Kelly Rossetti

"This is the Thing, " Framed Limited Edition Giclee Print, 20" x 16"

2022

This abstract Limited Edition giclee print by Sofie Swann features thin, dark blue parallel rectangles of varying heights, each with a white and yellow bottom. A single yellow line i...

This abstract landscape limited edition print by Elwood Howell features a cool neutral palette. The piece features the artists's signature high horizon line, with layered shapes and ...

This abstract limited edition print by Sofie Swann features a square pattern composition in a deep red color, with abstracted, thin black line drawings of roses within each square. T...

This abstract limited edition print by Elwood Howell features a cool, unique palette. Shapes that resemble thick foliage form a loose horizon line, with deep blue, violet, green, and specks of pink forming the bottom area of the piece. Above is a muted color that transitions out toward the edges to form the aesthetic of a glowing blue sky. An edition of 100, the limited edition giclee it is printed on canvas, and framed in a warm silver floater frame ready to hang. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist's signature and edition number will be added to the giclee electronically when created. Each print comes with a Certificate of Authenticity containing all information and retail price. Also, this framed giclee ships for free. Other floater frame options are available in silver, black, gold, and walnut. For additional sizes and alternate frame options or rolled, please contact us. Artist Statement and CV: Of his work, artist Elwood Howell says, "The greater body of my work is primary landscapes and seascapes of an imaginary nature created in the studio. Most works have a generally high horizon as a focal point to lure ones eye into the simple composition. The large area below the horizon down to the base of the canvas gives the viewer's eye freedom to roam the surface. This space gives the painting life much as soil nourishes the very roots of a tree. The imagery at the horizon gives a focal point and the expanse above serves as atmosphere to set the mood. This has been a format I have used for over forty years and it still intrigues me. In the process of correlating the colors, values and markings, with the fore mentioned ink, paint, charcoal, pencil and even by sanding, a visual conversation begins between the painting and the painter. Thus, by adjusting again and again, from hints given by previously applied paint, sometimes even an abrupt and complete change over the earlier endeavors is commanded. The discourse will probably continue forward, just as communications sometimes do with people, for new thoughts can hoover about and over time a need is created for further deliberation. Thus some "completed" works have required changes years later. Sometimes discussions, of whatever nature, never seem to be finished. When painting is viewed down the road, by another person, maybe they, too, will encounter a visual voice, which probably will be of a totally different nature than has been envisioned. However, and hopefully, at that time some connection will take root and a soul will be nourished.” Awards • Honorable Mention, Guild Hall, East Hampton, NY (2003) • Best Abstract, Guild Hall, East Hampton, NY (1982) • David G. Lyon Award, New England Exhibition, Silvermine Guild, New Canaan, CT (1982) • Shared 1st prize, Parrish Art Museum Annual, Southampton, NY (1981) • Reader's Digest Award, 31"t New England Exhibition, Silvermine Guild, New Canaan, CT (1981) • 1st Prize, VII Long Island Painters, Guild Hall, East Hampton, NY (1975) • Judges Award, 22nd Annual Exhibit, Parrish Art Museum, Southampton, NY (1975) • Award of excellence, 20th Annual Exhibit, Heckscher Museum, Huntington, NY (1975) • 2nd Place, Artist Guild of Chicago & Artist Guild Purchase Award, Annual Watercolor Show (1974) • Merit Award. Illinois State Fair Professional Art Exhibition (1973) • Williams Bartels Prize, 74th Chicago and Vicinity Show, The Art Institute of Chicago, IL (1973) • Honorable Mention and Metropolitan Structure Award, New Horizons Exhibit, Chicago, IL (1973) • William Fleming Purchase Award 4th International Mat-Media Exhibition of Dickinson State College, ND (1973) • Purchase Award, Springfield Old Capital Art...

This abstract Limited Edition giclee print by Sofie Swann features thin, dark blue parallel rectangles of varying heights, each with a white and yellow bottom. A single yellow line i...

This abstract Limited Edition giclee print by Sofie Swann features an organic abstract red shape that covers almost the entire canvas, leaving a small border of off-white around it. ...

Toys in the Attic, 2016 Giclée print on Archival Cotton Paper. Acid and Lignin-free. The painting is a limited edition Giclée print, meticulously crafted on archival cotton paper, ensuring its durability and preserving the intricate details of the artwork. The composition takes us into the realm of imagination, depicting toys stored in an attic. Instead of representing the toys in a literal manner, the artist employs a delightful mix of geometric shapes and colors to stimulate our imagination and conjure up images of these playful objects. As we explore the artwork, we can discern a plethora of shapes carefully arranged to evoke the presence of toys. Circles, triangles, squares, and rectangles dominate the composition, both in regular and irregular forms. These shapes interact harmoniously, creating an abstract and fanciful representation of the toys that once brought joy to children. The artist's skillful use of colors enhances the whimsical atmosphere of the painting. Shades of green, orange, soft purple, soft pink, soft yellow, violet, black, and white come together, creating a captivating palette that infuses the artwork with vibrancy and energy. The colors evoke a sense of nostalgia and playfulness, transporting viewers to the imaginative world of childhood. Through the artist's masterful execution, the painting invites us to engage our imagination, allowing us to perceive the hidden toys within the abstract forms. Each viewer may envision different objects based on their personal memories and associations, breathing life into the artwork in their own unique way. Toys in the Attic, 2016 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 30 x 24 Inches Edition 1 or 7 plus 2 AP 40 x 32 inches Edition 1 of 5 plus 2 AP Limited Edition Signed by the artist ____________ About the Artist Francisca Oyhanarte...

Under the Sea, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. The painting is a limited edition Giclée print, expertly created on archival cotton paper, ensuring its longevity and preserving the intricate details of the artwork. The composition transports us to the depths of the ocean, where the artist uses a mesmerizing combination of geometric shapes and vibrant colors to represent the small animals, plants, and corals that reside in the deep sea. The backdrop of the painting is a captivating blue, symbolizing the vastness of the ocean. Against this blue sea, a multitude of figures, expertly rendered with geometric shapes, appear to be swimming and floating. The artist's imaginative use of shapes and colors invites the viewer's imagination to explore the hidden wonders of the underwater world. A vivid and dynamic palette of colors enhances the enchanting atmosphere of the painting. Shades of green, orange, soft purple, fuchsia, yellow, purple, white, and black come together, evoking the vibrant hues found in the marine ecosystem. These colors breathe life into the artwork, capturing the diversity and beauty of the underwater environment. Among the various figures, some are designed with a grated or textured appearance, adding depth and intricacy to the composition. This textured design creates a sense of movement and mimics the intricate patterns found in coral reefs and marine life. As the viewer explores the artwork, they may discern a multitude of shapes, ranging from circles and triangles to abstract and fanciful forms. Regular and irregular shapes coexist harmoniously, creating a visual tapestry that hints at the diversity and complexity of marine life. Under the Sea, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 30 x 30 Inches Edition 1 of 7 plus 2AP 40 x 40 inches Edition 1 of 5 plus 2 AP Limited Edition Signed by the artist ____________ About the Artist Francisca Oyhanarte...

Blue Giant, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. This limited edition Giclée print on archival cotton paper presents an abstract artwork that captures the viewer's attention. The composition features a captivating arrangement of geometric shapes, both regular and irregular, spread across the canvas. These shapes create a dynamic and visually intriguing pattern that invites the observer to explore the painting further. A vivid and lively palette of colors adorns the artwork, with hues of blue, green, black, orange, yellow, white, fuchsia, and a light blue background. These vibrant colors blend harmoniously, adding depth and energy to the piece. The artist's skillful use of color evokes a sense of excitement and wonder. As viewers engage with the artwork, they are encouraged to use their imagination and interpret the title of the piece, "Blue Giant." The title sparks curiosity and invites contemplation about the significance of the blue giant, leaving room for personal interpretation and exploration. This abstract painting is presented in a fine art manner, with careful attention to detail and composition. The deliberate placement of shapes and the use of vibrant colors create a visually striking and thought-provoking experience for the viewer. It is a testament to the artist's creativity and skill in conveying emotions and concepts through abstract forms. Blue Giant, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 33 x 40 Inches Edition 1 of 5 + 2AP Limited Edition Print Signed by the artist ____________ About the Artist Francisca Oyhanarte...

Gardenia, 2019 Giclée print available Cotton Paper. Acid and Lignin-free. 30 x 42 Inches Edition 1 of 10 + 2AP Price: $3,000 Limited Edition Print ___________ About the Artist Francisca Oyhanarte...

Papillion, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. The painting is a limited edition Giclée print, created using high-quality archival cotton paper, ensuring its longevity and preserving the intricate details of the artwork. The central image of the composition features a butterfly, but instead of traditional organic patterns, it is formed by a captivating arrangement of geometric figures. The butterfly serves as the focal point of the painting, capturing the viewer's attention with its bold and vibrant colors. Shades of fuchsia, blue, orange, green, white, black, yellow, and light blue interplay harmoniously, creating a visually striking and energetic composition. Upon closer inspection, one can discern that the butterfly's wings are constructed using a meticulous arrangement of various geometric shapes. As the viewer's gaze explores the painting, they may notice that within the composition, there are additional elements arranged in the form of eyes. These eyes, composed of circles of varying sizes and triangles, lend an intriguing depth and surreal quality to the artwork. They evoke a sense of introspection and invite contemplation about the interplay of perception and reality. Papillion, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 28 x 20.6 inches Edition 3 of 10 +2 AP Price: $2,400 Limited edition Signed by the artist __________ About the Artist Francisca Oyhanarte...

Damien Hirst (b. 1965) Honour from The Virtues (H9-6), laminated giclee print in colours, 2021, on aluminium panel, signed in pencil on the publisher's label affixed verso, stamp-num...