapes and seascapes of an imaginary nature created in the studio. Most works have a generally high horizon as a focal point to lure ones eye into the simple composition. The large area below the horizon down to the base of the canvas gives the viewer's eye freedom to roam the surface. This space gives the painting life much as soil nourishes the very roots of a tree. The imagery at the horizon gives a focal point and the expanse above serves as atmosphere to set the mood. This has been a format I have used for over forty years and it still intrigues me. In the process of correlating the colors, values and markings, with the fore mentioned ink, paint, charcoal, pencil and even by sanding, a visual conversation begins between the painting and the painter. Thus, by adjusting again and again, from hints given by previously applied paint, sometimes even an abrupt and complete change over the earlier endeavors is commanded. The discourse will probably continue forward, just as communications sometimes do with people, for new thoughts can hoover about and over time a need is created for further deliberation. Thus some "completed" works have required changes years later. Sometimes discussions, of whatever nature, never seem to be finished. When painting is viewed down the road, by another person, maybe they, too, will encounter a visual voice, which probably will be of a totally different nature than has been envisioned. However, and hopefully, at that time some connection will take root and a soul will be nourished.” Awards • Honorable Mention, Guild Hall, East Hampton, NY (2003) • Best Abstract, Guild Hall, East Hampton, NY (1982) • David G. Lyon Award, New England Exhibition, Silvermine Guild, New Canaan, CT (1982) • Shared 1st prize, Parrish Art Museum Annual, Southampton, NY (1981) • Reader's Digest Award, 31"t New England Exhibition, Silvermine Guild, New Canaan, CT (1981) • 1st Prize, VII Long Island Painters, Guild Hall, East Hampton, NY (1975) • Judges Award, 22nd Annual Exhibit, Parrish Art Museum, Southampton, NY (1975) • Award of excellence, 20th Annual Exhibit, Heckscher Museum, Huntington, NY (1975) • 2nd Place, Artist Guild of Chicago & Artist Guild Purchase Award, Annual Watercolor Show (1974) • Merit Award. Illinois State Fair Professional Art Exhibition (1973) • Williams Bartels Prize, 74th Chicago and Vicinity Show, The Art Institute of Chicago, IL (1973) • Honorable Mention and Metropolitan Structure Award, New Horizons Exhibit, Chicago, IL (1973) • William Fleming Purchase Award 4th International Mat-Media Exhibition of Dickinson State College, ND (1973) • Purchase Award, Springfield Old Capital Art...

Wood engraving, 1966 Handsigned by the artist in pencil Publisher : Louis Broder (Paris) LCD3943

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

12 Panels - Abstract Etching in Ink on Paper Bold abstract composition by Patricia Pearce (American, b. 1948). Comprised of twelve panels, each one is textur...

Stephan Küthe Untitled II Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 10 Size: 13.8 × 19.5 on 19.1 × 23.8 inches COA provided (gallery issued)...

Acrylic paint on masonite. The frame was painted by the artist.

PIERO GUCCIONE "Images" Year: 1968 Medium: Lithograph in four colors Edition: 100 Size: 23.6 x 17.6 in. Publisher: Il Torcoliere, Rome - Italy Signed an...

This Limited-Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and r...

Abstract Composition is an etching and collage on paper realized by Hans Richter in 1973. Published by La Nuova Foglio, a publishing house of Macerata. Monogrammed by Frida Richter and numbered in pencil on the lower margin. Edition number 29/99. Good conditions. On the lower left margin of the back, there are a dry-stamp of the publishing house and a black-ink stamp " Estate Hans Richter " ; on the lower right margin the guarantee certificate by La Nuova Foglio. From a portfolio of seven etchings published by The New Sheet under the supervision of Hans Richer, who signed for each " bon à tirer " before his death, which took place in Locarno on 1 February 1976...

Stephan Küthe Untitled VI Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 15 Size: 13.0 × 19.5 on 18.3 × 23.8 inches COA provided (gallery issued) ...

Windows on the sea is an artwork realized by Gastone Breddo in the 1956 Colored lithograph on paper. The print is hand-signed and dated in pencil on the lower right.. Numbered and ...

Rome is an original modern artwork realized in 1972 by the artist Bruno Canova (1925-2012). Mixed colored lithograph. Hand signed and dated in pencil on the lower right margin. Nu...

Vintage Exhibition Poster is a Offset print realized for the exhibition of Marco Tirelli in 2006. Good condition, no signature. The exhibition was held in Galerie de Meo in Paris i...

Neoexpressionism/abstract pop art Artist: Fred Bugs Numerated Lithograph: 74/100 Euthentic artwork-print signed, with stamp

This abstract limited edition print by artist Ned Martin features his signature rectangular pattern in a cool palette. A warm under-layer is just visible, which lightly contrasts the...

Abstrait Gris is an original color lithograph on paper, realized by the artist Marcel Fiorini (1922-2008). Signed in pencil on the lower right margin, this is a print proof from an edition of 120 copies. Beautiful specimen, with bright colors, numbered in pencil and in Arabic numerals on lower left margin. In excellent condition, this is a wonderful contemporary abstract artwork, with some signs of the time like light folds on lower left margin, beyond the marginal line of the matrix. This defect does not affect the image. A poetic contemporary artwork has not to be missing in your collection! Marcel Fiorini (Guelma, Algeria 1922 - Bois-le-Roi, 2008) The French painter and engraver, born in Algeria of an emigrant Italian family, suffered the innovative influences of painting promoted by Italian Fascism...

"Miró Exhibition Poster " is a vintage photo-offset print realized after Joan Miró in 1971, it comes from one of the Italian Exhibition posters...

Abstract composition in black is an etching and embossing realized by Hans Richter. No signature. On the back of one copy there is a label of published house with guarantee certif...

Wonderful and evocative abstracted dry point etching of dragon fly and barbed wire titled "Rebirth" by Tomoya Uchida (Japanese, b. 1947). Presented in new custom cut mat. Unframed. Image size: 9"H x 15"W Titled "Unremembered Dream" along the bottom edge. Signed and dated "T. Uchida '89" in the lower right corner. Presented in a new custom-cut mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...

This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in vivid shades of red, yellow and or...

Stephan Küthe Untitled VII Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 15 Size: 13.0 × 19.5 on 18.3 × 23.8 inches COA provided (gallery issued)...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Abstract blue circle lithograph by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearc...

Gottfried Honegger (1917-2016, Swiss) Title: Concrete Geometric Abstract Composition with Blue Medium: 3D-construction Year: 2015 Signed by hand and inscribed Size: 20.9 × 21.1 on 24...

Colorful Cat Face - Transfer Monotype in Water Based Ink on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th...

Fine serigraphy on plexiglass 1973, hand signed and numbered (edition of 600), in good condition. After Arman's so-called "allures d'objets", in which objects are inked and stamped o...

Robert Motherwell Paris Suite II (Summer) 1980 Lithograph on J.B. Green handmade paper, Edition of 60 49.2 x 41 cms (19 1/2 x 16 ins) RM17034 CR 265 Sign...

From the estate of Jerry and Ruth Opper JO 23-1 1950's Stone Lithograph on Paper 12.5" x 19", Unframed Came from a portfolio of his work from his estate. Jerry Opper (1924-2014) He...

Our M.C.-2 Screen print, 1970 Signed in pencil lower right Chop stamp: Denise Rene Editeur, on lower left margin From: Album Charities Edition: 300 (35/300) Catalog raisonne states e...

Abstract Composition is a screenprint on paper realized by an unknown artist in 1965. Hand-signed, illegible, and numbered, edition of 24/160 prints. Good conditions. The artwork ...

Abstract Composition is an etching and embossing realized by Hans Richter. Monogrammed in the lower part. Numbered.Edition,64/99 Hans Richter (Berlin 1888.1976) was a German d...

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 22: Femme et Oiseau Year: 1965 (after 1963 original) Medium: Pochoir Edition: 1200 Size: 12.5 in. x 8.75 in. (31.75 ...

"Miró Lithographe I - Plate VII" is a vintage lithograph realized by Joan Miró in 1972. Perfect conditions. It comes from the set of 11 lithographs realized for the catalogue "Mi...

A very good impression of this color screenprint on Rives BFK. Signed and numbered 26/175 in pencil by Chamberlain. Published by London Arts, Inc., Detroit, with the blind stamp lowe...

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...

I Mend Myself Monotype on Paper Contemporary Latin America Contemporary Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example ...

This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of sea blue, black and gree...

Abstract composition is an artwork realized by Victor Vasarely (1906 Pecs - 1997 Annet-sur-Marne) in 1980. Silkscreen on paper. Signed lower right, numbered lower. h 48 x 45 cm ...

This artwork titled "Centre Noeuds" plate #7, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Grafica '68 (Partial) Portfolio containing 3 (three) lithographs and etchings Originally issued with 10 Lithographs, Silk Screens and Etchings, of which 7 (seven) are missing Year: 1968 Edition: 100 Size: 17.6 x 23.6 in. or 23.6 x 17.6 in. Publisher: Il Torcoliere, Rome - Italy Signatures: Sheets signed and numbered by hand Comes with folio box and individual artists' presentation sheets. --------------------------------- Artists works included: RENZO VESPIGNANI "Report on the artist" Year: 1968 Medium: Lithograph in two colors Edition: 100 Size: 17.6 x 23.6 in. Publisher: Il Torcoliere, Rome - Italy Signed and numbered Ref: RVE_1909_01 LUCIANO DE VITA "Le cavalier inconnu" Year: 1968 Medium: Etching Edition: 100 Size: 23.6 x 17.6 in. Publisher: Il Torcoliere, Rome - Italy Signed and numbered Ref: LDV_1909_01 PIERO GUCCIONE "Images" Year: 1968 Medium: Lithograph in four colors Edition: 100 Size: 23.6 x 17.6 in. Publisher: Il Torcoliere, Rome - Italy Signed and numbered Ref: PGU_1909_01 ======================= Renzo Vespignani was an Italian painter, printmaker and illustrator. Vespignani illustrated the works of Boccaccio, Kafka and T. S. Eliot, among others. In 1956, he co-founded the magazine Citta Aperta and in 1963, co-founded the group II Pro e II Contro for neorealism in figure art. ---------------- Luciano De Vita ( Ancona , 1929 - 1992 ) was an Italian painter , engraver , set designer and lecturer . Born in Ancona, De vita arrived in Bologna in the first post-war period, after having actively participated in the Second World War and having suffered the dramatic consequences. He attended the Academy of Fine Arts and was a pupil of Giorgio Morandi. From 1962 he taught in Milan at the Brera Academy , while in 1975 he returned to Bologna where he obtained the same chair of engraving that had been Morandi's from 1930 to 1956 . De Vita also actively dedicated himself to the theater , overseeing sets and costumes for shows that were also staged at La Scala in Milan. An example is the Turandot curated by Raoul Grassilli. ---------------- Emilio Vedova (9 August 1919 – 25 October 2006) was a modern Italian painter...

This artwork titled "Centre Noeuds" plate #4, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This Limited Edition abstract print, "Lemon Lime Goodness," by Sofie Swann measures 20" x 16" and is an edition of 95. Printed on canvas, this gicl...

Avraham Inlender Untitled Composition (Geometric Abstraction, Fractal) Color silkscreen Year: 1981 Signed, dated, numbered or inscribed Edition: 29 Size: 16.6 × 16.8 on 23.4 × 23.4 i...

Caught on a Breeze #1 – Green by Charlie Davies [2021] limited_edition Soft ground etching Edition number 100 Image size: H:22 cm x W:30 cm Complete Size of Unframed Work: H:36 cm x...

Friedrich Geiler Untitled from Constructive Landscapes II (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen on PVC Year: 1987 S...

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: June Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: ...