Small Abstract Prints

Artist: Joan Miro Title: Plate III Portfolio: Lithographe III Medium: Lithograph Date: 1977 Edition: Unnumbered Frame Size: 19 5/8" x 16 3/4" Sheet Size: 13" x 10" Signature: Unsigne...

Self-portrait of a painter in an old garden. 2/31., 2010., color lithograph, 46x36cm Leonids Maurins (1934-2012) From 1954 to 1961 studied at J. Rozent...

Lithograph on vélin paper. Paper Size: 12.5 x 19.25 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patric...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Block Island Year: 1971 Medium: Serigraph, signed and numbered in pencil Edition: 150 Image Size: 12 x 12 ...

Torrent is an original B/W lithograph from the album Theatre du sol by the French founder of Art Brut, Jean Dubuffet Good condition. The artwork represents an Abstract composition ...

Arte Povera 2 Exhibition - Galerie Di Meo, Paris is an offset realized for the exhibition in 2010. Good condition, no signature. The exhibition is in Galerie Di Meo in Paris from October to November 2010. The Arte Povera Artists are: Giovanni Anselmo, Michelangelo Pistoletto, Alighiero Boetti, Luciano Fabro, Jannis Kounellis, Pier Paolo Calzolari, Giuseppe Penone, Giulio Paolini, Gilberto Zorio, Pino...

Artist: Robert Indiana Title: Black Diamond American Dream #2 Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 9 7/8" x 9 7/8...

Hand signed and numbered. Edition of 50 pieces. Good conditions. Image Dimensions: 34,5x24 cm.

Artist: Henri Matisse (after) Title: Cocquelicots Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 21" Signature: No Reference...

In the Air Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including ac...

Original title: Paesaggio This beautiful black and white etching is hand-signed and dated in pencil on the lower left. Numbered on the lower right. Edition of 25 prints. Overleaf sta...

Neoexpressionism Lithograph by the Italian abstract artist Fred Bugs (1997) 32x46 cm N.88/100

Evergreen Lane (Abstract print) Etching - Unframed. This print is last in edition. This etching refers to a Steamboat Springs, Colorado street. It...

Lithography artwork by Italian abstract artist Fred Bugs.  Untitled.  32 x 46 cm.  N. 66 of 200.  Signed and stamped. 

Lithograph, 1959 Handsigned by the artist in pencil and numbered 75/300 Catalog : Vallier p.294 Maeght n°1029 45.50 cm. x 55.00 cm. 17.91 in. x 21.65 in. (paper) 32.00 cm. x 38.00 c...

This limited edition abstract giclee print by Kelly Rossetti features a cool blue and white palette. The bottom portion of the composition is a deep, midnight blue, which is balanced...

Limited edition. JAN KANTY PAWLUSKIEWICZ (born 1942) Polish composer of songs, theater and film music and a painter. He graduated from the State Music School and studied at the Faculty of Architecture of the Cracow University of Technology. He cooperated, among others, with Marek Grechuta. He is the laureate of the Student Song Festival, National Polish Song Festival in Opole (1977), Short Film Festival in Krakow (1975), Festival of Television Art...

This abstract, limited edition print by Elwood Howell features a predominantly green palette, with a muted yellow area at the top of the composition. Subtle circle shapes and long ve...

Akio Wakasa Miyakawa - Primitive Image (13), Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 3/10, Image Size: 11.5 x 19.5 inches, Size: 15 ...

Abstract composition is a etching and embossing realized by Hans Richter. Monogrammed in the lower part.  50 x 35 cm. No frame. Numbered. Edition, 39/99.

Original Lithograph. Not signed. Plate VIII from the suite of 11 lithographs realized for the catalogue "Mirò Lithographe I" edited by Graphis Arte, Livorno and Toninelli Arte Modern...

A unique example of a section of color lithograph including hand editions by the artist, collaged on a support board. Signed, dated, and inscribed "For Pat" in ink in the image. (s...

Perspective in Red is an original screen print on white paper realized by Italian artist by Tonino Maurizi. Hand-signed on the lower right. Numbered o...

Vintage Poster is an Offset realized for the exhibition by Michel Haas at Galerie Di Meo Paris in 2003. The artwork is represented in a well-balanced composition. Good condition, n...

Hand Signed. Artist's Proof. Etching and aquatint. Image Dimensions : 23 x 32 cm Reference: Catalogue Mason n. 240

Untitled is an etching realized by the Italian artist Antonio Sanfilippo. Hand-signed in pencil on the lower right. Numbered on the lower left. Edition 21/68 prints. Good conditio...

Wood engraving, 1966 Handsigned by the artist in pencil and numbered III/X Publisher : Louis Broder (Paris) 46.50 cm. x 36.50 cm. 18.31 in. x 14.37 in. (paper) 30.00 cm. x 24.00 cm....

Phototype on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition; never framed or matted. Notes: From the volume, La Fleur de Barbe, 1960. Published by Jean Dubu...

This limited edition print is an abstract landscape by Elwood Howell. Below a high horizon line, a blend of earth colors are layered together with specks of colorful shapes throughou...

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

Twentieth Century Untitled Abstract Limited Edition Stone Lithograph by Joan Miro. Originally in a catalogue and consequently there is slight evidence of a fold in the centre. We h...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

This Limited-Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and r...

Windows on the sea is an artwork realized by Gastone Breddo in the 1956 Colored lithograph on paper. The print is hand-signed and dated in pencil on the lower right.. Numbered and ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 48-49, 1952. Published by A...

Passo dopo Passo (Step by Step) is a beautiful print suite composed by three original serigraphs realized by Ennio Pouchard and published by Vanni Scheiwiller, in Milan in 1975. With a circulation of 100 pieces. All the black and white plates are Hand-signed in pencil and in capital letters on the lower right margin and numbered in pencil on the lower left margin. Not only black and white images but also writings demonstrate a double sensibility: figurative and technical abilities and poetical skills. It is amazing to read words about the magic world of sex and love...

This is an original drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represents an abstract ...

Woods Etching and aquatint printed in colors, 1985 Signed, titled & numbered in pencil Edition: 15 (12/15) Printed on BFK RIVES paper Provenance: GE Art Program, (label included), se...

After Brueghel (Spoleto ) is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1969. Signed o the plate on the lower. The print sui...

An original hand-signed and numbered (edition 17/50) silkscreen by Ryo Tokita. Ryo Tokita is a Japanese born artist who emigrated to the United States in 1...

This is an original drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represents an abstract s...

This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line in white. Beneath the line is a textured deep blue that is composed o...

This abstract landscape limited edition print by Elwood Howell features a warm, yellow and orange-hued landscape with a high horizon line and warm undertones. What appears to be a sm...

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo...

Fireworks Color lithograph, 1974 Signed on the image in pencil lower right Publisher's stamp: The Print Club of Cleveland stamp, verso (see photo) The Print Club of Cleveland Publica...

Abstract composition is a etching and embossing realized by Hans Richter. Monogrammed in the lower part.  50 x 35 cm. No frame. Numbered. Edition, 48/99

Lithograph by the Italian abstract artist Fred Bugs (1997) Untitled Year: 2022 N.88/100

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Karl Eugene Fortess (1907-1993) Original color lithographs on BFK Rives paper, 1966, Hand signed and numbered 29/36 in pencil, Sheet size 20.5 x 15 inches. Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker. Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community. Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...

Artist: David Storey Title: Bonix Year: 1999 Medium: Screenprint, Signed and Numbered in Pencil Edition: 100 Size: 23 x 17 inches (58.42 x 43.18 cm)

Sam Francis, American (1923 - 1994) - Taiaisha, Year: 1986, Medium: Poster, Size: 14.25 x 20.25 in. (36.2 x 51.44 cm)

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

Edition Details: Year: 2019 Class: Art Print Status: Official Released: 10/01/19 Run: 1,000 Technique: Fine Art Lithograph Paper: 80# archival qual...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

This abstract landscape limited edition print by Elwood Howell features a cool, green and pale blue palette. The artist's signature high horizon line forms a very slight valley at th...

Lithograph on cardboard with artist's stamp and signature, 32x46cm, work numbered 32/100. Realized by the artist Fred Bugs Artist biography: Fred Bugs is the pseudonym of abstract...

Jean Miotte - Original Signed Etching 1994 Dimensions: 41 x 33 cm Signed and numbered in pencil Edition: /60 From Près du mur

Artist: Alexander Calder, American (1898 - 1976) Title: Damier from Derriere Le Miroir Year: 1966 Medium: Lithograph Size: 14.5 x 10.5 in. (36.83 x 26.67 cm) Frame Size: 23 x 19 inches

Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”. - Paper somewhat darkened and with slight creases, thumbtack holes in the corners - The Rider of the Sun - The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred. The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme. About the artist In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...

Monotype